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By:

Abhijit Mulye

21 August 2024 at 4:59:11 pm

Bhagwat to outline roadmap for next century

Mumbai: Rashtriya Swayamsevak Sangh (RSS) Sarsanghachalak Dr Mohan Bhagwat will address thousands of volunteers and key political observers at Reshimbagh grounds in Nagpur tomorrow at 7.40 am on the occasion of Vijayadashami, formally concluding the organisation’s centenary-year celebrations. He is expected to deliver an ideological and operational blueprint intended to recalibrate Hindu society, counter ongoing opposition mobilisation across India, and outline internal organisational changes...

Bhagwat to outline roadmap for next century

Mumbai: Rashtriya Swayamsevak Sangh (RSS) Sarsanghachalak Dr Mohan Bhagwat will address thousands of volunteers and key political observers at Reshimbagh grounds in Nagpur tomorrow at 7.40 am on the occasion of Vijayadashami, formally concluding the organisation’s centenary-year celebrations. He is expected to deliver an ideological and operational blueprint intended to recalibrate Hindu society, counter ongoing opposition mobilisation across India, and outline internal organisational changes through a wide-ranging policy address. The annual Vijayadashami address, historically the most definitive forum for the RSS chief to articulate the organisation’s stance on domestic policy, cultural objectives and global affairs, carries heightened significance this year. Marking the completion of 100 years since Dr K.B. Hedgewar founded the organisation on Vijayadashami in 1925, Bhagwat’s address is designed to chart the strategic framework for the RSS as it enters its second century. Over the past 12 months, Bhagwat has personally anchored a series of outreach programmes across four Indian metropolitan hubs and two global nerve centres in the United States and Europe, signalling an appetite to project ideological clarity and broaden the organisation’s institutional footprint beyond traditional shakhas. The address comes against the backdrop of sustained street agitations orchestrated by the Congress party and newly formed groups such as the CJP in the national capital and several states. These demonstrations, centred on unemployment, social justice rhetoric and institutional accountability, have explicitly targeted India’s youth demographic — a constituency that has historically formed the primary recruitment pipeline and ideological backbone of the Sangh. Political observers believe Bhagwat will offer an unyielding response to these attempts to disrupt governance and erode the social coalition, reflecting an unmistakable determination within the Sangh Parivar leadership to resist political attrition and mount an active counter-narrative. The diplomatic and constitutional significance of the event is underscored by the deliberate selection of guests. Former Vice-President Jagdeep Dhankhar and Israel’s Consul General in Mumbai, Yaniv Revach, are attending as special invitees. Revach’s presence hints at possible remarks addressing global geopolitical realignment, the rise of civilisational conflicts, cross-border terrorism and national security challenges. Dhankhar’s attendance provides a platform to reaffirm constitutional patriotism and legislative stability at a juncture marked by sharp parliamentary confrontation. Equally consequential is the invitation extended to Sanjay Gupta, Editor-in-Chief of Dainik Jagran. For an organisation that has historically maintained a measured distance from mainstream media machinery, engaging with the leadership of India’s largest Hindi daily indicates an institutional shift towards proactive public communication. The gesture suggests that the Sangh recognises that narrative warfare in its next century requires strategic engagement with popular media platforms rather than a traditional reliance on insular organisational word of mouth. Beyond external ideological positions, the Nagpur gathering is expected to provide indicators of the structural transitions under way within the RSS. The organisation has been quietly restructuring its administrative echelons, revamping functional wings and adjusting internal deployment models in recent months. With additional leadership realignments slated across key tiers in the near future, Bhagwat’s speech is expected to define the organisational ethos for these generational handovers, emphasising flexibility in outreach while preserving core organisational discipline. As dawn breaks over Reshimbagh, the address will serve both as a balance sheet of a century-old journey and as a declaration of intent for an increasingly combative political era.

From ‘Weak Independent Woman’ to a Comic Voice

Aug 30
3 min read

Mumbai: Sharon Verma’s journey in comedy is a story of an unlikely breakout. She was not introduced to audiences as an established star, but as a relatively new comedian who walked onto the stage of India’s Got Latent and turned a self-deprecating joke about being a “weak independent woman” into a moment audiences remembered.


Originally from Bihar and now based in Mumbai, Verma has built her identity around observational, self-aware humour. Her comedy frequently draws from everyday experiences—work, relationships, womanhood, migration and her own Bihari identity. Her appearance on the first season of India’s Got Latent in 2024 helped bring that style to a much larger audience.


Before comedy became her full-time pursuit, Verma worked in the creative industry. Her professional background includes copywriting and creative roles, including work at The Rabbit Hole and Disney+ Hotstar. Her LinkedIn profile also shows her involvement in writing and creative work for entertainment campaigns.


That background is significant because Verma’s comedy has the sensibility of someone who understands how to construct a joke as well as perform one. She moved from writing creative material behind the scenes to putting herself at the centre of the joke.


Her India’s Got Latent appearance became a turning point. The phrase “weak independent woman” became particularly associated with her comic persona: instead of presenting independence as a polished, inspirational ideal, Verma approached it with irony. The joke worked because it turned a familiar social-media phrase into something recognisably human and self-mocking. Her performance subsequently helped her gain a larger following and led to further opportunities in stand-up.


There is also something distinctive about the way Verma uses her regional identity. Being from Bihar is not simply a biographical detail in her comedy; it becomes material. She plays with stereotypes surrounding Biharis while simultaneously turning those stereotypes back on the audience. That approach has become part of the appeal of her comedy: she is willing to make herself the subject before making someone else the punchline.


Her return to India’s Got Latent in 2026 represented a neat reversal of her original trajectory. The woman who had once appeared as a contestant returned as a panellist alongside Samay Raina. The transition—from performer seeking recognition to comedian capable of holding her own in a room of established personalities—was itself a marker of how far she had come.


The latest episode also demonstrated why her quick, conversational style works. A roast exchange between Verma and Raina about their respective Bihari and Kashmiri identities went viral, with viewers particularly reacting to Verma’s final comeback. The exchange also generated criticism because it touched on sensitive questions of regional identity, migration and the displacement of Kashmiri Pandits.


Whatever one’s view of that particular joke, the moment revealed something important about Verma as a performer: she is increasingly comfortable occupying the space rather than waiting for permission to enter it. She can take a joke, return one and, crucially, make the audience feel that the exchange is happening in real time rather than following a rehearsed script.


That may ultimately be what makes Sharon Verma interesting beyond the viral clips. Her rise has not been based on a single punchline. It has been built around a recognisable comic voice—one that combines self-deprecation, regional identity, writing experience and a willingness to make herself vulnerable for a laugh.


From a creative executive writing entertainment campaigns to a comedian performing her own material, and from an India’s Got Latent contestant to a panellist, Verma’s trajectory is still unfolding. But the transition already tells a compelling story: sometimes the person who walks onto a comedy stage as a joke becomes the person audiences stay to watch.

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