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By:

Shoumojit Banerjee

27 August 2024 at 9:57:52 am

Sands of Empire: Revisiting Khartoum

If you thought Lawrence of Arabia (1962) was the only great desert classic, think again. Overshadowed for decades by David Lean’s masterpiece, Khartoum (1966) remains one of the great neglected historical epics. Directed by Basil Dearden and anchored by commanding performances from Charlton Heston and Laurence Olivier, it deserves a place alongside the decade’s finest large-scale historical dramas. While it falls short of the towering achievement of Lawrence of Arabia, it remains a worthy...

Sands of Empire: Revisiting Khartoum

If you thought Lawrence of Arabia (1962) was the only great desert classic, think again. Overshadowed for decades by David Lean’s masterpiece, Khartoum (1966) remains one of the great neglected historical epics. Directed by Basil Dearden and anchored by commanding performances from Charlton Heston and Laurence Olivier, it deserves a place alongside the decade’s finest large-scale historical dramas. While it falls short of the towering achievement of Lawrence of Arabia, it remains a worthy epic unjustly overshadowed by Lean’s film. More importantly, it belongs to a now-vanished tradition of historical filmmaking that believed audiences could appreciate history, ideas and spectacle in equal measure. Set in 19th century Sudan and Egypt, Khartoum sees the flamboyant General Charles ‘Chinese’ Gordon, played with tremendous conviction by Heston, square off against Muhammad Ahmad, the self-proclaimed ‘Mahdi’ or the ‘Expected One,’ portrayed by Olivier. Amid tangled imperial geopolitics, the British government dispatches Gen. Gordon to oversee the evacuation of Sudan, where the Mahdi has ignited a rebellion against Egyptian and British authority. The Mahdi was a nineteenth-century Osama bin Laden-like prototype – a ruthlessly charismatic religious figure capable of rallying thousands through a potent mix of faith, prophecy and political revolt. The duel between Gordon and the Mahdi is alone worth the price of admission. Heston, relishing the opportunity to play something far more nuanced than his usual larger-than-life heroes, delivers what may well be the finest performance of his career. Sporting a British accent, Heston’s Gordon is a vain man (with a monumental ego) driven equally by courage and conviction. Heston creates a character far more interesting than his celebrated household roles of Judah Ben-Hur or Moses. Indeed, Heston personally regarded Khartoum as one of his favourite films as the role allowed him to move beyond heroic certainty and explore the contradictions of a deeply complex historical figure. Olivier’s performance has long attracted controversy because of his use of blackface. Yet as an acting performance, it remains extraordinarily compelling. His Mahdi is intelligent and magnetic; a man whose seething fanaticism and certainty of purpose makes him a lethal opponent. The conflict between Gordon and the Mahdi is not simply military but philosophical. Each sees himself as the instrument of a higher cause and recognises something admirable in the other. Their exchanges possess an intellectual weight seldom encountered in contemporary blockbusters. That quality owes much to the literate screenplay by playwright Robert Ardrey who has his characters debate faith, empire and political expediency in scintillating dialogues. The supporting cast is equally distinguished. Sir Ralph Richardson is magnificent as the British Prime Minister, William Ewart Gladstone who embodies British pragmatism and Machiavellian statecraft in equal measure. He admires Gordon while recognising that empires cannot be run according to the impulses of heroic individuals. Richardson captures the tension between moral rhetoric and political calculation with a finesse that only a legend of his stature could. One should perhaps be thankful that such a film got made at all. Never mind today’s audiences, the tangled skein of late 19th century British imperial politics was hardly an easy sell for audiences in the 1960s as well. Americans, in particular, would likely have had little clue about Sudan, Khartoum, Gordon or the Mahdist revolt. Yet Khartoum succeeds brilliantly in bringing this forgotten era to life. The political intrigues of Whitehall and the desperate military situation on the Nile acquire genuine dramatic force. It belongs to a period when filmmakers trusted audiences to listen and follow ideas rather than watch mindless action. The 1960s were the golden age of the literate historical epic. Films such as Spartacus, El Cid, The Fall of the Roman Empire and The Charge of the Light Brigade combined spectacle with serious engagement with history. Khartoum stands proudly within that tradition. Gordon and the Mahdi have long gone. The British Empire has vanished. But Sudan remains trapped in seemingly perpetual cycles of conflict. Coups, civil wars, military strongmen, competing centres of authority and devastating violence have haunted the country for decades. The headlines change; the instability persists. That is what makes Khartoum feel unexpectedly contemporary. Beneath its grand costumes and imperial pageantry lies a story about a state struggling to define itself, about rival claims to legitimacy, and about the dangerous collision between political power and religious conviction. 60 years after its release, Khartoum remains not merely a superb film but a haunting reminder that history, especially in Sudan, has a habit of repeating itself.

