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By:

Bharati Dubey

17 May 2026 at 7:08:10 am

Family News to Fashion Moments

From Sabyasachi’s classic elegance to Masaba Gupta’s contemporary Indian aesthetic, Deepika and Ranveer’s family portraits reflect two distinct expressions of Indian fashion. For Deepika Padukone and Ranveer Singh, special family milestones have also turned into memorable fashion moments. From choosing Sabyasachi for their first daughter Dua’s introduction to opting for Masaba Gupta’s creations for their younger daughter Devi’s debut, the couple have brought together personal celebrations and...

Family News to Fashion Moments

From Sabyasachi’s classic elegance to Masaba Gupta’s contemporary Indian aesthetic, Deepika and Ranveer’s family portraits reflect two distinct expressions of Indian fashion. For Deepika Padukone and Ranveer Singh, special family milestones have also turned into memorable fashion moments. From choosing Sabyasachi for their first daughter Dua’s introduction to opting for Masaba Gupta’s creations for their younger daughter Devi’s debut, the couple have brought together personal celebrations and Indian designer wear in a distinctive way. The latest family photograph, introducing little Devi Padukone Singh to the world, attracted attention not just for the heartwarming occasion but also for the family’s coordinated outfits. Deepika, Ranveer and their daughters, Dua and Devi, were dressed in ensembles from House of Masaba, giving the intimate family moment a festive fashion touch. Known for her contemporary interpretation of traditional Indian silhouettes, Masaba Gupta has carved a distinct identity in the fashion industry through her bold prints, vibrant colours and unconventional design sensibility. Her designs often combine familiar Indian motifs with modern cuts and unexpected colour combinations, offering an alternative to more conventional occasion wear. The family’s decision to wear her label placed the designer at the centre of another widely noticed celebrity fashion moment. Interestingly, the choice marked a departure from the couple’s earlier family announcement. When Deepika and Ranveer introduced Dua to the public last year, they opted for creations by celebrated couturier Sabyasachi Mukherjee, whose designs are known for their traditional craftsmanship, intricate detailing and timeless appeal. The contrast between the two occasions highlights different expressions of Indian fashion. While Sabyasachi’s signature aesthetic brought classic elegance to Dua’s introduction, Masaba’s contemporary design language added a fresh dimension to the family’s latest appearance. The choice of designer also shaped the visual mood of each announcement, showing how clothing can complement an occasion without taking attention away from the family itself. Coordinated dressing has become a familiar feature of celebrity family photographs, particularly when a personal occasion is shared with the public. When done well, it creates a visual connection between the people in the frame without requiring identical outfits. Colour, prints, silhouettes and accessories can bring the look together while allowing each person’s ensemble to retain its own character. In this instance, the family’s choice of a single label gave the photograph a cohesive look. Deepika and Ranveer have long been associated with some of India’s leading fashion designers, frequently making headlines for their sartorial choices at weddings, film events and public appearances. Their preference for Indian labels during significant personal occasions also reflects the visibility that homegrown designers enjoy when celebrities wear their creations beyond the runway. What makes these two appearances particularly interesting is how fashion has become part of the visual narrative surrounding the couple’s family milestones. Rather than elaborate public events, it is the simplicity of the photographs, complemented by carefully chosen designer ensembles, that has made both announcements stand out. The clothing adds another layer to the images, giving fashion followers a point of interest alongside the personal news. From Sabyasachi’s classic grandeur to Masaba Gupta’s modern Indian aesthetic, the two family portraits offer a glimpse of how different designers have become part of Deepika and Ranveer’s most cherished personal moments. They also show how a celebrity’s choice of clothing can introduce different interpretations of Indian design to a wide audience, even in a photograph centred on an intimate family occasion

Sacred Attire

Jan 29, 2025
2 min read

Updated: Jan 30, 2025

The Siddhivinayak Temple Trust’s recent decision to implement a dress code prohibiting short skirts, torn jeans and other revealing attire is a necessary move to uphold the sanctity of religious spaces. Temples are spiritual spaces where devotees seek solace, offer prayers, and connect with the divine. Temples are not mere tourist attractions but sacred sanctuaries. The least that visitors can do is dress accordingly.


The Jagannath temple in Puri, Odisha, and the Banke Bihari temple in Vrindavan have already implemented similar rules, reflecting a growing recognition that religious spaces require a modicum of decorum. In the case of Siddhivinayak, the temple attracts thousands of devotees daily, many of whom have expressed discomfort over attire that they feel clashes with the temple’s spiritual ambience.


Few would question the need for decorum in a courtroom, a government office, or even an upscale restaurant. Yet, when religious institutions enforce dress codes to preserve their sanctity, a chorus of indignation often rises in the name of personal freedom, with such ‘critics’ arguing that such rules reflect moral policing or an imposition of traditionalist values.

But this argument confuses religious sanctity with public space liberalism. No one is being compelled to enter the temple, and those who do should respect the customs that govern it. Even in non-Hindu religious spaces, dress codes are the norm. One does not enter a gurdwara without covering their head, nor a mosque or church dressed in attire deemed unsuitable for prayer. The sanctity of a religious institution should not be sacrificed at the altar of modern whims.


To dismiss this as an encroachment on personal liberties is to misunderstand the nature of such spaces. Religious sites operate under different expectations than public thoroughfares or commercial hubs. They are designed for reflection, devotion, and ritual. While Indian society has rightly evolved towards greater personal freedom in many spheres, faith-based institutions must be allowed to maintain traditions that are integral to their identity. The temple trust has made it clear that its goal is not to impose regressive restrictions but to ensure that all visitors feel comfortable and that the sanctity of the temple is upheld.


Moreover, the argument that religious sites must remain entirely open-ended in their dress codes simply does not hold water. Many of the people who object to these restrictions would scarcely question the need for appropriate attire at a formal event or while meeting a dignitary. The principle is the same -respect for the setting dictates the mode of dress. Those who seek to frame this as a battle between liberalism and conservatism fail to grasp that such measures are about propriety, not repression.


In an era where the lines between cultural expression and decorum are increasingly blurred, it is worth remembering that not every rule is an infringement on liberty. If people can abide by dress codes in secular spaces, they should extend the same courtesy to places of worship.

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