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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Honour for cancer survivor

Odissi exponent Shubhada Varadkar gets Akademi award Mumbai: Renowned Odissi virtuoso, Shubhada Varadkar has been honoured with the prestigious Sangeet Natak Akademi Award – the country’s highest honour in performing arts – as an acknowledgement of her artistic excellence and a tribute to her passion for dancing. Unlike many others, Varadkar plunged into dancing relatively late - after completing her Matriculation from the Chembur High School, honouring the family’s traditions of “education...

Honour for cancer survivor

Odissi exponent Shubhada Varadkar gets Akademi award Mumbai: Renowned Odissi virtuoso, Shubhada Varadkar has been honoured with the prestigious Sangeet Natak Akademi Award – the country’s highest honour in performing arts – as an acknowledgement of her artistic excellence and a tribute to her passion for dancing. Unlike many others, Varadkar plunged into dancing relatively late - after completing her Matriculation from the Chembur High School, honouring the family’s traditions of “education first, everything else later”. The Varadkars were deeply committed to academics and public service, traits that passed down the generations. Her father Manohar Varadkar, was a freedom fighter who later worked at BARC Chembur in the administration department, while her mother Manik participated in the Samyukta Maharashtra Movement. “I spent nearly 10 years learning Bharata Natyam under Guru Shree Mani and later did my ‘arangetram’ performance after completing my graduation from Ruia College,” said Varadkar, 65, at her Borivali home. Somewhere down the line, the multi-faceted personality – she played inter-university for the Mumbai University cricket team, then became a lecturer in Economics at her alma mater, she also worked as a news anchor for Doordarshan (1987-1994) – changed her dancing tracks. Varadkar had a chance encounter with the legendary Guru Kelucharan Mohapatra, she discussed and learnt a lot about Odissi. She finally decided to embrace the classical dance form, giving her best to the art, trained to conquer all with her dazzling and dedicated performances. Over the decades, her performances have enchanted audiences with her lyrical movements, expressive story-telling and a deep emotional connect, both in India and on the global stage, over the past four decades. Today, she is regarded as one of the most illustrious ambassadors of Odissi dance outside its native state, Odisha. “I started with Bharat Natyam initially. Then I switched to Odissi… I felt I could explore a lot more through Odissi and it has brought me immense satisfaction and honours in my journey of performing arts,” Varadkar smiled in a chat with ‘The Perfect Voice’. She admits that for the love of dancing, she had to gradually give up all her other passions of cricket, teaching, television with Odissi becoming her ‘fulltime passion and devotion’. When she was soaring the heights of glory, during a performance in London in 2006, she was detected with ovarian cancer and had to cut short her tour to rush back home. The gritty Varadkar underwent the full treatment protocols, but again after nearly 20-years in 2025, cancer returned in a different location in the body, the lungs – shocking the medicos. In 2013, Varadkar penned down the long and inspiring struggle in her autobiography in Marathi, “Mayurpankh”, and following immense public response, she translated it into English as “The Celestial Plume” (2019). Sanskrita Foundation for arts & sports Around the time she was detected with cancer, in 2006, Shubhada Varadkar launched the ‘Sanskrita Foundation’. “We train students both in dancing and sports, especially those hailing from underprivileged backgrounds. We have multiple training centers for the youngsters for dancing and sports.” Nurturing her flock of students, Sanskrita Foundation regularly organises classes, cultural festivals to promote classical arts and sporting events for the talented ones who lack resources or avenues to showcase their potential.

Poetry- A way of Life!

The universe is made up of vibrations, vibrations generating from sound, so says, the Vedic science.


Now imagine this sound in shape of lyrics. Just imagine how soothing that vibration can be.


Now go one step ahead, add words to it! Pure, soft inspirational, stimulating words that goes straight to your heart. That is poetry for you. A good poetry reaches your heart before it reaches your brain.


That is the way of life; we all strive for consciously or subconsciously.


In earlier Vedic period in India or other developed civilizations, we find that people used to convey their thoughts more in verse as a common practice.


Perhaps nowhere is this more profoundly understood than in the ancient Vedic conception of the universe itself—as vibration, as sound, as an eternal unfolding of resonance. There are ideas that are understood, and there are truths that are felt. Poetry belongs to the latter. It does not argue, it resonates. It does not instruct, it awakens.


The Vedic seers perceived creation not as inert matter, but as nāda—cosmic sound. From this early vibration arose form, consciousness, and life. In such a worldview, language was never merely utilitarian; it was sacred. Words carried not just meaning, but energy. Speak was to shape reality. Compose in verse was to align oneself with the rhythm of existence.


A poem is a structured vibration, not simply a sequence of lines. When sound takes the form of lyrical cadence, and when that cadence is infused with words that are tender, evocative, and luminous, something remarkable occurs: the intellect is bypassed, and the heart is addressed directly.



If one pauses to consider poetry through this lens, its enduring power becomes clearer. A good poem does not knock on the door of reason; it enters quietly through the corridors of feeling.


Prose often seeks to persuade or explain; poetry seeks to reveal. This immediacy is what sets poetry apart from other forms of expression. It distils experience into its most essential form, where a single line can carry the weight of an entire lifetime. In doing so, it mirrors the very rhythm of life itself, fragmented and fleeting, yet whole, and eternal.


Historically, this intimate relationship between life and verse was not confined to the Vedic tradition. Across ancient civilizations, in India, Greece, or Persia, the poetry was not an isolated literary pursuit but a mode of everyday communication. It made memorizing essential doctrines or rules much easier. Philosophical ideas, spiritual insights, even social observations were often expressed in metrical form. Verse was memory’s ally, emotion’s vessel, and wisdom’s most graceful attire.


Then, in our modern age, what changed?


It is not that poetry has receded, but that our receptivity to it has diminished. We inhabit a world of relentless speed, where language is mostly transactional, efficiency in language is considered when you are brief, being functional is the key word now, resulting in mixing of various dialects and forms. In such a landscape, poetry can seem indulgent, waste of words or even impractical.


And yet, it may be precisely what we need most.


For poetry invites us to slow down. Listen. Feel. It restores to language its lost depth and to experience its neglected nuance. In reading or drafting a poem, one is compelled to inhabit the present moment more fully. The mind quiets, the senses sharpen, and the inner world begins to speak, to oneself.


Moreover, poetry nurtures a form of intelligence that is often overlooked. Being emotional and having intuitive understanding has become alien to human nature. It teaches us to dwell with ambiguity, to embrace subtlety, and to find beauty even in contradiction. In a time marked by polarization and haste, such sensibilities are necessities but are often considered luxuries.


Call poetry a “way of life” is, therefore, not mere romanticism. It is a recognition of its deeper function. Poetry aligns us with that primal vibration from which all things emerge, the original rhythm of existence. It constantly beings forth the complexity of modern living and an underlying a simpler truth.


“Life, at its core, is not something to be decoded, but something to be felt.”


And that is why a profoundly good poem reaches the heart before it reaches the brain. Because, in the end, the heart has always understood what the mind is still trying to articulate.


(The writer is a bilingual writer with five published titles to his credit. Views personal.)

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