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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and...

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and owner Sujit Dilip.   “We get good crowds on weekends and holidays, but weekdays are still a struggle. Our fixed expenses are around Rs. One Crore per month. Costs have gone up nearly ten times on all fronts in the last five years, and the 18% GST is killing. We manage around 1,500 shows annually, but barely break even, with wafer-thin margins,” said Dilip, 50.   The logistics alone are staggering. Rambo Circus travels across India with an 80-member troupe of acrobats, aerialists, sword balancers, jugglers, jokers, rigging crews, support staff, massive equipment, and a few mechanical animals.   “Many of my people have spent their entire lives under the tent. We live like a huge family. I try to support their children’s education, medical needs and help them build some financial stability. But without resources, it is becoming increasingly difficult,” said Dilip, his voice weary after decades of struggle for survival.   He reminisced of the golden era of Indian circus, around the second half of the last century, when there were many grand, full-scale circuses, but today barely half a dozen professional setups remain - Gemini, Golden, Ajanta, Asian, Great Bombay, and Rambo - along with a few smaller, local outfits.   “Unlike most countries where circuses come under the Cultural Ministry, India offers no institutional identity or support. I am invited as a jury member to several top annual international circus festivals. I feel sad as not a single Indian artist features on global stages. We just have no backing here,” Dilip told The Perfect Voice in a free-wheeling chat.   He said the decline accelerated after the ban on live animal performances nearly 20 years ago in India. In contrast, many foreign circuses still feature elephants, horses, bears, zebras, llamas, tigers, leopards, lions, and exotic birds - though most face heavy resistance from animal-rights groups.   “Moreover, ticket rates in India are among the lowest in the world, without tax concessions. In foreign circuses, even in smaller countries, tickets start at Rs 10,000 per head. We can’t dare match that…” he rued.   Yet, the thirst to lure audiences remains undiminished. Rambo Circus now leans on technology and innovation, featuring a mechanical elephant, a giraffe on stilts, stuffed zebras, deer, bears and horses, and has commissioned a Japanese company to design a robotic lion to perform tricks.   To make the shows more interactive, MoC – a tall senior joker – invites the young audience members into the ring to try small acts like skipping, jumping, or dancing with help from the midget clowns, and the kids’ shrieks of joy echo through the tent, as their parents furiously click videos and selfies.   Dilip recalled that during the pandemic lockdown, when survival seemed impossible, Rambo Circus pioneered online ticketed shows, selling nearly 50,000 virtual tickets - the highest among circuses worldwide at that time, and earned praise by international peers.   “We are swimming alone… For us, it’s not just entertainment. It is art, heritage, livelihood, identity, and passion - and we will fight for a dignified existence,” Dilip said quietly.   Rambo Circus’ emotional tug at PM’s heart Rambo Circus Director and owner Sujit Dilip appealed to Prime Minister Narendra Modi to help save this art form with a huge potential to generate jobs, discover talents, earn massive revenues and foreign exchange.   “We urge the PM and ICCR to give Indian circuses a formal status, affordable venues for our shows, extend bank loans, opportunities for skill-upgradation, foreign collaborations and inclusion under the Ministry of Corporate Affairs’ CSR list. Many corporates wish to help, but current rules prevent it,” Dilip told The Perfect Voice .   He recalled how, during Covid-19, Rambo Circus launched online shows and sold nearly 50,000 tickets, proving the potential of Indian circus talent and earning acclaim worldwide for his innovation. “Our dream is to make India’s circuses world-class, and we need government support to achieve this,” he said.   History of circuses – Roman Arenas to open maidans The name ‘circus’ had its origins in ancient Rome, where chariot races, gladiator clashes, displays/deadly fights between wild animals and condemned humans enraptured audiences in huge open arenas. Later, circuses began modestly in 1768 with horse tricks performed by Philip Astley, a London cavalryman. Then, came the modern version of live performances by horses/ponies in the US in 1793, and in the 1830s, wild animals were introduced.   Many Hollywood films featured circuses as the backdrop. The most memorable ones are: Charlie Chaplin’s “The Circus” (1928); Walt Disney’s “Dumbo’ (1941); Cecile B. DeMille’s 2 Oscar Award-winning “The Greatest Show on Earth” (1952); biopic on P.T. Barnum “The Greatest Showman” (2017), et al.   Bollywood’s own legendary ringside acts were in films like Raj Kapoor’s “Mera Naam Joker” (1970); “Chandralekha” (1948); “Appu Raja” (1989); “Circus Queen” (1959); “Shikari” (1991); “Dhoom 3” (2013); and the howlarious circus climax in Firoz A. Nadiadwala’s “Phir Hera Pheri” (2006), etc.

