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By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday...

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday travel in India. It is indeed a big moment for a Mumbaikar to know that an international traveler has Girgaon listed as one of the ‘must do’ destinations for an India trip in their diary; Gudhi Padwa being the cause is even more interesting. Tana, who lives in the Netherlands embarked on a long duration trip to India earlier this month, visited Mumbai specifically to enjoy the festivities. She told ‘The Perfect Voice’ , “I came here to celebrate Gudhi Padwa with you. I am here to experience everything that I see, all the beautiful outfits, beautiful people. I did a lot of research. I knew that today is the day New Year is celebrated in Maharashtra. I am a tourist. I am alone. I am indulging in everything here from food, festivals, dresses. I adore India. I actually typed Gudhi Padwa in the search bar to ensure I did not miss this must-do event during my trip to India.” Shivani Dopavkar, a Hula Hoop artist who is a regular and active participant had made an interesting statement when she had spoken to ‘The Perfect Voice’  during last year’s Shobha Yaatra. She had said, “I quit my IT profession to take up Hula Hoop as my full-time art. I wish to take Girgaum to a level where it is recognised globally. I have chosen Hula Hoop to accomplish this dream for which Gudhi Padwa Shobha Yatra is a perfect platform.” The dream doesn’t seem to be far from success as a lot of foreign participants dressed up in traditional Indian attire were seen enjoying the activities Annie, from Berlin who came to India as a tourist co-incidentally got introduced to the festivities. “It is really colourful. I have come from Berlin with my Indian friend. German culture is very different. Everything is colourful and vibrant here. The women on the bikes, the flowers, everything that we see around is very eventful,” said Annie. Early Preparations Girgaum woke up to busy preparations right from six am, as participants and volunteers geared up for the day ahead. The action began at around nine am, with people from different walks of life wounding their happiness around different themes from Hindu mythology to ancient Marathi traditions. From Children to elderly, to differently abled individuals, all enthusiastically navigated through densely crowded tiny lanes that whole-heartedly accommodated hundreds of visitors. Kamini Darji, a Gujarathi speaking Girgaum resident was present in the middle of the action with her differently abled son. Darji said, “I get my son every year to witness the festivities. The environment gives a very united and positive vibe. We never miss the event.” From Lejhim to Dhol Tasha Pathak, from bike borne Navvari saree clad women to Hula hoop artists; from live bhajan singing to Mardani Khel to children dressed up based on different themes from Chandrayaan to ‘Vithoba-Rakhmai’; the celebration gave a perfect introduction of India’s cultural wealth to all the international visitors. Jennifer from Germany who participated in Mardani Khel wearing a traditional nine-yard saree said, “We play Mardani khel every year for Gudhi Padwa. I have been to Maharashtra many times. This is the first time that I have come to Mumbai. I learnt this art at Shivaji Raje Mardani Akhada in Pune. I have been visiting India for nine years. Earlier I used to live in Bengaluru.” Vande Mataram Theme While it was a beautiful blend of all the aspects that define India, the cherry on the top was – the ‘Vandya Vande Mataram’ – theme. To commemorate 150 th  anniversary of India’s national song Vande Mataram, most of the Tableaus and art work revolved around patriotic sentiment. While Shobha yatra 2024 was all about Lord Shri Ram and 2025 about pride for Marathi language, the year 2026 was all about freedom struggle and love for India. The most interesting highlight was the 25-foot-tall paper statue of freedom fighter Swatantryaveer Savarkar that was carried past to the thunderous beats of drums filling the air with exuberance. A 31-year-old sculptor Gaurav Pawar made the statue along with his brother Gitesh and other volunteers. Gaurav said, “Last year we made a statue of Dnyaneshwar. This year we got an opportunity to make a statue of Savarkar Ji. We took 10 days to make the statue out of paper and bamboo material. It was completely eco-friendly. We got to learn a lot about Savarkar ji during the process and it was a very very sensitive experience.” The Statue was prepared in Bedekar Sadan which is one of the buildings located in Shantaram Chawl Complex which was the hotbed of freedom movement. The residents unknowingly carry forward the legacy of the enclosed structure, a place where prominent freedom fighters like Lokmanya Tilak, Annie Basant, Mahatma Gandhi, Mohammad Ali Jinnah and Lala Lajpat Rai used to gather to lead historic movements.

Shattered Glass Ceiling: The Fall of Chanda Kochhar

Once a beacon of ambition and integrity, India’s banking and corporate icon stands accused of betraying the very values she championed.

When a titan of industry stumbles, the shockwaves rarely remain confined to boardrooms or quarterly reports. They shake the fragile faith in the institutions that underpin markets, governance and social progress. In India, few corporate downfalls have stirred as much public interest as the precipitous fall of Chanda Kochhar, the former chief executive of ICICI Bank. Her story is not merely about alleged wrongdoing but about the unravelling of a narrative that once inspired millions, especially women aspiring to break corporate glass ceilings.


In a recent ruling, India’s appellate tribunal held Kochhar culpable of receiving an illicit Rs. 64-crore payment in connection with a Rs. 300-crore loan granted to the Videocon Group in 2009. Though the wheels of justice continue to turn (with investigations by the Central Bureau of Investigation (CBI) and the Enforcement Directorate (ED) still underway), the tribunal’s finding punctures the myth of meritocracy and moral uprightness that she once symbolised.


