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By:

Shoma A. Chatterji

21 August 2024 at 4:19:40 pm

When the Red Flag Fades

Srijit Mukherji is arguably the most prolific filmmaker in Bengali cinema. His prodigious output inevitably raises questions about his versatility and creative consistency, just as his impressive tally of awards invites scrutiny of his artistic credentials. Yet his recent films, Shotti Bole Shotti Kichu Nei and Padatik, a bio-fiction on filmmaker Mrinal Sen, demonstrate his creative range and assured choice of subjects. With Winkle Twinkle, Mukherji reinforces his standing as one of the more...

When the Red Flag Fades

Srijit Mukherji is arguably the most prolific filmmaker in Bengali cinema. His prodigious output inevitably raises questions about his versatility and creative consistency, just as his impressive tally of awards invites scrutiny of his artistic credentials. Yet his recent films, Shotti Bole Shotti Kichu Nei and Padatik, a bio-fiction on filmmaker Mrinal Sen, demonstrate his creative range and assured choice of subjects. With Winkle Twinkle, Mukherji reinforces his standing as one of the more distinctive and enduring filmmakers in Indian cinema. Sixteen years after his directorial debut, Autograph, a personal take on Satyajit Ray’s Nayak, he continues to experiment with form and subject. Like several of Mukherji’s films, Winkle Twinkle draws inspiration from a celebrated Bengali play of the same name, written by Bratya Basu and staged in 2002. Basu, a formidable figure in Bengali theatre before turning to full-time politics, had drawn on Washington Irving’s Rip Van Winkle, first published in 1819. Irving’s protagonist falls asleep and wakes up years later to discover that the world has changed beyond recognition while he remains essentially the same. Mukherji and screenwriter Padmanabha Dasgupta transpose this premise to contemporary Kolkata, turning it into a sharp political allegory. Sabyasachi Sen, a committed Communist activist, is presumed killed in police firing during the Emergency in 1976. His body is never found. In reality, he falls asleep and awakens in 2002, physically unchanged but confronted by a world that has moved on without him. The shock begins at home. His wife has aged, and his children have grown up. His son, Indro, who idolised Che Guevara alongside his father as a child, has become an active supporter of the Trinamool Congress. He has little patience for his father’s unwavering allegiance to the CPI(M), a party whose ideological universe has been shaken by the collapse of the Soviet Union. His daughter, born after his disappearance, studies at Indira Gandhi University, a name that evokes for Sabyasachi only the prime minister associated with the Emergency. Posters announcing Mamata Banerjee’s rise confront him on Kolkata’s streets. The political landscape has changed beyond recognition, but Sabyasachi cannot accept that the movement to which he devoted his life has lost its former certainty. Technology bewilders him. More distressing, however, is the discovery that an old party comrade has become a leader of a new political formation and amassed wealth through dubious means. The revolutionary’s world has not merely changed; its moral foundations appear to have crumbled. His wife, once his comrade and fellow traveller, offers him refuge, welcoming his return with affection. Their son, however, refuses to accept him readily. The father-son conflict becomes a confrontation between two political generations: one shaped by ideological conviction and sacrifice, the other by a more pragmatic politics of power. The film moves back and forth through time, mirroring Sabyasachi’s bewilderment and drawing the audience into his confusion. Politics, technology, education and popular culture have all changed, often in ways he cannot comprehend. Some of the sharpest moments are also the most humorous. Sabyasachi recalls filmmaker Ritwik Ghatak marching in a Marxist procession, unaware of how cinema has changed and that another Hrithik — Roshan — is now the more familiar name. When a man at a tea stall expresses astonishment that he has never heard of Sachin Tendulkar, Sabyasachi walks away, explaining that the only Sachin he knows is Sachin Dev Burman. A particularly telling image captures the film’s political imagination: a street magician’s scarf changes from red to green. The symbolism is unmistakable. The red of the Left, once dominant in Bengal, gives way to the green associated with the Trinamool Congress. The cinematography is equally impressive, particularly the transition from colour to black-and-white when the narrative revisits the past. Ritwik Chakraborty is outstanding as Sabyasachi, convincingly conveying the bewilderment and stubbornness of a man unable to reconcile his convictions with reality. Anasuya Majumdar as his middle-aged wife and Sohini Sarkar as her younger self provide strong support. The sudden violence in the father-son confrontation is perhaps the film’s principal weakness, disrupting an otherwise nuanced exploration of ideological estrangement. Yet, Winkle Twinkle remains one of Mukherji’s finest films. Its central insight is both poignant and political: Sabyasachi’s tragedy lies not simply in having lost years of his life, but in discovering that history has moved on without him and that the revolution he believed would change the world has itself become a relic of the past. (The writer is an National Award-winning film scholar.)

Bharat’s Jetson Cities, Light-years Away from Nature

Jan 18, 2025
5 min read

Updated: Jan 20, 2025

Jetson Cities

One thing is for certain: our Bharatiya cities, the big metros and towns, are fast becoming like the ‘Jetson’ cities. For those who are unaware of Jetson cities, these were first shown in the famous Hanna-Barbera cartoon series, the Jetsons, set in the 2100s, where cities are air-tight glass globules tethered to the ground, and the only way to get in and out are the flying cars. Yes, we, the city-dwellers, aspire to tall skyscrapers, spectacular bridges, world-class tunnels, swooshing metro trains, and we are building Jetson-like flying cars. A few HD drone images here and there, during the day and at night and around twilight, and we are content that our cities have become the cynosure of our own eyes. We want our cities to be brightly lit, with neon signs, laser shows, and large billboard videos. We would then fulfil our inner desire to have a city on par with Tokyo, New York, and Shanghai.


