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By:

Vinod Chavan

30 September 2025 at 3:04:23 pm

Retired lecturer creates intricate sculptures by hand

Latur: At the age of 71, retired chemistry lecturer Dr. Shobha Parshuram Arya continues to transform her passion for art into intricate sculptures and paintings, creating masterpieces without the help of machinery or specialised equipment. A former lecturer at the Government Women’s Polytechnic, Latur, Dr. Arya has devoted her post-retirement years to sculpture and painting. Working only with her hands, she carves stones into artistic creations that depict emotions, devotion and human...

Retired lecturer creates intricate sculptures by hand

Latur: At the age of 71, retired chemistry lecturer Dr. Shobha Parshuram Arya continues to transform her passion for art into intricate sculptures and paintings, creating masterpieces without the help of machinery or specialised equipment. A former lecturer at the Government Women’s Polytechnic, Latur, Dr. Arya has devoted her post-retirement years to sculpture and painting. Working only with her hands, she carves stones into artistic creations that depict emotions, devotion and human expressions. Her sculptures mainly feature themes such as Radha-Krishna and emotional, rather than portraits of renowned personalities or historical figures. The stones used for her sculptures are brought from Rajasthan, including Vietnam marble and other varieties of marble. The process demands immense physical effort, patience and precision. A two-foot sculpture takes nearly three months to complete, while larger works may require one-and-a-half to two years of continuous dedication, she informed. Despite the uniqueness of her artwork, Dr. Arya faces difficulties in finding a market for her sculptures. She says there is limited demand for such expensive artworks in the region. Organising exhibitions is also a challenge as the sculptures are heavy and require manpower for transportation and display. Living alone further restricts her ability to showcase her creations on a larger platform. Dr. Arya’s journey as an artist began during her school days. While studying at Godavaridevi Lahoti Kanya Vidyalaya, she created a Saraswati rangoli for an exhibition in Rajasthan and won first prize. Later, as a Class XI student at Shahu College, she made a rangoli depicting the famous Padmapani painting. However, she said that at that stage she did not know how to systematically nurture her artistic talent. Her interest in sculpture developed after observing her father’s paintings. Inspired by his creativity, she began making idols using POP (plaster of Paris). In 1990, she created an idol of Michelangelo, which further strengthened her passion for sculpture. Tribute to Father Dr. Arya uses her father’s name, Parshuram, as part of her identity as a tribute to the man who shaped her artistic vision. “My father was a renowned photographer and painter. Whatever I have achieved today is because of the artistic environment he created. I have only carried forward his legacy,” she said. She recalled her childhood days at Latur’s well-known Shobha Photo Studio, which was once among the city’s prominent photography studios. Several noted artists, including Vasantrao Baraskar, Gangadhar Baraskar and Ware Guruji, used to visit the studio, and she closely observed their paintings and creative work. “As a child, I repeatedly requested my father to teach me painting. He would simply say, ‘Keep watching. You will learn on your own.’ I did not understand those words then, but today I realise that observation is the first school of every artist,” she said. Dr. Arya said artistic inspiration develops gradually through life experiences and finds expression at the right moment. Recalling the creation of her acclaimed Radha-Krishna sculpture, she said the work took nearly 21 months to complete. “I wanted to portray not just two divine figures, but the spiritual intensity and emotional bond between Radha and Krishna. Their relationship represents pure devotion and eternal love,” she said. The sculpture depicts Radha moving towards Krishna as he plays the flute, with intricate details such as her lifted heel, flowing attire and wind-swept hair capturing movement and emotion. “I do not feel that I alone created this sculpture. Giving life-like emotions to stone is an extremely difficult task. I believe some divine force guided my hands throughout the process,” she said. Dr. Arya believes that art should ultimately contribute to society. She expressed her desire to use the earnings from the sale of her sculptures and paintings to support underprivileged students.

A beacon of hope for rural athletes

Updated: Oct 22, 2024

How Akash Shinde transformed from a shy village boy to a prominent kabaddi player

beacon of hope

Mumbai: In the heart of Nashik's Adgaon village, a young boy Akash Shinde dared to dream big. Little did he know that his journey from playing in the muddy grounds of his town to becoming a PKL winner would inspire a generation of aspiring athletes.


“Initially, when I used to play, I would come home with bruises because Kabaddi was played in the mud,” Akash recalls as he enters his fourth season with the Puneri Paltan. And despite his family's initial concerns, his passion for kabaddi burned bright, fuelled by the unwavering support of his early mentors Sagar Malwade and Vinod Labde.


His path to success was far from smooth. He faced numerous setbacks, failing to make the cut in his first attempts at various levels. “I fell short in my first attempts at all levels. I went for my senior camp for Maharashtra and fell short there too!”


But instead of letting these failures discourage him, Akash used them as stepping stones. “These setbacks kept me determined, and I knew I needed to try harder and with renewed energy to show the world what I could do and achieve.”


His breakthrough came in 2019 at a seniors’ trial in Nashik. This performance opened doors, leading him to play in the Junior Nationals and eventually catching the eye of Yuva Paltan, which is the Puneri Paltan’s academy.


The turning point in Akash’s career came when he represented his college in Beed, earning his first chance to play for Maharashtra. Under the guidance of Anil Jagdale and Kailas Jagdale, his skills flourished. His journey accelerated as he moved from Mahindra & Mahindra to Yuva Paltan, where mentors like Sangram and Ashok helped refine his game.


Akash’s PKL debut with Puneri Paltan in Season 8 was a moment of immense pride, not just for him but for his entire village. “No player from the Nashik region had made it to PKL or even the Maharashtra team, so it was a shock, a pleasant one, for everyone. The entire Nashik district was very happy. It felt really good,” he reminisces.


But it was in Season 9 that he truly announced his arrival, becoming a formidable force on the mat. In the 22 matches that Akash played on the way to his first PKL final, he scored 139 raid points, averaging 6.32 raid point per match.


His performances caught the eye of the national selectors, earning him a spot on the Indian team for the Asian Games. “I received my Team India kit on the 27th of October. I still remember it,” he says.


The crowning glory came in PKL Season 10 when Akash, along with his Puneri Paltan teammates, lifted the coveted trophy. Albeit playing a diminished role, he managed an impressive 56 raid points in the 13 matches he played. “There was only one target then... we had made up our minds that we had to win the title this season, whatever it took,” he shared, reflecting on the team’s collective determination. Now, Akash stands as a beacon of hope for young athletes from rural India. His message to them is clear: “Keep believing in yourselves and your dedication and efforts.” He emphasizes the importance of loyalty, urging young players to stay true to the clubs that nurture them.


As he prepares for PKL Season 11, his journey from the muddy grounds of Adgaon to the bright lights of Pro Kabaddi serves as a testament to the power of dreams, determination, and unwavering support.

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