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By:

Rupali Sethi

6 January 2026 at 8:01:30 pm

A Quiet Mirror of Life

Literature need not depend on extraordinary events to uncover extraordinary truths. A fleeting encounter, a childhood memory, a family ritual or an apparently insignificant incident can expose the deeper tensions of human nature. Sundar Viswam’s Mortal Remains and Other Stories, a collection of eleven stories, takes this route. Love, friendship, family, ambition, migration, morality, betrayal, prejudice and destiny emerge not through grand dramas but through ordinary lives. Viswam’s...

A Quiet Mirror of Life

Literature need not depend on extraordinary events to uncover extraordinary truths. A fleeting encounter, a childhood memory, a family ritual or an apparently insignificant incident can expose the deeper tensions of human nature. Sundar Viswam’s Mortal Remains and Other Stories, a collection of eleven stories, takes this route. Love, friendship, family, ambition, migration, morality, betrayal, prejudice and destiny emerge not through grand dramas but through ordinary lives. Viswam’s particular talent is to find the consequential in the commonplace: a kite, a wedding invitation, a rumour or a sudden turn of fate becomes a way into larger questions about how people behave. The title story, “Mortal Remains”, sets the reflective tone of the collection by asking what survives an experience in memory, in creativity and in the emotional lives of others. The stories repeatedly return to that question. What people carry with them, and what they leave behind in others, often matters more than the event itself. Characterisation is perhaps the collection’s greatest strength. Viswam does not arrange his people conveniently into heroes and villains. They are contradictory, ambitious, vulnerable and morally uncertain. In “Mortal Remains”, a writer’s compulsive attachment to his art becomes an exploration of creative obsession, loneliness and the uneasy relationship between life and artistic expression. “The Red Kite” turns childhood friendship and rivalry into a painful memory, showing how an apparently innocent episode can acquire significance over a lifetime. “Manda oh my Manda!” inhabits the uncertain territory between affection and self-interest, while “The Invitation” uses an ordinary social ritual to expose family bitterness. “Falling Out” examines the slow deterioration of friendship when concealed perceptions come to the surface; “Brother in Need” places adolescence against a backdrop of corruption and insecurity. The psychological force of these stories comes less from explanation than from behaviour. Fear, guilt, longing, jealousy and regret surface in dialogue, hesitation and silence. Viswam trusts such details to do much of the work, allowing his characters to reveal themselves rather than having the author explain them. The collection also acquires a wider social and philosophical dimension. “The God of Chance” considers the role of coincidence and destiny in human relationships. “Regrettably, Yours” offers a perceptive account of the immigrant experience, where professional achievement does not necessarily settle questions of identity and belonging. “A Matter of Principle” explores the uneasy distance between conviction and practical reality, while “Just Token” examines how moral compromise can begin with choices that appear too small to matter. In “Pleasanton”, the rumour of an Indian lottery winner unsettles a community and brings prejudice, aspiration, insecurity and curiosity to the surface. The common thread is consequence. Small incidents can produce disproportionate emotional effects; private compromises can reveal larger moral questions. Society, in Viswam’s hands, is not merely a backdrop but a mechanism for exposing character. His interest lies in the point at which chance becomes consequence and an everyday decision acquires moral weight. Viswam writes with clarity and restraint, moving comfortably between tenderness, irony, humour, social observation and introspection. His vocabulary serves the story rather than calling attention to itself. Carefully chosen details establish atmosphere without burdening the narrative with description. There is an appealing economy to the writing. That restraint is particularly effective in moments that might otherwise invite melodrama. Readers are consequently free to make their own judgments rather than being directed towards them. The result is prose that is accessible without being thin, and psychologically attentive without becoming ponderous. Ultimately, Mortal Remains and Other Stories succeeds because it treats human beings as complicated creatures rather than moral specimens. Its characters love, fear, desire, compromise, remember and regret, often simultaneously. Viswam does not hurry to judge them; circumstances and choices are allowed to expose their contradictions. The title therefore assumes a wider significance. What remains after an experience is rarely the experience itself. It is the memory, the emotional imprint and the alteration it leaves behind. Viswam finds these residues in ordinary lives and turns them into occasions for reflection. His stories suggest that profound literature need not search for exceptional lives. It can begin with ordinary people, provided the writer observes them with sufficient patience, empathy and curiosity. That is what makes the collection linger. Its stories do not offer easy moral conclusions. Instead, they encourage readers to recognise familiar emotions in unfamiliar lives — and perhaps to see their own lives a little differently. (The writer is a literary critic, book reviewer and scholar of Hindi and English literature.)

A beacon of hope for rural athletes

Correspondent
Oct 8, 2024
3 min read

Updated: Oct 22, 2024

How Akash Shinde transformed from a shy village boy to a prominent kabaddi player

beacon of hope

Mumbai: In the heart of Nashik's Adgaon village, a young boy Akash Shinde dared to dream big. Little did he know that his journey from playing in the muddy grounds of his town to becoming a PKL winner would inspire a generation of aspiring athletes.


“Initially, when I used to play, I would come home with bruises because Kabaddi was played in the mud,” Akash recalls as he enters his fourth season with the Puneri Paltan. And despite his family's initial concerns, his passion for kabaddi burned bright, fuelled by the unwavering support of his early mentors Sagar Malwade and Vinod Labde.


His path to success was far from smooth. He faced numerous setbacks, failing to make the cut in his first attempts at various levels. “I fell short in my first attempts at all levels. I went for my senior camp for Maharashtra and fell short there too!”


But instead of letting these failures discourage him, Akash used them as stepping stones. “These setbacks kept me determined, and I knew I needed to try harder and with renewed energy to show the world what I could do and achieve.”


His breakthrough came in 2019 at a seniors’ trial in Nashik. This performance opened doors, leading him to play in the Junior Nationals and eventually catching the eye of Yuva Paltan, which is the Puneri Paltan’s academy.


The turning point in Akash’s career came when he represented his college in Beed, earning his first chance to play for Maharashtra. Under the guidance of Anil Jagdale and Kailas Jagdale, his skills flourished. His journey accelerated as he moved from Mahindra & Mahindra to Yuva Paltan, where mentors like Sangram and Ashok helped refine his game.


Akash’s PKL debut with Puneri Paltan in Season 8 was a moment of immense pride, not just for him but for his entire village. “No player from the Nashik region had made it to PKL or even the Maharashtra team, so it was a shock, a pleasant one, for everyone. The entire Nashik district was very happy. It felt really good,” he reminisces.


But it was in Season 9 that he truly announced his arrival, becoming a formidable force on the mat. In the 22 matches that Akash played on the way to his first PKL final, he scored 139 raid points, averaging 6.32 raid point per match.


His performances caught the eye of the national selectors, earning him a spot on the Indian team for the Asian Games. “I received my Team India kit on the 27th of October. I still remember it,” he says.


The crowning glory came in PKL Season 10 when Akash, along with his Puneri Paltan teammates, lifted the coveted trophy. Albeit playing a diminished role, he managed an impressive 56 raid points in the 13 matches he played. “There was only one target then... we had made up our minds that we had to win the title this season, whatever it took,” he shared, reflecting on the team’s collective determination. Now, Akash stands as a beacon of hope for young athletes from rural India. His message to them is clear: “Keep believing in yourselves and your dedication and efforts.” He emphasizes the importance of loyalty, urging young players to stay true to the clubs that nurture them.


As he prepares for PKL Season 11, his journey from the muddy grounds of Adgaon to the bright lights of Pro Kabaddi serves as a testament to the power of dreams, determination, and unwavering support.

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