Return of the Commissioner

Mumbai’s new top cop returns with political backing, a checkered past, and a vision for the future.

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Deven Bharti’s elevation as Commissioner of Police in Mumbai marks the return of a familiar, controversial and politically well-networked officer to the summit of Maharashtra’s policing hierarchy. A 1994-batch officer of the Indian Police Service (IPS), the 56-year-old Bharti’s appointment follows the retirement of Vivek Phansalkar, a low-key officer known more for his institutional steadiness than flair.


In contrast, Bharti is a figure whose career has long been entangled with high-stakes investigations, public controversies and persistent whispers of political patronage. His most powerful backer, according to many in Maharashtra’s political circles, has been Maharashtra Chief Minister and Home Minister Devendra Fadnavis. That Bharti rose through the ranks during Fadnavis’s previous tenure as Chief Minister (2014–19) was widely noted, if not always explicitly stated.


There’s an unwritten saying in Mumbai’s bureaucratic circles that the police commissioner is less a cop than a courtier. Few officers in Maharashtra have embodied this and occupied the public imagination as persistently as Bharti, who did his master’s at the Delhi School of Economics.


He has spent most of his career toggling between high-stakes crime postings and politically volatile appointments.


He was Joint Commissioner of Police (Law and Order) for over four years, making him the longest-serving officer in that post in Mumbai’s recent history. He went on to lead the Maharashtra Anti-Terrorism Squad (ATS), held key postings in the Crime Branch, and served as Inspector General (Law and Order) at the state level. More unusually, in 2023, a new post of ‘Special Commissioner of Police’ was created seemingly to accommodate his return to Mumbai’s policing core - an indication of his continuing institutional clout.


Yet Bharti’s rise has not been without turbulence. He was among four senior officers named by Hasan Gafoor, Mumbai’s Police Commissioner during the 26/11 terror attacks, for allegedly hesitating during the operation. For a man who prefers to control the narrative, it was a rare public bruise for Bharti.


While never formally indicted, the mention nonetheless left a mark. In 2020, Rakesh Maria, another former Commissioner, alleged in his memoir that Bharti had prior knowledge of the Sheena Bora disappearance case and failed to escalate it - a charge Bharti firmly denied.


Other accusations have followed. In 2021, a First Information Report (FIR) was filed against him for allegedly helping suppress a passport fraud case involving the wife of a BJP politician. The charges included cheating, forgery, and violations under the Indian Passport Act. When the Uddhav Thackeray-led Maharashtra Vikas Aghadi (MVA) coalition took power, Bharti was transferred to the Maharashtra State Security Corporation, widely seen as a ‘cold storage’ for politically inconvenient officers.


The tide turned again in October 2022, when the Mahayuti coalition returned to power after toppling Thackeray’s government, and Fadnavis resumed charge of the Home portfolio. Bharti was cleared of all charges by the Mumbai Crime Branch, paving the way for his rehabilitation and eventual ascent to the commissioner’s chair.


In his first press briefing as commissioner, Bharti struck a technocratic tone. His priorities, he said, include bridging the gap between the police and the citizen, tackling cybercrime and integrating artificial intelligence into predictive policing.


What distinguishes Bharti is not just his resume, but the durability of his proximity to power. In a state where postings are frequently reshuffled based on political convenience, Bharti’s repeated returns to plum positions reflect not only administrative competence but also political trust. His close relationship with Fadnavis has not gone unnoticed. In 2019, when the Election Commission ordered the removal of all officials who had served more than three years in one posting, the then BJP-led state government requested an exception for Bharti.


Supporters describe him as decisive and experienced. Critics see in his career a case study in the thin line between professional merit and political favour. Yet there is little doubt that his return to the helm of the Mumbai Police signals a recalibration of both strategy and symbolism. The city’s law and order machinery has had a reputation to defend amid rising cyber threats, communal tensions, and violent crime in outer districts.


It remains to be seen whether Bharti’s second act as commissioner will enhance the credibility of the Mumbai Police or deepen perceptions of politicisation. For now, it is clear that the city’s most powerful uniform is back on the shoulders of a man who has worn it, lost it and reclaimed it with remarkable timing.

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