top of page

By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday...

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday travel in India. It is indeed a big moment for a Mumbaikar to know that an international traveler has Girgaon listed as one of the ‘must do’ destinations for an India trip in their diary; Gudhi Padwa being the cause is even more interesting. Tana, who lives in the Netherlands embarked on a long duration trip to India earlier this month, visited Mumbai specifically to enjoy the festivities. She told ‘The Perfect Voice’ , “I came here to celebrate Gudhi Padwa with you. I am here to experience everything that I see, all the beautiful outfits, beautiful people. I did a lot of research. I knew that today is the day New Year is celebrated in Maharashtra. I am a tourist. I am alone. I am indulging in everything here from food, festivals, dresses. I adore India. I actually typed Gudhi Padwa in the search bar to ensure I did not miss this must-do event during my trip to India.” Shivani Dopavkar, a Hula Hoop artist who is a regular and active participant had made an interesting statement when she had spoken to ‘The Perfect Voice’  during last year’s Shobha Yaatra. She had said, “I quit my IT profession to take up Hula Hoop as my full-time art. I wish to take Girgaum to a level where it is recognised globally. I have chosen Hula Hoop to accomplish this dream for which Gudhi Padwa Shobha Yatra is a perfect platform.” The dream doesn’t seem to be far from success as a lot of foreign participants dressed up in traditional Indian attire were seen enjoying the activities Annie, from Berlin who came to India as a tourist co-incidentally got introduced to the festivities. “It is really colourful. I have come from Berlin with my Indian friend. German culture is very different. Everything is colourful and vibrant here. The women on the bikes, the flowers, everything that we see around is very eventful,” said Annie. Early Preparations Girgaum woke up to busy preparations right from six am, as participants and volunteers geared up for the day ahead. The action began at around nine am, with people from different walks of life wounding their happiness around different themes from Hindu mythology to ancient Marathi traditions. From Children to elderly, to differently abled individuals, all enthusiastically navigated through densely crowded tiny lanes that whole-heartedly accommodated hundreds of visitors. Kamini Darji, a Gujarathi speaking Girgaum resident was present in the middle of the action with her differently abled son. Darji said, “I get my son every year to witness the festivities. The environment gives a very united and positive vibe. We never miss the event.” From Lejhim to Dhol Tasha Pathak, from bike borne Navvari saree clad women to Hula hoop artists; from live bhajan singing to Mardani Khel to children dressed up based on different themes from Chandrayaan to ‘Vithoba-Rakhmai’; the celebration gave a perfect introduction of India’s cultural wealth to all the international visitors. Jennifer from Germany who participated in Mardani Khel wearing a traditional nine-yard saree said, “We play Mardani khel every year for Gudhi Padwa. I have been to Maharashtra many times. This is the first time that I have come to Mumbai. I learnt this art at Shivaji Raje Mardani Akhada in Pune. I have been visiting India for nine years. Earlier I used to live in Bengaluru.” Vande Mataram Theme While it was a beautiful blend of all the aspects that define India, the cherry on the top was – the ‘Vandya Vande Mataram’ – theme. To commemorate 150 th  anniversary of India’s national song Vande Mataram, most of the Tableaus and art work revolved around patriotic sentiment. While Shobha yatra 2024 was all about Lord Shri Ram and 2025 about pride for Marathi language, the year 2026 was all about freedom struggle and love for India. The most interesting highlight was the 25-foot-tall paper statue of freedom fighter Swatantryaveer Savarkar that was carried past to the thunderous beats of drums filling the air with exuberance. A 31-year-old sculptor Gaurav Pawar made the statue along with his brother Gitesh and other volunteers. Gaurav said, “Last year we made a statue of Dnyaneshwar. This year we got an opportunity to make a statue of Savarkar Ji. We took 10 days to make the statue out of paper and bamboo material. It was completely eco-friendly. We got to learn a lot about Savarkar ji during the process and it was a very very sensitive experience.” The Statue was prepared in Bedekar Sadan which is one of the buildings located in Shantaram Chawl Complex which was the hotbed of freedom movement. The residents unknowingly carry forward the legacy of the enclosed structure, a place where prominent freedom fighters like Lokmanya Tilak, Annie Basant, Mahatma Gandhi, Mohammad Ali Jinnah and Lala Lajpat Rai used to gather to lead historic movements.

Nikki Bhati and India’s Dowry Curse

Four decades after India amended its dowry law, the case underscores why parents must be held as accountable as in-laws in a culture that sacrifices daughters.

