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By:

Shoma A. Chatterji

21 August 2024 at 4:19:40 pm

Childhood for Sale

Khilawadi, a short fiction film directed by the young and sprightly Shobhita Thakur, alumnus of the FTII, Pune, is making news wherever the film is being screened. Why? The subject of the film is shocking in its inhuman brutality. Through a brief but powerful narrative, the film tells the story of the 12-year-old Sapna who is good in studies and dreams of becoming a doctor one day. The term “Khilawadi” is a locally used word associated with the Banchada community in Western Madhya Pradesh,...

Childhood for Sale

Khilawadi, a short fiction film directed by the young and sprightly Shobhita Thakur, alumnus of the FTII, Pune, is making news wherever the film is being screened. Why? The subject of the film is shocking in its inhuman brutality. Through a brief but powerful narrative, the film tells the story of the 12-year-old Sapna who is good in studies and dreams of becoming a doctor one day. The term “Khilawadi” is a locally used word associated with the Banchada community in Western Madhya Pradesh, particularly in the Neemuch-Mandsaur region. The word is believed to have evolved within the local dialects as a descriptive label for women employed in sex work, especially those living along or near major highways. Over time, strangely, the changes in social customs, in media technology, in traditional rituals, have not affected the age-old custom of putting daughters to prostitution the minute they reach puberty. Therefore, the term “khilawadi” has become an informal, locally used word associated with the Banchada community used rather pejoratively to refer to girls or women from the community who engage in highway-based prostitution, a practice historically linked to complex socio-economic and caste-based circumstances within the region. The term carries social stigma and reflects structural inequalities faced by the Banchada community. “We could not shoot in the actual location because we were told that it would be dangerous for the team to shoot there. So, we shot several kilometers away at a different location to keep the rural spirit of the topic intact. As a woman filmmaker and an artist, I feel compelled to tell this story of unimaginable suffering and exploitation of young girls. This film is not just a reflection of their pain, but a call for social change, urging society to recognize and address this persistent injustice,” says the director. The film uses a raw, unembellished cinematic style that highlights the stark realities of their lives. It opens in the classroom of a girls’ school. We are introduced to the 12-year-old Sapna. On her way back, she waits outside the window of the community health centre in the area to watch the lady doctor at work. The lady doctor beckons her inside and asks her why she is waiting at the window. Sapna asks her whether she can become a doctor like her. But when she is asked by the teacher what she wants to become when she grows up, a giggling classmate mocks her saying, “She can only become a dhandhewali - a vulgarized term for one who sells one’s body for money.” Sapna belongs to the Banchada tribe and while her mother, a prostitute herself, plans to sell her to prostitution planning to make some money from the “nath utharna” ritual, a traditional term for the first night, the price for the first night’s customer who gets the right to strip the girl of her virginity. The doctor however, takes the help of a social worker to get a caste certificate for Sapna which will convince her mother to continue her education as she will be entitled to a scholarship for her further education. But all attempts at getting a caste certificate come to naught and while the mother sits in front of the highway for customers in vain as she is ageing, she also prepares for Sapna’s initiation into the profession. Strangely, the males in this community extract huge dowries when they get married though they are practically pimping and their wives are drawn from communities other than the Banchada community and they do not practice prostitution. The entire family then begins to live off the daughter’s earnings. When Sapna fails to get a caste certificate, she is forcibly prepared for the nuptial night and the first customer who pays Rs.10,000 is a middle-aged man. The film closes on the figure of a crying Sapna squatting on the floor after the first night, while the camera pans to focus on the bed and captures the image of an ointment Sapna’s mother gave her to prevent from the first night turning into a torture of pain. The film is aesthetically well-crafted with beautiful cinematography, good music and above everything else, brilliant piece of acting by every single actor. The film is currently on its international festival circuit, having won major awards at the FascinAsian Film Festival (Canada) and been officially selected for the Kazan International Film Festival and Festival du Film de Nancy in France. (The writer is an award-winning film scholar and author of several books.)

Imran Khan’s Fall from Grace

Updated: Oct 21, 2024

Imran Khan’s Fall from Grace

Imran Khan, once hailed as Pakistan’s most charismatic and resilient leader now finds himself in a position unprecedented for a man of his stature.

The former Prime Minister of Pakistan, once known for his unyielding spirit and fierce determination, now shows signs of strain. Imprisoned and facing numerous charges, Khan appears to be a shadow of the leader who once inspired millions.

