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By:

Bharati Dubey

17 May 2026 at 7:08:10 am

Family News to Fashion Moments

From Sabyasachi’s classic elegance to Masaba Gupta’s contemporary Indian aesthetic, Deepika and Ranveer’s family portraits reflect two distinct expressions of Indian fashion. For Deepika Padukone and Ranveer Singh, special family milestones have also turned into memorable fashion moments. From choosing Sabyasachi for their first daughter Dua’s introduction to opting for Masaba Gupta’s creations for their younger daughter Devi’s debut, the couple have brought together personal celebrations and...

Family News to Fashion Moments

From Sabyasachi’s classic elegance to Masaba Gupta’s contemporary Indian aesthetic, Deepika and Ranveer’s family portraits reflect two distinct expressions of Indian fashion. For Deepika Padukone and Ranveer Singh, special family milestones have also turned into memorable fashion moments. From choosing Sabyasachi for their first daughter Dua’s introduction to opting for Masaba Gupta’s creations for their younger daughter Devi’s debut, the couple have brought together personal celebrations and Indian designer wear in a distinctive way. The latest family photograph, introducing little Devi Padukone Singh to the world, attracted attention not just for the heartwarming occasion but also for the family’s coordinated outfits. Deepika, Ranveer and their daughters, Dua and Devi, were dressed in ensembles from House of Masaba, giving the intimate family moment a festive fashion touch. Known for her contemporary interpretation of traditional Indian silhouettes, Masaba Gupta has carved a distinct identity in the fashion industry through her bold prints, vibrant colours and unconventional design sensibility. Her designs often combine familiar Indian motifs with modern cuts and unexpected colour combinations, offering an alternative to more conventional occasion wear. The family’s decision to wear her label placed the designer at the centre of another widely noticed celebrity fashion moment. Interestingly, the choice marked a departure from the couple’s earlier family announcement. When Deepika and Ranveer introduced Dua to the public last year, they opted for creations by celebrated couturier Sabyasachi Mukherjee, whose designs are known for their traditional craftsmanship, intricate detailing and timeless appeal. The contrast between the two occasions highlights different expressions of Indian fashion. While Sabyasachi’s signature aesthetic brought classic elegance to Dua’s introduction, Masaba’s contemporary design language added a fresh dimension to the family’s latest appearance. The choice of designer also shaped the visual mood of each announcement, showing how clothing can complement an occasion without taking attention away from the family itself. Coordinated dressing has become a familiar feature of celebrity family photographs, particularly when a personal occasion is shared with the public. When done well, it creates a visual connection between the people in the frame without requiring identical outfits. Colour, prints, silhouettes and accessories can bring the look together while allowing each person’s ensemble to retain its own character. In this instance, the family’s choice of a single label gave the photograph a cohesive look. Deepika and Ranveer have long been associated with some of India’s leading fashion designers, frequently making headlines for their sartorial choices at weddings, film events and public appearances. Their preference for Indian labels during significant personal occasions also reflects the visibility that homegrown designers enjoy when celebrities wear their creations beyond the runway. What makes these two appearances particularly interesting is how fashion has become part of the visual narrative surrounding the couple’s family milestones. Rather than elaborate public events, it is the simplicity of the photographs, complemented by carefully chosen designer ensembles, that has made both announcements stand out. The clothing adds another layer to the images, giving fashion followers a point of interest alongside the personal news. From Sabyasachi’s classic grandeur to Masaba Gupta’s modern Indian aesthetic, the two family portraits offer a glimpse of how different designers have become part of Deepika and Ranveer’s most cherished personal moments. They also show how a celebrity’s choice of clothing can introduce different interpretations of Indian design to a wide audience, even in a photograph centred on an intimate family occasion

Toxic Metropolis

1 hour ago
2 min read

The Bombay High Court’s latest warning to the city’s civic authorities exposes Mumbai’s air pollution crisis as a failure of civic accountability, and not merely an environmental challenge. The court has expressed alarm that the financial capital’s air pollution was rivalling, and at times surpassing, Delhi’s notorious smog. Describing the situation as an emergency, the court exposed the disturbing truth that Mumbai’s worsening air quality is not simply the consequence of weather or urbanisation but a failure of governance.


For decades, Mumbai took comfort in its coastal advantage. However congested its roads or relentless its construction boom, the Arabian Sea offered the promise of cleansing breezes that would disperse at least some of the city’s accumulated pollutants. But today, the sea breeze offers no guarantee of clean air.


The High Court’s latest intervention is particularly damning because it follows years of judicial directions aimed at curbing air pollution. The bench criticised the inadequate enforcement of restrictions on firecrackers, construction dust and other sources of pollution, questioning whether the authorities were genuinely committed to implementing the measures they had been ordered to follow.


This is not the first time the judiciary has expressed frustration. In January, the High Court warned that the salaries of senior civic commissioners could be stopped over non-compliance with pollution-control orders. Its latest rebuke suggests that repeated judicial admonitions have not produced the urgency the situation demands.


Construction dust offers a particularly visible example of this failure. Mumbai’s relentless redevelopment and infrastructure expansion have transformed its skyline, but development cannot be permitted to proceed at the expense of public health. Builders who flout these rules must face meaningful penalties, while municipal officials who overlook violations must be held answerable.


Traffic emissions, waste burning and poorly managed dumping grounds have all contributed to Mumbai’s pollution burden. The Kanjurmarg landfill, which processes a substantial share of the city’s daily waste, has drawn scrutiny over methane, foul odour and its environmental impact. Addressing such problems requires scientific monitoring, transparent data and sustained coordination among the Brihanmumbai Municipal Corporation, the Maharashtra Pollution Control Board and the police.


The High Court has also raised an important question about the credibility of official assurances. Citywide averages and readings from relatively cleaner locations can conceal the conditions faced by people living beside congested roads, construction sites and waste facilities. Pollution monitoring must therefore be granular and linked to enforcement.


Authorities should publish ward-wise compliance records, identify repeat offenders and establish clear timelines for corrective action. The public must be able to judge progress by cleaner air, not by the number of notices issued or meetings convened.


Clean air is fundamental to public health and the right to life. The Bombay High Court has now made the cost of official indifference unmistakably clear.

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