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By:

Archita Redkar

11 September 2025 at 2:30:25 pm

Odisha: Where History, Faith and Art Come Alive

Rich in heritage yet vibrant with modern energy, Odisha remains one of India’s most rewarding travel experiences. Odisha, on India’s eastern coast along the Bay of Bengal, is a land where history, spirituality, art, architecture, nature and culture come together in harmony. Often called the “Land of Temples”, the state preserves a legacy spanning more than two thousand years. From magnificent temples and ancient caves to serene lakes, golden beaches and vibrant traditions, Odisha offers an...

Odisha: Where History, Faith and Art Come Alive

Rich in heritage yet vibrant with modern energy, Odisha remains one of India’s most rewarding travel experiences. Odisha, on India’s eastern coast along the Bay of Bengal, is a land where history, spirituality, art, architecture, nature and culture come together in harmony. Often called the “Land of Temples”, the state preserves a legacy spanning more than two thousand years. From magnificent temples and ancient caves to serene lakes, golden beaches and vibrant traditions, Odisha offers an unforgettable journey into India’s heritage. Located between West Bengal, Jharkhand, Chhattisgarh, Andhra Pradesh and the Bay of Bengal, Odisha enjoys a unique geographical setting. Its capital, Bhubaneswar, is known as the “Temple City of India” for its concentration of ancient shrines. The landscape includes coastal plains, rivers, forests, hills, wetlands and wildlife sanctuaries. Among its natural wonders is Chilika Lake, Asia’s largest brackish-water lagoon, home to migratory birds and the rare Irrawaddy dolphin. Odisha’s history is closely linked with the ancient kingdom of Kalinga. The region gained worldwide significance through the Kalinga War of 261 BCE between Emperor Ashoka and the people of Kalinga. The devastation of the conflict inspired Ashoka to embrace Buddhism, helping spread its message of peace across Asia. Over the centuries, Odisha flourished under dynasties such as the Mahameghavahanas, Somavamshis, Eastern Gangas and Gajapatis, leaving behind a rich legacy of temples, monuments and artistic achievements. Among Odisha’s greatest treasures is the sacred Jagannath Temple in Puri. Built in the 12th century by King Anantavarman Chodaganga Deva of the Eastern Ganga Dynasty, it is dedicated to Lord Jagannath, a form of Vishnu, and is one of Hinduism’s four Char Dham pilgrimage sites. Renowned for its wooden deities of Jagannath, Balabhadra and Subhadra, the temple symbolises inclusiveness and universal spirituality. Every year, millions gather for the grand Rath Yatra, when the deities are carried through the streets on enormous chariots. The Konark Sun Temple, a UNESCO World Heritage Site, is one of the finest examples of mediaeval Indian architecture. Built in the 13th century by King Narasimhadeva I, it was designed as a colossal stone chariot dedicated to Surya, the Sun God. Twelve intricately carved wheels and seven stone horses appear to pull the temple across the heavens. Its sculptures depict dancers, musicians, celestial beings, animals and scenes from daily life, reflecting the artistic and cultural richness of ancient Odisha. In Bhubaneswar, the Lingaraj Temple stands as a masterpiece of Kalinga architecture. Dating to the 11th century, this Shiva temple remains an important pilgrimage centre. Nearby, the Mukteswar Temple is admired for its carved gateway, while the Rajarani Temple is renowned for its graceful sculptures. Beyond its temples, Odisha offers numerous historical and natural attractions. The Udayagiri and Khandagiri Caves provide insights into the region’s early religious history, while Puri is celebrated for both its sacred temple and golden beaches. Nature lovers are drawn to Similipal National Park, a UNESCO Biosphere Reserve known for its forests, waterfalls, elephants, tigers and biodiversity. Odisha’s artistic heritage is among the richest in India. Temple sculptures, renowned for their beauty and symbolism, depict gods, dancers, warriors, animals and scenes from daily life. Odisha is also the birthplace of Odissi, one of India’s oldest classical dance forms, inspired by temple sculptures. Traditional arts such as Pattachitra painting, silver filigree work, stone carving, appliqué crafts and handloom weaving continue to flourish. The state’s vibrant festivals add another dimension to its cultural identity. While the Rath Yatra is its most famous celebration, festivals such as Raja Parba, Boita Bandana, Chandan Yatra, Durga Puja, Makar Mela and the Konark Dance Festival showcase Odisha’s traditions, maritime heritage and artistic excellence. In recent years, Odisha has emerged as one of India’s most dynamic tourism destinations. Improved infrastructure, enhanced air connectivity, heritage conservation initiatives and ecotourism projects have increased its appeal to travellers worldwide. The state has successfully promoted heritage, wildlife, beach and tribal tourism while preserving its unique cultural character. The best time to visit Odisha is between October and March, while travellers wishing to experience the Rath Yatra can plan their visit during June or July. Odisha is far more than a destination; it is a living museum of India’s history, faith, art and natural beauty. Whether marvelling at the stone chariot of Konark, experiencing the devotion of Puri, exploring the temples of Bhubaneswar or watching dolphins in Chilika Lake, visitors discover a state that leaves an enduring impression. Rich in heritage yet vibrant with modern energy, Odisha remains one of India’s most rewarding travel experiences. (The writer is a tourism professional and runs a company, Global Voyages. She could be contacted at goglobalvoyages@gmail.com. Views personal.)

