top of page

By:

Shiv Sethi

10 January 2026 at 8:13:11 pm

‘Through stories, we get to experience many lives’

Tarab Khan is a contemporary artist, author and storyteller whose creative practice moves fluidly between the worlds of visual art and literature. Her work is deeply influenced by imagination, storytelling and her fascination with worlds that exist beyond the familiar. She is currently presenting her latest solo exhibition, Time Unchained, at the Kamalnayan Bajaj Art Gallery in Mumbai, from September 15-20. The exhibition explores ideas of time, memory and shifting realities, bringing...

‘Through stories, we get to experience many lives’

Tarab Khan is a contemporary artist, author and storyteller whose creative practice moves fluidly between the worlds of visual art and literature. Her work is deeply influenced by imagination, storytelling and her fascination with worlds that exist beyond the familiar. She is currently presenting her latest solo exhibition, Time Unchained, at the Kamalnayan Bajaj Art Gallery in Mumbai, from September 15-20. The exhibition explores ideas of time, memory and shifting realities, bringing together dreamlike imagery and recurring symbols that invite the viewer to look beyond the visible. In this conversation with Shiv Sethi, Tarab speaks about the stories behind her art, her literary influences, the recurring motifs in her work, and how writing and painting continue to shape her creative journey. Excerpts… How has your love for writing and storytelling influenced your journey as an artist? I’ve always loved writing, and I’ve been especially drawn to fables and stories that transport you into another world. For me, it was never just about escapism. It was about entering a different reality, discovering something new, and coming back with a different perspective. In real life, we can only live one life, but through stories, we get to experience many. I think that fascination naturally flows into my art as well. When I paint, I’m not simply creating an image; somewhere, I’m also telling a story. My writing and my art really come from the same place: my love for imagination and storytelling. What themes, emotions or subjects are most frequently reflected in your artwork? A recurring motif in my work is the idea of a portal. It may appear as a lamp, a smoking pipe, or an unexpected opening, but for me, it represents a passage between realities, time and imagination. I’ve always been fascinated by the possibility of crossing into another world, perhaps influenced by stories like Alice in Wonderland and Narnia. In my work, the portal becomes more than an object; it becomes a space of transition, inviting the viewer to move beyond the familiar and imagine another reality. Which literary work or writer has intrigued and influenced you the most? Fernando Pessoa has always fascinated me, both as a writer and as a mystery. He wrote through different literary identities, each with its own voice and personality, almost as though several writers lived within him. I’m especially intrigued by the trunk he left behind, filled with thousands of pages of manuscripts and fragments. There is something beautiful about quietly creating an entire literary universe without knowing how far it might one day travel. Which of your own creative works have you felt most deeply invested in? At this stage, I would say it is the two books I have been developing over couple of years, one on storytelling and the other on art. I’ve invested a great deal of myself in them, not only creatively, but through months of research, experimentation and thought. The storytelling book is an invitation into the world of stories: how we imagine, develop themes and find our own voice. The art book explores what art is, its different eras and ideas, while introducing creative techniques that encourage readers to discover their own way of seeing.

Why is Mamata Seeing Ghost of Bangladesh?

Aug 27, 2024
4 min read

Updated: Oct 21, 2024

Why is Mamata Seeing Ghost of Bangladesh?

Mamata is seeing a ghost of Bangladesh behind the massive outrage and waves of protest over rape and murder of the trainee doctor. And the reasons are many.

It’s been over a fortnight. Yet with each passing day the voice of protest is getting louder and stronger. From the streets of Kolkata it’s pouring into roads of hinterland. The cry for justice for a rape victim has consolidated into a wail of demands to set a lot of wrongdoings right. Here in lies the fear and trepidation. Wasn’t the issue that brought the youth of Bangladesh out on the thoroughfares a simple, innocent one of quota reform?

The chief minister of Bengal, known for understanding the pulse of people better than many, was quick to read the signages floating in the political horizon.

