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By:

Shoma A. Chatterji

21 August 2024 at 4:19:40 pm

Uttam Kumar: The Legend Lives On

Four decades after his death, Bengal’s greatest star still commands a devotion that borders on the religious. Uttam Kumar was revelatory in Satyajit Ray’s Nayak (1966), one of his most iconic performances. Every year, in the month of September, when Uttam Kumar was born in Ahiritola in the northern parts of Kolkata, and also in July, when he passed away, people across West Bengal go wild with celebrations in tribute to Uttam Kumar though he passed away in 1980, more than five decades ago. One...

Uttam Kumar: The Legend Lives On

Four decades after his death, Bengal’s greatest star still commands a devotion that borders on the religious. Uttam Kumar was revelatory in Satyajit Ray’s Nayak (1966), one of his most iconic performances. Every year, in the month of September, when Uttam Kumar was born in Ahiritola in the northern parts of Kolkata, and also in July, when he passed away, people across West Bengal go wild with celebrations in tribute to Uttam Kumar though he passed away in 1980, more than five decades ago. One can therefore imagine what must have happened while celebrating his centenary this year. The shimmering ‘light’ umbrellas, the giant-sized posters of the unforgettable star Uttam Kumar not only decorated Nandan, the cultural centre of the State Government, but also every corner of the city filled with posters from films of the great star, songs from his films playing across the city, almost reminding the lay Kolkata man of the Durga Pooja. But Durga Pooja is more than a month away and here we were witness to the most memorable centenary tribute being paid to just the only actor in India, rare because no other Indian actor’s centenary has been celebrated for almost a week right across the state of West Bengal. Unpromising Beginnings Few today know that his name was Arun Kumar Chatterjee but was changed to ‘Uttam’, meaning ‘the best’ when he stepped into films. His first film Dhristidaan was released in 1948. Some say he made his debut as an ‘extra’ in Mayadore in 1947. Initially, people labelled him ‘Flop Master General’. Every single film he played hero in flopped. It took a long, hard struggle, shedding of silent tears, rising above deep frustration and a determination to succeed that took him to the peak. Many had given him up as a ‘lost case.’ Uttam Kumar had his share of sharp, acidic criticism. When he was riding the crest of success with films opposite Suchitra Sen, setting the screen on fire with their electric chemistry, many intellectuals attacked this good-looking actor with the label of ‘theatrical actor full of mannerisms.’ “He does not know the ABC of acting,” said some. But he silenced them with his sterling performance in Bosu Paribar (1952) directed by Nirmal De. This was his first hit. He became a star with Agni Pareeksha directed by Agradoot. With Suchitra Sen in Harano Sur (1957), one of the films that cemented the unforgettable ‘Uttam-Suchitra’ screen chemistry. His last film, Ogo Bodhu Sundari hit the screens in 1980. He suffered a massive stroke on the studio floors and passed away on July 24. Over three decades, he acted in around 159 Bengali films, investing his characters with a unique charm, whether he played an old faithful servant in Khokababur Pratyabartan based on a short story by Rabindranath Tagore, or whether it was the role of an amnesiac industrialist opposite Suchitra Sen in Harano Sur. As he mellowed into character roles, his performance matured and his screen persona took on a new look. He continued to dominate the screen in mature roles such as the committed doctor in Agnisnaan or the strange villain in Aparichito or Chunilal in Dilip Roy’s Devdas. Total Commitment He would arrive on the sets much before time, repair to his make-up room, put on his make-up and costume and would sit in absolute silence, dwelling on the scenes to be shot that day. The director would summon him when the shot was ready and he would face the camera, living his screen character. “His commitment to acting– the sequence, the chronology of shots, the light arrangements, the make-up and costume, the character he was portraying – was total”, says Tapan Sinha who directed Uttam Kumar in Upahaar, Bicharak, Hansuli Baanker Upakatha, Jhinder Bondi and Jotugriha. This director-actor bonding cracked completely when Sinha dropped Uttam Kumar to pick theatre personality Manoj Mitra for Banchharaamer Bagan. Supriya Devi insisted that it was this shock that brought about the heart attack that finally ended his life. “He heard it from others, not from Tapan-da. He was so totally involved in the role after long discussions with Tapan-da that all he could talk about at home was this film. So, when he heard he was dropped, he could not cope,” she reminisced sadly. In Jhinder Bondi (1961), a striking reminder of the superstar’s versatility. “He would recite the Chandipaath loudly everyday during his morning Pooja. He would read the newspaper loudly to gain command over his diction. He did not have a morsel of food the day he was to shoot the nightmare scene in Nayak where he is shown slowly sucked into a quicksand-like hillock of currency notes. He later said how he really lost his balance and felt smothered under those notes,”said the late Supriya Devi, his leading lady in 33 films and his live-in partner for 20 years till his death. In his authorized autobiography Amaar Ami (1980) written by Gouranga Prasad Ghosh, the reader gets a glimpse of the image of a middle-class urban Bengali who invested tremendously in hard work, perseverance, diligence and grit. It speaks lucidly about a man’s single-minded determination to work his way up the ladder to reach the top, who never takes his success for granted, who is ever ready to learn everything his roles demand him to. Apart from dancing, horse-riding and tennis, he also learnt wrestling at an akhara near Indira cinema, unknown to many. He was a very good singer and tabla player but refused to playback for himself. Before testing the waters of Hindi films, he tried to master Hindi and Urdu too. The book also refers to his commitment to better the working conditions of junior artistes and to improve the status of the film industry in his home state. Remarkable Legacy What makes Uttam Kumar’s legacy remarkable is that it has never depended solely on nostalgia. Each generation seems to discover something different in him — the romantic hero, the sensitive middle-class Bengali, the mature character actor, the singer, the performer who understood the value of preparation and discipline. His appeal crossed the boundaries of class, age and even time. He also represented a particular moment in Bengali cinema when the star system, music, literature and theatre came together to create a distinctive popular culture. Uttam Kumar was at the centre of that world, but he was never merely its glamorous face. Behind the immaculate screen image was a deeply hardworking actor who constantly pushed himself to learn, experiment and improve. That heart-wrenching smile, those mesmerizing eyes still make hearts of women in their 50s and 60s miss a beat. “He is the universal romantic hero of all time, the best Indian cinema has produced since no other star anywhere else in the country has been able to keep his memory alive in the minds of the masses like Uttam Kumar has,” said the late Rabi Basu, a renowned film critic. Up there, Uttam Kumar, looking at that square, corrugated picture of himself archived in a postage stamp, is probably having the last laugh at critics who dubbed him ‘a theatrical actor full of mannerisms,’ or, ‘a chocolate-boy hero who does not know the ABC of acting.’ (The writer is a noted film scholar and a double-winner for the National Award for Best Writing on Cinema who has authored books on the cinema of Mrinal Sen, Ritwik Ghatak and Suchitra Sen among others. Views personal.)

