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By:

Rajeev Puri

24 October 2024 at 5:11:37 am

Before Sholay, there was Mera Gaon Mera Desh

When the comedian and television host Kapil Sharma recently welcomed the veteran screenwriter Salim Khan onto his show, he made a striking claim. India, he joked, has a national bird and a national animal; it ought also to have a national film. That film, he suggested, would surely be Sholay. Few would quarrel with the sentiment. Released in 1975 and directed by Ramesh Sippy,  Sholay  has long been treated as the Everest of Hindi popular cinema -quoted endlessly, revisited by generations and...

Before Sholay, there was Mera Gaon Mera Desh

When the comedian and television host Kapil Sharma recently welcomed the veteran screenwriter Salim Khan onto his show, he made a striking claim. India, he joked, has a national bird and a national animal; it ought also to have a national film. That film, he suggested, would surely be Sholay. Few would quarrel with the sentiment. Released in 1975 and directed by Ramesh Sippy,  Sholay  has long been treated as the Everest of Hindi popular cinema -quoted endlessly, revisited by generations and dissected by critics. In 2025, the film marked its 50th anniversary, and the release of a digitally restored, uncut version introduced the classic to a new generation of viewers who discovered that its mixture of revenge drama, western pastiche and buddy comedy remains curiously durable. The film’s influences have been debated almost as much as its dialogues – from scenes taken by the Spaghetti westerns of Sergio Leone, particularly ‘Once Upon a Time in the West’ (1968) or to the narrative architecture of ‘Seven Samurai’ (1954) by Akira Kurosawa. Others note echoes of earlier Hindi films about bandits and frontier justice, such as ‘Khotey Sikke’ (1973) starring Feroz Khan. Yet, rewatching ‘Mera Gaon Mera Desh,’ directed by Raj Khosla, one cannot help noticing how many of the narrative bones of  Sholay  appear to have been assembled there first. Released in 1971,  Mera Gaon Mera Desh  was a major hit at the box office, notable for holding its own in a year dominated by the near-hysterical popularity of Rajesh Khanna. The thematic framework of the two films is strikingly similar. In  Sholay , the retired policeman Thakur Baldev Singh recruits two petty criminals - Jai and Veeru - to help him avenge the terror inflicted upon his village by the bandit Gabbar Singh. In  Mera Gaon Mera Desh , the set-up is not very different. A retired soldier, Jaswant Singh, seeks to protect his village from a ruthless dacoit and enlists the help of a small-time crook named Ajit. Even the villain’s name seems to echo across the two films. In Khosla’s drama, the marauding bandit played by Vinod Khanna is scene-stealing performance is called Jabbar Singh. In  Sholay , the outlaw who would become one of Indian cinema’s most memorable antagonists was Gabbar Singh. There is an additional irony in the casting. In  Mera Gaon Mera Desh , the retired soldier Jaswant Singh is played by Jayant - the real-life father of Amjad Khan, who would later immortalise Gabbar Singh in  Sholay . The connective tissue between the two films becomes even clearer in the presence of Dharmendra. In Khosla’s film he plays Ajit, a charming rogue who gradually redeems himself while defending the village. Four years later, Dharmendra returned in  Sholay  as Veeru, a similarly exuberant petty criminal whose courage and irrepressible humour make him one half of Hindi cinema’s most beloved buddy duo alongside Amitabh Bachchan as Jai. Certain visual motifs also appear to have travelled intact. In Khosla’s film, Ajit finds himself bound in ropes in the bandit’s den during a dramatic musical sequence. A similar image appears in  Sholay , where Veeru is tied up before Gabbar Singh while Basanti performs the now famous song ‘Jab Tak Hai Jaan.’ Other echoes are subtler but just as suggestive. Ajit’s pursuit of the village belle Anju, played by Asha Parekh, anticipates Veeru’s boisterous attempts to woo Basanti, portrayed by Hema Malini. Scenes in which Ajit teaches Anju to shoot recall the flirtatious gun-training sequence between Veeru and Basanti that became one of  Sholay ’s most cherished moments. Even the famous coin motif has a precedent. Ajit frequently tosses a coin to make decisions - a flourish that would later appear in  Sholay , where Jai’s coin toss becomes a running gag. Perhaps most intriguingly, the endings of the two films converge in their original form. In  Mera Gaon Mera Desh , the villain is ultimately killed by the hero. The uncut version of  Sholay  reportedly ended in a similar fashion, with Gabbar Singh meeting his death at the hands of Thakur Baldev Singh. However, censors altered the climax before the film’s 1975 release, requiring that Gabbar be handed over to the police instead. All this does not diminish  Sholay . Rather, it highlights the alchemy through which cinema evolves. The scriptwriting duo Salim–Javed took familiar ingredients and expanded them into a grander narrative populated by unforgettable characters and stylised action. On the 55 th  anniversary of  Mera Gaon Mera Desh , Raj Khosla’s rugged western deserves a renewed glance as the sturdy foundation on which a legend called  Sholay  was built. (The author is a political commentator and a global affairs observer. Views personal.)

