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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and...

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and owner Sujit Dilip.   “We get good crowds on weekends and holidays, but weekdays are still a struggle. Our fixed expenses are around Rs. One Crore per month. Costs have gone up nearly ten times on all fronts in the last five years, and the 18% GST is killing. We manage around 1,500 shows annually, but barely break even, with wafer-thin margins,” said Dilip, 50.   The logistics alone are staggering. Rambo Circus travels across India with an 80-member troupe of acrobats, aerialists, sword balancers, jugglers, jokers, rigging crews, support staff, massive equipment, and a few mechanical animals.   “Many of my people have spent their entire lives under the tent. We live like a huge family. I try to support their children’s education, medical needs and help them build some financial stability. But without resources, it is becoming increasingly difficult,” said Dilip, his voice weary after decades of struggle for survival.   He reminisced of the golden era of Indian circus, around the second half of the last century, when there were many grand, full-scale circuses, but today barely half a dozen professional setups remain - Gemini, Golden, Ajanta, Asian, Great Bombay, and Rambo - along with a few smaller, local outfits.   “Unlike most countries where circuses come under the Cultural Ministry, India offers no institutional identity or support. I am invited as a jury member to several top annual international circus festivals. I feel sad as not a single Indian artist features on global stages. We just have no backing here,” Dilip told The Perfect Voice in a free-wheeling chat.   He said the decline accelerated after the ban on live animal performances nearly 20 years ago in India. In contrast, many foreign circuses still feature elephants, horses, bears, zebras, llamas, tigers, leopards, lions, and exotic birds - though most face heavy resistance from animal-rights groups.   “Moreover, ticket rates in India are among the lowest in the world, without tax concessions. In foreign circuses, even in smaller countries, tickets start at Rs 10,000 per head. We can’t dare match that…” he rued.   Yet, the thirst to lure audiences remains undiminished. Rambo Circus now leans on technology and innovation, featuring a mechanical elephant, a giraffe on stilts, stuffed zebras, deer, bears and horses, and has commissioned a Japanese company to design a robotic lion to perform tricks.   To make the shows more interactive, MoC – a tall senior joker – invites the young audience members into the ring to try small acts like skipping, jumping, or dancing with help from the midget clowns, and the kids’ shrieks of joy echo through the tent, as their parents furiously click videos and selfies.   Dilip recalled that during the pandemic lockdown, when survival seemed impossible, Rambo Circus pioneered online ticketed shows, selling nearly 50,000 virtual tickets - the highest among circuses worldwide at that time, and earned praise by international peers.   “We are swimming alone… For us, it’s not just entertainment. It is art, heritage, livelihood, identity, and passion - and we will fight for a dignified existence,” Dilip said quietly.   Rambo Circus’ emotional tug at PM’s heart Rambo Circus Director and owner Sujit Dilip appealed to Prime Minister Narendra Modi to help save this art form with a huge potential to generate jobs, discover talents, earn massive revenues and foreign exchange.   “We urge the PM and ICCR to give Indian circuses a formal status, affordable venues for our shows, extend bank loans, opportunities for skill-upgradation, foreign collaborations and inclusion under the Ministry of Corporate Affairs’ CSR list. Many corporates wish to help, but current rules prevent it,” Dilip told The Perfect Voice .   He recalled how, during Covid-19, Rambo Circus launched online shows and sold nearly 50,000 tickets, proving the potential of Indian circus talent and earning acclaim worldwide for his innovation. “Our dream is to make India’s circuses world-class, and we need government support to achieve this,” he said.   History of circuses – Roman Arenas to open maidans The name ‘circus’ had its origins in ancient Rome, where chariot races, gladiator clashes, displays/deadly fights between wild animals and condemned humans enraptured audiences in huge open arenas. Later, circuses began modestly in 1768 with horse tricks performed by Philip Astley, a London cavalryman. Then, came the modern version of live performances by horses/ponies in the US in 1793, and in the 1830s, wild animals were introduced.   Many Hollywood films featured circuses as the backdrop. The most memorable ones are: Charlie Chaplin’s “The Circus” (1928); Walt Disney’s “Dumbo’ (1941); Cecile B. DeMille’s 2 Oscar Award-winning “The Greatest Show on Earth” (1952); biopic on P.T. Barnum “The Greatest Showman” (2017), et al.   Bollywood’s own legendary ringside acts were in films like Raj Kapoor’s “Mera Naam Joker” (1970); “Chandralekha” (1948); “Appu Raja” (1989); “Circus Queen” (1959); “Shikari” (1991); “Dhoom 3” (2013); and the howlarious circus climax in Firoz A. Nadiadwala’s “Phir Hera Pheri” (2006), etc.

