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By:

Vinod Chavan

30 September 2025 at 3:04:23 pm

Retired lecturer creates intricate sculptures by hand

Latur: At the age of 71, retired chemistry lecturer Dr. Shobha Parshuram Arya continues to transform her passion for art into intricate sculptures and paintings, creating masterpieces without the help of machinery or specialised equipment. A former lecturer at the Government Women’s Polytechnic, Latur, Dr. Arya has devoted her post-retirement years to sculpture and painting. Working only with her hands, she carves stones into artistic creations that depict emotions, devotion and human...

Retired lecturer creates intricate sculptures by hand

Latur: At the age of 71, retired chemistry lecturer Dr. Shobha Parshuram Arya continues to transform her passion for art into intricate sculptures and paintings, creating masterpieces without the help of machinery or specialised equipment. A former lecturer at the Government Women’s Polytechnic, Latur, Dr. Arya has devoted her post-retirement years to sculpture and painting. Working only with her hands, she carves stones into artistic creations that depict emotions, devotion and human expressions. Her sculptures mainly feature themes such as Radha-Krishna and emotional, rather than portraits of renowned personalities or historical figures. The stones used for her sculptures are brought from Rajasthan, including Vietnam marble and other varieties of marble. The process demands immense physical effort, patience and precision. A two-foot sculpture takes nearly three months to complete, while larger works may require one-and-a-half to two years of continuous dedication, she informed. Despite the uniqueness of her artwork, Dr. Arya faces difficulties in finding a market for her sculptures. She says there is limited demand for such expensive artworks in the region. Organising exhibitions is also a challenge as the sculptures are heavy and require manpower for transportation and display. Living alone further restricts her ability to showcase her creations on a larger platform. Dr. Arya’s journey as an artist began during her school days. While studying at Godavaridevi Lahoti Kanya Vidyalaya, she created a Saraswati rangoli for an exhibition in Rajasthan and won first prize. Later, as a Class XI student at Shahu College, she made a rangoli depicting the famous Padmapani painting. However, she said that at that stage she did not know how to systematically nurture her artistic talent. Her interest in sculpture developed after observing her father’s paintings. Inspired by his creativity, she began making idols using POP (plaster of Paris). In 1990, she created an idol of Michelangelo, which further strengthened her passion for sculpture. Tribute to Father Dr. Arya uses her father’s name, Parshuram, as part of her identity as a tribute to the man who shaped her artistic vision. “My father was a renowned photographer and painter. Whatever I have achieved today is because of the artistic environment he created. I have only carried forward his legacy,” she said. She recalled her childhood days at Latur’s well-known Shobha Photo Studio, which was once among the city’s prominent photography studios. Several noted artists, including Vasantrao Baraskar, Gangadhar Baraskar and Ware Guruji, used to visit the studio, and she closely observed their paintings and creative work. “As a child, I repeatedly requested my father to teach me painting. He would simply say, ‘Keep watching. You will learn on your own.’ I did not understand those words then, but today I realise that observation is the first school of every artist,” she said. Dr. Arya said artistic inspiration develops gradually through life experiences and finds expression at the right moment. Recalling the creation of her acclaimed Radha-Krishna sculpture, she said the work took nearly 21 months to complete. “I wanted to portray not just two divine figures, but the spiritual intensity and emotional bond between Radha and Krishna. Their relationship represents pure devotion and eternal love,” she said. The sculpture depicts Radha moving towards Krishna as he plays the flute, with intricate details such as her lifted heel, flowing attire and wind-swept hair capturing movement and emotion. “I do not feel that I alone created this sculpture. Giving life-like emotions to stone is an extremely difficult task. I believe some divine force guided my hands throughout the process,” she said. Dr. Arya believes that art should ultimately contribute to society. She expressed her desire to use the earnings from the sale of her sculptures and paintings to support underprivileged students.

BJP Boost

Updated: Oct 22, 2024

As the dust settles over the recent Assembly elections, the BJP, defying anti-incumbency prediction of political Cassandras and exit polls, is set for a historic third term in Haryana. This will buoy the party after its underwhelming performance in the Lok Sabha polls. The Haryana outcome not only reinforces the BJP’s foothold in national politics but also presents a counter-narrative to the INDIA bloc’s post-election fervour.

Despite the bogey stoked by lingering farmer protests and discontent surrounding the controversial Agniveer scheme, the BJP strategically diversified its approach, relying not solely on Prime Minister Narendra Modi’s star power—evidenced by his reduced number of rallies—but also on a ground-level consolidation of anti-Jat votes. The Congress’s over-reliance on the Jat community backfired, rallying other groups against it. Interestingly, the Dalit vote, which the Congress anticipated would tilt in its favour, has not completely abandoned the BJP.


At the forefront of the BJP's campaign was Chief Minister Nayab Singh Saini, whose relatively short tenure allowed him to distance himself from the decade-long rule of the previous administration. By introducing measures to benefit the backward classes, including a significant income limit increase for OBC employment from Rs. 6 lakh to Rs. 8 lakh, the BJP effectively shifted the narrative in its favour. Their mantra of ‘bina parchi, bina kharchi Naukri (promising jobs without bribes) resonated with voters.


The BJP’s rejuvenated team, led by key figures such as Union Minister Dharmendra Pradhan and state leaders, has seemingly addressed concerns that arose following its poor showing in the Lok Sabha elections. The incorporation of new candidates in place of established leaders provided a fresh face that contrasted sharply with the Congress’s decision to recycle incumbents.


In contrast, in Jammu and Kashmir, the National Conference, in alliance with the Congress, having crossed the majority threshold, reclaimed its historic dominance and is set to form the government. Here, the BJP’s performance in the first Assembly election held after the abrogation of Article 370, fell short despite its strenuous attempt to position itself as a proponent of development.


The electorate’s apparent rejection of hardline factions like the PDP reflects a nuanced response and win for democracy. Notably, the results have shown a significant rejection of separatist candidates, including those from Engineer Rashid-led Awami Ittehad Party and Jamaat-e-Islami, who failed to make a meaningful impact in the polls.


The BJP’s emphatic victory in Haryana redeems its Lok Sabha misstep but also signals a broader political resurgence, giving the party renewed vigour to march into future contests like the crucial Maharashtra Assembly election.

 
 
 

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