Khan’s recent meeting with journalists revealed a man who is a shell of his former self. Once confident and commanding, his body now shows a sense of unease and agitation. Those who met him describe a waning spirit, a stark change for a leader once known for his steadfastness in adversity.

The journalists described Khan as a man who is aware that his political party, Pakistan Tehreek-e-Insaf (PTI), is losing its once-iron grip on the nation’s imagination―a realisation that visibly shook him.

The PTI, once a magnet for massive crowds and inspired loyalty among its supporters, is now struggling. The much-hyped rally scheduled for August 22 in Islamabad, was embarrassingly cancelled due to a lack of public interest. Khan, in a bid to save face, claimed that the rally was called off to avoid potential violence. In a sign of growing desperation, Khan rescheduled the rally for September 8 and directed his party leaders to overcome any obstacles. This defiant stance is typical of Khan’s confrontational style, and his public directives highlight his insecurity about his party’s ability to mobilise support.

While Khan outwardly appears calm and composed, the multiple cases against him and his time in jail have left him isolated and struggling with loneliness. Even in this difficult situation, he remains in the headlines, thanks to his uncanny ability to stay in the public’s eye. Khan recently made headlines by applying for the University of Oxford Chancellorship, a move initially dismissed as a rumor but confirmed by his spokesman, Sayed Zulfikar Bukhari. As an Oxford alumnus, Khan would be the first Asian to take the role. Many see this bid as a strategic play to leverage his international profile against Pakistan’s establishment, a move that has kept him prominently in the media spotlight.

The political landscape in Pakistan is deeply divided. Prime Minister Shahbaz Sharif, in his second term, has failed to address critical issues including unemployment, soaring inflation, and deteriorating law and order. His administration’s inability to deliver on its promises has only deepened the public’s disillusionment, leading to growing nostalgia for Khan’s past leadership.

Shahbaz Sharif’s government is a source of frustration for the Pakistani people and a cause for concern for the country’s military. Historically, the military has shaped Pakistan’s political trajectory, stepping in when civilian governments falter. The military reportedly is growing uneasy about the government’s performance especially Sharif’s inability to stabilize the country and mend relationships with key neighbors, particularly India. Additionally, its deteriorating ties with Afghanistan and Iran have left Pakistan increasingly isolated. Even China, Pakistan’s longstanding ally, has expressed dissatisfaction with the government’s policies, a worrying sign given the importance of the China-Pakistan Economic Corridor (CPEC) to the country’s economic future.

It is within this context of political turmoil and international isolation that Imran Khan remains a potent force. Despite his legal troubles and the challenges facing his party, Khan’s popularity endures. For millions of Pakistanis, his tenure as Prime Minister is seen as a time of relative stability and hope, a stark contrast to the current administration’s ineptitude. This perception has kept Khan’s political base intact, even as his party faces an uphill battle in the coming months.

However, Khan’s ability to navigate the current political landscape is far from guaranteed. The PTI’s diminishing support, coupled with the increasing pressure from the establishment, raises questions about Khan’s long-term strategy. His recent moves, including the application for the Oxford Chancellorship, suggest a leader willing to explore unconventional avenues to maintain his relevance. But whether these tactics will translate into a successful political comeback remains to be seen.

Pakistan’s political future is more uncertain than ever. Imran Khan’s journey from cricketing legend to political maverick has been extraordinary. Still, as he faces the toughest challenge of his career, the question remains: Can he once again defy the odds and reclaim his place at the helm of Pakistani politics, or is this the beginning of the end for a once unstoppable leader?

Khan’s story is a testament to the complexities of power and the unpredictable nature of political life in Pakistan. His rise, driven by charisma, populism, and a genuine desire for change, now faces the realities of personal and political challenges, raising the possibility that his time may be running out.

Imran Khan is a beacon of hope for his supporters, and a polarizing figure for detractors, whose ambitions have often clouded his judgment. As the nation watches, the world is left to wonder: What will Imran Khan’s next move be? And more importantly, what does it mean for the future of Pakistan? The coming months will be critical not only for Imran Khan but for Pakistan as a whole. The decisions made during this period will shape the country’s trajectory for years. Whether Khan emerges victorious or is consigned to the annals of history as a fallen leader, one thing is certain: The story of Imran Khan is far from over.

(The writer is a senior jounalist based in Islamabad. Views personal)

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