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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and...

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and owner Sujit Dilip.   “We get good crowds on weekends and holidays, but weekdays are still a struggle. Our fixed expenses are around Rs. One Crore per month. Costs have gone up nearly ten times on all fronts in the last five years, and the 18% GST is killing. We manage around 1,500 shows annually, but barely break even, with wafer-thin margins,” said Dilip, 50.   The logistics alone are staggering. Rambo Circus travels across India with an 80-member troupe of acrobats, aerialists, sword balancers, jugglers, jokers, rigging crews, support staff, massive equipment, and a few mechanical animals.   “Many of my people have spent their entire lives under the tent. We live like a huge family. I try to support their children’s education, medical needs and help them build some financial stability. But without resources, it is becoming increasingly difficult,” said Dilip, his voice weary after decades of struggle for survival.   He reminisced of the golden era of Indian circus, around the second half of the last century, when there were many grand, full-scale circuses, but today barely half a dozen professional setups remain - Gemini, Golden, Ajanta, Asian, Great Bombay, and Rambo - along with a few smaller, local outfits.   “Unlike most countries where circuses come under the Cultural Ministry, India offers no institutional identity or support. I am invited as a jury member to several top annual international circus festivals. I feel sad as not a single Indian artist features on global stages. We just have no backing here,” Dilip told The Perfect Voice in a free-wheeling chat.   He said the decline accelerated after the ban on live animal performances nearly 20 years ago in India. In contrast, many foreign circuses still feature elephants, horses, bears, zebras, llamas, tigers, leopards, lions, and exotic birds - though most face heavy resistance from animal-rights groups.   “Moreover, ticket rates in India are among the lowest in the world, without tax concessions. In foreign circuses, even in smaller countries, tickets start at Rs 10,000 per head. We can’t dare match that…” he rued.   Yet, the thirst to lure audiences remains undiminished. Rambo Circus now leans on technology and innovation, featuring a mechanical elephant, a giraffe on stilts, stuffed zebras, deer, bears and horses, and has commissioned a Japanese company to design a robotic lion to perform tricks.   To make the shows more interactive, MoC – a tall senior joker – invites the young audience members into the ring to try small acts like skipping, jumping, or dancing with help from the midget clowns, and the kids’ shrieks of joy echo through the tent, as their parents furiously click videos and selfies.   Dilip recalled that during the pandemic lockdown, when survival seemed impossible, Rambo Circus pioneered online ticketed shows, selling nearly 50,000 virtual tickets - the highest among circuses worldwide at that time, and earned praise by international peers.   “We are swimming alone… For us, it’s not just entertainment. It is art, heritage, livelihood, identity, and passion - and we will fight for a dignified existence,” Dilip said quietly.   Rambo Circus’ emotional tug at PM’s heart Rambo Circus Director and owner Sujit Dilip appealed to Prime Minister Narendra Modi to help save this art form with a huge potential to generate jobs, discover talents, earn massive revenues and foreign exchange.   “We urge the PM and ICCR to give Indian circuses a formal status, affordable venues for our shows, extend bank loans, opportunities for skill-upgradation, foreign collaborations and inclusion under the Ministry of Corporate Affairs’ CSR list. Many corporates wish to help, but current rules prevent it,” Dilip told The Perfect Voice .   He recalled how, during Covid-19, Rambo Circus launched online shows and sold nearly 50,000 tickets, proving the potential of Indian circus talent and earning acclaim worldwide for his innovation. “Our dream is to make India’s circuses world-class, and we need government support to achieve this,” he said.   History of circuses – Roman Arenas to open maidans The name ‘circus’ had its origins in ancient Rome, where chariot races, gladiator clashes, displays/deadly fights between wild animals and condemned humans enraptured audiences in huge open arenas. Later, circuses began modestly in 1768 with horse tricks performed by Philip Astley, a London cavalryman. Then, came the modern version of live performances by horses/ponies in the US in 1793, and in the 1830s, wild animals were introduced.   Many Hollywood films featured circuses as the backdrop. The most memorable ones are: Charlie Chaplin’s “The Circus” (1928); Walt Disney’s “Dumbo’ (1941); Cecile B. DeMille’s 2 Oscar Award-winning “The Greatest Show on Earth” (1952); biopic on P.T. Barnum “The Greatest Showman” (2017), et al.   Bollywood’s own legendary ringside acts were in films like Raj Kapoor’s “Mera Naam Joker” (1970); “Chandralekha” (1948); “Appu Raja” (1989); “Circus Queen” (1959); “Shikari” (1991); “Dhoom 3” (2013); and the howlarious circus climax in Firoz A. Nadiadwala’s “Phir Hera Pheri” (2006), etc.

Kolhapur searches for new municipal HQ

Corporation, which tables a Rs 1,000-crore budget, has wandered for 50 years without owning its building

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Kolhapur: When those in power treat public land casually—when governments and administrators shrug off responsibility—the loss inflicted on society is permanent. Public facilities shrink, generations suffer, and land sharks waiting in the shadows walk away laughing. Kolhapur is witnessing exactly such a tragedy today.


For years, a nexus of civic officials, political handlers and land mafia has systematically wiped out public-use spaces belonging to the Kolhapur Municipal Corporation (KMC). But what is unfolding now is even more shameful: the corporation that has completed its Golden Jubilee cannot even protect land meant for its own headquarters.


Recently, KMC quietly shelved its proposal to construct the new corporation building on its prime Rs 40-crore plot at Nirman Chowk, and instead expressed intentions to shift to a five-acre government plot at Shenda Park. But with that Shenda Park land already tied up in a court dispute, the so-called new headquarters appears to be nothing more than a daydream—an announcement designed to fool citizens.


Founded in 1972, the Kolhapur Municipal Corporation has failed for half a century to build its own headquarters on its own land—across a city spread over 66.82 sq km.


Like a scorpion forced to change its burrow repeatedly, the corporation has shifted sites and performed two ground-breaking ceremonies so far:


Nagla Park near Khanwilkar bungalow — first proposed.


Tarabai Park, in land beyond municipal holding limits — a second bhoomipujan 23 years ago.


The result? Due to utter negligence, the land slipped back to original owners. A commercial complex now stands there.


Later, the KMC identified 9 acres 36 gunthas (Survey Nos. 714, 786 / City Survey 255, 256) at Nirman Chowk, previously a garbage dumping site. Architects were invited. Designs were completed. And then? Ten years of paralysis. In the meantime, encroachment mafia moved in, land ownership was challenged in courts and—thanks to government inaction—the prime civic property is slipping away again.


Shenda Park shift

Now, Administrator K. Lakshmi has announced the decision to build the headquarters at Shenda Park. Citizens may celebrate temporarily, but a burning question remains:


Is the relocation for the corporation’s convenience—or for someone else’s profit?


Powerful developers and wealthy investors have their eyes on the Nirman Chowk land. Word on the street suggests deals are already underway. If true, the relocation is not an administrative decision—it’s a sellout.


Kolhapur’s public land has become a banquet table, and mafias have developed a taste for tearing chunks out of it—with blessings from influential power centres.


Kolhapur’s citizens must raise their voices now—before yet another public asset becomes private wealth.


If they do not stop this naked plunder, the coming generations will curse today’s silence.


The question remains: Does anyone have the courage to wake up the Kolhapur Municipal Corporation—before its land and dignity are looted completely?


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