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By:

Shoma A. Chatterji

21 August 2024 at 10:49:40 am

The Pallbearer’s Tragedy

Three decades after its premiere, Rangakarmee’s Mayyat remains a searing theatrical indictment of caste. Rangakarmee is perhaps the only theatre group that has been producing and performing plays in Hindi in Kolkata for 50 years this year. Founded and headed by the late Usha Ganguly, it is still as active and dynamic in presenting Hindi plays mainly new and sometimes recreating for the new audience, old plays that are timeless in their content and their appeal. The amazing feature of Mayyat...

The Pallbearer’s Tragedy

Three decades after its premiere, Rangakarmee’s Mayyat remains a searing theatrical indictment of caste. Rangakarmee is perhaps the only theatre group that has been producing and performing plays in Hindi in Kolkata for 50 years this year. Founded and headed by the late Usha Ganguly, it is still as active and dynamic in presenting Hindi plays mainly new and sometimes recreating for the new audience, old plays that are timeless in their content and their appeal. The amazing feature of Mayyat is that it was first performed by Usha Ganguly and her troupe way back in 1997 and has already performed around 500 shows spanning 30 years and signifies the cross-generational reach and popularity of the play. We saw a group of absolutely new actors dedicated to Rangakarmee. Their performance defined the strict discipline, the constant workouts and rehearsals to keep mobile and flexible because the very big cast needed to be perfect in body, mind and spirit during each 45-minute performance. What does the word Maiyyat mean? It is said to have its roots in Arabic and literally, it translates as ‘dead body’ or ‘corpse.’ The play is rooted in the deep internalization among the low castes of their exploitation and torture by the Brahmins of their village. The Brahmins are proud in their gait, their body language and even in their pure form of dress with the holy thread of Brahminism proudly on display. The custom of the proud, arrogant and rude Brahmins is to choose at least one among the four untouchables to become the pall-bearer when someone of the upper-caste dies. Instead of feeling sad or insulted, the chosen untouchable feels blessed and proud for being allowed by this strange custom of becoming a fake “Brahmin” if even for one day. Lakku is one such untouchable who lives somewhere near Aurangabad and leads a miserable life of poverty with the burden of a mentally deranged, motherless son he takes care of. The pall is decorated heavily with flowers and instead of looking like a bourse, it is decorated with lots of flowers like a palanquin. Someone obviously among the Brahmins is dead and the other Brahmins draw lots to find out which untouchable will be chosen to offer his shoulder to the bourse. `When Lakku’s name comes up in the shuffling of the paper chips, he is thrilled that at least for one day, he will enjoy the ‘blessing’ of becoming a “Brahmin.” But forced to run through the village on an empty stomach and with a weak body, Lakku collapses and dies before the bourse can reach the crematorium. Now, the question is – who will carry his body and carry it to the cremation ground? The entire performance, with 23 theatre actors, originally scripted, designed and directed by Usha Ganguly, is now performed by a new young cast under the guidance, training and supervision of Amal Saha, Deepesh Rajak, and Anirudh Sarkar. It has been conceived and designed like a musical opera with every Brahmin member of the cast, including the young women, dressed traditionally in pristine white with lots of marigold garlands and a sandalwood tikka adorning their foreheads. Though there are dialogues in the performance, these are either among the leading and decisive members among the Brahmins or scoldings and threats from the Brahmins to the four members from the untouchable tribe, each one representing a different low caste. These four men, alongwith Lakku and his mentally retarded son, keep waiting eagerly in one corner of the proscenium for the results of the lots to be drawn. They hug each other for joy when their names are announced and Lakku specially is thrilled with the responsibility of being pallbearer and becoming a Brahmin for just one night. Whose corpse is being carried in the bourse is not important. What is important is who are the pall bearers? At least, the Brahmins are not. What one carries home after watching a performance-play like Mayyat is the marvellous synchronization of the entire female cast wandering right around the proscenium space singing songs in complete harmony with not a note of error and the Brahmin men discussing, arguing and quarrelling over not how the corpse will be cremated but which low-caste man will become the pallbearer for one night. The bottom-line is caste is a continuous, historical evil. But should it remain so? (The writer is a noted film scholar. Views personal.)

Mumbai-Pune Expressway clogged over 24 hrs

Pune: The country’s oldest and first access-controlled Mumbai-Pune Expressway came to a grinding halt after a chemical tanker turned turtle on Tuesday evening – with thousands of vehicles stuck in traffic jams for over 24 hours – and the effects spilling over to the Old Highway No. 48 soon afterwards.

 

The vehicular snarl - described by locals as the worst-ever in the 26-year-old history of the critical thoroughfare linking the country’s commercial and cultural capitals – took the travellers and the authorities by complete surprise leading to delayed response measures.

 

According to officials, the speeding tanker, carrying a highly inflammable and hazardous Propylene Gas, skidded and overturned in the tricky ghat sections near Ardoshi Tunnel yesterday evening around 5 pm, and blocked the Pune-Mumbai arm completely.

 

Police teams rushed to the accident spot, cordoned off the accident site, blocked the Pune-Mumbai 3-lanes and attempted to salvage the tanker.

 

Later, as a precautionary measure even the vehicles plying on Mumbai-Pune arm was closed and it started the ‘grandmother of all traffic jams’, stranding thousands of regular commuters, tourists, and special cases.

 

As the traffic didn’t budge for hours, angry motorists spewed their ire on social media drawing the attention of the Highway Police, and other local police departments from Raigad and Pune, plus teams of the SDRF and NDRF were deployed to avert any untoward incidents.

 

On Wednesday, local television reports showed clips of the traffic tie-ups that extended more than 45-50 kms kms in both directions, many travellers had spilled onto the roads, enraged and exhausted due to the heat, many frantically searching for elusive food and water making it harrowing for the kids or the elderly people.

 

Commuters’ travails on expressway

Among the thousands trapped in the logjam of vehicles were a cancer patient from Latur who had to rush for medical treatment to Mumbai, many people rushing to catch international or domestic flights from either Mumbai or Pune.

 

There was at least one wedding party with the groom stuck in Mumbai and the bride stranded in Pune, plus many businessmen, tourists in luxury private buses, ST buses, senior citizens and kids in private cars or cabs and large commercial goods vehicles.

 

The curvy ghat section was the worst-hit where scores of vehicles had stopped and were parked awkwardly, leaving little space for manoeuvres and eyewitnesses said that many people were forced to relieve themselves on the roadside or in the bushes.

 

Several of the hungry and tired passengers, who spent the night sleeping in their vehicle seats, rued how their mobile batteries had died down, making it impossible to connect with anxious family members, and complained of total lack of information updates from the highway or police authorities.

 

As per latest reports by 7 pm, the police estimated that the overturned tanker would be shifted out before midnight after which normal plying of vehicles was expected.

 

 


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