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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

AI’s Maharaja smiles joyfully

All 30 grounded aircrafts now fly Mumbai : Air India’s Maharaja is all pleased as punch at 80. After years of huge costs and efforts, the last of the grounded 30 aircraft – inherited by the Tata Group during the privatization in Jan. 2022 – is now resurrected fully and took to the skies gracefully on Monday.   The aircraft is the gleaming VT-ALL, a Boeing 777-300ER, that was gathering grime since February 2020, and becomes the final among the two-and-half dozen aircraft that have been revved...

AI’s Maharaja smiles joyfully

All 30 grounded aircrafts now fly Mumbai : Air India’s Maharaja is all pleased as punch at 80. After years of huge costs and efforts, the last of the grounded 30 aircraft – inherited by the Tata Group during the privatization in Jan. 2022 – is now resurrected fully and took to the skies gracefully on Monday.   The aircraft is the gleaming VT-ALL, a Boeing 777-300ER, that was gathering grime since February 2020, and becomes the final among the two-and-half dozen aircraft that have been revved up and revived in the past few years, AI official sources said.   It marked a symbolic milestone for Air India itself - founded in 1932 by the legendary Bharat Ratna J. R. R. Tata - which once ruled the roost and was India’s pride in the global skies.   Once renowned for its royal service with the iconic Maharaja welcoming fliers on board, in 1953 it was taken over by the government of India. After years of piling losses, ageing aircraft, decline in operations and standards – almost like a Maharaja turning a pauper - it returned to the Tata Group four years ago.   This time it was not just the aircraft, the brand and the deflated Maharaja coming into the large-hearted Tata Group stables, but a formidable challenge to ensure that the airline could regain its old glory and glitter. Of the total around 190 aircraft in its fleet were 30 – or 15 pc – that had been grounded and neglected for years.   At that time, the late Ratan N. Tata had directed that all these valuable aircraft must be revived as far as possible and join the fleet. Accordingly, the VT-ALL, languishing at Nagpur for nearly five years, was ‘hospitalized’ at the Air India Engineering Service Ltd., its MRO facility in May 2025.   New Avatar Then started a thorough, painstaking nose-to-tail restoration of an unprecedented scale, in which over 3000 critical components were replaced, over 4,000 maintenance tasks executed, besides key structural upgrades like the longeron modification, engines, auxiliary power units, avionics, hydraulics, landing gears and almost every vital system was rebuilt or replaced.   After the repairs, the old aircraft was reborn, under the gaze of the Directorate General of Civil Aviation and technical assistance from Boeing, and the new ‘avatar’ jetliner emerged with the highest global safety standards.   The aircraft cleared all the rigorous checks, a successful test flight, earned the mandatory Airworthiness Review Certificate and then made its maiden commercial flight from Monday, March 16 – after a wait of six years.   Sturdy Fliers Created in 1946 to become an instant global icon, the Air India’s mascot Maharaja now sports a youthful and chic look, a welcome with folded hands, closed eyes, featuring a bejewelled turban, stylish jootis, and a textured kurta in Air India’s new colours. He is prominently visible at various touch-points in a flyer’s journey, such as First Class, exclusive lounges, and luxury products.   Today, he commands a mix fleet of around 190 narrow and wide-body Airbus and Boeing aircraft like : A319, A320, A320neo, A321, A321neo, A350-900 and B787-8, B787-9, B7770200LR, B-777-300ER. With the merger of Vistara and agreements signed for 10 A350 and 90 A320 aircraft, the Maharaja’s fleet is slated to soar to some 570 in the near future.

Kinetic Typography: The Silent Hero of Visual Storytelling

Kinetic Typography

In today’s world, communication has evolved into a highly visual medium. From social media platforms to digital billboards, video content has become ubiquitous, with motion design and animation at its core. Amidst this, typography plays a crucial role, often acting as the silent hero that shapes the effectiveness of visual messages.


Learning how to use type kinetically is not just a design skill; it is a form of visual storytelling that has the power to convey complex ideas with clarity and impact.


Typography has always been a central part of visual design. In traditional forms, it deals with the arrangement of typefaces to ensure readability and aesthetic appeal. However, when it comes to motion design and animation, typography takes on a more dynamic role. It interacts with other elements like graphics, video, and sound, contributing to an immersive storytelling experience. A good command over typography allows designers to lead the viewer’s eye, create emphasis, and evoke emotion—all essential traits of effective communication.


Today, audiences are bombarded with content, and attention spans are shorter than ever. In such a landscape, typography can make or break a design piece. Effective and well designed kinetic typography can capture attention, emphasize key messages, and guide the viewer’s understanding of the content. This is why mastering kinetic typography is a must for anyone studying or in the business of motion design or animation for effective communication.


Kinetic typography refers to the animation of text, often to convey a particular mood, message, or idea. Unlike static typography, which is a building block and relies on layout and font choices, kinetic typography leverages motion, timing, and rhythm. The way words move, transform, and interact with other visual elements can have a profound impact on how the audience perceives the message.


For instance, a bouncing, playful typeface can evoke a sense of fun and lightheartedness, while sharp, quick movements of text can create tension or urgency. By animating type, designers can set the tone and pace of the communication, transforming a simple message into an engaging visual narrative.


The role of typography in motion design and animation education cannot be overstated. Mastering kinetic typography requires a deep understanding of not only design principles like balance, hierarchy, and contrast but also the mechanics of motion—such as timing, easing, and anticipation. Educators must focus on teaching how these elements can be used in tandem to create coherent and impactful designs.


Students should be encouraged to explore the subtleties of typography—such as kerning, leading, and tracking—before diving into animation. Understanding how text can be manipulated in a static form will give students a better foundation and grasp of how it can be brought to life. Additionally, learning how typography interacts with other visual elements (such as graphics, images, and sound) prepares students to think holistically about design projects, creating a synergy between different components.


Motion design has become an integral part of various fields, including advertising, education, entertainment, and social media. Each of these sectors relies on clear and impactful communication. Typography, when used effectively, can enhance the clarity of a message. For example, in a commercial, animated text can emphasize key selling points, while in an educational video, it can highlight crucial information, making it easier for viewers to grasp the concept. With the right execution, even the most complex information can be simplified and communicated effectively.


As we progress into a future where visual communication is ever evolving and becomes even more immersive and prominent, those who can wield typography effectively will be at the forefront of visual communication design innovation. From creating memorable brand identities to leading large-scale marketing campaigns, a strong grasp of kinetic typography can make designers stand out in a competitive field. They become communication leaders, shaping how brands and messages are perceived on a global scale.


Furthermore, the advent of new technologies, such as virtual reality (VR) and augmented reality (AR), has opened new avenues for typographic exploration. Text can now exist in 3D space, interact with users, and adapt based on viewer interaction. These advancements mean that the role of typography will continue to evolve, making it even more critical for motion designers to have a solid foundation in typographic principles.


In addition, with the integration of AI tools, the creation of animated type can become more exciting, allowing designers to experiment and innovate without the limitations of traditional software. This democratization of tools means that more people can explore kinetic typography, leading to new and creative ways to engage audiences.


As visual communication continues to dominate, those who can master the art of typography in motion will be at the forefront, shaping the future of how we convey information and tell stories. Motion designers and animators who embrace the power of typography will be the communication design leaders of tomorrow, capable of crafting narratives that captivate, educate, and inspire.


(The author is Founder and Creative Director at Trip Creative Services, an award-winning communication design house.)

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