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By:

Bharati Dubey

17 May 2026 at 1:38:10 am

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a...

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a world on the brink of annihilation. Produced by Ananya Birla’s Birla Studios, Hansal Mehta and Sahil Saigal’s True Story Films, and Maa Kasam Films, the film combines large-scale spectacle with a deeply human story of survival, courage and the instinct to fight for what matters most. The film marks Ranveer’s next major motion picture following Dhurandhar and Dhurandhar – The Revenge, which emerged as the highest-grossing film of all time. With Pralay, the actor once again ventures into unexplored cinematic territory, taking on a disruptive new concept that demands both physical intensity and emotional conviction. Ranveer will also serve as a producer on the film. The project comes at an important point in the actor’s career. His reported exit from Don 3 had generated considerable buzz, particularly as he was expected to carry forward one of Indian cinema’s most iconic franchises. With Pralay, Ranveer now turns the page with an entirely original story rather than stepping into another established universe. Joining him is Lokah breakout actress Kalyani Priyadarshan, who plays a pivotal role in the film and brings together another exciting performer from the new generation of Indian talent. For Ananya Birla, Pralay represents Birla Studios’ ambition to push the boundaries of mainstream Indian cinema by collaborating with contemporary creative forces. For True Story Films’ Hansal Mehta and Sahil Saigal, the project reflects their commitment to disruptive storytelling and content-driven cinema. Behind the camera, Jai Mehta leads the ambitious project. His work on Scam 1992: The Harshad Mehta Story, which he co-directed with Hansal Mehta, and Lootere has earned widespread acclaim. With Pralay, he steps into a significantly larger canvas, bringing together an ensemble of creative and technical talent from India and around the world. Set against the unmistakable pulse and landscape of Mumbai, Pralay follows a relentless journey of survival against the terrifying possibility of an end-of-the-world catastrophe. The film aims to marry breathtaking spectacle with an emotional core, exploring what people are willing to do to survive when the world as they know it begins to collapse. The makers are shooting extensively at live locations in and around Mumbai, embracing the physicality and unpredictability of real-world environments. The approach is designed to add scale, texture and realism to the apocalyptic world while creating an immersive theatrical experience. The film had already undergone several months of highly technical and intensive pre-production before cameras began rolling. Its ambitious mounting and unusual premise have made Pralay one of the most talked-about upcoming projects in Indian cinema.

America First

Updated: Feb 10, 2025

Few American presidents have displayed Donald Trump’s unsentimental approach to foreign relations. His motto, “America First,” is not mere rhetoric but a governing principle, enforced without regard to sentimentality or friendships. The latest testament to this resolve was the unceremonious deportation of 104 Indian nationals, transported in shackles aboard a US military aircraft, sparking predictable outrage in India. The images of these hapless individuals, their limbs bound for a 40-hour flight, have ignited a political firestorm in Delhi, testing Prime Minister Narendra Modi’s diplomatic finesse.


The opposition has seized on the episode to question Modi’s oft-repeated claim that India is a ‘Vishwaguru’ - a global leader worthy of respect. The scenes of Indian deportees, treated as hardened criminals, starkly contrast with the narrative of an ascendant India forging strong ties with the West. Modi, who has carefully cultivated an image of diplomatic prowess, finds himself in a quandary: to criticize Trump risks straining ties with a key strategic partner, yet silence only deepens domestic criticism.


India’s External Affairs Minister, S. Jaishankar, has attempted to quell the storm, arguing that the government’s response adheres to international norms. But this bureaucratic defence has failed to appease critics who are asking pointed questions on why Indian deportees were treated like dangerous criminals?


Yet, for all the indignation in India, Trump’s actions are neither surprising nor unprecedented. Immigration enforcement has been central to his political brand, and he has demonstrated a ruthless willingness to act against violators of American law, regardless of their country of origin. India, often a beneficiary of America’s goodwill, is no exception. Trump’s crackdown on illegal immigration has spared no one - not even those from nations with whom he shares warm relations. The Indian deportees, who entered the US illegally via the perilous ‘dunki’ route through Latin America, were simply the latest casualties of his unyielding immigration policy.


That said, the methods employed by US authorities, however, do raise uncomfortable questions. Handcuffing and shackling individuals for an entire flight smacks of excessive force. Were these Indian deportees, many of whom were simply economic migrants, so great a threat that such restraints were necessary? The United States often touts its commitment to human rights and dignity. But its treatment of these deportees suggests a stark gap between principle and practice.


For Modi, this incident underscores the limitations of personal diplomacy. His rapport with Trump, evident in their joint rallies and mutual admiration, has not shielded India from Washington’s hard-nosed policies. Despite the grand spectacle of ‘Howdy Modi’ and ‘Namaste Trump,’ the US has shown that its national interest takes precedence over camaraderie. In that sense, the deportations are a reality check for India’s foreign policy establishment. Modi, despite the domestic backlash, may have little choice but to accept this as the cost of doing business with Washington.

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