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By:

Shoma A. Chatterji

21 August 2024 at 4:19:40 pm

Childhood for Sale

Khilawadi, a short fiction film directed by the young and sprightly Shobhita Thakur, alumnus of the FTII, Pune, is making news wherever the film is being screened. Why? The subject of the film is shocking in its inhuman brutality. Through a brief but powerful narrative, the film tells the story of the 12-year-old Sapna who is good in studies and dreams of becoming a doctor one day. The term “Khilawadi” is a locally used word associated with the Banchada community in Western Madhya Pradesh,...

Childhood for Sale

Khilawadi, a short fiction film directed by the young and sprightly Shobhita Thakur, alumnus of the FTII, Pune, is making news wherever the film is being screened. Why? The subject of the film is shocking in its inhuman brutality. Through a brief but powerful narrative, the film tells the story of the 12-year-old Sapna who is good in studies and dreams of becoming a doctor one day. The term “Khilawadi” is a locally used word associated with the Banchada community in Western Madhya Pradesh, particularly in the Neemuch-Mandsaur region. The word is believed to have evolved within the local dialects as a descriptive label for women employed in sex work, especially those living along or near major highways. Over time, strangely, the changes in social customs, in media technology, in traditional rituals, have not affected the age-old custom of putting daughters to prostitution the minute they reach puberty. Therefore, the term “khilawadi” has become an informal, locally used word associated with the Banchada community used rather pejoratively to refer to girls or women from the community who engage in highway-based prostitution, a practice historically linked to complex socio-economic and caste-based circumstances within the region. The term carries social stigma and reflects structural inequalities faced by the Banchada community. “We could not shoot in the actual location because we were told that it would be dangerous for the team to shoot there. So, we shot several kilometers away at a different location to keep the rural spirit of the topic intact. As a woman filmmaker and an artist, I feel compelled to tell this story of unimaginable suffering and exploitation of young girls. This film is not just a reflection of their pain, but a call for social change, urging society to recognize and address this persistent injustice,” says the director. The film uses a raw, unembellished cinematic style that highlights the stark realities of their lives. It opens in the classroom of a girls’ school. We are introduced to the 12-year-old Sapna. On her way back, she waits outside the window of the community health centre in the area to watch the lady doctor at work. The lady doctor beckons her inside and asks her why she is waiting at the window. Sapna asks her whether she can become a doctor like her. But when she is asked by the teacher what she wants to become when she grows up, a giggling classmate mocks her saying, “She can only become a dhandhewali - a vulgarized term for one who sells one’s body for money.” Sapna belongs to the Banchada tribe and while her mother, a prostitute herself, plans to sell her to prostitution planning to make some money from the “nath utharna” ritual, a traditional term for the first night, the price for the first night’s customer who gets the right to strip the girl of her virginity. The doctor however, takes the help of a social worker to get a caste certificate for Sapna which will convince her mother to continue her education as she will be entitled to a scholarship for her further education. But all attempts at getting a caste certificate come to naught and while the mother sits in front of the highway for customers in vain as she is ageing, she also prepares for Sapna’s initiation into the profession. Strangely, the males in this community extract huge dowries when they get married though they are practically pimping and their wives are drawn from communities other than the Banchada community and they do not practice prostitution. The entire family then begins to live off the daughter’s earnings. When Sapna fails to get a caste certificate, she is forcibly prepared for the nuptial night and the first customer who pays Rs.10,000 is a middle-aged man. The film closes on the figure of a crying Sapna squatting on the floor after the first night, while the camera pans to focus on the bed and captures the image of an ointment Sapna’s mother gave her to prevent from the first night turning into a torture of pain. The film is aesthetically well-crafted with beautiful cinematography, good music and above everything else, brilliant piece of acting by every single actor. The film is currently on its international festival circuit, having won major awards at the FascinAsian Film Festival (Canada) and been officially selected for the Kazan International Film Festival and Festival du Film de Nancy in France. (The writer is an award-winning film scholar and author of several books.)

Gamble and the Challenge

Updated: Nov 18, 2024

Eknath Shinde

As Maharashtra eagerly anticipates the election results on November 23, one name dominates political discussions: Chief Minister Eknath Shinde. Known for his bold moves, Shinde has reshaped the state’s political dynamics in unprecedented ways. In June 2022, Shinde set the stage for upheaval when he, along with several MLAs, left for Surat, plunging the coalition government into crisis. Just days later, with the BJP’s support, he assumed the role of chief minister, marking a shift no one saw coming.


The Maharashtra Vikas Aghadi, a coalition formed in 2019 by Shiv Sena, Congress, and NCP, had governed Maharashtra until Shinde’s exit. The impact of this political drama on state politics cannot be understated, as Shinde’s departure led to the fall of the MVA government. Over the past two years, Shinde has defied expectations, run a successful government while demonstrating independence from the BJP—a scenario few anticipated. His political acumen has now positioned him as a rising figure in BJP’s inner circle, potentially posing a challenge to BJP stalwart Devendra Fadnavis.


For Shinde, this election marks a crucial turning point. His objective is clear: securing wins for as many of his candidates as possible, solidifying his position in Maharashtra’s political landscape. However, the real test lies beyond the election results. In a political era where party loyalty is fluid, Shinde’s task will be to retain the loyalty of the elected MLAs.


Shinde’s journey from auto-rickshaw driver to prominent Shiv Sena leader has endeared him to the people, especially in Thane. Known for his humble behavior, he has built strong connections across all levels, from party workers to local households. However, this simplicity has led some BJP leaders to underestimate him. Now, even his allies realize that Shinde’s strategic mind and influence extend far beyond appearances.


One of Shinde’s significant achievements has been implementing the ‘Ladki Bahin Yojana,’ an initiative originally from Madhya Pradesh’s BJP government, which gained immense popularity in Maharashtra. This move not only showcases his keen sense of public sentiment but also distances him from his allies by establishing his independent policy-making approach.


Despite his growing influence, Shinde faces a challenge from the grassroots Shiv Sainiks who view him as a “traitor” for breaking with the Uddhav Balasaheb Thackeray (UBT) faction. Recasting the narrative behind his decision to part ways with UBT will be essential if he hopes to gain widespread voter support.


Emphasizing his motivations and successes, particularly with initiatives like the ‘Ladki Bahin Yojana,’ may help him connect with skeptical constituents.


With solid connections at the local level and rapport with senior BJP leaders like Prime Minister Modi and Home Minister Amit Shah, Shinde’s influence is likely to endure. This election will ultimately test Shinde’s leadership, resilience, and ability to navigate Maharashtra’s intricate political landscape. As Maharashtra’s political future hangs in the balance, Shinde stands at the forefront, steering the state’s uncertain course with both determination and ambition.

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