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By:

Dr. Abhilash Dawre

19 March 2025 at 10:48:41 pm

A tiny scorpion, a giant achievement

Badlapur’s Sitaram Raul wins global photography honour Badlapur: A photograph capturing a scorpion digging into desert sand to create a shelter has earned Badlapur-based wildlife photographer Sitaram Dinkar Raul international recognition. Raul won the ‘Invertebrate Behaviour’ category at the prestigious Wildlife Photographer of the Year 2026 competition, organised by London’s Natural History Museum. He was honoured at a ceremony in London on October 13, where he also delivered his...

A tiny scorpion, a giant achievement

Badlapur’s Sitaram Raul wins global photography honour Badlapur: A photograph capturing a scorpion digging into desert sand to create a shelter has earned Badlapur-based wildlife photographer Sitaram Dinkar Raul international recognition. Raul won the ‘Invertebrate Behaviour’ category at the prestigious Wildlife Photographer of the Year 2026 competition, organised by London’s Natural History Museum. He was honoured at a ceremony in London on October 13, where he also delivered his acceptance speech in Marathi, taking his mother tongue to an international platform. The competition received more than 65,000 photographs from 121 countries. Raul’s achievement came through a photograph of a Buthacus species scorpion digging into the sand to create a shelter in the Rajasthan desert. Raul’s journey began in Badlapur in 2012, when his involvement in wildlife rescue operations gradually developed into a passion for photography. While rescuing wild animals and releasing them into their natural habitats, he felt the need to document these encounters through photographs. This prompted him to take up photography, which eventually became a dedicated pursuit. As his interest in wildlife photography grew, Raul began studying the work of established photographers to understand international photography techniques and the finer details of capturing an effective image. He focused on identifying mistakes in his own work and improving his skills through consistent practice. He had been following the Natural History Museum’s international competition for several years. After gaining confidence in his work over the preceding five years, he decided to participate. However, his primary objective was not simply to win an award, but to have his photographs displayed at the prestigious competition and viewed by people across the world. The photograph that brought Raul international recognition was captured during a visit to the Rajasthan desert, where he had gone to photograph the stars. While setting up his camera, he spotted a Buthacus species scorpion in the light of a torch. The scorpion was digging into the sand to create a shelter. Capturing the scorpion’s behaviour clearly proved challenging. Although his initial photographs were turning out well, they did not adequately convey the action he wanted to document. Raul then experimented with an off-camera flash, adjusted the direction of the light and tried different techniques. After several attempts, he successfully captured the moment when the scorpion was digging into the sand. The photograph eventually won him the international award. Raul also credits artist Suresh Bhosale with playing an important role in his artistic development. According to Raul, Bhosale taught him painting, which significantly benefited his fine-art photography. Studying painting helped him develop a different perspective when observing a scene, improve his observation skills and cultivate an interest in art history. He said these skills proved valuable in his photographic work. His experience with macro photography, the use of different types of flashes in forest settings and experimentation with lighting also contributed to his development. His journey reinforced the importance of combining technical skills with a thorough understanding of the subject and careful observation of wildlife behaviour. Raul expressed gratitude to his parents for their support and acknowledged the encouragement he received from his friends in Badlapur. He also described Bhosale as his mentor, crediting him with helping shape his artistic vision. Beyond the award-winning photograph, Raul’s decision to deliver his acceptance speech in Marathi became a distinctive moment in his journey. While studying previous award ceremonies, he observed that many photographers delivered their speeches in English. He decided that if he ever reached the international stage, he would give prominence to his own language. At the award ceremony in London, Raul fulfilled that intention by expressing his thoughts in Marathi. His decision allowed him to celebrate his achievement while preserving the identity and pride associated with his mother tongue. Raul’s success marks a significant milestone in a journey that began with wildlife rescue operations in Badlapur in 2012. What started as an effort to document wildlife encounters eventually led him to victory in an international photography competition. From observing a scorpion in the Rajasthan desert to receiving an honour in London, his journey reflects his dedication to wildlife photography, patience, artistic development and commitment to his craft. By choosing to speak in Marathi on the international stage, he also maintained a strong connection to his roots.

