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By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

The eternal joy of sharing a saree

Pune's ‘Aapalee’- The Saree Library is one of its kind that celebrates sarees by making them accessible to everyone “Many women love sarees but don’t always have access to them or they find it inconvenient to wear them often. This thought was a trigger point to create Aapalee - The Saree Library — a space that celebrates sarees and makes them accessible to everyone,” says Pune based Pallavi Deshpande who at the age of 38 years, runs a business of renting out a wide range of sarees. Deshpande...

The eternal joy of sharing a saree

Pune's ‘Aapalee’- The Saree Library is one of its kind that celebrates sarees by making them accessible to everyone “Many women love sarees but don’t always have access to them or they find it inconvenient to wear them often. This thought was a trigger point to create Aapalee - The Saree Library — a space that celebrates sarees and makes them accessible to everyone,” says Pune based Pallavi Deshpande who at the age of 38 years, runs a business of renting out a wide range of sarees. Deshpande believes that women must wear sarees and enjoy the process without any hustle which seems difficult in today’s world in which everyone wants fast fashion and quick availability of resources. Deshpande’s love for sarees started at home watching her mother and grandmother drape sarees every day. Over the years, from being just a type of attire, sarees transformed into a strong connection to memories, stories, and identity. “One moment that stands out was when a friend borrowed a saree for her special event from my personal collection and said it made her feel truly herself. That simple joy of sharing sparked the realisation that sarees are meant to be worn, celebrated, and circulated — not just stored away. That thought planted the first seed for Aapalee,” said Deshpande. Deshpande has transformed the third floor of her bungalow located in Pune’s Nigdi where she stays with her in-laws, husband and her 6-year-old son into a saree renting studio. While her favourite saree type is a handwoven pure silk Paithani from her wedding collection— she explains how the saree type itself was a great trigger point for her to start this business. She said, “it represents the perfect blend of tradition, craftsmanship, and timeless beauty. It reminds me why I started this journey — to keep these weaves alive and accessible.” Deshpande runs the business with her partner, Amruta Kanetkar who comes from a makeup industry and styling background, which perfectly complements her creative and communication skills. While the business idea is not the first of its kind in India, what sets Deshpande’s Apalee apart from other businesses is its initiative of building a saree community. Deshpande said, “I have started with my friends and family. We all women possess heavy and expensive sarees that we end up wearing only once in 20 years. Women bring their sarees to our studio. We study the quality and decide the price of rent. When that saree goes on rent, we pay 20 percent of what we earned through that saree to the owner of the saree. This particular idea has got a lot of encouragement. This way, we have involved other women in our business who get an opportunity to earn money by sharing their sarees with us.” Aapalee offers a range of services. Firstly, it has over 400 sarees of different varieties from Kanjeevaram to Paithani to Georgette to many more that they give on rent. Besides, they also provide ready-towear already draped sarees for college going girls for a one-time occasion. Many women even get their own saree draped at the studio. Deshpande quit a very high paying stable job to start this business. Deshpande who was raised in Gwalior of Madhya Pradesh, finished her BSC in electronics in Gwalior and moved to Pune for Higher studies. There she completed MBA in marketing and has over 15 years of experience in handling projects at companies such as Cap Gemini, Accenture and a couple of financial institutions. She quit as an assistant project manager at JP Morgan Chase earlier this year and started this business of saree renting in July 2025. Deshpande said, “We’re still in our early stages, so our focus right now is more on building the community, curating quality sarees, and refining our services. But yes, the response has been very encouraging. For us, the biggest success is the emotional connection people are forming with Aapalee — the profits will naturally follow.” Having said that, Deshpande believes if you identify what you truly enjoy doing, and have family support, nothing can stop you from chasing a dream, as long as you have meticulously planned your finances.

Taming the Unseen

The Physics Nobel for three pioneering Berkeley physicists this year marks a watershed moment for quantum mechanics.

