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By:

Bharati Dubey

17 May 2026 at 1:38:10 am

Raja Shivaji sparks a new era for Marathi cinema

Mumbai: As Raja Shivaji marches steadily towards the Rs 100 crore mark, the film has reignited debate around the future of the Marathi film industry. Having already crossed Rs 80 crore at the Indian box office, the historical drama is now only the second Marathi film after Sairat to achieve the milestone. Its success has raised a larger question within the trade: can a major blockbuster finally attract sustained investment into Marathi cinema, an industry often marked by cycles of growth and...

Raja Shivaji sparks a new era for Marathi cinema

Mumbai: As Raja Shivaji marches steadily towards the Rs 100 crore mark, the film has reignited debate around the future of the Marathi film industry. Having already crossed Rs 80 crore at the Indian box office, the historical drama is now only the second Marathi film after Sairat to achieve the milestone. Its success has raised a larger question within the trade: can a major blockbuster finally attract sustained investment into Marathi cinema, an industry often marked by cycles of growth and slowdown? Much of the buzz surrounding the film stems from the support it received from prominent Hindi film stars, several of whom reportedly came on board to back the project and the industry. Trade analyst Girish Wankhede believes the film’s biggest achievement lies in the scale of collaboration it represents. “The real strength of Raja Shivaji lies in its creative ensemble star cast, which Riteish Deshmukh successfully brought together. By roping in heavyweight Hindi stars like Abhishek Bachchan, Sanjay Dutt, and Salman Khan, the film showcases the immense combined value of cross-industry collaboration. This strong gesture of Hindi cinema’s biggest names extending full support to a Marathi project has created a powerful impression, generating tremendous curiosity and respect for Marathi cinema among audiences, investors, and other industries. It underscores how Marathi films can now command pan-Indian attention and star power,” he says. At the same time, Wankhede feels it may still be premature to call the film a runaway commercial success given its production scale and costs. “What is heartening is the visible new energy and creative fuel that Riteish Deshmukh has infused into Marathi cinema. With him at the helm of affairs, the film looks strong and polished, and this momentum, further amplified by the star support, is already drawing serious attention from investors who were earlier hesitant about the regional space,” he adds. Producer Suniel Wadhwa, Co-Founder and Director of Karmic Films, says the film’s performance could play an important role in rebuilding investor confidence in theatrical cinema. “The success of Raja Shivaji could significantly improve investor confidence in theatrical cinema, especially at a time when many non-film investors have become cautious about the sector. If the film succeeds as a large-scale theatrical event rather than just an opening weekend phenomenon, it will reinforce the belief that culturally rooted Indian stories still possess massive commercial potential across regions and demographics,” he says. However, Wadhwa points out that the industry continues to face deep structural challenges. “One of the biggest is the shortage of true theatrical stars who can create urgency for audiences to step into cinemas. Streaming has created visibility, but not necessarily ticket-selling mythology. At the same time, India remains heavily under-screened, and even strong films often struggle with inadequate show slots, limited showcasing windows, and overcrowded release calendars. Many films today are judged within the first 48–72 hours, leaving little room for organic word-of-mouth growth,” he says. According to him, the theatrical business is evolving rather than disappearing. “Audiences are now reserving cinema outings for event-driven experiences — spectacle, emotion, mythology, action, horror-comedy, and culturally resonant storytelling. Films that can create that collective viewing urgency will continue to attract both audiences and serious investment capital,” he adds. The Marathi film industry has witnessed a mixed year so far. More than two dozen films have released, but only a handful — including Raja Shivaji, Kranti Vidyalay Marathi Madhyam, Aga Aga Sunbai Mahnatay Sasubai, and Super Duper — have performed strongly at the box office. Veteran journalist Dilip Thakur believes Marathi cinema has already begun regaining momentum after the slowdown caused by the pandemic. “New Marathi films are getting launched regularly. The upcoming film Bapya had its screening at Sunny Super Sound, which was attended by non-Marathi journalists in big numbers. The story of Bapya is complex and difficult to make. The point here is that a producer agreed to put his money into the film. Sabar Bonda was another difficult subject which won an award at Sundance. So, producers willing to invest money in such subjects is one positive sign,” he says. Thakur also points to the continued appetite for mainstream Marathi entertainers. “The boom after Sairat still exists in Marathi cinema. There was a setback for four years because of Covid, but the industry has gained momentum. Ravi Jadhav’s new film Fulawara, based on tamasha folk art, will soon go on floors in Pune,” he says. He further notes that Marathi cinema is increasingly attracting investors from outside the industry. “Most Marathi films have non-Marathi investors. They are putting in money because there is business in Marathi cinema. But not every film becomes a hit. Subhash Ghai also produced a few Marathi films. If the subject is good, people are willing to invest,” he adds. Not everyone, however, is convinced that one major hit can alter the industry’s fortunes overnight. Nitin Datar, president of the Cinema Owners Association, remains cautious about reading too much into the film’s success. “Only one film success is not going to bring investors. In the last five years, out of nearly 500 films produced, the success rate has not been encouraging,” he says. Datar acknowledges that the presence of Hindi stars has helped boost the film’s commercial appeal but stresses that Marathi cinema still lacks enough bankable stars capable of consistently drawing audiences to theatres. “The production houses and directors have attracted audiences. Unfortunately, producers haven’t been successful in attracting financial assistance, which has resulted in low production and advertising budgets. But if films succeed in pulling audiences over the weekend, exhibitors automatically increase shows and reduce screenings of underperforming films from other languages. The audience is always there, waiting to visit theatres in large numbers for a good film,” he says. For now, Raja Shivaji has undeniably given Marathi cinema a strong moment in the spotlight. Whether that momentum translates into long-term financial confidence and sustained industry growth remains the larger question.