A beacon of hope for rural athletes

Updated: Oct 22, 2024

How Akash Shinde transformed from a shy village boy to a prominent kabaddi player

beacon of hope

Mumbai: In the heart of Nashik's Adgaon village, a young boy Akash Shinde dared to dream big. Little did he know that his journey from playing in the muddy grounds of his town to becoming a PKL winner would inspire a generation of aspiring athletes.


“Initially, when I used to play, I would come home with bruises because Kabaddi was played in the mud,” Akash recalls as he enters his fourth season with the Puneri Paltan. And despite his family's initial concerns, his passion for kabaddi burned bright, fuelled by the unwavering support of his early mentors Sagar Malwade and Vinod Labde.


His path to success was far from smooth. He faced numerous setbacks, failing to make the cut in his first attempts at various levels. “I fell short in my first attempts at all levels. I went for my senior camp for Maharashtra and fell short there too!”


But instead of letting these failures discourage him, Akash used them as stepping stones. “These setbacks kept me determined, and I knew I needed to try harder and with renewed energy to show the world what I could do and achieve.”


His breakthrough came in 2019 at a seniors’ trial in Nashik. This performance opened doors, leading him to play in the Junior Nationals and eventually catching the eye of Yuva Paltan, which is the Puneri Paltan’s academy.


The turning point in Akash’s career came when he represented his college in Beed, earning his first chance to play for Maharashtra. Under the guidance of Anil Jagdale and Kailas Jagdale, his skills flourished. His journey accelerated as he moved from Mahindra & Mahindra to Yuva Paltan, where mentors like Sangram and Ashok helped refine his game.


Akash’s PKL debut with Puneri Paltan in Season 8 was a moment of immense pride, not just for him but for his entire village. “No player from the Nashik region had made it to PKL or even the Maharashtra team, so it was a shock, a pleasant one, for everyone. The entire Nashik district was very happy. It felt really good,” he reminisces.


But it was in Season 9 that he truly announced his arrival, becoming a formidable force on the mat. In the 22 matches that Akash played on the way to his first PKL final, he scored 139 raid points, averaging 6.32 raid point per match.


His performances caught the eye of the national selectors, earning him a spot on the Indian team for the Asian Games. “I received my Team India kit on the 27th of October. I still remember it,” he says.


The crowning glory came in PKL Season 10 when Akash, along with his Puneri Paltan teammates, lifted the coveted trophy. Albeit playing a diminished role, he managed an impressive 56 raid points in the 13 matches he played. “There was only one target then... we had made up our minds that we had to win the title this season, whatever it took,” he shared, reflecting on the team’s collective determination. Now, Akash stands as a beacon of hope for young athletes from rural India. His message to them is clear: “Keep believing in yourselves and your dedication and efforts.” He emphasizes the importance of loyalty, urging young players to stay true to the clubs that nurture them.


As he prepares for PKL Season 11, his journey from the muddy grounds of Adgaon to the bright lights of Pro Kabaddi serves as a testament to the power of dreams, determination, and unwavering support.

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