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Quaid Najmi

4 January 2025 at 8:56:24 pm

Mumbai threatened by ‘toxic’ firecrackers

Lab tests reveal fireworks contain high levels of hazardous chemicals AI generated image Mumbai: Firecrackers sold as ‘green’ may be anything but environment-friendly, with laboratory tests commissioned by the Awaaz Foundation reportedly detecting hazardous chemicals, including high quantities of barium, in several popular brands sold in Mumbai. In a warning ahead of the festive season, anti-noise pollution activist and Awaaz Foundation Founder Sumaira Abdulali has urged Chief Minister...

Mumbai threatened by ‘toxic’ firecrackers

Lab tests reveal fireworks contain high levels of hazardous chemicals AI generated image Mumbai: Firecrackers sold as ‘green’ may be anything but environment-friendly, with laboratory tests commissioned by the Awaaz Foundation reportedly detecting hazardous chemicals, including high quantities of barium, in several popular brands sold in Mumbai. In a warning ahead of the festive season, anti-noise pollution activist and Awaaz Foundation Founder Sumaira Abdulali has urged Chief Minister Devendra Fadnavis to crack down on such fireworks, demanding strict enforcement of restrictions at every stage, from manufacture and distribution to sale and use. Following complaints, the foundation procured 17 firecrackers from the main markets in south Mumbai and Kurla and sent them for laboratory testing. “Several of these were found to contain toxic chemicals, including high quantities of barium. Eleven had no noise levels specified, while four did not mention the chemical composition of their contents,” Abdulali contended. The Awaaz Foundation also raised questions about claims of environmental compliance by the manufacturers. Although all the crackers were labelled ‘Green Crackers’, five brands had no QR codes, while nine of those carrying QR codes were found to have fake codes when tested, she alleged. Abdulali has called for the authorities to ensure that products falsely marketed as ‘green’ or containing hazardous/banned chemicals are not allowed to enter the market. She pointed out that the Mumbai Police and the BrihanMumbai Municipal Corporation (BMC) license firecracker distribution outlets, making enforcement and checks on products being sold particularly important in view of the larger public interest. The report comes as Mumbai enters a packed festive period - Devi Visarjan, Durga Puja, Dussehra, Diwali and Guru Nanak Jayanti will be followed by Christmas and New Year celebrations, when firecrackers are commonly burst in public spaces. Abdulali noted that a recent Mumbai Police order prohibits the use of firecrackers in public places in the city until December 4, 2026, covering much of the festive season. She urged the authorities to ensure that the restrictions are implemented effectively. The potential health risks are particularly concerning as winter approaches, when weather conditions allow pollutants to linger in the air for longer periods. Abdulali said Mumbai’s Air Quality Index had deteriorated from the ‘Good’ category in the previous month to ‘Moderate’, with an AQI of 101 and PM2.5 recorded at Kherwadi on October 14, according to the figures cited by her. Referring to emails sent by the foundation on September 26 and 28 about loudspeakers, firecrackers and laser lights during the recently concluded Ganeshotsav, Abdulali appealed afresh for restrictions on laser lights and loudspeakers during upcoming festivals, including Navratri and the Mahim Dargah fair. With multiple festivals approaching, she called upon the state government to prioritise public health and ensure that misleading eco-friendly labels do not allow potentially hazardous firecrackers to reach consumers. Firecrackers: Not Fun At All The samples tested by Awaaz Foundation included popular varieties like: Flower Pot, TimTim Flower Pot, Deluxe Flower Pot, Colour Koti, Rainbow Fog, Ground Chakkar Deluxe, Power Point, King Winner Deluxe, Scarlet Saucer, Apple, Leo and Serpent Egg Big, among others. The manufacturers named comprise: Sri Padmavati Pyrotech, Sri Laxmi Fireworks, Vinayaga Sonny, Vanitha Fireworks Industries, Standard Fireworks, Rajkamal Sparklers, Sriram Fireworks, Anandha Krishna Fireworks, Vasantha Fireworks, Jai Durga Sparkles and Sri Pathrakali Paper Caps.

The Future Animation Creative Hub of the World

Oct 1, 2024
3 min read

Updated: Oct 22, 2024

Animation Creative Hub

India, long celebrated for its rich cultural tapestry and ancient heritage, is now increasingly making waves in a less-discussed arena - animation. Once merely an outsourcing destination for global animation and VFX projects, the nation is now evolving into a vibrant creative powerhouse. India is transitioning from being a low-cost service provider for international studios to a burgeoning hub for high-quality original animated content. The rise of independent animators, a proliferation of domestic film festivals, and the increasing sophistication of homegrown studios are key to this transformation.

