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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Comatose to combat-ready

Congress takes on the government with a new zeal Mumbai Youth Congress workers organise 'Yuva Akrosh Morcha' in Dadar, Mumbai, on Tuesday to protest against the NEET and CBSE examination scams. Pic: Bhushan Koyande Mumbai: For over a decade since it was eased out of power, the Maharashtra Congress faced a series of electoral debacles, a demoralised organisation and receding visibility – the last which mattered most. That perception is apparently changing as the state and city units have...

Comatose to combat-ready

Congress takes on the government with a new zeal Mumbai Youth Congress workers organise 'Yuva Akrosh Morcha' in Dadar, Mumbai, on Tuesday to protest against the NEET and CBSE examination scams. Pic: Bhushan Koyande Mumbai: For over a decade since it was eased out of power, the Maharashtra Congress faced a series of electoral debacles, a demoralised organisation and receding visibility – the last which mattered most. That perception is apparently changing as the state and city units have gone on the offensive with a series of agitations or protests, raising issues that directly affect the ordinary citizens. Though it has been a key constituent of the Maharashtra Vikas Aghadi (MVA) since 2019, it clawed to retain its identity as a national party and an independent political force locking horns with the Bharatiya Janata Party (BJP). Raising a Storm In the past few months, either independently, with Vanchit Bahujan Aghadi or in alliance with MVA constituents like Nationalist Congress Party (SP) and Shiv Sena (UBT), the Congress is raising a storm with major issues that rule headlines. These include soaring inflation, fuel price hikes and shortage of gas, petrol or diesel, water crises in many parts, farmers distress, examination paper leak controversies, etc. These are not only winning hearts but grabbing eyeballs in Mumbai, Thane, Palghar, Nashik, Pune, Nagpur and other regions with massive grassroots participation and public mobilisation – proving the party is reading the peoples’ pulse correctly – rather than confining itself to media or online crusades. Rahul’s Credit The transformation is largely credited to Leader of Opposition in Lok Sabha Rahul Gandhi, which the state chief Sapkal – who took charge in Feb. 2025 – taking it forward passionately to the rank and file, spread in the remotest corners of Maharashtra. “He took over the onerous responsibility when the party morale was at its lowest. He launched the ‘Sapkal Pattern’, focussing on energizing the crucial booth-level workers who have direct connect with the ordinary voters, reconnected with local-level issues to keep up the tempo between two elections,” said a Mumbai-based senior leader. On his part, Sapkal has repeatedly given booster doses to the workers, saying the Congress has been a ‘fighter party’ and never shies from taking up issues concerning the common masses. Opposition Space Chief Spokesperson Atul Londhe said the party is implementing the wishes of Rahul Gandhi and the central leadership, handling key states personally and the “changes are visible”. “We shall not allow BJP to get a walkover in anything through its bulldozer tactics. We are with the people of the country and raise their concerns through campaigns and agitations. We will safeguard the Opposition space which is being blatantly encroached upon by the ruling party at all levels,” said a determined Londhe. A Mumbai frontal organisation vice-president said since long, the grassroots cadres of the Congress felt ignored as burning problems of the ordinary masses were not effectively highlighted by the party which seemed to wake up only when the poll bugles were sounded. “Not anymore… We are present everywhere. The people are suffering because of the BJP’s policies. The youth are frustrated as the government doesn’t listen to them and instead labels them as parasites or cockroaches,” said the leader, preferring anonymity. Vocal, visible streetfighter The Congress recently carried out a series of aggressive people-oriented protests - roadblocks against fuel price hikes, bicycle and motorcycle rallies organised by the Youth Congress, demonstrations highlighting inflation, protests over onion prices and farmers woes, ‘handa morcha’ against water scarcity in Mumbai, agitations over examination paper leaks and other irregularities. Positioning itself as the prominent voice of public discontent, the Congress campaigns spanned the state, involving all classes and communities while identifying with the voters who are desperately struggling for survival. While MVA allies also challenge the government, many say the Congress is seen as leading from the front to gradually emerge as the Opposition’s most visible and vocal street-fighting force, setting the agenda for other parties to become an election-ready entity by 2029.

