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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

YouTuber challenges FIR, LoC in HC

Mumbai : The Bombay High Court issued notice to the state government on a petition filed by UK-based medico and YouTuber, Dr. Sangram Patil, seeking to quash a Mumbai Police FIR and revoking a Look Out Circular in a criminal case lodged against him, on Thursday.   Justice Ashwin D. Bhobe, who heard the matter with preliminary submissions from both sides, sought a response from the state government and posted the matter for Feb. 4.   Maharashtra Advocate-General Milind Sathe informed the court...

YouTuber challenges FIR, LoC in HC

Mumbai : The Bombay High Court issued notice to the state government on a petition filed by UK-based medico and YouTuber, Dr. Sangram Patil, seeking to quash a Mumbai Police FIR and revoking a Look Out Circular in a criminal case lodged against him, on Thursday.   Justice Ashwin D. Bhobe, who heard the matter with preliminary submissions from both sides, sought a response from the state government and posted the matter for Feb. 4.   Maharashtra Advocate-General Milind Sathe informed the court that the state would file its reply within a week in the matter.   Indian-origin Dr. Patil, hailing from Jalgaon, is facing a criminal case here for posting allegedly objectionable content involving Bharatiya Janata Party leaders on social media.   After his posts on a FB page, ‘Shehar Vikas Aghadi’, a Mumbai BJP media cell functionary lodged a criminal complaint following which the NM Joshi Marg Police registered a FIR (Dec. 18, 2025) and subsequently issued a LoC against Dr. Patil, restricting his travels.   The complainant Nikhil Bhamre filed the complaint in December 2025, contending that Dr. Patil on Dec. 14 posted offensive content intended to spread ‘disinformation and falsehoods’ about the BJP and its leaders, including Prime Minister Narendra Modi.   Among others, the police invoked BNSS Sec. 353(2) that attracts a 3-year jail term for publishing or circulating statements or rumours through electronic media with intent to promote enmity or hatred between communities.   Based on the FIR, Dr. Patil was detained and questioned for 15 hours when he arrived with his wife from London at Chhatrapati Shivaji Maharaj International Airport (Jan. 10), and again prevented from returning to Manchester, UK on Jan. 19 in view of the ongoing investigations.   On Wednesday (Jan. 21) Dr. Patil recorded his statement before the Mumbai Police and now he has moved the high court. Besides seeking quashing of the FIR and the LoC, he has sought removal of his name from the database imposing restrictions on his international travels.   Through his Senior Advocate Sudeep Pasbola, the medico has sought interim relief in the form of a stay on further probe by Crime Branch-III and coercive action, restraint on filing any charge-sheet during the pendency of the petition and permission to go back to the UK.   Pasbola submitted to the court that Dr. Patil had voluntarily travelled from the UK to India and was unaware of the FIR when he landed here. Sathe argued that Patil had appeared in connection with other posts and was not fully cooperating with the investigators.

The Future Animation Creative Hub of the World

Updated: Oct 22, 2024

Animation Creative Hub

India, long celebrated for its rich cultural tapestry and ancient heritage, is now increasingly making waves in a less-discussed arena - animation. Once merely an outsourcing destination for global animation and VFX projects, the nation is now evolving into a vibrant creative powerhouse. India is transitioning from being a low-cost service provider for international studios to a burgeoning hub for high-quality original animated content. The rise of independent animators, a proliferation of domestic film festivals, and the increasing sophistication of homegrown studios are key to this transformation.

The Indian animation industry began to gain momentum in the 1990s, primarily as an outsourcing solution for Western studios. With globalization and the demand for cost-effective production, Hollywood giants such as Disney, DreamWorks, and Warner Bros. turned to Indian studios for their technical expertise in 2D and 3D animation, rotoscopy, and VFX, handling the labour-intensive aspects of production for both blockbusters and critically acclaimed works.