Our buildings, designed for the next 30 years, are well air-conditioned, shielding occupants from a soupy dust bowl of brown smog, soot, particulate matter, and fine dust. It is said that most new home buyers invest at least 10% of their property’s price in enhancing the interiors, soundproofing their homes, using air purifiers and conditioners, and disconnecting from the outside world for that much-needed solace. Indeed, large builders promote their projects as close to nature amidst tranquillity. However, there is always another builder eager to get one plot of land ahead of yours to enjoy that nature. To be truthful, access to nature now comes at a premium - even the skies.


Let’s assume the working-age population is occupied in the leisure of our Jetson cities, but how many of their young school and college-going kids have seen the long arm of the Milky Way galaxy from their cities? How many have witnessed a comet zooming by? How many know about endemic plants with medicinal properties? When did they last see a chirping house sparrow? How many know that the nearest sewage drain was once a freshwater stream? When did they last find their suburban beach prettier than the resort beaches of Maldives?


The intent to ask these questions is simple: Bharat is currently at a crossroads. Pundits are enthusiastic about a cultural renaissance on the horizon. Corporate leaders, on the other hand, want us to invest hundreds of hours each week to pay our dues to the growth of the national GDP. But no one asks, if a cultural renaissance is to occur, who will generate the new understandings and insights of nature that arise typically during such a period of human advancement? No one is actually asking, for whom are we building the nation if there is no time for children, or worse, if there is no time or intent to have children. In the process of growing rich, we are about to become old. By 2047, 65% of the population under the age of 35 will grow beyond 35 all at once, and we’d have an enormous population in advanced ages with a tapering young population, a graph that looks like a banyan tree. Unfortunately, that young population will have no access to the knowledge that nature has to offer, neither flora and fauna nor the seas and the skies.


Our urbane lifestyles need tempering. Such tempering can occur only if we ensure the revival of natural sciences during this period of cultural renaissance and nation-building. Let’s not rely solely on the educational system. With Indian Knowledge Systems, constructive changes are underway, and academic curricula are poised to improve for the greater good. However, true knowledge arises only when parents and grandparents introduce children to nature. Genuine understanding also develops from extracurricular activities in schools and colleges that encourage kids to observe, journal, and act on their discoveries. On the positive side, our country’s forest cover is increasing, as announced by the government. However, efforts must be made to ensure that every school or college, whether in Mumbai, Vijayawada, Gorakhpur, Ratlam, Thrissur, Bhuj, Faridabad, Imphal, Manali, Cuttack, or Ajmer, guarantees that their students are well aware of the endemic nature of their surroundings and are regularly observing and recording data on whatever interests them. Let kids observe rivers and understand the volume of water that flows through them. Let children learn about the decline of house sparrows in their cities and what steps should be taken to revive their populations. Let them study the bees in their nearby groves and recognise the vital role these bees play in nature.


Of course, you need to learn AI, robotics, fintech, the next generation of management courses, and all the engineering bells and whistles. However, we must not leave the next generation with inadequate comprehension and skills for understanding nature. We must ensure that nature conservation is not merely lip service or a tool for politicised green activists. This can be achieved if natural sciences are given the respect they deserve at the school, undergraduate, and postgraduate levels.


Indeed, I am a plebeian, and you might feel that you, too, could write a rant about the plight of our urban lives. Urban development and municipal experts have many solutions to propose, but few are willing to take action. However, that is not the issue I wish to highlight. I aim to illustrate a much larger concern—that Indian city dwellers are disoriented and devoid of nature, lacking a guiding star to lead them toward a brighter future. Our cities of Mumbai, Delhi, Bengaluru, Ahmedabad, Kolkata, and Chennai have taken on characteristics reminiscent of Jetson-like cities. We show little regard for the Nagar Devata, Gram Devata, and Van Devata, who have protected the cities, towns, and forests that once surrounded us. We wait for formal governance to clean up our beaches, rivers, and ponds without making sufficient efforts to prevent pollution in the first place.


For those striving to grasp spirituality not through the Puranas and Aadi-Granth but through new-age podcasts, I recommend watching Vinay Varanasi’s podcast on Bhagavan Vishnu’s Dashavatar. If it is clear that Bhagavan Vishnu does not tolerate disregard for Bhudevi or Mother Earth, why do we, the devotees of Bhagavan Vishnu, continue to pollute our Mother Earth—her air, soil, waters, and sounds? Or have we taken Elon Musk's words at face value, assuming our next destination is Mars after destroying Earth, only to ruin Mars later, even worse than its current clinically sterile state? If that is the case, then bear with me when I say this: these Jetson cities stand on precarious pillars of ego, victimhood, apathy, and consumerism, waiting to be toppled either by the true harbingers of order or by false prophets. Therefore, teach the next generations to observe nature, appreciate our coexistence with other species, and venerate the forces of nature. By doing so, we humans will be good, at least for the next thousand years. If not, prepare for a bleak future by the end of this century.


(The author is a Space and Emerging Technology Fellow at the Centre for Security, Strategy and Technology, Observer Research Foundation, Mumbai. Views personal.)

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