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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

SS MP threatens to ‘bomb’ political opponents

Journalists staged a protest outside Balasaheb Bhavan against Shiv Sena MP Sanjay Dina Patil, condemning his alleged remarks against members of the media. Pic: Bhushan Koyande Mumbai: Mumbai North-East MP Sanjay Dina-Patil – who recently defected to the ruling ally Shiv Sena apparently went haywire on Thursday, hurling bomb threats at political opponents, spitting expletives at protestors, warning jounos of assault and warning anybody “to do whatever you can”, sparking a massive political...

SS MP threatens to ‘bomb’ political opponents

Journalists staged a protest outside Balasaheb Bhavan against Shiv Sena MP Sanjay Dina Patil, condemning his alleged remarks against members of the media. Pic: Bhushan Koyande Mumbai: Mumbai North-East MP Sanjay Dina-Patil – who recently defected to the ruling ally Shiv Sena apparently went haywire on Thursday, hurling bomb threats at political opponents, spitting expletives at protestors, warning jounos of assault and warning anybody “to do whatever you can”, sparking a massive political furore. Elected on a Shiv Sena (UBT) ticket, Dina-Patil lost his temper when he was questioned on his daughter and SS (UBT) Municipal Corporator Rajool Patil who went to meet ex-CM Uddhav Thackeray to express her allegiance despite her father’s defection to the Shiv Sena led by Deputy CM Eknath Shinde. Instead of replying, Dina-Patil, reported to be short-tempered, blew his top and reacted aggressively with abuses: “Record this on camera… I have spoken to you for 2 minutes, I respect you, you should do the same… Don’t mess with me. If you return here, I will thrash and send you back. I am saying this in front of the police, you do whatever you want.” Just a couple of days ago, Dina-Patil had threatened SS (UBT) workers protesting against him. “Anybody who tries to cross my path, I will send them to the crematorium or the hospital. We have committed five murders in the past. If you protest against me, I will throw bombs on you and enter your house to hammer you.” As these threats and unparliamentary language stoked a massive political row, SS (UBT) MP Sanjay Raut shot off a letter to Mumbai Commissioner of Police Deven Bharti, demanding that the police probe all the statements of Dina-Patil and ‘book him for murder’. On the alleged bomb threats, Raut said if Dina-Patil had acquired the explosives from some terrorist organisation, he should be arrested under the dreaded Unlawful Activities (Prevention) Act, dealing with terrorism, terming it as a matter of national security. Political Explosion The matter escalated into a full-fledged political brawl with Maha Vikas Aghadi (MVA) leaders like Congress’ Nana Patole, Vijay Wadettiwar; SS (UBT)’s Aditya Thackeray, Sunil Raut, Sushma Andhare; Nationalist Congress Party (SP)’s Supriya Sule, Dr. Jitendra Awhad, Jayant R. Patil, and many more, attacking Dina-Patil and demanding that Chief Minister Devendra Fadnavis must act in the matter. Aditya challenged Dina-Patil to instantly quit as MP, recontest in the name of Shinde or PM Narendra Modi and then see the outcome. Andhare said till the MPs were with SS (UBT), they were cultured but after walking over to the Shiv Sena, they have lost all their etiquettes or fear of the laws. Faced with an embarrassing backlash, Bharatiya Janata Party’s Chandrashekhar Bawankule and Shiv Sena’s Omprakash Babarao alias Bachhu Kadu quickly tendered unconditional apologies to the media on behalf of Dina-Patil, while Minister Girish Mahajan attempted to equate the outburst with recent strong language used by Sanjay Raut, who had said that “Shinde has given birth to 6 traitors”. On Raut’s letter to the CoP, a defiant Dina-Patil declared: “Whatever I said, I did it openly. If the police feel any action is to be taken against me, I am ready to face the consequences.” He again slammed the media persons for "thrusting microphones at him”, going to the ‘other side’ (the MVA) and then returning to quiz him, prompting the TV Journalists Association and other media groups to protest and seek action against the belligerent MP. “Has the MP been provided (Y-Plus) security at public expense to threaten the media which is doing its duty or the political protesters?” asked an irate TV reporter. Dina-Patil launched a broadside against the MVA and dared those who dubbed him a ‘traitor’ to come to his constituency without any security. On the incident of five murders, he airily said: “It had happened before I was born”, but Raut retorted claiming to possess details of all those alleged killings. “I don’t need an entourage of 10 vehicles as I rule the hearts of the people. I have aligned myself with ‘real men’. Shinde Saheb has commended me for my stand,” he claimed. Fadnavis and Shinde commented briefly on the matter and later were closeted in a meeting to discuss the fallout of Dina-Patil’s utterances especially after the media launched strong protests in different parts of Mumbai.