John Clarke, Michel Devoret and John Martinis
John Clarke, Michel Devoret and John Martinis

Earlier this week, the Royal Swedish Academy of Sciences presented the field of quantum mechanics with a fitting centennial gift: the 2025 Nobel Prize in Physics, which went to physicists John Clarke, Michel Devoret and John Martinis for their work done four decades ago at the University of California, Berkeley.


The trio have redefined what quantum physics could mean. Their work showed that the spooky, counterintuitive laws governing the atomic world could be coaxed into appearing at human scales, bridging a divide that had existed since the birth of the discipline itself. It echoed debates and problems chronicled in classic texts such as Max Born’s ‘Atomic Physics’ (English translation pub. 1935) and Werner Heisenberg’s ‘The Physical Principles of the Quantum Theory’ (1930).


Quantum mechanics, forged in the intellectual ferment of the 1920s by pioneers such as Niels Bohr, Werner Heisenberg, and Erwin Schrödinger, has long unsettled even its greatest minds.


In 1926, Albert Einstein famously wrote: “The theory [quantum mechanics] produces a good deal but hardly brings us closer to the secret of the Old One. I am at all events convinced that He [meaning God] does not play dice.” Einstein was responding to Max Born, who had argued that the heart of the new theory beats randomly and uncertainly, as if suffering from arrhythmia. Whereas classical physics promised that push here yields a predictable outcome there, quantum mechanics suggested that even under identical conditions, the same action could produce a range of results, each with a calculable probability and sometimes outcomes that seemed entirely contrary. Einstein’s objection was not to the mathematical formalism itself, which worked brilliantly, but to the probabilistic interpretation that suggested nature at its core was inherently uncertain.


In the quantum realm, particles exist not in fixed positions but as clouds of probability; they can appear to tunnel through barriers they have no right to cross. It is a world in which determinism dissolves, to be replaced by shimmering uncertainty. For decades, this bizarre behaviour was thought to belong exclusively to the infinitesimal (electrons, photons, and atoms) and never to the tangible world of wires and circuits (something that was explored in Richard Feynman’s celebrated lectures on physics in the 1960s).


Clarke, Devoret and Martinis upended that assumption. In the early 1980s, at the University of California, Berkeley, they took inspiration from the tools of low-temperature physics and turned it to a new purpose: showing that the quantum could be engineered.


Working with ultracold superconducting circuits, they demonstrated that vast swarms of electrons could collectively display ‘quantum tunnelling.’ The circuits, visible to the naked eye, behaved like giant quantum particles, a revelation that suggested quantum mechanics was not a special rulebook for the microscopic but a universal language that, under the right conditions, governed everything.


By taming that chaos, the Berkeley trio blurred a boundary that had seemed immovable since the days of Bohr’s Copenhagen debates.


The implications were profound. Their findings virtually birthed ‘quantum electrical engineering’ - a discipline that transformed quantum mechanics from philosophical curiosity into practical craft. Circuits inspired by the trio’s experiments are now used to simulate atoms, detect faint particles, and serve as qubits, the building blocks of quantum computers.


That last application, curiously, went largely unmentioned in this year’s Nobel citation. Yet it is impossible to ignore. Without the pioneering work at Berkeley, the race now underway between Google, IBM, and Chinese labs to build a fault-tolerant quantum computer would have remained a fantasy. John Martinis himself would later lead Google’s quantum supremacy experiment in 2019, when a superconducting circuit performed a calculation no classical supercomputer could manage in a feasible time. The roots of that triumph trace directly back to the trio’s early insight: that quantum effects could be scaled up, controlled and harnessed - an insight foreshadowed in foundational studies like British-American theoretical physicist Anthony Leggett’s seminal ‘Macroscopic Quantum Systems’ (1980).


Leggett’s theoretical framework laid the groundwork for understanding phenomena such as superconducting circuits, which Clarke, Devoret and Martinis would later manipulate in the laboratory to make quantum effects tangible and measurable.


Quantum theory has always been as much a philosophical challenge as a scientific one. Its discovery in the early 20th century forced physicists to abandon the certainties of Newtonian order. The 2025 Nobel Prize celebrates the moment where quantum mechanics, once the physics of the invisible, has finally become the physics of possibility.

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