While outsourcing was crucial for growth and offered valuable experience to Indian animators, the industry was often viewed as a back-office operation focused on external client demands rather than original content. But today, increased access to affordable technology, enhanced skill sets, and burgeoning confidence among Indian animators are creating fertile ground for original animated narratives. Indian studios and independent creators are crafting stories reflecting the country’s unique cultural narratives, moving beyond the outsourcing model to produce feature films, TV series, and short films with global appeal.

A new wave of small, agile, passionate independent studios is emerging in India, pushing creative boundaries and exploring themes that resonate with both domestic and international audiences, emphasizing a distinctly Indian perspective over catering solely to foreign clients.

Films such as ‘Kandittund!’ (‘Seen it!’) by Studio Eeksaurus, ‘Return of the Jungle’ by Vaibhav Studios, independent YouTube series like ‘Folktales of India’ by Trip Creative, and fresh student films like ‘Maatitel’ by Govinda Sao are making waves globally. These successes illustrate that Indian studios are capable of developing high-quality, globally relevant content originating from India.

While India has long been a hub for animation outsourcing, it is also becoming a significant player in the VFX sector. Studios like Prime Focus, Red Chillies VFX, and Technicolor India have contributed to the visual effects of some of the biggest blockbusters in recent years with Indian VFX houses competing on par with the best worldwide.

Moreover, Indian films are increasingly becoming VFX-driven spectacles. The ‘Baahubali’ franchise set new benchmarks for VFX in Indian cinema, showcasing India’s ability to rival Hollywood in scale and ambition.

A thrilling development in India’s animation landscape is the rise of original animated films and series that explore contemporary themes and social issues, moving beyond traditional mythological narratives. While epics like the ‘Ramayana’ and ‘Mahabharata’ remain popular, animators are increasingly focusing on stories that reflect the diverse fabric of modern Indian society.

The democratization of the industry through digital platforms is empowering indie creators to reach viewers by bypassing traditional gatekeepers. The success of series like ‘Lamput’ marks just the beginning. Studios like Eekesaurus and Vaibhav Studios are crafting emotionally resonant, visually stunning stories that appeal to both domestic and international audiences.

The sector is strengthened by a growing number of festivals and showcases for animated content, such as Anifest, AGIFest, Animela, Chiaff, and Chitrakatha, which provide platforms for independent filmmakers. Additionally, the Animators Guild of India plays a vital role in supporting emerging animators and fostering knowledge-sharing.

Indian animation is gaining recognition at international film festivals, with projects like ‘Bombay Rose’ and ‘Tumbbad’ winning accolades at prestigious events such as Venice and Toronto.

Acknowledging the potential of its animation and VFX industries, the Indian government, along with states like Maharashtra, Karnataka, and Telangana, is implementing policies and financial incentives to support the AVGC sectors. Projections suggest a compound annual growth rate (CAGR) of 29% for the AVGC sector, fuelled by rising demand for original content and technological advancements.

Additionally, educational institutions across India are increasingly offering specialized courses in animation, VFX, and game design. Prominent institutions such as the National Institute of Design (NID), IIT - IDC, MITID, Whistling Woods, and Chitkara Design University are producing highly skilled graduates equipped to contribute to the industry. These programs are arming the next generation of Indian animators with the tools and knowledge necessary to compete globally.

Despite promising developments, India’s animation industry faces obstacles in inconsistent funding, limited distribution channels for indie films, and high production costs, hindering smaller studios. However, a growing ecosystem of festivals and funding opportunities is gradually addressing these issues. As the industry matures, these hurdles are likely to be overcome, enabling India to realize its potential as a global animation hub.

As more Indian stories find their way into global consciousness, the industry will continue to grow, providing inspiration, entertainment, and innovation to audiences everywhere. The world is watching. India is ready to lead.

(The writer is Founder and Creative Director at Trip Creative Services, a multi-award winning communication design house. Views personal.)

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