The most obvious reason for her to be tensed is that both the regime change in Bangladesh and the mass protest in Bengal, were student-driven to begin with. The two incidents---end of 15 year old Sheikh Hasina government and turbulence in West Bengal, over the heinous crime, falling back to back, the first on August 5th and the latter from August 9th onwards, give natural scope for comparisons. More so, because in both the cases the movement strayed beyond an affected constituency to include aggrieved people at large, cutting across socio-economic demography. If the quota reform protest started by students in Bangladesh became a mass uprising against an autocratic regime, the campaign demanding justice for the rape victim and overall safety and security of women in Mamata Banerjee’s Bengal soon snowballed into a movement of no-confidence against the government. Slogans--”Mamata must resign” also got floated in social media much in line with the call for ouster of Sheikh Hasina. In fact “Resignation of Hasina” became the single point agenda into which all other fringe demands coalesced.

Incidentally, even before people started drawing parallels, that there could be a thread of commonality in the way the upheaval in Bangladesh and Bengal played out, Mamata was quick to point out that the Opposition were trying to pull off a Bangladesh by politicizing the tragic incident: “A coordinated approach has been executed by the BJP and the CPIM with support from the Centre to defame Bengal and exploit the situation....They want to make a Bangladesh here. They are taking cues from student unrest in Bangladesh and are attempting to capture similarly. I have no longing for the chair. I came here to serve people.”

Not only Mamata, her political lieutenants are consistently equating the turmoil in Bengal with the mayhem in Bangladesh. Cabinet minister for North Bengal development Udayan Guha threatened to take stern action against those, who would be trying to exploit the situation by emulating a Bangladesh like movement. “ Even after the hospital was vandalised, the police did not open fire on anyone. The police will not allow a Bangladesh type situation. We will not allow Bengal to turn into Bangladesh, Guha thundered.

Is the government’s fear unfounded?

Apart from the similarities on ground zero, as to how and where the future course of events are heading to, there are ample reasons for Bengal to mull on-- as to what led to a Bangladesh like boiling point. To begin with, it’ll be appropriate to talk of Bangladesh and the prevailing situation, that made the students’ protest become big in magnitude. The students were out on the streets because of a high reservation in public jobs. Unemployment and stagnant job market in private sector coupled with a high rate of inflation drove the educated youth to rebel against the government.

But soon the students found enormous number of sympathisers, who were equally at the receiving end. According to Bangladesh citizens, the last two terms of the Sheikh Hasina government were a mockery of democracy. Even elections would be compromised. As Hasina grew from strength to strength, she politicized institutions. The rank and file of police owed allegiance to the ruling dispensation. Extortion, harrassment and raids by police and people in power became rampant. An atmosphere of fear and repression reigned and people got restless to overthrow the government.

Politicization of institutions has been happening in Mamata government too. Allegations are quite strong that police in Bengal functions at the beck and call of political bosses. The lapses and alleged loopholes on the part of police in handling the rape and murder of the young doctor have yet again revealed a sense of confused or misplaced loyalty.

But above everything else both Hasina and Mamata governments allegedly seem to have twined in accepting corruption as a way of life. In Bangladesh jobs of primary and secondary teachers got sold at premium, Rs 10-12 lakh in the Hasina regime. Even police had to pay up for prized postings and transfers. In Bengal busting of the teacher’s recruitment scam has revealed how unsuccessful and ineligible candidates got government jobs in schools in exchange of bribes.

Similarities are multiple and inescapable. Mamata has good reasons to be apprehensive. It’s not only she, who can see and connect the dots. People, out on the streets, clamoring for justice, can see a providential pattern somewhere in the unfolding of future events in these two places-- Bangladesh and Bengal. True, they share more than 2,217 odd km of border. They share the same umbilical cord, other than language, culture, ethos, icons. Even emotions are the same. So she cannot take any risk.

(The writer is a senior jounalist based in Kolkata. Views personal)

Comments


bottom of page