Selective Outrage

India’s left-liberal media has long prided itself on being the torchbearer of secularism, dissent and moral rectitude. In the aftermath of ‘Operation Sindoor,’ the precision military strike launched by the Modi government against Pakistan-based terror camps, it has revealed its not a principled commitment to peace or truth, but a disturbing penchant for ideological prejudice, performative sanctimony and selective outrage.


The operation itself was a textbook display of calibrated force and geopolitical prudence. Prime Minister Narendra Modi, often caricatured as ‘authoritarian’ by the ‘liberal’ English-language commentariat, chose patience over provocation. He consulted opposition leaders, held detailed discussions with defence chiefs and took key international stakeholders, notably the United States and Russia, into confidence before authorising limited military action. The symbolism of ‘Operation Sindoor’ was also carefully crafted: a pointed reminder that the attack’s real victims were Hindu women widowed by Pakistan-sponsored militants in Kashmir. The government’s briefings were also strategic and symbolic as two ranking female officers, one of them Muslim, were made the public face of the mission, underlining a new Indian confidence that blends military muscle with democratic pluralism.


But this was unacceptable for India’s entrenched ‘left-liberal’ press, steeped in academic jargon, Western validation and a knee-jerk hostility to anything remotely ‘Hindutva.’ That a Muslim officer briefed the nation on ‘Operation Sindoor’ was branded ‘tokenism’ by such commentators. Others crudely alleged that the April 22 Pahalgam massacre was the logical culmination of reported atrocities against Muslims since Modi came to power in 2014.


The semantic nitpicking over ‘Operation Sindoor’ was maddening. An editor of a prominent magazine dubbed the operation’s name as ‘patriarchal’ and coded in Hindutva tropes. In a bizarre case of moral inversion, sindoor was likened to symbols of ‘honour killings’ and gender oppression, ignoring both its cultural resonance and the cruel reality that these women had lost their husbands in cold blood. For years, India’s ‘secular’ commentariat nurtured a preordained binary: the Congress may be flawed but was at least ‘secular’ while the BJP was an inveterate ‘fascist.’ Thus, the 2002 Gujarat riots are always focused upon but the Congress-backed pogrom of the Sikhs in 1984 is either downplayed or rationalised. Terrorism in Kashmir is tragic, but state retaliation is ‘jingoism.’ A strong Muslim voice in government is ‘tokenism’ but its absence is ‘exclusion.’ Even journalistic rigour is selectively applied. When Pakistan claimed to have downed Indian jets, some Indian outlets rushed to amplify the story before verification, inadvertently echoing enemy propaganda.


Dissent is vital in any democracy. But when its becomes indistinguishable from disdain, when editorial choices are dictated by ideological conformity, then the press becomes a caricature of itself. Ironically, many of these journalists enjoy robust free speech and loudly lament India’s supposed slide into ‘fascism’ from the safety of their X handles. Yet they turn a blind eye to Putin’s repression, Erdogan’s purges or Xi Jinping’s camps. In their eyes, Modi remains the greatest threat to democracy even as they broadcast their outrage freely, without fear of censorship or reprisal. ‘Operation Sindoor’ was a statement of cultural self-confidence. That confidence has rattled those who have spent their careers gatekeeping Indian discourse. Today, their monopoly is over. The people are watching and they no longer believe that the emperor has clothes.

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