Modi-Jinping Bhai Bhai? - Trade, Tariffs and the Ghosts of 1962

Updated: Mar 21, 2025

How India and China’s tangled past informs their economic manoeuvring in the age of Trump’s trade wars.

Modi-Jinping

Donald Trump did not invent trade wars, but his ongoing onslaught of tariffs and geopolitical brinkmanship has forced nations – friends as well as foes - across the world to rethink their strategic footing. Nowhere is this more apparent than in the uneasy tango between India and China - two Asian giants with shared histories, deep suspicions and economic ambitions. Let us rewind to the winter of 1949, when Mao Zedong stood atop Tiananmen Gate and declared the birth of the People’s Republic of China.


Mao’s rise was a triumph of Marxist-Leninist ideology, but it came at an enormous human cost. His Great Leap Forward (1958–1962), an attempt at rapid industrialization and collectivization, resulted in one of the deadliest famines in recorded history. His Cultural Revolution (1966–1976) upended China’s intellectual and political class, sending thousands of ‘bourgeois elements’ to labour camps, leaving an indelible scar on the nation’s psyche. Yet, despite economic deprivation, Mao’s China was ideologically unified, exporting its brand of communist insurgency beyond its borders.


India was not immune to the ideological ripples emanating from Beijing. In the late 1960s, inspired by Mao’s vision of peasant uprisings, Naxalite rebels in India’s eastern states launched a violent insurgency that still simmers in remote pockets of the country today. But China’s involvement with India was not merely ideological; it was also territorial. When Mao’s forces annexed Tibet in 1950, it was the first tremor in a geopolitical fault line that would culminate in outright war.


By the early 1960s, India had embraced the idealism of Prime Minister Jawaharlal Nehru, whose faith in diplomacy led to the now-infamous “Hindi Chini Bhai Bhai” (Indians and Chinese are brothers) slogan. This faith, however, was shattered in 1962 when China launched a swift and brutal invasion into Indian territory, occupying 40,000 square kilometers in Aksai Chin, a region that remains under Chinese control today.


In Himalayan Blunder (1968), arguably the most famous memoir to come out of this humiliating defeat, Brigadier John Parashuram Dalvi, who became a prisoner-of-war in the early stages of the conflict, revealed how India’s failure to utilize its superior air force - a decision made at the highest levels of government – was one of the main causes of the Chinese victory.


When questioned in Parliament about the loss of territory, Nehru merely quipped, “Not a fig leaf grows there.” The indifference of Oxford-educated Nehru to the ground realities of war left a wound on India’s national psyche, one that would fester for decades.


Fast forward to the present when the world’s economic order is shifting under the weight of American protectionism, and Trump’s trade war with China and other countries has set off a scramble among global manufacturers. Beijing is keenly aware of the potential repercussions.


In this scenario, India is walking a tightrope. While Prime Minister Narendra Modi has projected himself as a strongman capable of standing up to China, his government is also aware of the economic imperative to maintain a functional relationship. The recent thawing of rhetoric between New Delhi and Beijing is not an act of ideological convergence but of necessity. India, coping with its own Trump-imposed tariffs, has been hedging its bets - deepening defence deals with Washington while simultaneously exploring free trade agreements with the European Union. China, in turn, has responded with uncharacteristic warmth, lauding Modi’s diplomatic pragmatism.


At a psychological level, this courtship evokes uncomfortable historical echoes. In the months preceding the 1962 war, Chinese Premier Zhou Enlai made a high-profile visit to India, and the ‘Hindi Chini Bhai Bhai’ slogan had reached fever pitch.


The betrayal that followed in form China’s invasion was a moment of national humiliation that we still have not quite come to grips with. The scars of 1962 run deep, and they resurface every time India faces off against China - whether in the high-altitude standoff at Doklam in 2017 or the deadly skirmishes in the Galwan Valley in 2020.


However, India in 2025 is not the India of 1962. Its military is better equipped, its leadership less naïve and its economic aspirations more pronounced. The global stage, too, is vastly different. Trump’s America has jettisoned its post-Cold War role as a stabilizing force, leaving nations to fend for themselves in an increasingly volatile economic landscape. Washington’s preoccupation with China’s rise has made India a convenient counterweight, but New Delhi knows better than to be a pawn in someone else’s game. Modi’s strategy appears to be one of cautious engagement - leveraging the U.S.-China rivalry to extract concessions from both sides while avoiding direct entanglement.


In the long run, the question remains: Can India and China put aside their historical baggage for sheer economic pragmatism? The potential is undeniable for together, they account for nearly 40 percent of the world’s population and wield enormous economic clout.


It is tantalizing to think if the Indo-China relationship transforms from that of uneasy coexistence to genuine partnership, can overtures of friendship be met with the cautious refrain of Modi-Jinping Bhai Bhai?


Until then, the world must contend with an awkward reality: Modi and Xi Jinping may exchange diplomatic pleasantries, but the specter of Mao and Nehru still looms large. And in the shadow of that history, every overture of friendship is met with the cautious refrain—Modi-Jinping Bhai Bhai?

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