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By:

Abhijit Mulye

21 August 2024 at 11:29:11 am

Shinde dilutes demand

Likely to be content with Deputy Mayor’s post in Mumbai Mumbai: In a decisive shift that redraws the power dynamics of Maharashtra’s urban politics, the standoff over the prestigious Mumbai Mayor’s post has ended with a strategic compromise. Following days of resort politics and intense backroom negotiations, the Eknath Shinde-led Shiv Sena has reportedly diluted its demand for the top job in the Brihanmumbai Municipal Corporation (BMC), settling instead for the Deputy Mayor’s post. This...

Shinde dilutes demand

Likely to be content with Deputy Mayor’s post in Mumbai Mumbai: In a decisive shift that redraws the power dynamics of Maharashtra’s urban politics, the standoff over the prestigious Mumbai Mayor’s post has ended with a strategic compromise. Following days of resort politics and intense backroom negotiations, the Eknath Shinde-led Shiv Sena has reportedly diluted its demand for the top job in the Brihanmumbai Municipal Corporation (BMC), settling instead for the Deputy Mayor’s post. This development, confirmed by high-ranking party insiders, follows the realization that the Bharatiya Janata Party (BJP) effectively ceded its claims on the Kalyan-Dombivali Municipal Corporation (KDMC) to protect the alliance, facilitating a “Mumbai for BJP, Kalyan for Shinde” power-sharing formula. The compromise marks a complete role reversal between the BJP and the Shiv Sena. Both the political parties were in alliance with each other for over 25 years before 2017 civic polls. Back then the BJP used to get the post of Deputy Mayor while the Shiv Sena always enjoyed the mayor’s position. In 2017 a surging BJP (82 seats) had paused its aggression to support the undivided Shiv Sena (84 seats), preferring to be out of power in the Corporation to keep the saffron alliance intact. Today, the numbers dictate a different reality. In the recently concluded elections BJP emerged as the single largest party in Mumbai with 89 seats, while the Shinde faction secured 29. Although the Shinde faction acted as the “kingmaker”—pushing the alliance past the majority mark of 114—the sheer numerical gap made their claim to the mayor’s post untenable in the long run. KDMC Factor The catalyst for this truce lies 40 kilometers north of Mumbai in Kalyan-Dombivali, a region considered the impregnable fortress of Eknath Shinde and his son, MP Shrikant Shinde. While the BJP performed exceptionally well in KDMC, winning 50 seats compared to the Shinde faction’s 53, the lotter for the reservation of mayor’s post in KDMC turned the tables decisively in favor of Shiv Sena there. In the lottery, the KDMC mayor’ post went to be reserved for the Scheduled Tribe candidate. The BJP doesn’t have any such candidate among elected corporatros in KDMC. This cleared the way for Shiv Sena. Also, the Shiv Sena tied hands with the MNS in the corporation effectively weakening the Shiv Sena (UBT)’s alliance with them. Party insiders suggest that once it became clear the BJP would not pursue the KDMC Mayor’s chair—effectively acknowledging it as Shinde’s fiefdom—he agreed to scale down his demands in the capital. “We have practically no hope of installing a BJP Mayor in Kalyan-Dombivali without shattering the alliance locally,” a Mumbai BJP secretary admitted and added, “Letting the KDMC become Shinde’s home turf is the price for securing the Mumbai Mayor’s bungalow for a BJP corporator for the first time in history.” The formal elections for the Mayoral posts are scheduled for later this month. While the opposition Maharashtra Vikas Aghadi (MVA)—led by the Shiv Sena (UBT)—has vowed to field candidates, the arithmetic heavily favors the ruling alliance. For Eknath Shinde, accepting the Deputy Mayor’s post in Mumbai is a tactical retreat. It allows him to consolidate his power in the MMR belt (Thane and Kalyan) while remaining a partner in Mumbai’s governance. For the BJP, this is a crowning moment; after playing second fiddle in the BMC for decades, they are poised to finally install their own “First Citizen” of Mumbai.

How did Zakir Hussain get the title of “Ustad”?

Late Ustad Zakir Hussain’s first successful performance was when he was merely 7-year-old which was a landmark in his journey of hard work.