When news broke that Nikki Bhati, a young woman from Uttar Pradesh, had been burned alive in her own home, the headlines were predictably lurid. What jarred more was the spectacle that followed. At her funeral, the man accused of orchestrating her murder - her own father-in-law - lit the pyre even as Nikki’s own parents stood by. Their apparent indifference was startling. They had long known of the abuse she endured. Yet, rather than shelter Nikki, they sent her back to her husband and his family, sealing her fate.


Nikki faced repeated physical abuse from her husband and mother-in-law, and her parents were aware of these incidents, as well as her husband’s alleged infidelity. Despite a panchayat being called and an agreement for her husband to stop the abuse, Nikki’s parents sent her back to her marital home. They did not want to take her back. To add to this torture, Nikki and her older sister, Kanchan, married to the elder brother of her husband, were reportedly forced to hand out 50 percent of their earnings from the beauty parlour they ran within the home, followed by forcing them to stop the business as it was bad for the family’s reputation.


Way back in 1988, this journalist had written on dowry deaths as a big chapter in a book. The cases cited in it are evidence that there has been no impact on dowry deaths over the past forty years despite the Dowry Prohibition Amendment Act 1984.


Back then, the toll was already gruesome. Between May and June 1985, at least six young women in Mumbai alone were reported dead as a result of harassment by their husbands or in-laws. The victims came from different communities and income groups, but their fates were identical. All were newly married; all died before turning 25. In only one of those cases did the police book a mother-in-law for murder. The rest were charged under lesser provisions of the Indian Penal Code. None led to convictions.


Even those arrests were made only after grieving families hounded police officials for action. As the late Sheela Barse, a pioneering journalist and activist, observed at the time that the law was too narrow. Section 498A targeted only the husband and his relatives. But, she argued, parents of the bride were often complicit, if not directly then indirectly, in their daughter’s suffering and eventual death.


Complicity takes many forms. Affluent families feed the very practice they denounce, showering their daughters’ weddings with lavish dowries. Poorer parents accede to demands from grooms’ families, pawning land or jewellery to marry off their daughters. Once married, daughters who return home bruised and battered are often told to endure it in silence. Parents dread the stigma of a separated daughter more than her suffering.


The case of ShailaLhatkar in Pune illustrates the point. Her husband, a qualified engineer, had already been divorced once. Shaila complained repeatedly to her father about the violence she suffered. Each time he sent her back, insisting it was her duty as a Hindu wife to remain with her husband. She died soon after, burned by her in-laws.


Sometimes the abdication of responsibility is even more grotesque. In Delhi, Shani Kaur was subjected to horrific abuse: beatings with iron rods, branding with hot irons, and repeated expulsions from her in-laws’ home. Her mother knew all this, by her own admission, but did nothing. Only after Shani died of burns did she turn to feminist groups demanding justice.


This selective outrage infuriated Barse. She called for broadening the law so that parents who knowingly abandoned their daughters to abusive marriages would also be held accountable. That demand remains unheeded. The law remains tilted towards punishing in-laws, while leaving untouched the deep-rooted social expectations that drive parents to disown their daughters’ suffering.


Nikki Bhati’s case underscores the point. Both she and her sister confided to their parents about their husbands’ violence. But the parents were more preoccupied with defending themselves against a dowry complaint filed by their own estranged daughter-in-law.


Activists in the 1980s made the same observations. “Every case of unnatural death of a woman may not be the result of the pernicious practice of dowry,” noted Chandrakanta Dixit, then a young feminist campaigner. “But is it not instructive that stoves and gas cylinders burst mainly on young, married housewives while male cooks and older housewives escape miraculously every time?”


India has changed in many ways since the 1980s. Its cities gleam with new wealth. Its women lead companies and win Olympic medals. Yet the old, hidden cruelties remain. According to the National Crime Records Bureau, more than 6,500 dowry deaths are reported each year - almost 18 every day. The true figure is likely higher, given underreporting and the reluctance of police to classify cases as dowry-related.


While laws banning dowry and punishing cruelty within marriage exist, they are riddled with loopholes, plagued by shoddy investigations and weak prosecutions. Social reform has faltered too. For all the rhetoric of ‘Beti Bachao, Beti Padhao’ (Save the Daughter, Educate the Daughter), the stigma of bringing a married daughter back home remains entrenched.


What is required is not just tougher statutes but a cultural shift. Parents must be held accountable when they knowingly send their daughters back into abusive marriages.


The flames that consumed Nikki Bhati are the same that consumed countless brides before her. India’s dowry system may be formally outlawed. In practice, it is alive, well, and murderous.


(The author is a noted film scholar and a double-winner for the National Award for Best Writing on Cinema who has also written extensively on gender issues. Views personal)

Comments


bottom of page