Buildings Waiting for Death; Action Needed for Deep Slumber

Sep 8
3 min read

The heart-wrenching incident that has occurred in Satya Niketan, South-West Delhi, is not merely the collapse of a five-storey building; it is also the collapse of a system in the national capital whose foundation should have rested on the safety of citizens, the rule of law and administrative accountability. In the building where, only a few hours earlier, young people who had come to Delhi from different parts of the country were nurturing dreams of their future, everything suddenly turned into a heap of bricks, cement, iron and debris.


The cloud of dust will eventually settle, the rubble will be cleared and the roads will return to normal, but the void created in the lives of those families will never be filled. At the time of the incident, several students were reportedly inside their rooms in the five-storey building, a boys’ PG named ‘Hostel Days’, and there are fears that they may be trapped under the debris. The building was reportedly around 40–50 years old, and repair and excavation work was underway in the basement when the incident occurred. This very fact makes the tragedy even more horrifying.


The question is not merely why the building collapsed; the real question is how excavation for a basement and construction-related activities were allowed to take place in such an old and sensitive building in the first place. After every major building disaster, the same story is repeated. The administration says that an investigation will be conducted, action is taken against a few junior officials, and after a few days the entire matter gets buried under files.


PG Culture

The Satya Niketan tragedy is particularly serious because the PG culture is expanding rapidly in Delhi. Thousands of young people from across the country come to the capital to study, prepare for competitive examinations and seek employment, and many of them live in buildings where rooms are small, lanes are narrow, staircases are cramped and the status of safety standards is often questionable. For a landlord, increasing the number of rooms is a business opportunity, but the person living in that room arrives with dreams for his or her future. When a building permitted to have six rooms is turned into one with more than 25 rooms, when a basement meant for parking is used for commercial activities, and when the safety of hundreds of people is made dependent on a single exit route, it is no longer merely a violation of rules; it becomes a reckless gamble with human lives.


Past tragedies in Delhi have repeatedly warned us. Whether it was the 1997 Uphaar Cinema fire tragedy or the basement, coaching centre and commercial-building-related accidents witnessed in recent years, questions have been raised after every incident about safety standards. Locked doors, blocked exits, illegal construction, the absence of firefighting equipment and administrative indifference have repeatedly appeared in the background of such tragedies. Yet the memory of the system is so weak that after a few days everything returns to the old pattern.


Present Need

What is needed now is not merely the identification of those at fault but a transformation of the system. A comprehensive safety audit of all old multi-storey and commercial buildings in Delhi should be undertaken. Mandatory inspections should be conducted of PGs, hostels, coaching centres and commercial establishments operating in basements. The process of obtaining fire NOCs should be made completely digital, transparent and time-bound.


The practice of merely imposing fines on illegal constructions and then legalising them should be ended. Buildings with serious violations should be immediately sealed and, wherever necessary, demolished. Most importantly, accountability must reach the higher levels. Suspending two or four junior employees after an accident is not administrative action; it often becomes a way of evading responsibility. If the negligence, collusion or corrupt conduct of an official has put people’s lives at risk, strict criminal action should be taken against that official. The higher the position, the greater the accountability should be.


The rubble of Satya Niketan is not merely a heap of bricks and stones. Beneath it, the credibility of administrative claims, building safety regulations and public trust is also being put to the test. To call this tragedy an ‘accident’ and move on would be the greatest wrongdoing. An accident is something that could not have been prevented, but when the ground for a disaster is prepared through illegal construction, disregard for rules, corruption and administrative negligence, calling it merely an accident is to diminish the truth.


(The writer is a senior journalist. Views personal.)

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