Larger than life, lighter about himself

Mumbai: There was always something cheerfully disarming about Vishwanath Gajannan Patekar, alias ‘Nana’ Patekar. For all his on-screen intense, raw and authoritative performances in over 100 films, he himself would easily puncture his awesome stardom with naughty jokes and naive smiles.
Nearly two decades ago, when the actor agreed to sing a couple of jazzy rap numbers for “Horn OK Pleasss!” (2009), he displayed the same self-deprecating humour that was so quintessentially Nana.
“Initially I was very reluctant, almost dreading the thought of singing with a full orchestra,” he had confessed to this correspondent soon after recording the songs.
“I even told my director Rakesh Sarang that ‘my voice is only suited to give playback to buffaloes’,” he grinned with a mischievous glint.
The music director, Lalit Pandit of the celebrated Jatin-Lalit duo, was persistent. The film’s situation and Nana’s role as a bored Mumbai truck driver demanded it. So, Nana airily agreed to give singing a shot.
It was hardly his first brush with a recording room microphone. His maiden attempt came with “Yeshwant” (1996), and its unforgettable number, ‘Ek Machchar Aadmi Ko Hijda Bana Deta Hai’. Here too, he mischievously dismissed it as a “prosey-talking song” that would barely qualify him to earn the tag of a ‘singer’.
More than a decade later, however, the “Horn OK Pleasss!” numbers were full-fledged lyrical compositions, albeit with some other singers, but Nana confessed that “surprisingly, I thoroughly enjoyed this experience!”
When reminded that legendary singers such as Mohammed Rafi or Lata Mangeshkar could wrap up a song in a remarkably short time, Nana immediately folded his hands and bowed his head reverentially. “Arre they are Gods. I am a devil. There’s not the remotest comparison with them,” he said.
Yet, he revealed that his own song was recorded in just 30 minutes. His explanation was pure Nana-esque wit: “Probably, the poor music director had simply given up - that there was nothing more he could do to improve my voice or singing style”
In fact, there had been no elaborate rehearsals either for the numbers. “Lalit is a dear friend. He is such a master that he can make anything sing, even a cow,” Nana had quipped. “Maybe, that’s why I succeeded in this experiment.”
Lalit Pandit, however, was considerably more generous, acknowledging that “Nana is a natural singer” and the recording session had been great fun.





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