Debutant Shreejaya Chavan enters dynastic politics

Debutant Shreejaya Chavan enters dynastic politics

Mumbai: The BJP has fielded Mungantiwar and Mihir Kotecha from Chandrapur and Mulund constituencies respectively. Both of them had lost Lok Sabha elections. It is being considered that the party has expressed confidence in them while partly rectifying the mistakes made during Lok Sabha ticket allocation.


Apart from Shreejaya Chavan and Nitesh Rane, the party has also fielded Santosh Danve, son of former union minister Raosaheb Danve, from Bhokardan constituency in Marathwada region. On the backdrop of the Maratha quota stir, it needs to be seen as to what effect this change makes on the voting pattern.


Interestingly, the party hasn’t changed candidates from the constituencies where there were rumours that the party would give a new face. Even in the Kalyan East constituency, where the sitting BJP MLA Ganpat Gaikwad is currently in jail for firing bullets in a police station, the party has fielded Ganpat’s wife Sulabha while putting to rest that the ticket will go to some other party worker from the constituency.


The party has repeated sitting MLAs Manda Mhatre from Belapur and Seema Hire from Nashik West. The speculations were high that Mhatre would not get yet another chance from the constituency owing to her age and because of the insulting treatment, she gave to former rival and now fellow MLA from the city Ganesh Naik. In Nashik also, the local party workers were against Hire. However, the party appears to have decided to go with the popular faces against the wishes of local units.


The same logic appears to have been repeated in Solapur where the party has repeated Vijaykumar Deshmukh and Subhash Deshmukh from Solapur North and Solapur South constituencies respectively. Both of the names were rejected by the local party units. Yet the party has decided in their favour.


In Pune also, the party has repeated candidates on three of the four assembly segments of the city and not announced the ticket for the fourth seat, Kasba Peth.


The list also includes Mumbai BJP president Ashish Shelar, fielded from the Vandre West seat, and senior party leader and Lok Sabha member Narayan Rane’s son Nitesh Rane, renominated from Kankavli constituency in coastal Sindhudurg.


Notably, Bawankule, a minister in the erstwhile Devendra Fadnavis-led government, was denied a ticket in the 2019 elections from the Kamthi constituency he had represented for three terms. He has been renominated from Kamthi.


The BJP has replaced the sitting MLAs from Chinchwad in Pune district, Kalyan East in Thane district, and Srigonda in Ahilyanagar district.


Perhaps the most high-profile candidate is Shreejaya Chavan, daughter of former Congress politician Ashok Chavan. She will make her electoral debut from the Bhokar constituency, represented by her father, in Nanded district.


The BJP has given Mahesh Baldi, an independent MLA from Uran in Navi Mumbai, a ticket for the November 20 polls.


MLC Ram Shinde is fielded from the Karjat Jamkhed constituency. Shinde will take on sitting MLA Rohit Pawar of NCP (SP), the grandson of Sharad Pawar.

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