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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Curtains down on legendary actress Vijaya Mehta

She mentored actors like Nana Patekar, Anupam Kher Mumbai: The curtains fell for the last time on the Grand Dame of acting, Vijaya Mehta - one of India’s most acclaimed actresses, director, producer, writer and visionary – whose immense contributions to mainstream and parallel cinema and theatre influenced generations of actors and filmmakers. The National Award-winning actress passed away at her Mumbai residence late on Tuesday at 91. Her last rites were performed at the Shipdham...

Curtains down on legendary actress Vijaya Mehta

She mentored actors like Nana Patekar, Anupam Kher Mumbai: The curtains fell for the last time on the Grand Dame of acting, Vijaya Mehta - one of India’s most acclaimed actresses, director, producer, writer and visionary – whose immense contributions to mainstream and parallel cinema and theatre influenced generations of actors and filmmakers. The National Award-winning actress passed away at her Mumbai residence late on Tuesday at 91. Her last rites were performed at the Shipdham Crematorium in Goregaon east this afternoon in the presence of her family, a large number of film personalities and her admirers. Prime Minister Narendra Modi, Congress Leaders of Opposition Rahul Gandhi and Mallikarjun Kharge, CM Devendra Fadnavis and many other dignitaries paid rich tributes to Vijaya Mehta. Acting Institution Considered an institution in acting in her own right, Vijaya Mehta was a quiet but stern perfectionist who mentored some of the top actors like Nana Patekar, Anupam Kher, Neena Kulkarni and many others over decades. Fondly addressed as ‘Bai’ by her students and upcoming actors, Vijaya Mehta seamlessly combined intellectual rigours of a scholar and a sensitive artist, firmly believing that acting was not about applause but of truth, discipline and honesty before the audiences. Belonging to a bygone era when plays served as a vehicle to educate, provoke and transform society through stories, and over six decades, she came to be regarded as the ‘conscience keeper’ of serious theatre, long before ‘experimental theatre’ became a vogue. She constantly breathed new life into Marathi theatre in different ways that influenced new actors, directors and earned public approval. Born in Baroda State in 1934 at Vijaya Jaywant, she came to Mumbai at a young age and graduated from the University of Mumbai, with acting remaining her passion during her college days. She performed as Desdemona in a production of William Shakespeare’s 1604 classic play, “Othello” and her acting caught the eye of the renowned theatre guru, Ebrahim Alkazi, who trained and guided her. Rangayan Launched In 1960, Vijaya Mehta, along with other stalwarts like Adi Marzban, Vijay Tendulkar, Dr Shriram Lagoo and Arvind Deshpande, founded a theatre group, Rangayan. Meanwhile, in the mid-1950s she married Harin Khote, the son of the veteran actress Durga Khote, but after his sudden passing in 1964, she married theatre personality Farrokh Mehta a few years later. Jostling for space with the prosperous commercial theatre, over the years, it went onto produce many pioneering and influential plays earning itself a formidable reputation in ‘parallel theatre’ with bold themes, grandiose productions and exemplary performances that catapulted Marathi theatre to national repute. Several of her productions and directions became legendary – Ek Shunya Bajirao, Ajab Nyay Vartulacha, Hayavadana, Mudrarakshasa, Shakuntal, and Hamidabaichi Kothi, Mahasagar, Chairs – besides adaptation of several international classics, and each bearing her signature of meticulous preparations, sensitive performances and artistic excellence from all. Theatre to Cinema The full-house responses to her productions drew the attention of cinema and she ventured both in front of and behind the camera, in various capacities. Vijaya Mehta’s films ‘Rao Saheb’ (1986) for which she won the National Award for Supporting Actress that year, and ‘Pestonjee’ (1988) rank among the landmarks of parallel cinema for their subtle story-telling along with deep characterisation. As an actor, she gave some memorable performances in the much-applauded Govind Nihalani’s film ‘Kalyug’ (1981), “Mohan Joshi Hazir Ho!”, “Akriet”, “The Mist”, and a Mahesh Eklunchwar’s famed play “Wada Chirebandi” (1985), which she made into a television film, “Haveli Buland Thi” (1987). She also acted in the film “Party” (1984), also penned by Mahesh Eklunchwar. Over the years, she was decorated with many honours and awards, including the Padma Shri, Padma Bhushan, the Sangeet Natak Akademi Award, Sangeet Natak Akademi Fellowship, Kalidas Samman, Maharashtra’s highest cultural honours and numerous lifetime achievement awards. Vijaya Mehta: A taskmaster Film industry circles credit Vijaya Mehta not only for her own achievements, but also shaping generations of actors and film-makers to make them masters in the trade. Some of those whose skills she honed include: Nana Patekar, Anupam Kher, Neena Kulkarni, Mohan Agashe, Bharti Achrekar, Sonali Kulkarni, and in his early years, even Akshay Kumar benefited from her guidance and even from her autobiography, “Zimma: A Memoir” (2012). As news of her passing spread today, her disciples, Bollywood and Marathi film industry actors and legions of fans poured their emotions for Vijaya Mehta today on social media.

