Tilak Varma: The Calm in the Chaos

There are moments in T20 cricket when a match appears to slip beyond reach. For India, one of the most encouraging developments in recent years has been the emergence of a young left-hander who seems increasingly comfortable in precisely these circumstances. His name is Tilak Varma. Varma offered another compelling demonstration of his value, striking an unbeaten 51 off 25 balls against New Zealand in Christchurch. India had slumped to 112 for six while chasing 181, with Mitchell Santner...

min read

There are moments in T20 cricket when a match appears to slip beyond reach. For India, one of the most encouraging developments in recent years has been the emergence of a young left-hander who seems increasingly comfortable in precisely these circumstances. His name is Tilak Varma. Varma offered another compelling demonstration of his value, striking an unbeaten 51 off 25 balls against New Zealand in Christchurch. India had slumped to 112 for six while chasing 181, with Mitchell Santner threatening to derail the innings. Varma responded with a match-turning partnership alongside Nitish Kumar Reddy, adding 69 runs from just 30 balls to steer India to a four-wicket victory. His late assault transformed a precarious chase into another memorable Indian win. Varma’s greatest contribution to the Indian T20 side may lie in his ability to bring order to chaos. India have never lacked explosive batters. The challenge, however, is ensuring that aggression does not become recklessness and that a promising start does not collapse under pressure. Varma offers a different kind of assurance. He can attack without losing sight of the situation, rebuild after early wickets and accelerate when the game demands it. His left-handed presence also gives India a valuable tactical dimension, disrupting bowling plans and forcing captains to reconsider their match-ups. The Christchurch innings illustrated these qualities perfectly. Such performances are what distinguish a talented batter from a genuine match-winner. The foundations of Varma’s reputation were laid in South Africa in November 2024. Given the opportunity to bat at No. 3, he responded with an unbeaten 107 off 56 balls at Centurion, helping India post 219 for six and secure a crucial victory. He followed that performance with another century, scoring 120 in the next match, establishing himself as a batter capable of dominating quality international bowling. They demonstrated that Varma could assume responsibility at a pivotal position rather than remain confined to the role of a supporting batter. His willingness to take ownership of the No. 3 position was particularly significant for a team continually searching for the right balance between stability and aggression. In the 2025 Asia Cup final against Pakistan, Varma’s unbeaten 69 guided India through a tense chase after an uncertain start. Modern T20 cricket increasingly demands players who can fulfil multiple roles within a single innings. Varma has demonstrated the ingredients required for that responsibility. His left-handed batting adds variety to India’s predominantly right-handed combinations, while his ability to play spin and pace makes him a flexible option across different conditions. The long-term implications are substantial. India need not depend exclusively on one or two established superstars to rescue difficult matches. A reliable Varma in the middle order could give the team greater freedom to attack early, knowing that someone capable of rebuilding remains available when wickets fall. There is, of course, a distinction between potential and sustained greatness. International cricket will test Varma against opponents who study his strengths, exploit his weaknesses and devise plans specifically to contain him. Consistency, fitness, decision-making under pressure and the ability to recover from prolonged lean patches will determine whether he becomes a dependable international fixture or one of India’s defining T20 batters. The challenge is to nurture his development without burdening him with unrealistic expectations. Every promising young cricketer does not need to be labelled the next superstar. Varma deserves the opportunity to develop his own identity. There is something particularly inspiring about Varma’s journey. His rise from Hyderabad, supported during his formative years by a coach who helped him overcome financial constraints, reflects the role that opportunity, sacrifice and perseverance can play in sporting success. But inspiration alone does not win international matches. Performance does. And Varma is increasingly providing the evidence to support the belief surrounding him. For Indian cricket, Tilak Varma represents something more enduring than a succession of memorable innings: the possibility of a middle order built around intelligent aggression and emotional resilience. The next chapter of his career will determine just how far that promise carries him. Yet the signs are encouraging. India may have discovered a batter who can do more than entertain, more than accumulate runs and more than rescue the occasional match. They may have found a cricketer capable of becoming one of the defining pillars of their T20 future. (The writer is a senior journalist based in Mumbai. Views personal.)

Curtains down on legendary actress Vijaya Mehta

Quaid Najmi

Jul 1

3 min read

She mentored actors like Nana Patekar, Anupam Kher

Mumbai: The curtains fell for the last time on the Grand Dame of acting, Vijaya Mehta - one of India’s most acclaimed actresses, director, producer, writer and visionary – whose immense contributions to mainstream and parallel cinema and theatre influenced generations of actors and filmmakers.

