top of page

By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Tibetan refugees protest in Mumbai

Supporters from the Tibetan Youth Congress react during a protest at Azad Maidan in Mumbai on Monday against China's new ethnic unity law. Pic: Bhushan Koyande Mumbai: Over 250 Tibetan refugees, activists and members of the Friends of Tibet took out a rally and demonstrated near the Chinese Consulate in Mumbai as part of an international action to protest against China’s new Ethnic Unity and Progress Promotion Law (EUPPL). The Tibetans living in Mumbai were joined by other protestors from...

Tibetan refugees protest in Mumbai

Supporters from the Tibetan Youth Congress react during a protest at Azad Maidan in Mumbai on Monday against China's new ethnic unity law. Pic: Bhushan Koyande Mumbai: Over 250 Tibetan refugees, activists and members of the Friends of Tibet took out a rally and demonstrated near the Chinese Consulate in Mumbai as part of an international action to protest against China’s new Ethnic Unity and Progress Promotion Law (EUPPL). The Tibetans living in Mumbai were joined by other protestors from Bhandara (Maharashtra) and Mundgod (Karnataka) and a relay hunger strike was also taken up the Tibetan Youth Congress (TYC) in Dharamshala, Himachal Pradesh, said Coordinator, Tenzin Tsundue. The day started with a silent rally from Rajgriha, the home of the late Dr. B. R. Ambedkar to his memorial, Chaityabhoomi, both in Dadar. Another rally-cum-demonstration was carried out near Nariman Point where the Chinese Consulate is located and at the Azad Maidan, said Tsundue. “We carried out a peaceful protest at Nariman Point and wanted to go and submit a memorandum to the Chinese Consul-General. However, the police prevented us, detained a few Tibetans and sent them back to Azad Maidan,” Tsundue told ‘The Perfect Voice’, from the venue. He said that Tibetans and others like Uyghurs are strongly opposed to the new law which came into effect last week, despite criticism from the United Nations Organisation (UNO), Taiwan, TYC and human rights groups worldwide. Their prime concerns are that the (EUPPL) could place further restrictions on the minorities’ rights, deepen assimilation policies targeting the ethnic groups and dilute the protection to their respective languages, cultures and traditions. China’s Denial One provision is said to allow individuals to be held accountable for alleged violations of the Chinese laws even outside the country, raising apprehensions it could target the government’s critics or campaigners abroad. However, China has rubbished all allegations of rights abuses against the ethnic minority group, and reiterated that its policies aim to promote social stability, security and economic development for all. Unconvinced, Tibetans and Uyghurs have urged the international community to build pressure on China to strike down the EUPPL as “it aims to erase the minority communities”. The Mainland Affairs Council of Taiwan has argued that Taiwanese are already facing high risks travelling to China and now the country has “yet another law to fabricate charges”, and it could deploy it “to further suppress and prosecute human rights activists”. TYC slams China The TYC said that the international action today was dedicated to the memory of the supreme sacrifice of Lobga Rangzen who self-immolated himself outside the UN Headquarters in New York on July 2 to draw the world’s attention to the cause of Tibet. Rejecting the new law, the TYC said: “This legislation is not a law of unity but a political instrument to force assimilation of nations living under Chinese occupation, like Tibet, East Turkestan, Southern Mongolia, and Manchuria. Behind the language of ‘ethnic unity’ lies an agenda of Unilateral control by institutionalising policies aimed at assimilating Tibetans through political domination.” It accused China of attempts “to erase national identities by suppressing distinct languages, undermining religious institutions, rewriting history, destroying cultural heritage, separating children from their communities through state run colonial boarding schools, and replacing distinct identities with loyalty to the Chinese Communist Party”.

The Beautiful Chaos of Indian Fashion

India's traditional clothing offers more than heritage—it offers a blueprint for a sustainable and inclusive fashion future.

Fashion is a universal medium of human expression, stretching far beyond mere clothing. It is a living intersection of art and culture. For India, a nation with thousands of years of rich textile history, the modern fashion journey has been both profoundly beautiful and chaotic. As a society navigating a post-colonial identity, India holds the ancestral answers to modern fashion’s greatest crises, inclusivity and sustainability, yet it continuously fights for its own narrative.


Colonial Shadows

The mindset of modern India remains deeply influenced by Western standards of style. Following centuries of colonial rule, traditional attire was long stereotyped as ceremonial or outdated, forcing indigenous garments into the shadows of everyday life.


India boasts an unparalleled geography of textiles, from the regal Pashmina of Kashmir to the intricate Kanjivaram of Tamil Nadu, alongside Banarasi silk, Sambalpuri ikat, and Patola weaves.


Despite this vast heritage, these regional masterpieces often remain unseen by the masses. They rarely become the face of mainstream fashion until a red-carpet celebrity showcases them at a global event.


This reliance on celebrity endorsement creates an unstable ecosystem. Traditional crafts are often treated as temporary trends rather than permanently valued art forms, leaving artisans vulnerable when the spotlight shifts.


Fashion Without Labels

Long before the global fashion industry popularised terms like “gender-neutral” or "androgynous", Indian fashion was inherently fluid. Ancient Indian attire relied primarily on unstitched, draped fabrics that defied rigid gender binaries.


This fluidity is reflected across India's classical artistic traditions. For generations, legendary Kathak masters, such as Pandit Birju Maharaj, performed in flowing panels of fabric that transcended gender categorisation.


Garments like the saree, dhoti, and kurta were originally designed around the human form, prioritising body positivity, individual comfort, and ease of movement.


Modern life relies heavily on structured Western clothing, leading many people away from the comfort and inclusivity of traditional draped garments.


Sustainable Blueprint

The rise of the global fast fashion industry has introduced a rapid, throwaway consumer culture that is neither economically stable nor environmentally safe. Traditional Indian fashion still holds an ancestral blueprint for a zero-waste and circular economy.


A traditional saree or veshti requires no cutting or tailoring. Because the fabric remains whole, there is zero textile waste during production.


Indian clothing was never disposable. Luxury handloom pieces were passed down as family heirlooms. When worn out, they were systematically repurposed into household quilts (kantha) or even cleaning items such as pochas (cloth mops), cushion covers, or patches for new garments.


As the world struggles with the ecological destruction of synthetic microfibres, India’s natural handlooms offer a sustainable alternative.


Khadi is more than just hand-spun, handwoven cotton; it is a philosophy of self-reliance and environmental harmony. It naturally breathes, keeping the wearer cool in summer and warm in winter. Utilising organic cotton, natural fibres, and plant-based dyes such as indigo and madder root, traditional Indian textile production leaves a near-zero carbon footprint. By prioritising these indigenous materials, the global fashion industry can sustain both its cultural value and the health of the planet.


The modern fashion industry is trapped by rigid standards and fast-fashion habits dictated by the West. Yet, the blueprint to break this cycle has survived centuries of colonial chaos, quietly preserved across India’s history. Traditional Indian attire was never bound by strict gender binaries or size restrictions; it was built for individual comfort and body positivity. By blending these deeply inclusive philosophies with India’s vast world of indigenous fabrics, prints, and zero-waste drapes, we can do more than just celebrate heritage; we can change the future of clothing. Looking inward allows us to turn fashion on its head, proving that style doesn’t have to contribute to global waste. Instead, it can return to what it was always meant to be: a sustainable medium of living art, comfort, and true human expression.

Comments


bottom of page