The Soul of Bharat on the Big Screen

Mumbai: April 4, 2025, my heart feels heavier than it ever has. The news hit me like a monsoon storm—Manoj Kumar, the towering legend of Bollywood, the man who painted patriotism across our screens, is no more. At 87, he slipped away at Mumbai’s Kokilaben Dhirubhai Ambani Hospital, leaving behind a reel of memories that flicker in my mind like a projector that won’t stop spinning. As a movie fan who grew up with his films, I’m not just mourning an actor—I’m grieving the loss of a piece of my soul, a piece of India itself. They called him "Bharat Kumar," and oh, how he earned that name.


I remember the first time I saw ‘Upkar’ (1967). I was a kid, sprawled on the living room floor, eyes glued to our old TV. Manoj ji played Bharat, the farmer who gave everything—his dreams, his love—for his country’s soil. That song, “Mere Desh Ki Dharti,” wasn’t just a tune; it was a heartbeat, pulsing with pride and sacrifice. I’d hum it walking to school, feeling like I, too, could be that noble, that selfless. He won a National Film Award for that one, and rightly so—it wasn’t acting; it was living.

Then there was ‘Shaheed’ (1965), where he brought Bhagat Singh back to life. I’d sit there, popcorn forgotten, as he roared defiance against the British, his eyes blazing with a fire that could’ve lit up the darkest colonial night. It wasn’t just a film—it was a revolution on celluloid, a call to remember the blood that bought our freedom. Manoj ji didn’t just play the martyr; he became him, and every time I watch it, I feel that lump in my throat, that sting in my eyes. It’s no wonder it snagged three National Awards—his passion was a gift to us all.


Oh, and ‘Purab Aur Paschim’ (1970)—how do I even begin? He directed and starred as Bharat again, this time wrestling with the clash of East and West, showing us the beauty of our roots while the world tried to pull us away. I’d laugh at Saira Banu’s antics, then choke up when Manoj ji stood tall, singing “Hai Preet Jahan Ki Reet Sada.” It was a blockbuster, sure, but it was more—it was a love letter to India, penned in his signature hand-over-face style. That move, mocked by some, was his shield, his quiet strength, and I adored it.

And who could forget ‘Roti Kapda Aur Makaan’ (1974)? He directed and starred as Bharat—again, because who else could?—tackling poverty, injustice, and the gut-wrenching struggle for the basics of life. I’d watch, fists clenched, as he fought for the everyman, his voice cracking with raw emotion. It wasn’t just a movie; it was a mirror to our society, a cry for change. Seven Filmfare Awards across his career, they say, but this one felt like it carried them all—his heart bled through every frame.


Then there’s ‘Kranti’ (1981), the epic that had me on the edge of my seat. Manoj ji as the freedom fighter, leading Dilip Kumar and Hema Malini through a storm of rebellion—it was grand, it was gritty, it was everything Bollywood could be. “Zindagi Ki Na Toote Ladi” still echoes in my ears, a reminder of the battles he fought on screen, battles that felt so real I’d dream of joining the fight. He didn’t just direct that film; he sculpted a monument to resilience, and I’d cheer like a fool every time he outsmarted the British.


As I sit here, flipping through these memories, I can’t help but feel cheated. Manoj Kumar wasn’t just an actor or director—he was family. Born Harikrishan Goswami in 1937, he carried the Partition’s scars from Abbottabad to Delhi, turning pain into purpose. He gave us over 50 films in a career spanning four decades, snagging the Padma Shri in 1992 and the Dadasaheb Phalke Award in 2015—honors that felt too small for a man who gave India its cinematic soul. His last role in ‘Jai Hind’ (1999) might’ve flopped, but it didn’t dim his light in my eyes.


I’d read how he met Bhagat Singh’s mother before ‘Shaheed’, seeking her blessing—can you imagine the weight of that? Or how PM Lal Bahadur Shastri urged him to make ‘Upkar’ after the 1965 war, handing him “Jai Jawan Jai Kisan” like a sacred torch? That’s who he was—a man who didn’t just entertain but carried a nation’s dreams.


Manoj ji, you weren’t just “Bharat Kumar” to me—you were the uncle who taught me pride, the friend who shared my anger, the poet who sang my hopes. Your films weren’t movies; they were my childhood, my rebellion, my tears. I’ll miss you like I miss the India you dreamed of—flawed, fierce, and forever ours. Rest in peace, sir. Om Shanti.

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