The National Award-winning actress passed away at her Mumbai residence late on Tuesday at 91. Her last rites were performed at the Shipdham Crematorium in Goregaon east this afternoon in the presence of her family, a large number of film personalities and her admirers.

Prime Minister Narendra Modi, Congress Leaders of Opposition Rahul Gandhi and Mallikarjun Kharge, CM Devendra Fadnavis and many other dignitaries paid rich tributes to Vijaya Mehta.

Acting Institution

Considered an institution in acting in her own right, Vijaya Mehta was a quiet but stern perfectionist who mentored some of the top actors like Nana Patekar, Anupam Kher, Neena Kulkarni and many others over decades.

Fondly addressed as ‘Bai’ by her students and upcoming actors, Vijaya Mehta seamlessly combined intellectual rigours of a scholar and a sensitive artist, firmly believing that acting was not about applause but of truth, discipline and honesty before the audiences.

Belonging to a bygone era when plays served as a vehicle to educate, provoke and transform society through stories, and over six decades, she came to be regarded as the ‘conscience keeper’ of serious theatre, long before ‘experimental theatre’ became a vogue. She constantly breathed new life into Marathi theatre in different ways that influenced new actors, directors and earned public approval.

Born in Baroda State in 1934 at Vijaya Jaywant, she came to Mumbai at a young age and graduated from the University of Mumbai, with acting remaining her passion during her college days.

She performed as Desdemona in a production of William Shakespeare’s 1604 classic play, “Othello” and her acting caught the eye of the renowned theatre guru, Ebrahim Alkazi, who trained and guided her.

Rangayan Launched

In 1960, Vijaya Mehta, along with other stalwarts like Adi Marzban, Vijay Tendulkar, Dr Shriram Lagoo and Arvind Deshpande, founded a theatre group, Rangayan. Meanwhile, in the mid-1950s she married Harin Khote, the son of the veteran actress Durga Khote, but after his sudden passing in 1964, she married theatre personality Farrokh Mehta a few years later.

Jostling for space with the prosperous commercial theatre, over the years, it went onto produce many pioneering and influential plays earning itself a formidable reputation in ‘parallel theatre’ with bold themes, grandiose productions and exemplary performances that catapulted Marathi theatre to national repute.

Several of her productions and directions became legendary – Ek Shunya Bajirao, Ajab Nyay Vartulacha, Hayavadana, Mudrarakshasa, Shakuntal, and Hamidabaichi Kothi, Mahasagar, Chairs – besides adaptation of several international classics, and each bearing her signature of meticulous preparations, sensitive performances and artistic excellence from all.

Theatre to Cinema

The full-house responses to her productions drew the attention of cinema and she ventured both in front of and behind the camera, in various capacities. Vijaya Mehta’s films ‘Rao Saheb’ (1986) for which she won the National Award for Supporting Actress that year, and ‘Pestonjee’ (1988) rank among the landmarks of parallel cinema for their subtle story-telling along with deep characterisation.

As an actor, she gave some memorable performances in the much-applauded Govind Nihalani’s film ‘Kalyug’ (1981), “Mohan Joshi Hazir Ho!”, “Akriet”, “The Mist”, and a Mahesh Eklunchwar’s famed play “Wada Chirebandi” (1985), which she made into a television film, “Haveli Buland Thi” (1987). She also acted in the film “Party” (1984), also penned by Mahesh Eklunchwar.

Over the years, she was decorated with many honours and awards, including the Padma Shri, Padma Bhushan, the Sangeet Natak Akademi Award, Sangeet Natak Akademi Fellowship, Kalidas Samman, Maharashtra’s highest cultural honours and numerous lifetime achievement awards.

Vijaya Mehta: A taskmaster

Film industry circles credit Vijaya Mehta not only for her own achievements, but also shaping generations of actors and film-makers to make them masters in the trade.

Some of those whose skills she honed include: Nana Patekar, Anupam Kher, Neena Kulkarni, Mohan Agashe, Bharti Achrekar, Sonali Kulkarni, and in his early years, even Akshay Kumar benefited from her guidance and even from her autobiography, “Zimma: A Memoir” (2012).

As news of her passing spread today, her disciples, Bollywood and Marathi film industry actors and legions of fans poured their emotions for Vijaya Mehta today on social media.