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By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday...

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday travel in India. It is indeed a big moment for a Mumbaikar to know that an international traveler has Girgaon listed as one of the ‘must do’ destinations for an India trip in their diary; Gudhi Padwa being the cause is even more interesting. Tana, who lives in the Netherlands embarked on a long duration trip to India earlier this month, visited Mumbai specifically to enjoy the festivities. She told ‘The Perfect Voice’ , “I came here to celebrate Gudhi Padwa with you. I am here to experience everything that I see, all the beautiful outfits, beautiful people. I did a lot of research. I knew that today is the day New Year is celebrated in Maharashtra. I am a tourist. I am alone. I am indulging in everything here from food, festivals, dresses. I adore India. I actually typed Gudhi Padwa in the search bar to ensure I did not miss this must-do event during my trip to India.” Shivani Dopavkar, a Hula Hoop artist who is a regular and active participant had made an interesting statement when she had spoken to ‘The Perfect Voice’  during last year’s Shobha Yaatra. She had said, “I quit my IT profession to take up Hula Hoop as my full-time art. I wish to take Girgaum to a level where it is recognised globally. I have chosen Hula Hoop to accomplish this dream for which Gudhi Padwa Shobha Yatra is a perfect platform.” The dream doesn’t seem to be far from success as a lot of foreign participants dressed up in traditional Indian attire were seen enjoying the activities Annie, from Berlin who came to India as a tourist co-incidentally got introduced to the festivities. “It is really colourful. I have come from Berlin with my Indian friend. German culture is very different. Everything is colourful and vibrant here. The women on the bikes, the flowers, everything that we see around is very eventful,” said Annie. Early Preparations Girgaum woke up to busy preparations right from six am, as participants and volunteers geared up for the day ahead. The action began at around nine am, with people from different walks of life wounding their happiness around different themes from Hindu mythology to ancient Marathi traditions. From Children to elderly, to differently abled individuals, all enthusiastically navigated through densely crowded tiny lanes that whole-heartedly accommodated hundreds of visitors. Kamini Darji, a Gujarathi speaking Girgaum resident was present in the middle of the action with her differently abled son. Darji said, “I get my son every year to witness the festivities. The environment gives a very united and positive vibe. We never miss the event.” From Lejhim to Dhol Tasha Pathak, from bike borne Navvari saree clad women to Hula hoop artists; from live bhajan singing to Mardani Khel to children dressed up based on different themes from Chandrayaan to ‘Vithoba-Rakhmai’; the celebration gave a perfect introduction of India’s cultural wealth to all the international visitors. Jennifer from Germany who participated in Mardani Khel wearing a traditional nine-yard saree said, “We play Mardani khel every year for Gudhi Padwa. I have been to Maharashtra many times. This is the first time that I have come to Mumbai. I learnt this art at Shivaji Raje Mardani Akhada in Pune. I have been visiting India for nine years. Earlier I used to live in Bengaluru.” Vande Mataram Theme While it was a beautiful blend of all the aspects that define India, the cherry on the top was – the ‘Vandya Vande Mataram’ – theme. To commemorate 150 th  anniversary of India’s national song Vande Mataram, most of the Tableaus and art work revolved around patriotic sentiment. While Shobha yatra 2024 was all about Lord Shri Ram and 2025 about pride for Marathi language, the year 2026 was all about freedom struggle and love for India. The most interesting highlight was the 25-foot-tall paper statue of freedom fighter Swatantryaveer Savarkar that was carried past to the thunderous beats of drums filling the air with exuberance. A 31-year-old sculptor Gaurav Pawar made the statue along with his brother Gitesh and other volunteers. Gaurav said, “Last year we made a statue of Dnyaneshwar. This year we got an opportunity to make a statue of Savarkar Ji. We took 10 days to make the statue out of paper and bamboo material. It was completely eco-friendly. We got to learn a lot about Savarkar ji during the process and it was a very very sensitive experience.” The Statue was prepared in Bedekar Sadan which is one of the buildings located in Shantaram Chawl Complex which was the hotbed of freedom movement. The residents unknowingly carry forward the legacy of the enclosed structure, a place where prominent freedom fighters like Lokmanya Tilak, Annie Basant, Mahatma Gandhi, Mohammad Ali Jinnah and Lala Lajpat Rai used to gather to lead historic movements.