Arsonist in Uniform

Asim Munir thrives on nuclear blackmail, jihadist venom and shameless self-glorification while his enablers in Washington look the other way.

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Pakistan’s Field Marshal Asim Munir is the rare kind of man who can threaten to burn half the planet alive and still get a standing ovation. In Tampa, Florida, far from the dusty parade grounds of Rawalpindi, Pakistan’s unelected strongman stood in full dress uniform and promised just that, if his country faced defeat in a future war with India, “we’ll take half the world down with us.” This was nuclear blackmail delivered under chandeliers, with wine glasses in hand, from the soil of a nation that calls itself India’s “strategic partner.”


The moment encapsulates the ‘Munir doctrine’ rather well: weaponize apocalyptic threats, dress them in the language of national honour and rely on foreign indulgence to avoid consequences. Ostensibly in town for the retirement of CENTCOM’s commander, Munir chose instead to deliver not just nuclear threats but vows to smash any Indian-built dam on the Indus with “10 missiles.” For dramatic flourish, he likened India to a Mercedes and Pakistan to a dump truck full of gravel: collision would leave the road strewn with wreckage, never mind who “won.”


Days before the April 22 Pahalgam massacre, in which Hindu tourists were gunned down by Pakistan-backed militants, Munir, in an ideological mobilisation for a permanent civilisational war, had urged Pakistanis to inject the venom of the two-nation theory into their children and to keep hatred for Hindus alive.


Munir is dangerous not because he might act irrationally, but because his actions are entirely consistent with the logic of Pakistan’s military state. Nuclear brinkmanship is his currency and jihadist rhetoric is his rallying cry.


His own myth-making is more brazen. After the Sindoor debacle, in which his forces suffered heavy losses, he awarded himself the Hilal-e-Jurat, Pakistan’s second-highest military honour.


Self-glorification is his reward. Munir is not bluffing when he talks about destroying dams or starving millions but reminding the world that Pakistan’s military thrives on the threat of mutually assured destruction, and on the West’s fear of testing whether the threat is real.


And yet, Munir’s recklessness is sustained by a web of enablers. In Donald Trump’s America, he is indulged as a ‘stabilising’ figure. In India, the left-liberal establishment reflexively shields Pakistan (and by extension, Munir) from ideological scrutiny, conveniently preferring to talk about ‘peace’ than confront the jihadist foundation of Pakistan’s state. In the Western media, he is regrettably mentioned in the same breath as Prime Minister Narendra Modi, with one prominent magazine lazily lumping him and the Indian PM in the category of “South Asia’s nuclear strongmen,” as though a three-time elected prime minister and an unelected military dictator of a rogue state are morally interchangeable.


Munir’s career is a study in Pakistan’s militarised pathology. A former chief of military intelligence and the ISI, commissioned into the Baloch Regiment, Munir rose by navigating the murky intrigues of Rawalpindi. His elevation to army chief in November 2022 came at the cost of Imran Khan’s premiership and nearly his life. For Washington, the return of military rule was a relief. Civilian governments in Pakistan tend to be unpredictable while generals can be bought and cajoled.


Nothing makes this clearer than Munir’s private meeting with Donald Trump during his US visit. Trump has embraced Munir, promising “expanded cooperation” and an oil deal.


Munir’s mix of nuclear brinkmanship, Islamist chauvinism and self-worship makes him far more than a regional nuisance. He has proven himself a calculated risk-taker whose threats are not idle; Pakistan’s military has long used calibrated instability to keep Western aid flowing and India off balance. But Munir’s willingness to talk openly about destroying dams, starving millions and taking “half the world” down marks a dangerous escalation from veiled menace to explicit invitation to catastrophe.


The tragedy is that Munir’s recklessness is not punished but actively courted by Trump’s Washington. The US, eyeing Pakistan’s role in the mineral-rich Afghan corridor, and eager to keep a pliant army chief in Rawalpindi, looks the other way. Donald Trump’s tariff tantrums against India only sweetens the bargain, making Munir a convenient lever in a bigger game of trade wars and resource grabs.


Munir in turn understands this ecosystem and exploits it, with every standing ovation abroad reinforcing his legitimacy.


The danger is that by treating Munir as a legitimate partner, Washington is wagering that he will choose restraint. It is a gamble staked on the good faith of an arsonist who knows the blaze is his most potent weapon.

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