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By:

Bharati Dubey

17 May 2026 at 1:38:10 am

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a...

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a world on the brink of annihilation. Produced by Ananya Birla’s Birla Studios, Hansal Mehta and Sahil Saigal’s True Story Films, and Maa Kasam Films, the film combines large-scale spectacle with a deeply human story of survival, courage and the instinct to fight for what matters most. The film marks Ranveer’s next major motion picture following Dhurandhar and Dhurandhar – The Revenge, which emerged as the highest-grossing film of all time. With Pralay, the actor once again ventures into unexplored cinematic territory, taking on a disruptive new concept that demands both physical intensity and emotional conviction. Ranveer will also serve as a producer on the film. The project comes at an important point in the actor’s career. His reported exit from Don 3 had generated considerable buzz, particularly as he was expected to carry forward one of Indian cinema’s most iconic franchises. With Pralay, Ranveer now turns the page with an entirely original story rather than stepping into another established universe. Joining him is Lokah breakout actress Kalyani Priyadarshan, who plays a pivotal role in the film and brings together another exciting performer from the new generation of Indian talent. For Ananya Birla, Pralay represents Birla Studios’ ambition to push the boundaries of mainstream Indian cinema by collaborating with contemporary creative forces. For True Story Films’ Hansal Mehta and Sahil Saigal, the project reflects their commitment to disruptive storytelling and content-driven cinema. Behind the camera, Jai Mehta leads the ambitious project. His work on Scam 1992: The Harshad Mehta Story, which he co-directed with Hansal Mehta, and Lootere has earned widespread acclaim. With Pralay, he steps into a significantly larger canvas, bringing together an ensemble of creative and technical talent from India and around the world. Set against the unmistakable pulse and landscape of Mumbai, Pralay follows a relentless journey of survival against the terrifying possibility of an end-of-the-world catastrophe. The film aims to marry breathtaking spectacle with an emotional core, exploring what people are willing to do to survive when the world as they know it begins to collapse. The makers are shooting extensively at live locations in and around Mumbai, embracing the physicality and unpredictability of real-world environments. The approach is designed to add scale, texture and realism to the apocalyptic world while creating an immersive theatrical experience. The film had already undergone several months of highly technical and intensive pre-production before cameras began rolling. Its ambitious mounting and unusual premise have made Pralay one of the most talked-about upcoming projects in Indian cinema.

Rust Beneath the Waves

While the world’s shipping fleet looks bigger than ever, its safety culture is quietly rotting and India has the most to lose.

Global shipping transports over 80 per cent of world trade, making it essential for economic stability and global supply-chain security. From oil and grain to smartphones and fertiliser, the modern economy remains lashed to steel hulls and diesel engines. The merchant fleet has never been larger as well over 100,000 vessels ply the oceans today, but it has rarely been more fragile. Behind the boom in global shipping lies a slow decay in how ships are run, repaired and crewed. And nowhere are the consequences more visible, or more dangerous, than in Indian waters.


India is not just another maritime state. It has an 11,000-kilometre coastline, a growing web of ports and a strategic location astride some of the world’s busiest sea lanes. More than 240,000 Indian seafarers serve on ships flying every conceivable flag, making India one of the largest labour suppliers to global shipping. When something goes wrong at sea, Indian trade, Indian livelihoods and Indian coastal ecosystems are among the first to feel the blow.


In 2025 the container ship MSC Elsa-3 sank off Kerala. That same year Wan Hai 503 spilled oil and chemicals into the Arabian Sea, again near Kerala’s fragile coast. In 2022 the tanker MT Parth released oil and bitumen off Maharashtra. Earlier disasters still haunt regulators: MV Rak Carrier went down off Mumbai in 2011, MSC Chitra collided with another ship in Mumbai harbour in 2010, and MV Black Rose sank near Paradip in 2009. Even accidents outside Indian waters do not stay there. When the container ship X-Press Pearl caught fire and sank off Sri Lanka in 2021, plastic pellets and chemicals washed up along India’s southern beaches.


Machinery Failure

Marine insurers and casualty investigators are blunt about what is going wrong. Machinery failure now accounts for over 40 percent of serious shipping incidents worldwide - more than collisions, groundings or navigational mistakes. Lloyd’s List puts the figure at 43 percent.


The cause is as prosaic as it is alarming: ships are not being allowed to stop. In the 20th century, most merchant vessels periodically went into “lay-up” – i.e. the time alongside or at anchor when the engines were shut down and engineers could dismantle, inspect and overhaul critical machinery. Today, in the name of efficiency, that has become rare. Vessels are expected to move almost continuously, with maintenance squeezed into hurried port calls or improvised at anchor.


