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By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday...

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday travel in India. It is indeed a big moment for a Mumbaikar to know that an international traveler has Girgaon listed as one of the ‘must do’ destinations for an India trip in their diary; Gudhi Padwa being the cause is even more interesting. Tana, who lives in the Netherlands embarked on a long duration trip to India earlier this month, visited Mumbai specifically to enjoy the festivities. She told ‘The Perfect Voice’ , “I came here to celebrate Gudhi Padwa with you. I am here to experience everything that I see, all the beautiful outfits, beautiful people. I did a lot of research. I knew that today is the day New Year is celebrated in Maharashtra. I am a tourist. I am alone. I am indulging in everything here from food, festivals, dresses. I adore India. I actually typed Gudhi Padwa in the search bar to ensure I did not miss this must-do event during my trip to India.” Shivani Dopavkar, a Hula Hoop artist who is a regular and active participant had made an interesting statement when she had spoken to ‘The Perfect Voice’  during last year’s Shobha Yaatra. She had said, “I quit my IT profession to take up Hula Hoop as my full-time art. I wish to take Girgaum to a level where it is recognised globally. I have chosen Hula Hoop to accomplish this dream for which Gudhi Padwa Shobha Yatra is a perfect platform.” The dream doesn’t seem to be far from success as a lot of foreign participants dressed up in traditional Indian attire were seen enjoying the activities Annie, from Berlin who came to India as a tourist co-incidentally got introduced to the festivities. “It is really colourful. I have come from Berlin with my Indian friend. German culture is very different. Everything is colourful and vibrant here. The women on the bikes, the flowers, everything that we see around is very eventful,” said Annie. Early Preparations Girgaum woke up to busy preparations right from six am, as participants and volunteers geared up for the day ahead. The action began at around nine am, with people from different walks of life wounding their happiness around different themes from Hindu mythology to ancient Marathi traditions. From Children to elderly, to differently abled individuals, all enthusiastically navigated through densely crowded tiny lanes that whole-heartedly accommodated hundreds of visitors. Kamini Darji, a Gujarathi speaking Girgaum resident was present in the middle of the action with her differently abled son. Darji said, “I get my son every year to witness the festivities. The environment gives a very united and positive vibe. We never miss the event.” From Lejhim to Dhol Tasha Pathak, from bike borne Navvari saree clad women to Hula hoop artists; from live bhajan singing to Mardani Khel to children dressed up based on different themes from Chandrayaan to ‘Vithoba-Rakhmai’; the celebration gave a perfect introduction of India’s cultural wealth to all the international visitors. Jennifer from Germany who participated in Mardani Khel wearing a traditional nine-yard saree said, “We play Mardani khel every year for Gudhi Padwa. I have been to Maharashtra many times. This is the first time that I have come to Mumbai. I learnt this art at Shivaji Raje Mardani Akhada in Pune. I have been visiting India for nine years. Earlier I used to live in Bengaluru.” Vande Mataram Theme While it was a beautiful blend of all the aspects that define India, the cherry on the top was – the ‘Vandya Vande Mataram’ – theme. To commemorate 150 th  anniversary of India’s national song Vande Mataram, most of the Tableaus and art work revolved around patriotic sentiment. While Shobha yatra 2024 was all about Lord Shri Ram and 2025 about pride for Marathi language, the year 2026 was all about freedom struggle and love for India. The most interesting highlight was the 25-foot-tall paper statue of freedom fighter Swatantryaveer Savarkar that was carried past to the thunderous beats of drums filling the air with exuberance. A 31-year-old sculptor Gaurav Pawar made the statue along with his brother Gitesh and other volunteers. Gaurav said, “Last year we made a statue of Dnyaneshwar. This year we got an opportunity to make a statue of Savarkar Ji. We took 10 days to make the statue out of paper and bamboo material. It was completely eco-friendly. We got to learn a lot about Savarkar ji during the process and it was a very very sensitive experience.” The Statue was prepared in Bedekar Sadan which is one of the buildings located in Shantaram Chawl Complex which was the hotbed of freedom movement. The residents unknowingly carry forward the legacy of the enclosed structure, a place where prominent freedom fighters like Lokmanya Tilak, Annie Basant, Mahatma Gandhi, Mohammad Ali Jinnah and Lala Lajpat Rai used to gather to lead historic movements.

Red Fade

The surrender of Mallojula Venugopal Rao, known by his nom de guerre of Bhupathi, marks a symbolic end to an era. Once the military chief of the People’s Liberation Guerrilla Army and one of the last surviving architects of India’s Maoist insurgency, Bhupathi’s capitulation alongside 60 cadres in Maharashtra’s Gadchiroli is more than a victory for law enforcement. It is a milestone in the Modi government’s systematic effort to dismantle both the armed and ideological fronts of left-wing extremism.

 

For decades, Maoism represented India’s most enduring internal security challenge that claimed thousands of lives, drained development funds, and terrorised some of the poorest regions of the country. But over the past decade, through a calibrated mix of force, dialogue and rehabilitation, the state has turned the tide. The Maoist strongholds in Chhattisgarh’s Abujmarh, Odisha’s Malkangiri and Maharashtra’s Gadchiroli have been hollowed out. Security operations under Home Minister Amit Shah have been relentless yet strategic, combining modern surveillance with offers of amnesty and livelihood.

 

Bhupathi’s surrender illustrates how this twin-pronged strategy works: pressure from sustained operations in the forests, and persuasion through rehabilitation. His decision follows the surrender of several other senior Maoist leaders this year. It signals that the once-feared guerrilla network is now fracturing under its own ideological weight.

 

Yet while the guns may have fallen silent, the battle of ideas continues in seminar halls, television studios and op-ed pages of metropolitan India. For every rifle surrendered in Gadchiroli, there remains a pen in Delhi, Mumbai or Kolkata romanticising ‘revolution.’ This ‘cultural Maoism’ thrives among a small but vocal fraternity of so-called intellectuals, journalists and academics who, under the guise of human rights or dissent, legitimise anti-state narratives and glorify armed resistance.

 

These ‘champagne revolutionaries,’ safely ensconced in universities and media houses, have long acted as ideological oxygen for the insurgency. Their rhetoric has often blurred the line between critique and complicity, portraying India’s democratic state as the aggressor and its armed rebels as victims of injustice. Some of them have never visited the villages they claim to speak for. But their influence in shaping opinion, teaching young minds and defending the indefensible is far from benign.

 

India’s war on Maoism is not merely territorial but cultural, psychological and institutional. For far too long, India tolerated those who preached freedom but excused violence, who demanded rights but denied responsibility. The fall of Mallojula Venugopal Rao symbolises the exhaustion of an ideology that failed to evolve in the face of democracy and development.

 

The challenge now is to ensure that Maoism’s twilight in the forests is not replaced by its afterglow in varsities. India’s future lies in the progress of its villages that make rebellion obsolete. The government’s campaign against left-wing extremism has begun reclaiming the idea of India from those who mistake cynicism for dissent and subversion for intellect.

 

The jungle has fallen silent. It is time the echo chambers did too.

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