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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Macron hits the ground ‘running’

French President Emmanuel Macron with Bollywood actors Anil Kapoor, Manoj Bajpayee and others during a meeting in Mumbai. Mumbai: After landing in Mumbai in late hours of Monday (February 16), French President Emmanuel Macron barely took any time to rest and hopped into his sportswear just hours later for a jog at Mumbai’s iconic Marine Drive promenade, much to the disbelief and delight of the early risers there. Macron (48) was clad in a navy-blue t-shirt, black shorts and wore comfy...

Macron hits the ground ‘running’

French President Emmanuel Macron with Bollywood actors Anil Kapoor, Manoj Bajpayee and others during a meeting in Mumbai. Mumbai: After landing in Mumbai in late hours of Monday (February 16), French President Emmanuel Macron barely took any time to rest and hopped into his sportswear just hours later for a jog at Mumbai’s iconic Marine Drive promenade, much to the disbelief and delight of the early risers there. Macron (48) was clad in a navy-blue t-shirt, black shorts and wore comfy running shoes. His adherence to his legendary fitness routine sure was a high-stakes blend of diplomacy, politics and symbolism that displayed French soft power in the country’s glam capital and financial powerhouse. As Macron jogged and paced ahead with a retinue of hard-faced security officials around him, Mumbai’s early-summer humidity seemed to affect him little. Morning walkers and office-goers in the area however, were pleasantly surprised at the sight of a European head-of-state passing by like it was just another normal day in his daily routine. The French Prez knew this and even smiled at the crowds, acknowledging them with a wave as the locals jostled to record videos which later went viral on social media. Memorial Visit The light morning mood soon made way for a sombre tribute to victims of 26/11 terror attack at the memorial in the main lobby of Hotel Taj Mahal Palace opposite the Gateway of India. Macron visited the memorial with his wife, First Lady Brigitte Marie-Claude Macron. “We paid tributes to the victims of the 2008 attacks. To their families and loved ones and to India: France stands with you. In the face of terrorism, unity and determination,” said Macron emphasizing solidarity between New Delhi and Paris against global terror. At a luncheon, a delegation from Bollywood’s bigwigs met Macron and discussed the cultural and cinematic ties between the two nations. Ordinary Indian became familiar with the marvels of the French capital almost six decades ago through the superhit musical, ‘An Evening In Paris’ (1967). Among those seen were some of Indian cinema’s biggest names like Shabana Azmi, Anil Kapoor, Manoj Bajpayee, Zoya Akhtar, Richa Chadha and Grammy-winning composer Ricky Kej. “Alongside legends of Indian cinema. Culture brings us together,” Macron posted on X, and even expressed interest in deeper film co-productions with Bollywood. Kapoor described the interaction as ‘inspiring’ with exchange of ideas on cinema and cultural collaboration between the two countries, and Bajpayee termed it as an honour. A grand welcome Earlier, Macron, visiting India at the invitation of Prime Minister Narendra Modi, was warmly welcomed at Chhatrapati Shivaji Maharaj International Airport by Maharashtra Governor Acharya Devvrat, Chief Minister Devendra Fadnavis, Deputy CMs Eknath Shinde and Sunetra Pawar, Chief Secretary Rajesh Aggarwal, DGP Sadanand Date, Mumbai Police Commissioner Deven Bharti, other senior officials, and diplomats from both nations. Subsequently, Macron and Modi were closeted in delegation-level talks at the picturesque Arabian Sea-facing Lok Bhavan at Malabar Hill, when he said both France and India can give a lot to the world. “We have identified areas where we need to cooperate more to elevate our ties further,” said Macron, welcoming the recent India-European Union FTA.

Selective Outrage

India’s left-liberal media has long prided itself on being the torchbearer of secularism, dissent and moral rectitude. In the aftermath of ‘Operation Sindoor,’ the precision military strike launched by the Modi government against Pakistan-based terror camps, it has revealed its not a principled commitment to peace or truth, but a disturbing penchant for ideological prejudice, performative sanctimony and selective outrage.


The operation itself was a textbook display of calibrated force and geopolitical prudence. Prime Minister Narendra Modi, often caricatured as ‘authoritarian’ by the ‘liberal’ English-language commentariat, chose patience over provocation. He consulted opposition leaders, held detailed discussions with defence chiefs and took key international stakeholders, notably the United States and Russia, into confidence before authorising limited military action. The symbolism of ‘Operation Sindoor’ was also carefully crafted: a pointed reminder that the attack’s real victims were Hindu women widowed by Pakistan-sponsored militants in Kashmir. The government’s briefings were also strategic and symbolic as two ranking female officers, one of them Muslim, were made the public face of the mission, underlining a new Indian confidence that blends military muscle with democratic pluralism.


But this was unacceptable for India’s entrenched ‘left-liberal’ press, steeped in academic jargon, Western validation and a knee-jerk hostility to anything remotely ‘Hindutva.’ That a Muslim officer briefed the nation on ‘Operation Sindoor’ was branded ‘tokenism’ by such commentators. Others crudely alleged that the April 22 Pahalgam massacre was the logical culmination of reported atrocities against Muslims since Modi came to power in 2014.


The semantic nitpicking over ‘Operation Sindoor’ was maddening. An editor of a prominent magazine dubbed the operation’s name as ‘patriarchal’ and coded in Hindutva tropes. In a bizarre case of moral inversion, sindoor was likened to symbols of ‘honour killings’ and gender oppression, ignoring both its cultural resonance and the cruel reality that these women had lost their husbands in cold blood. For years, India’s ‘secular’ commentariat nurtured a preordained binary: the Congress may be flawed but was at least ‘secular’ while the BJP was an inveterate ‘fascist.’ Thus, the 2002 Gujarat riots are always focused upon but the Congress-backed pogrom of the Sikhs in 1984 is either downplayed or rationalised. Terrorism in Kashmir is tragic, but state retaliation is ‘jingoism.’ A strong Muslim voice in government is ‘tokenism’ but its absence is ‘exclusion.’ Even journalistic rigour is selectively applied. When Pakistan claimed to have downed Indian jets, some Indian outlets rushed to amplify the story before verification, inadvertently echoing enemy propaganda.


Dissent is vital in any democracy. But when its becomes indistinguishable from disdain, when editorial choices are dictated by ideological conformity, then the press becomes a caricature of itself. Ironically, many of these journalists enjoy robust free speech and loudly lament India’s supposed slide into ‘fascism’ from the safety of their X handles. Yet they turn a blind eye to Putin’s repression, Erdogan’s purges or Xi Jinping’s camps. In their eyes, Modi remains the greatest threat to democracy even as they broadcast their outrage freely, without fear of censorship or reprisal. ‘Operation Sindoor’ was a statement of cultural self-confidence. That confidence has rattled those who have spent their careers gatekeeping Indian discourse. Today, their monopoly is over. The people are watching and they no longer believe that the emperor has clothes.

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