The Indian animation industry began to gain momentum in the 1990s, primarily as an outsourcing solution for Western studios. With globalization and the demand for cost-effective production, Hollywood giants such as Disney, DreamWorks, and Warner Bros. turned to Indian studios for their technical expertise in 2D and 3D animation, rotoscopy, and VFX, handling the labour-intensive aspects of production for both blockbusters and critically acclaimed works.

While outsourcing was crucial for growth and offered valuable experience to Indian animators, the industry was often viewed as a back-office operation focused on external client demands rather than original content. But today, increased access to affordable technology, enhanced skill sets, and burgeoning confidence among Indian animators are creating fertile ground for original animated narratives. Indian studios and independent creators are crafting stories reflecting the country’s unique cultural narratives, moving beyond the outsourcing model to produce feature films, TV series, and short films with global appeal.

A new wave of small, agile, passionate independent studios is emerging in India, pushing creative boundaries and exploring themes that resonate with both domestic and international audiences, emphasizing a distinctly Indian perspective over catering solely to foreign clients.

Films such as ‘Kandittund!’ (‘Seen it!’) by Studio Eeksaurus, ‘Return of the Jungle’ by Vaibhav Studios, independent YouTube series like ‘Folktales of India’ by Trip Creative, and fresh student films like ‘Maatitel’ by Govinda Sao are making waves globally. These successes illustrate that Indian studios are capable of developing high-quality, globally relevant content originating from India.

While India has long been a hub for animation outsourcing, it is also becoming a significant player in the VFX sector. Studios like Prime Focus, Red Chillies VFX, and Technicolor India have contributed to the visual effects of some of the biggest blockbusters in recent years with Indian VFX houses competing on par with the best worldwide.

Moreover, Indian films are increasingly becoming VFX-driven spectacles. The ‘Baahubali’ franchise set new benchmarks for VFX in Indian cinema, showcasing India’s ability to rival Hollywood in scale and ambition.

A thrilling development in India’s animation landscape is the rise of original animated films and series that explore contemporary themes and social issues, moving beyond traditional mythological narratives. While epics like the ‘Ramayana’ and ‘Mahabharata’ remain popular, animators are increasingly focusing on stories that reflect the diverse fabric of modern Indian society.

The democratization of the industry through digital platforms is empowering indie creators to reach viewers by bypassing traditional gatekeepers. The success of series like ‘Lamput’ marks just the beginning. Studios like Eekesaurus and Vaibhav Studios are crafting emotionally resonant, visually stunning stories that appeal to both domestic and international audiences.

The sector is strengthened by a growing number of festivals and showcases for animated content, such as Anifest, AGIFest, Animela, Chiaff, and Chitrakatha, which provide platforms for independent filmmakers. Additionally, the Animators Guild of India plays a vital role in supporting emerging animators and fostering knowledge-sharing.

Indian animation is gaining recognition at international film festivals, with projects like ‘Bombay Rose’ and ‘Tumbbad’ winning accolades at prestigious events such as Venice and Toronto.

Acknowledging the potential of its animation and VFX industries, the Indian government, along with states like Maharashtra, Karnataka, and Telangana, is implementing policies and financial incentives to support the AVGC sectors. Projections suggest a compound annual growth rate (CAGR) of 29% for the AVGC sector, fuelled by rising demand for original content and technological advancements.

Additionally, educational institutions across India are increasingly offering specialized courses in animation, VFX, and game design. Prominent institutions such as the National Institute of Design (NID), IIT - IDC, MITID, Whistling Woods, and Chitkara Design University are producing highly skilled graduates equipped to contribute to the industry. These programs are arming the next generation of Indian animators with the tools and knowledge necessary to compete globally.

Despite promising developments, India’s animation industry faces obstacles in inconsistent funding, limited distribution channels for indie films, and high production costs, hindering smaller studios. However, a growing ecosystem of festivals and funding opportunities is gradually addressing these issues. As the industry matures, these hurdles are likely to be overcome, enabling India to realize its potential as a global animation hub.

As more Indian stories find their way into global consciousness, the industry will continue to grow, providing inspiration, entertainment, and innovation to audiences everywhere. The world is watching. India is ready to lead.

(The writer is Founder and Creative Director at Trip Creative Services, a multi-award winning communication design house. Views personal.)

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