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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Jalgaon grandpa, 75, sets Karaoke singing world record

Jalgaon:  Age may be just a number, but for retired banker-cum-singer, Ramchandra D. Patil, his platinum jubilee year (75) has catapulted him into setting a world record.   The lifelong singing enthusiast from Jalgaon has officially entered the India Book of Records for the “Longest Live Singing on Karaoke Platform by a Septuagenarian,” performing continuously for 92 minutes in a program on September 25, 2025.   The achievement has thrilled the grandpa - who retired (2008) after 38 years’...

Jalgaon grandpa, 75, sets Karaoke singing world record

Jalgaon:  Age may be just a number, but for retired banker-cum-singer, Ramchandra D. Patil, his platinum jubilee year (75) has catapulted him into setting a world record.   The lifelong singing enthusiast from Jalgaon has officially entered the India Book of Records for the “Longest Live Singing on Karaoke Platform by a Septuagenarian,” performing continuously for 92 minutes in a program on September 25, 2025.   The achievement has thrilled the grandpa - who retired (2008) after 38 years’ service with the Peoples Cooperative Bank, Jalgaon - to set a target a higher and longer-lasting record.   “Music has been my passion since schooldays, specialising in songs of Mukesh as my voice closely resembles his. I have been singing for over six decades now… It's my life…” he smiled in a free-wheeling chat with  The Perfect Voice .   Despite lacking formal training in vocal music, Patil began performing at school annual gatherings and later joined local orchestras while studying at M.J. College in the 1960s.   Later, he nimbly balanced his main banking career and crooning, ensuring none suffered whether he worked in his staid office cabin or under the arc lights on the stage.   Patil became a coveted, popular and familiar name during Ganeshotsav, Navratri, weddings or special events, his fame took him all over Maharashtra and even Odisha, Madhya Pradesh to perform on live stage.   Over the years, the musical career bloomed, he earned a good side income plus a name in the entertainment world, though he admits that ‘creating a world record never crossed my mind’.   Meanwhile, in 1967, the first of the modest Karaoke machines was invented, it became sophisticated by 1971, and in the next couple of decades, became a global sensation.   In India, Karaoke (meaning, ‘empty orchestra’) started trending around 2015, proving both a boon and bane for live performers, vocal and instrumental, but Patil embraced it heartily.   “Karaoke allowed me to perform solo with the original background music. It afforded me the freedom to explore a wider range of songs and programs. Plus, practising and rehearsals became easier, especially for new numbers that I took up,” Patil explained.   At the same time, it has increased competition, with ordinary home-folk also belting out numbers backed by Karaoke, compelling singers like Patil to slash rates, but the market opportunities have vastly increased.   Unmatched joy While “the joy of performing live remains unmatched”, he said the brainwave of attempting a potential world record came almost by chance.   “In the past, I have sung continuously for over three hours many times, even at this age. We first checked out if anyone had attempted an official record in my age group, and found that there was none,” Patil recalled, of the Sep. 25 feat.   He humbly acknowledges that “the recognition is not merely a personal triumph, but a heartfelt tribute to all my musical idols”.   “Mukesh has always been my inspiration. But I also perform songs by Manna Dey and Mohammed Rafi, and lately, I’ve added a few Arijit Singh numbers too, which audiences love,” he said, hoping to expand his vocal horizon to more contemporary playback singers.   When asked about his favorite genre, Patil doesn’t hesitate: “The golden era of Bollywood music - the 1950s - will always be my favorite.”   Family backed the passionate singer Patil’s doting family, comprising his wife Nita, their son Girish, daughters Swati Patil, Jyoti Patil-Deshmukh and Geeta Patil-Bhaskar have stood firmly behind him and his singing passion.   “We’ve grown up listening to him. Our mother Nita supported him throughout. His passion for music runs in our family now,” they declared, as Girish reached out to India Book of Records and Guinness World Records for their stamp of approval.   While Guinness’ confirmation is awaited, the India Book of Records verified and awarded Patil’s feat, presenting him with a certificate, medal, and badge.   Even at 75, the senior singer’s enthusiasm shows no signs of fading and he is now planning for more performances and possibly another record attempt, to make himself immortal in the timeless world of music.

Phantom Votes

Congress scion Rahul Gandhi’s reckless allegations of ‘vote chori’ is a hackneyed spectacle by now. Detractors say his latest spectacle with respect to the Haryana Assembly election smacks of political desperation. Yet, the Election Commission’s tepid response risks eroding faith and makes one cast needless aspersions on India’s democratic machinery.


Gandhi has trained his rhetorical guns on the Haryana Assembly elections, alleging that as many as 25 lakh ‘fake votes’ were cast. His ‘vote theft’ claims purportedly robbed the Congress of a landslide victory. The alleged smoking gun? A Brazilian model’s photograph, supposedly found on multiple Indian voter ID cards.


It is the sort of story tailor-made for social media: exotic, scandalous and algorithm-friendly. But when journalists did the tedious work of actually verifying Gandhi’s claims, the reality was embarrassingly prosaic. The women whose names were dragged into the so-called scam turned out to be real voters - ordinary Haryanvi citizens - whose ID cards had long suffered from data-entry and printing errors, as often happens in India’s sprawling bureaucracy. Far from being part of a vast electoral conspiracy, these women had, by their own accounts, voted in person using Aadhaar verification.


Gandhi’s performance is not new. When faced with electoral setbacks, he routinely invokes vague conspiracies to deflect from his party’s structural weaknesses. In his telling, democracy itself is rigged, the media compromised and the system is stacked against the Opposition. But this spectacle is also dangerous. To allege without proof that 12 percent of a State’s votes were fraudulent is irresponsible and corrosive. It invites cynicism, undermines public trust and normalises the idea that elections in the world’s largest democracy cannot be believed.


Yet if Rahul Gandhi’s bluster is deplorable, the Election Commission’s ‘silence’ is no less concerning. Its curt dismissal of the allegations hardly counts as reassurance. For an institution charged with safeguarding India’s democratic credibility, such bureaucratic detachment is woefully inadequate. The Commission should have responded forcefully with a barrage of facts, explaining how electoral rolls are verified, how photo mismatches occur and what safeguards prevent double voting.


In failing to mount a strong rebuttal, the EC is allowing a baseless narrative to fester unchecked. A democracy’s watchdog must bark when bitten. Instead, India’s electoral umpire has behaved like a mute spectator, leaving the field open to political theatrics.


The true theft here is not of votes, but of trust. Every time a leader cries fraud without proof and every time an institution responds with timidity, the integrity of India’s democratic compact weakens. Gandhi’s posturing wins him applause in his echo chambers, but it insults the very voters he claims to defend.


India’s democracy, for all its flaws, still rests on the faith of millions who queue patiently to press a button and trust that their vote counts. That faith is not indestructible. However, it is in danger of eroding when leaders weaponize paranoia and regulators retreat into silence.

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