Ustad Zakir Hussain

In 1988, when the decision of awarding late Ustad Zakir Hussain title of Padma Shree was finalised, he was in the middle of a performance at St. Xavier’s college in Mumbai. He was accompanying late Pt. Ravi Shankar who was playing Sitar while guru and father Ustad Alla Rakha Khan sahab was sitting right in front of the stage among the audience. A source pointed out that someone whispered in Ustad Alla Rakha Khan’s ears about the good news and somehow he managed to enlighten Pt Ravi Shankar about the same. Soon after that, Pt. Ravi Shankar stopped playing and happily communicated to the audience about the news and for the first time he referred to Zahir Hussain as “Ustad”.  From that point of time, Zakir Hussain was popularly referred to as Ustad Zakir Hussain by one and all. While, Guru Alla Rakha Khan Saheb and Sitar Maestro Pandit Ravi Shankar were the biggest source of inspiration for Zakir ji, the seeds of passion for Tabla were sown right from his birth when his father and guru whispered rhythms in his ears when he was born instead of prayers.


It is a myth that children don’t take lessons from their own parents. However, there are numerous artists who were created by their own mother or father. Late Ustad Zakir Hussain is one of them who heard rhythms as soon as he was born and grew up watching his father and great Tabla Maestro late Ustad Alla Rakha Khan saheb’s riaz. He was indeed a dedicated worshipper and follower of his father. Zakir ji had once said in a media interview, “While a guru is like a fast flowing river, it is up to the disciple whether to grab a cup of water or a bucket of water from the river.” Late Zakir Hussain first aimed at being a good listener to his father’s riaz and performances of his guru and other Tabla Maestros.


There was an incident when his father took him to a concert of Sarod Maestro Ustad Ali Akbar Khan sahib at the Press Club in Churchgate. Zakirji was sitting behind his guru Ustad Alla Rakha Khan who was accompanying the Sarod performance. He suddenly turned to Zakirji and asked him if he would like to play. A seven-year-old child confidently replied asking, “Neki aur pooch pooch?” Ustad Alla Rakha Khan asked him whether he was familiar with “teentaal”. Zakirji quickly said yes and that set the ball rolling for an outstanding career ahead.


At the age of 7, Ustad Zakir Hussain Sahab gained the attention of many experts in the field, who would often visit his home and casually teach him pieces that added to his expertise. Right from that age, Zakirji was put into a discipline of starting riaz at 2 am every single morning that went on till 6 am for years together till he was almost 12 years old. Like any other typical mother who would care for the future of her boy, she would point out that young Zakir needed to wind up his riaz and he needed to go to school and his father would reply, “This is school for him. This is his future.”


However, his mother ensured that he took formal education despite his prime focus always being Tabla. Zakirji completed his schooling in Mumbai, and further pursued higher studies at St Xavier’s college in Mumbai and later at Seattle University in US in percussion and composition. Zakir ji always attributed his success to the focussed efforts put in by him under the guidance of his guru when he was a child. 


For a very long time, after Zakir Hussain ji was almost 12, his father and guru Ustad Alla Rakha Khan started travelling and couldn’t see his son for long. His guru was away for a long duration, however Zakir ji continued his learning exercises through various experiments, from attending random dance classes, accompanying sitar students and so on and so forth.


One day, Zakir Sahab was sleeping in his Mahim apartment, when his doorbell rang. Someone had come looking for his guru hoping that he would urgently agree to play for an impromptu concert. Zakirji’s mother very innocently replied that Khan saheb was not in India, but his son could attempt to fill in for him.


Zakir ji was suddenly prepared by his mother for the concert and they rushed to the venue in Dadar. He was 14 years old at that time. He ended up playing flawlessly for the senior Dagar brothers which was an unthinkable leap for a 14-year-old child.


This landmark event paved the way for what he is today. He left no stone unturned from working for Cinema, to accompanying great artists, to solo performances and also the Indo-western fusion music experiments with the likes of George Harrison and John McLaughlin that took the initiative of Pt Ravi Shankar to popularise Indian music on the global platform to newer heights. 

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