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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Old stone Shivalinga unearthed in Trimbakeshwar

Mumbai: The Archaeological Survey of India is going places, literally. Barely a week after unearthing rare copper plates linked to two powerful ancient dynasties, the ASI struck ‘history’ again - this time at the famed Trimbakeshwar Temple in Nashik district, officials said. In a stunning discovery during an ongoing conservation drive, ASI archaeologists found an old stone Shivalinga resting in the silent depths of the temple’s historic Amrit Kund, a massive water reservoir where it...

Old stone Shivalinga unearthed in Trimbakeshwar

Mumbai: The Archaeological Survey of India is going places, literally. Barely a week after unearthing rare copper plates linked to two powerful ancient dynasties, the ASI struck ‘history’ again - this time at the famed Trimbakeshwar Temple in Nashik district, officials said. In a stunning discovery during an ongoing conservation drive, ASI archaeologists found an old stone Shivalinga resting in the silent depths of the temple’s historic Amrit Kund, a massive water reservoir where it remained submerged beneath years of silt, mud and stagnant water. The Shivlinga emerged into view only after the ASI team drained the lakhs of litres of water and undertook an extensive desilting operation in the Amrit Kund. Resting silently at the bottom of the nearly 20-metre-deep reservoir, the ancient relic left conservation experts plus archaeologists astonished and the locals excited. Since it was lying at the bottom of the 65-feet (20-metre) deep Amrit Kund, it is not immediately clear if the Shivalinga will be extricated from there and relocated to a new terrestrial site, or make its way to some other location or a museum. The water tank will be again filled up to the brim as the current monsoon gets underway. It was constructed by Peshwa Balaji Bajirao-III, revered as Nana Saheb, between 1755-1786 AD along with the reconstruction of the main Trimbakeshwar Jyotirlinga Temple that was destroyed by the Mughal army between 1680-1690 AD. The discovery marks the second major archaeological breakthrough by the ASI in a week. Last week, the ASI had announced the recovery of two rare copper plates belonging to the Chalukyas of Navasarika (655–750 AD) and the Traikutaka dynasty (388–495 AD), from the World Heritage site of Elephanta Island off Mumbai, shedding fresh light on western India’s ancient political and cultural history. ASI to revamp Red Fort The ASI this week announced that it will carry out major restoration drives at 140 of Delhi’s 170 protected historical monuments, including the historic Red Fort from where the Prime Minister addresses the nation on Independence Day (Aug. 15) every year. The other sites are: Humayun’s Tomb, Purana Qila, Begumpur Mosque, Kotla Maqbara, City Wall and Hauz Khas complex. The works will comprise big and small repairs and conservation at all these monuments over the next few years.

Curtains down on legendary actress Vijaya Mehta

She mentored actors like Nana Patekar, Anupam Kher

Mumbai: The curtains fell for the last time on the Grand Dame of acting, Vijaya Mehta - one of India’s most acclaimed actresses, director, producer, writer and visionary – whose immense contributions to mainstream and parallel cinema and theatre influenced generations of actors and filmmakers.


The National Award-winning actress passed away at her Mumbai residence late on Tuesday at 91. Her last rites were performed at the Shipdham Crematorium in Goregaon east this afternoon in the presence of her family, a large number of film personalities and her admirers.


Prime Minister Narendra Modi, Congress Leaders of Opposition Rahul Gandhi and Mallikarjun Kharge, CM Devendra Fadnavis and many other dignitaries paid rich tributes to Vijaya Mehta.


Acting Institution

Considered an institution in acting in her own right, Vijaya Mehta was a quiet but stern perfectionist who mentored some of the top actors like Nana Patekar, Anupam Kher, Neena Kulkarni and many others over decades.


Fondly addressed as ‘Bai’ by her students and upcoming actors, Vijaya Mehta seamlessly combined intellectual rigours of a scholar and a sensitive artist, firmly believing that acting was not about applause but of truth, discipline and honesty before the audiences.


Belonging to a bygone era when plays served as a vehicle to educate, provoke and transform society through stories, and over six decades, she came to be regarded as the ‘conscience keeper’ of serious theatre, long before ‘experimental theatre’ became a vogue. She constantly breathed new life into Marathi theatre in different ways that influenced new actors, directors and earned public approval.


Born in Baroda State in 1934 at Vijaya Jaywant, she came to Mumbai at a young age and graduated from the University of Mumbai, with acting remaining her passion during her college days.


She performed as Desdemona in a production of William Shakespeare’s 1604 classic play, “Othello” and her acting caught the eye of the renowned theatre guru, Ebrahim Alkazi, who trained and guided her.


Rangayan Launched

In 1960, Vijaya Mehta, along with other stalwarts like Adi Marzban, Vijay Tendulkar, Dr Shriram Lagoo and Arvind Deshpande, founded a theatre group, Rangayan. Meanwhile, in the mid-1950s she married Harin Khote, the son of the veteran actress Durga Khote, but after his sudden passing in 1964, she married theatre personality Farrokh Mehta a few years later.


Jostling for space with the prosperous commercial theatre, over the years, it went onto produce many pioneering and influential plays earning itself a formidable reputation in ‘parallel theatre’ with bold themes, grandiose productions and exemplary performances that catapulted Marathi theatre to national repute.


Several of her productions and directions became legendary – Ek Shunya Bajirao, Ajab Nyay Vartulacha, Hayavadana, Mudrarakshasa, Shakuntal, and Hamidabaichi Kothi, Mahasagar, Chairs – besides adaptation of several international classics, and each bearing her signature of meticulous preparations, sensitive performances and artistic excellence from all.


Theatre to Cinema

The full-house responses to her productions drew the attention of cinema and she ventured both in front of and behind the camera, in various capacities. Vijaya Mehta’s films ‘Rao Saheb’ (1986) for which she won the National Award for Supporting Actress that year, and ‘Pestonjee’ (1988) rank among the landmarks of parallel cinema for their subtle story-telling along with deep characterisation.


As an actor, she gave some memorable performances in the much-applauded Govind Nihalani’s film ‘Kalyug’ (1981), “Mohan Joshi Hazir Ho!”, “Akriet”, “The Mist”, and a Mahesh Eklunchwar’s famed play “Wada Chirebandi” (1985), which she made into a television film, “Haveli Buland Thi” (1987). She also acted in the film “Party” (1984), also penned by Mahesh Eklunchwar.


Over the years, she was decorated with many honours and awards, including the Padma Shri, Padma Bhushan, the Sangeet Natak Akademi Award, Sangeet Natak Akademi Fellowship, Kalidas Samman, Maharashtra’s highest cultural honours and numerous lifetime achievement awards.


Vijaya Mehta: A taskmaster
Film industry circles credit Vijaya Mehta not only for her own achievements, but also shaping generations of actors and film-makers to make them masters in the trade.
Some of those whose skills she honed include: Nana Patekar, Anupam Kher, Neena Kulkarni, Mohan Agashe, Bharti Achrekar, Sonali Kulkarni, and in his early years, even Akshay Kumar benefited from her guidance and even from her autobiography, “Zimma: A Memoir” (2012).
As news of her passing spread today, her disciples, Bollywood and Marathi film industry actors and legions of fans poured their emotions for Vijaya Mehta today on social media.

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