Is Bollywood’s Re-release Trend Sustainable?

Updated: Feb 3, 2025

Re-release Trend

In 2024, Bollywood’s resurrection wasn’t just about fresh hits but also about old favourites that were making a grand comeback. While the year kicked off with the surprise success of Stree 2, the real story was the industry’s embrace of nostalgia - the re-release of films that once slipped through the cracks. As the trend gained momentum, industry insiders and critics alike found themselves at a crossroads. Is this a temporary fling, or has Bollywood unlocked a new revenue model?


Film trade analyst Rohit Jaiswal has defended the practice of re-releasing old gems, noting the substantial, albeit modest, financial returns. “The business from re-releases isn’t as high as Rs 100 crore, as some reports claim, but Rs 60-70 crore nett is still significant,” he said. The films that have benefited from this resurgence are a diverse mix - Tumbbad, Rockstar, Laila Majnu and Veer Zaara - each offering something unique. For example, the re-release of Tumbbad not only breathed new life into the film itself but reignited Sohum Shah’s career, giving him a second shot at fame.


Yet, not everyone shares Jaiswal’s optimism. Trade expert Joginder Tuteja calls the re-release trend an “overdone fallacy.” He argues that the financial rewards aren’t as monumental as they might seem. “Tumbbad made about Rs 30-32 crore; Laila Majnu around Rs 7-8 crore, Rockstar about Rs 7-8 crore, Rehna Hai TereDil Mein between Rs 5-7 crore, and Veer Zaara around Rs 3-4 crore,” Tuteja contends. His numbers suggest that the returns from re-releases are far from game-changing, and the public’s nostalgic impulse might not be enough to sustain the trend long-term.


Despite these differences of opinion, Tumbbad’s January re-release undeniably sparked significant interest. Initially released to mixed reviews in 2018, the film's unique premise—focused on a boy’s search for a cursed ancestral treasure—failed to make waves at the box office with just Rs 13.5 crore. However, when it was re-released in 2024, Tumbbad garnered nearly Rs 7 crore within just three days, a reminder of its untapped potential. This financial windfall gave Bollywood a much-needed boost after a sharp decline in box-office revenues – Rs. 6,868 crore from January to August 2024, a 7.5 percent drop from the previous year, according to Ormax Media.


But it isn’t just the underperforming cult classics like Tumbbad that are seeing success in their second acts. The rise of nostalgic re-releases is becoming a full-fledged movement, with hits like Maine Pyar Kiya (1989), Hum Aapke Hain Koun..!(1994), and Dilwale Dulhania Le Jayenge (1995) drawing packed theaters. More recent films such as Zindagi Na MilegiDobara (2011) and Dangal (2016) have also benefitted from nostalgia-driven ticket sales. Even modest films, like Rehna Hai TereDil Mein and Laila Majnu, have been given second chances due to the newfound stardom of actors like TriptiiDimri and the loyalty of their niche fanbases.


India is not the only country embracing the power of nostalgia. Classic American films like Home Alone and Jurassic Park have been re-released to strong earnings globally, proving that the appeal of revisiting cinematic favourites knows no borders. Anthropologist Arjun Appadurai, in his 2019 essay The Ready-Made Pleasures of Déjà Vu: Repeat Viewing of Bollywood Films, describes repeat viewings as a sign of “committed connoisseurship.” In Mumbai, the joy of re-experiencing films is often tied to an intellectual exercise, where film buffs savour every detail, relishing in their deep knowledge of the classics.


Bollywood, much like the rest of the world, has embraced this trend not just as a financial opportunity but as a way to celebrate and preserve its cultural heritage. For filmmakers, re-releases are an opportunity to connect with audiences old and new, rekindling interest in films that may have once been overlooked or underappreciated. As theaters across the country screen old favourites, the enthusiasm from audiences young and old alike seems to indicate that this trend is more than just a momentary distraction.


It remains to be seen whether Bollywood’s nostalgia wave will prove to be a lasting force in the industry or a passing fad. For now, it’s clear that re-releases are giving the film industry a much-needed breath of fresh air, and perhaps, a new way forward.

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