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By:

Rajeev Puri

24 October 2024 at 5:11:37 am

Before Sholay, there was Mera Gaon Mera Desh

When the comedian and television host Kapil Sharma recently welcomed the veteran screenwriter Salim Khan onto his show, he made a striking claim. India, he joked, has a national bird and a national animal; it ought also to have a national film. That film, he suggested, would surely be Sholay. Few would quarrel with the sentiment. Released in 1975 and directed by Ramesh Sippy,  Sholay  has long been treated as the Everest of Hindi popular cinema -quoted endlessly, revisited by generations and...

Before Sholay, there was Mera Gaon Mera Desh

When the comedian and television host Kapil Sharma recently welcomed the veteran screenwriter Salim Khan onto his show, he made a striking claim. India, he joked, has a national bird and a national animal; it ought also to have a national film. That film, he suggested, would surely be Sholay. Few would quarrel with the sentiment. Released in 1975 and directed by Ramesh Sippy,  Sholay  has long been treated as the Everest of Hindi popular cinema -quoted endlessly, revisited by generations and dissected by critics. In 2025, the film marked its 50th anniversary, and the release of a digitally restored, uncut version introduced the classic to a new generation of viewers who discovered that its mixture of revenge drama, western pastiche and buddy comedy remains curiously durable. The film’s influences have been debated almost as much as its dialogues – from scenes taken by the Spaghetti westerns of Sergio Leone, particularly ‘Once Upon a Time in the West’ (1968) or to the narrative architecture of ‘Seven Samurai’ (1954) by Akira Kurosawa. Others note echoes of earlier Hindi films about bandits and frontier justice, such as ‘Khotey Sikke’ (1973) starring Feroz Khan. Yet, rewatching ‘Mera Gaon Mera Desh,’ directed by Raj Khosla, one cannot help noticing how many of the narrative bones of  Sholay  appear to have been assembled there first. Released in 1971,  Mera Gaon Mera Desh  was a major hit at the box office, notable for holding its own in a year dominated by the near-hysterical popularity of Rajesh Khanna. The thematic framework of the two films is strikingly similar. In  Sholay , the retired policeman Thakur Baldev Singh recruits two petty criminals - Jai and Veeru - to help him avenge the terror inflicted upon his village by the bandit Gabbar Singh. In  Mera Gaon Mera Desh , the set-up is not very different. A retired soldier, Jaswant Singh, seeks to protect his village from a ruthless dacoit and enlists the help of a small-time crook named Ajit. Even the villain’s name seems to echo across the two films. In Khosla’s drama, the marauding bandit played by Vinod Khanna is scene-stealing performance is called Jabbar Singh. In  Sholay , the outlaw who would become one of Indian cinema’s most memorable antagonists was Gabbar Singh. There is an additional irony in the casting. In  Mera Gaon Mera Desh , the retired soldier Jaswant Singh is played by Jayant - the real-life father of Amjad Khan, who would later immortalise Gabbar Singh in  Sholay . The connective tissue between the two films becomes even clearer in the presence of Dharmendra. In Khosla’s film he plays Ajit, a charming rogue who gradually redeems himself while defending the village. Four years later, Dharmendra returned in  Sholay  as Veeru, a similarly exuberant petty criminal whose courage and irrepressible humour make him one half of Hindi cinema’s most beloved buddy duo alongside Amitabh Bachchan as Jai. Certain visual motifs also appear to have travelled intact. In Khosla’s film, Ajit finds himself bound in ropes in the bandit’s den during a dramatic musical sequence. A similar image appears in  Sholay , where Veeru is tied up before Gabbar Singh while Basanti performs the now famous song ‘Jab Tak Hai Jaan.’ Other echoes are subtler but just as suggestive. Ajit’s pursuit of the village belle Anju, played by Asha Parekh, anticipates Veeru’s boisterous attempts to woo Basanti, portrayed by Hema Malini. Scenes in which Ajit teaches Anju to shoot recall the flirtatious gun-training sequence between Veeru and Basanti that became one of  Sholay ’s most cherished moments. Even the famous coin motif has a precedent. Ajit frequently tosses a coin to make decisions - a flourish that would later appear in  Sholay , where Jai’s coin toss becomes a running gag. Perhaps most intriguingly, the endings of the two films converge in their original form. In  Mera Gaon Mera Desh , the villain is ultimately killed by the hero. The uncut version of  Sholay  reportedly ended in a similar fashion, with Gabbar Singh meeting his death at the hands of Thakur Baldev Singh. However, censors altered the climax before the film’s 1975 release, requiring that Gabbar be handed over to the police instead. All this does not diminish  Sholay . Rather, it highlights the alchemy through which cinema evolves. The scriptwriting duo Salim–Javed took familiar ingredients and expanded them into a grander narrative populated by unforgettable characters and stylised action. On the 55 th  anniversary of  Mera Gaon Mera Desh , Raj Khosla’s rugged western deserves a renewed glance as the sturdy foundation on which a legend called  Sholay  was built. (The author is a political commentator and a global affairs observer. Views personal.)

The Angry Young Man of Congress

Updated: Oct 21, 2024

The Angry Young Man of Congress

Maharashtra Pradesh Congress Committee President Nana Patole has hit the headlines yet again. Generally, whenever he is in headlines, he is angry and is mad at someone. The difference this time was that he angered Shiv Sena MP and spokesperson Sanjay Raut so much, so that Raut went mad at Nana asking the Congress leadership to keep Patole away from seat sharing talks.


However, this is not the first time that they both have locked horns. In 2021, the year when Patole was made the MPCC Chief by the party leadership, he had hit headlines by stating that his party shall contest the next elections on its own and shall have a Congress worker as a Chief Minister. Raut, who is also the Executive Editor of his party’s mouthpiece Saamna, had written an editorial saying that Patole was overconfident when he made the statement about the power of the Congress in the state.


Patole is accused of being authoritarian and several leaders in the state Congress have raised complained against him with the party high command over past four years. Yet, he enjoys the confidence of the party high command who haven’t moved him away from the post. Probably the reason for that Patole’s grass root connect and that he had been a staunch Congress loyalist though he spent a few years in the BJP and hit national headlines by speaking against PM Narendra Modi when none dared to do so.


Nana, who belongs to agrarian Kunbi community from Suki village of Sakoli taluka of Bhandara district, had a humble start in the Zilla Parishad in 1990 as a Congress member. After the formation of the Nationalist Congress Party (NCP) his arch rival within the party, Praful Patel, went away making way for Nana’s ambition to become an MLA. After becoming MLA twice, in 1999 and 2004, Patole’s ambitions grew. However, he realised that he has little space in the state politics since the Congress and the NCP were in alliance and Patel was taking all the shots as far his home district was concerned. He then switched to BJP and got elected to the parliament in 2014. However, there too he realized that he stands little scope and he started criticising the top leadership of the party before quitting it in 2017.


Though he couldn’t keep his home turf in the bypolls, he won the assembly elections. He was made the Speaker of the assembly in 2019. He distasted the position and resigned from the post to join active politics in 2021, since when he is the MPCC president.


Under Patole’s leadership the party’s performance has been the best compared to past decade, and probably that is the reason why he appears to be the most favoured by the party high command. Even though differences with the Shiv Sena (UBT) over seat sharing are settled as of now, he is unlikely to dilute his stand and let anyone get bigger share of seats in Vidarbha, which is his best bet as of now.

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