Chief engineers are pushed into a grim juggling act to keep the ship running, keep the paperwork clean and somehow keep the machinery alive. Some take risks, immobilising engines during port stays or at anchor to attempt essential repairs, often skirting port regulations and safety norms. Others tick the boxes without doing the work. Ships limp on until, one day, the small failures line up into a major disaster.


The International Safety Management (ISM) Code, the backbone of the global maritime safety regime, was designed to prevent this. It requires companies to operate ships safely and maintain them properly. But it never anticipated an industry that would try to eliminate downtime altogether.


Human Cost

Modern shipping has become a paradox: faster, more automated and more exhausting. In the past, a ship might spend four to six days in port. Crews could step ashore, see daylight that was not filtered through a porthole, and mentally reset before the next leg. Today, container ships and bulk carriers are often turned around in 12 to 36 hours. Crews work through cargo operations, inspections and paperwork, and sail again without ever leaving the quay.


At the same time, contracts have not shortened. Six to ten months at sea remains common. Worse, many shipowners have cut crew numbers to save money, sometimes in defiance of international guidelines. The result is a small, overworked team running a complex industrial plant that never sleeps. Investigations link fatigue to poor decisions on the bridge and in the engine room, to rising mental-health problems including suicide. It is also quietly poisoning the future of the profession as fewer young people want to go to sea when it looks like a form of floating bonded labour.


Shipping has always been bureaucratic, but the paperwork explosion of recent decades has been particularly perverse. Crews are required to comply with thick binders of checklists and procedures irrelevant to the actual equipment on board.  They allow ship-management companies to show flag-state regulators that they have a system, even if that system has little to do with the ship’s reality.


Everyone in the chain knows this, including the maritime administrations and the International Maritime Organisation (IMO) that oversees them. Yet the fiction persists.


Holes in the Code

The weaknesses are written into the rules. The ISM Code, adopted in the 1990s after a spate of high-profile accidents, was meant to force companies to take responsibility for safety. In practice it left some of the most powerful actors off the hook.


The most glaring omission is the shipowner. Under the code, operational responsibility is often delegated to a ship-management company, sometimes for a modest fee. If something goes wrong, the owner can point to the manager; the manager can point to the crew. True accountability dissolves. Owners have lobbied hard to keep it that way.


The code also says nothing about mandatory lay-up periods for maintenance, even though modern ships are more complex and failure-prone than ever. It leaves crew-contract lengths frozen in a 20th-century world of slower shipping and longer port stays. It allows owners to pressure flag states into approving smaller crews. And it tolerates generic procedures that bear little relation to the hardware on board.


In November 2025 America’s National Transportation Safety Board released its final report into the 2024 collision of the container ship MV DALI with the Francis Scott Key Bridge in Baltimore. The board highlighted structural flaws in the ISM Code itself and urged the United States to push the IMO to fix them. It was an unusually direct challenge to the global rulebook.


For India, this matters more than most. Its ports are busier every year. Its seafarers are on almost every major shipping line. Its coastal waters have already paid a high price for global negligence. And in November 2025 India was re-elected to the IMO Council in Category B - the group of ten countries with the greatest interest in international seaborne trade. That seat gives New Delhi a platform to shape the rules.


The country’s own maritime regulator, the Directorate General of Shipping, has been urged by industry insiders to tighten standards for Indian-flagged vessels and to push for broader reform. But unilateral action is not enough. Ships are global creatures: they are owned in one country, managed in another, flagged in a third and crewed in a fourth. Only the IMO can change the incentives that drive them.


There is an opportunity for a coalition. The United States, prodded by its own investigators, has reason to want a tougher ISM Code. Other trading nations that depend on clean, reliable sea lanes - from Japan to the EU - share the same interest. Together they could push for a rewrite that reflects how shipping actually works in the 21st century.


Such a rewrite would be practical. It would make shipowners explicitly responsible for safety, not just their agents. It would require planned maintenance periods that cannot be wished away by scheduling software. It would recognise that human beings cannot work safely for months on end without rest or relief. And it would replace paper compliance with procedures tied to real equipment.


Shipping is famously conservative. It changes only after disaster. India does not need to wait for that. Its economic future is tied to the sea, as it has been for centuries. The rust beneath the waves is spreading. Whether it is scraped off or allowed to eat through the hull will depend, in no small part, on what happens in the rule-making rooms of the IMO.


(Capt. Singhal is a shipping and marine consultant. Capt. Saggi is ex-Nautical Advisor to Government of India. Views personal.)


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