Growing Risks Of Cyber Warfare

Sep 22, 2024
3 min read

Updated: Oct 21, 2024

In a shocking series of events, multiple coordinated explosions have rocked Lebanon and parts of Syria, killing dozens of people and injuring thousands. The blasts occurred after explosive devices, hidden inside pagers and other radio communication devices, were detonated. The targeted individuals were primarily members of Hezbollah, with the explosions taking place in densely populated areas, resulting in widespread injuries to civilians, including children.

The devices, mainly pagers, walkie-talkies, and radios, had been in the possession of Hezbollah operatives, who had acquired them months prior, under the assumption they were secure. However, Hezbollah has accused Israel’s intelligence agency, Shin Bet, of tampering with the devices during transit.

According to security experts, Israel’s elite secret cyber warfare unit was behind the attack. This unit, known for its global cyber operations, is also linked to the creation of the STUXnet malware, which was responsible for the failure of Iran’s nuclear power plant. The pagers were rigged with explosive materials in place of a battery, and a relay switch was installed, allowing the explosions to be triggered remotely in a synchronized manner. The result was devastating injuries to the eyes, face, hands, and legs of those carrying the devices.

The incident occurred in Hezbollah-stronghold areas, including the Dahieh suburb of Beirut, southern Lebanon, and parts of the Beqaa Valley, with some explosions also reported across the border in Syria. The blasts overwhelmed hospitals, as hundreds of victims sought medical help for injuries ranging from severe burns to shattered limbs. The intensity of the explosions, far beyond that of ordinary battery malfunctions, indicates a highly sophisticated sabotage operation.

These explosions have not only deepened the crisis in Lebanon but have also raised critical questions about supply chain security, intelligence tactics, and the legality of using booby-trapped electronics in conflict zones.


What Are Pagers, and Why Are They Still Preferred?

Despite being old-school tele communication technology, pagers or beepers are still used in many countries, particularly in critical sectors and organizations. Pagers primarily facilitate one-way communication, pager uses higher frequencies than car radios i.e. 400 MHz band frequency. It also used a very basic type of VHF spectrum. These devices operate in restricted areas to transfer messages, alerts, and information. These devices are considered more secure and harder to trace or track compared to mobile phones, as they only receive messages, similar to a car radio that receives signals without revealing the listener’s identity or location. Additionally, pagers lack features like Bluetooth or GPS, making them more difficult to hack or compromise.

Among their many advantages, pagers are known for their long battery life and durability, making them ideal for continuous use in specific industries. There are an estimated two million active pager users worldwide. Hezbollah began using pagers after Israel successfully assassinated a high-ranking Hezbollah target by hacking his cellphone and precisely targeting him with a missile. Since then, many Hezbollah members have switched to more primitive communication devices, like pagers, to avoid being tracked via the internet.


Are Mobile Phones and Smartphones Similarly Vulnerable?

American and European security agencies suggest that, theoretically, it is possible to alter mobile phones and other smart devices to turn them into explosive devices. However, practically, it is more difficult due to the advanced security systems in modern smartphones. A hacked smartphone may exhibit various signs, such as abnormal temperature changes, slower system performance, unexpected reboots, odd sounds during calls, hung applications, or irrelevant messages and pop-ups, all of which could indicate tampering. These security systems make it more challenging to modify smartphones in the same manner as simpler devices like pagers.


New Security Challenges

The Hezbollah pager explosion serves as a wake-up call for sectors involving critical infrastructure and aviation. In an era where smartphones are network-connected and can be charged wirelessly, the possibility of tampering with batteries or embedding explosives, like HMX, PETN and other type of plastic explosives pose significant risks. During flights, even a minor explosion could result in catastrophic consequences. On the ground, the threat extends to damaging nearby aircraft, equipment, and infrastructure. Airport security may soon impose stricter regulations, potentially banning pagers, walkie-talkies, and radios, much like power banks, which are now restricted on flights. In the future, mobile phones may only be allowed in switched-off modes, placed in lithium-safe bags during flights. Suspicious devices could be handled separately in Faraday-sheet bags to block any network or signal connections.

This incident highlights the growing risks of cyber warfare and the dangers posed by everyday communication devices being exploited for sabotage. It is an alarming call for a nation’s security as the treat of such critical infrastructure being handled by terrorist organisations can compromise the use of day-to-day electronics for malicious activities. As technology advances, so must the protocols for ensuring public safety, particularly in high-risk environments where even the smallest vulnerability could lead to devastating consequences.

(The writer is an eminent cyber and explosives forensic expert. Views personal.)

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