Taming the Unseen

The Physics Nobel for three pioneering Berkeley physicists this year marks a watershed moment for quantum mechanics.

John Clarke, Michel Devoret and John Martinis
John Clarke, Michel Devoret and John Martinis

Earlier this week, the Royal Swedish Academy of Sciences presented the field of quantum mechanics with a fitting centennial gift: the 2025 Nobel Prize in Physics, which went to physicists John Clarke, Michel Devoret and John Martinis for their work done four decades ago at the University of California, Berkeley.


The trio have redefined what quantum physics could mean. Their work showed that the spooky, counterintuitive laws governing the atomic world could be coaxed into appearing at human scales, bridging a divide that had existed since the birth of the discipline itself. It echoed debates and problems chronicled in classic texts such as Max Born’s ‘Atomic Physics’ (English translation pub. 1935) and Werner Heisenberg’s ‘The Physical Principles of the Quantum Theory’ (1930).


Quantum mechanics, forged in the intellectual ferment of the 1920s by pioneers such as Niels Bohr, Werner Heisenberg, and Erwin Schrödinger, has long unsettled even its greatest minds.


In 1926, Albert Einstein famously wrote: “The theory [quantum mechanics] produces a good deal but hardly brings us closer to the secret of the Old One. I am at all events convinced that He [meaning God] does not play dice.” Einstein was responding to Max Born, who had argued that the heart of the new theory beats randomly and uncertainly, as if suffering from arrhythmia. Whereas classical physics promised that push here yields a predictable outcome there, quantum mechanics suggested that even under identical conditions, the same action could produce a range of results, each with a calculable probability and sometimes outcomes that seemed entirely contrary. Einstein’s objection was not to the mathematical formalism itself, which worked brilliantly, but to the probabilistic interpretation that suggested nature at its core was inherently uncertain.


In the quantum realm, particles exist not in fixed positions but as clouds of probability; they can appear to tunnel through barriers they have no right to cross. It is a world in which determinism dissolves, to be replaced by shimmering uncertainty. For decades, this bizarre behaviour was thought to belong exclusively to the infinitesimal (electrons, photons, and atoms) and never to the tangible world of wires and circuits (something that was explored in Richard Feynman’s celebrated lectures on physics in the 1960s).


Clarke, Devoret and Martinis upended that assumption. In the early 1980s, at the University of California, Berkeley, they took inspiration from the tools of low-temperature physics and turned it to a new purpose: showing that the quantum could be engineered.


Working with ultracold superconducting circuits, they demonstrated that vast swarms of electrons could collectively display ‘quantum tunnelling.’ The circuits, visible to the naked eye, behaved like giant quantum particles, a revelation that suggested quantum mechanics was not a special rulebook for the microscopic but a universal language that, under the right conditions, governed everything.


By taming that chaos, the Berkeley trio blurred a boundary that had seemed immovable since the days of Bohr’s Copenhagen debates.


The implications were profound. Their findings virtually birthed ‘quantum electrical engineering’ - a discipline that transformed quantum mechanics from philosophical curiosity into practical craft. Circuits inspired by the trio’s experiments are now used to simulate atoms, detect faint particles, and serve as qubits, the building blocks of quantum computers.


That last application, curiously, went largely unmentioned in this year’s Nobel citation. Yet it is impossible to ignore. Without the pioneering work at Berkeley, the race now underway between Google, IBM, and Chinese labs to build a fault-tolerant quantum computer would have remained a fantasy. John Martinis himself would later lead Google’s quantum supremacy experiment in 2019, when a superconducting circuit performed a calculation no classical supercomputer could manage in a feasible time. The roots of that triumph trace directly back to the trio’s early insight: that quantum effects could be scaled up, controlled and harnessed - an insight foreshadowed in foundational studies like British-American theoretical physicist Anthony Leggett’s seminal ‘Macroscopic Quantum Systems’ (1980).


Leggett’s theoretical framework laid the groundwork for understanding phenomena such as superconducting circuits, which Clarke, Devoret and Martinis would later manipulate in the laboratory to make quantum effects tangible and measurable.


Quantum theory has always been as much a philosophical challenge as a scientific one. Its discovery in the early 20th century forced physicists to abandon the certainties of Newtonian order. The 2025 Nobel Prize celebrates the moment where quantum mechanics, once the physics of the invisible, has finally become the physics of possibility.

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