Unrest within Mahayuti

Updated: Jan 21, 2025

Mahayuti

Mumbai: The state administration on Sunday stalled the appointments of guardian ministers in Raigad and Nashik districts. Chief Minister Devendra Fadnavis had cleared the appointments before he left for Davos in Switzerland to attend the World Economic Forum on Saturday. They are believed to have been stalled on behest of Deputy Chief Minister Eknath Shinde, who heads the state in absence of the Chief Minister.


NCP’s Aditi Tatkare and BJP’s Girish Mahajan were entrusted with responsibilities of guardian minister for the Raigad and Nashik districts respectively, where Shiv Sena’s Bharat Gogawale and Dada Bhuse had staked claims. Gogawale is a first-time minister while, Bhuse had been the guardian minister of the district during previous government under Eknath Shinde.


Shiv Sena, NCP and BJP all the three constituents of Mahayuti have strong roots in both the districts. However, the Shiv Sena and the NCP had been particularly on loggerheads there. The Shiv Sena, which had been demanding the guardian minister’s post in Nashik district has managed to win only two assembly seats in the district where the NCP has Six and the BJP has Five MLAs. On the contrary, in Raigad the NCP has won only one seat while the Shiv Sena and the BJP both have Three MLAs each in the district.


Sunil Tatkare, MP from Raigad Lok Sabha constituency and the stat unit president of the NCP and father of Aditi Tatkare, had been the guardian minister of Raigad between 2004 and 2014. Gogawale had always been his political opponent before Tatkare joined the Mahayuti government under Ajit Pawar’s leadership in 2023. Gogawale claimed that all the Six Shiv Sena-BJP MLAs in the district had opined in his favour to be the guardian minister of the district and after the decision to appoint Aditi Tatkare was announced, his supporters resorted to violent protests. They burnt tyres in bid to stall traffic on highway in the district. Reacting to the developments, Tatkare said that the issue should be pondered over after CM Fadnavis returns from Davos on Saturday and settled amicably.


In Nashik Girish Mahajan had been the guardian minister of the district between 2014 and 2019 when Fadnavis was the Chief Minister.


The post of guardian minister doesn’t have any constitutional mandate and is considered to be a political appointment. Guardian ministers head the district planning and development councils (DPDC) that control the funds for development works being carried out in the particular district. This control wields much of political power to the minister in that district whereby spreading the party in the district becomes much easier. This is the reason why the grass root politicians seem to be very sensitive to such appointments.


While Gogawale and Bhuse are unhappy about not being appointed as guardian ministers, some others like NCP’s Hasan Mushrif and BJP’s Pankaja Munde are unhappy about not being appointed as guardian district in their home districts of Kolhapur and Beed respectively. DCM Shinde is learnt to have gone to his ancestral village Dare in Satara district after the decision and BJP’s firefighters Chandrashekhar Bawankule and Girish Mahajan are expected to meet him there to try finding a way out of the issue.

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