Rising Star

Chanda Kochhar’s ascent was emblematic of a new India. She rose through the ranks of ICICI Bank at a time when few women dared to envision themselves at the apex of the financial world. Mentored by K.V. Kamath, ICICI’s legendary architect, Kochhar was widely seen as the face of a modern, professional India—competent, confident, and impeccably polished. Draped in elegant saris, her presence at global financial summits exuded a rare mix of traditional grace and corporate authority.


Her achievements were many. Under her leadership, ICICI Bank expanded aggressively, embracing retail banking and digital innovation. In 2011, the government recognised her with the Padma Bhushan, one of India’s highest civilian awards, a nod to her contribution to banking and her role as a trailblazer for women. She was not merely a banker; she was a symbol of aspiration, a rare role model in a largely patriarchal industry.


Her public image was pristine. She often spoke of values, of integrity, of the need to empower the next generation to believe in hard work and ethical decision-making. In a widely circulated letter to her daughter, Kochhar extolled the virtues of honesty and the perils of shortcuts—a touching, personal testament that seemed to reinforce her public persona.


Perilous Descent

Yet, power has an insidious tendency to distort self-perception. The 2009 Videocon loan decision, now under a harsh spotlight, proved to be her undoing. The stark allegation is that she steered the loan towards a group with whom her husband had personal business links, and in return, she allegedly received kickbacks. The Rs. 64-crore payment raises uncomfortable questions of conflict of interest, corporate governance and regulatory oversight.


The tribunal’s judgment has not only confirmed suspicions but intensified public disillusionment. For many Indians, it is not merely about the legal technicalities of the case but about what it says of the moral fibre of corporate India. The irony is bitter as a woman whose rise was celebrated for shattering barriers is now being scrutinised for succumbing to the very temptations she cautioned against.


Ethics in Corporate India

In theory, corporate leadership is built on more than financial acumen; it is built on trust. Boards are supposed to act as gatekeepers of integrity. Regulators are meant to enforce stringent standards. Yet the Kochhar episode reveals systemic fragilities. India’s corporate scandals, unlike Japan’s dramatic bowing executives or South Korea’s public atonements, often get buried under layers of legalese and PR damage control. The culture, critics argue, too readily accepts that impropriety can be reduced to a technical glitch.


This case also exposes a gendered dimension that makes the scandal even more disquieting. Kochhar was not just any executive; she was a rare female leader in a male-dominated industry. Her achievements were held up as proof that women could lead with both competence and character. Her downfall, if left unexamined, risks reinforcing regressive stereotypes: that women leaders are more vulnerable to ethical lapses, or worse, that their failures validate patriarchal scepticism about their capability.


Contrast Kochhar with her global peers. Arundhati Bhattacharya, former chair of State Bank of India, navigated challenges without scandal. Jane Fraser of Citigroup, and Leena Nair of Chanel, have proved that leadership and integrity can coexist. Their examples, largely untarnished, suggest that individual failure must not slow the collective drive for greater diversity in corporate boardrooms.


Slippery Slope

This raises a burning question as to why do some leaders gamble away decades of reputation? Psychologists describe the ‘hubris syndrome,’ wherein prolonged power leads to a dangerous sense of invincibility. Small compromises, once justified, keep on accumulating until a major transgression becomes inevitable. The ‘slippery slope’ theory explains how moral boundaries blur when initial decisions are rationalised away.


Globally, this pattern plays out in tragic, almost archetypal ways. Bernie Madoff’s Ponzi scheme in the U.S., Carlos Ghosn’s fall from grace in Japan and the collapse of Enron all tell the same story of brilliance turned blind. Madoff, once a respected financier, orchestrated the largest fraud in Wall Street history, betraying clients and investors who trusted his reputation. Ghosn, lauded for turning around Nissan, was later accused of underreporting his earnings and misusing company assets. Ken Lay, the architect of Enron’s rise, presided over a corporate culture that prioritized aggressive accounting tricks until it spectacularly imploded.


Kochhar’s case fits this narrative. She will join this infamous roll call of executives trapped in their own mythos.


Yet it is not merely a question of individual failure. The scandal prompts a far more important question: are Indian boards equipped to detect conflicts of interest, especially at the very top? Have family connections, political clout and personal ambition been allowed to infect decision-making processes in high-stakes lending? The answer seems to suggest a troubling complacency.


True reform will not spring from compliance checklists or tighter regulatory frameworks alone. It requires a shift in corporate culture. Whistleblowers must be protected, not ostracised. Transparency must be valued, not feared. Ethics should cease to be a mere footnote in corporate governance and become the foundation on which business is conducted.


In banking, where trust is as valuable as capital, a reputation is like fine crystal. A single crack, however small, risks shattering decades of polish. The Kochhar scandal, more than most, exposes this brittle reality.


For the young professionals who once looked up to Kochhar, especially women, the scandal is deeply personal. It chips away at hope. If the narrative of merit and hard work is undermined by greed and nepotism, what remains? A cynicism that shortcuts are inevitable, even necessary. Her apology, if it comes, cannot be confined to the letter to her daughter or a statement to regulators. It must reach millions of aspirants who once saw in her a symbol of possibility. A contrite confession, stripped of evasions, can be the only fitting penance.


Far more than a headline, the Kochar saga is a wake-up call to India’s corporate sector. It can either choose to learn from this debacle and reinforce ethical standards, or it can continue its descent into transactional leadership where power serves personal interests.


The lesson is clear: power without principle is a time bomb waiting to explode.


(The writer is a retired banker based in Bengaluru. Views personal.)

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