Ganpati Bappa and the Movies

How Mumbai’s studios and streets celebrated cinema Mumbai: Mumbai’s Ganesh Utsav has always been more than a religious celebration. For generations, it has also intersected with the city’s other great passion-cinema. Long before photographs of stars welcoming Ganpati Bappa at home became an annual fixture on television and social media, the festival had a presence inside Mumbai’s film studios. Beyond the studio gates, Ganesh mandals were also bringing movies directly to neighbourhood...

min read

How Mumbai’s studios and streets celebrated cinema Mumbai: Mumbai’s Ganesh Utsav has always been more than a religious celebration. For generations, it has also intersected with the city’s other great passion-cinema. Long before photographs of stars welcoming Ganpati Bappa at home became an annual fixture on television and social media, the festival had a presence inside Mumbai’s film studios. Beyond the studio gates, Ganesh mandals were also bringing movies directly to neighbourhood audiences by turning ordinary streets into makeshift theatres. Veteran film journalist and analyst Dilip Thakur, who grew up in Girgaon and has observed Mumbai’s film culture over several decades, remembers both worlds. “Ganesh Utsav and cinema have had a very old relationship in Mumbai. It wasn’t only about film stars bringing Ganpati home. The studios, the workers and even the neighbourhood mandals were all part of this culture,” says Thakur. Ganpati Tradition Thakur points to V. Shantaram’s Rajkamal Studio while recalling the early relationship between Mumbai’s studios and Ganesh Utsav. The tradition, he says, can be linked to the period of Navrang, when an elaborate set involving a Ganesh idol and elephants was created at the studio. What began in the world of filmmaking subsequently developed into an annual studio celebration. “During Navrang, a grand set was created with Ganpati and elephants. That became an inspiration for the Ganesh festival at Rajkamal Studio, and the tradition continued,” Thakur recalls. The importance of the celebration lay not merely in its association with a celebrated filmmaker. Studios of that era had large permanent communities of technicians, craftsmen and other workers, and festivals became occasions for everyone connected with the premises. “Studios in those days were like families. Actors, technicians and workers celebrated together. Ganpati was not merely a celebrity occasion—it belonged to the entire studio,” says Thakur. Entry to Devotees Raj Kapoor’s RK Studios in Chembur developed its own distinctive Ganpati tradition. The studio’s Holi celebrations became legendary in the film industry, but its Ganesh Utsav also drew people from outside the film fraternity. The Ganpati was installed close to the main studio building, and devotees could enter the premises for darshan. “People always talk about RK Studios’ Holi, but its Ganpati celebration was also very special. The idol was installed near the main building, and ordinary people could come inside the studio for darshan,” Thakur says. For a movie fan, this meant something unusual: an opportunity to enter the premises associated with Raj Kapoor and some of Hindi cinema’s most famous films while participating in a festival shared by the wider city. The immersion procession added another dimension to the tradition. Different generations of the Kapoor family participated over the years, from Raj Kapoor to Randhir Kapoor and Rishi Kapoor, and later Ranbir Kapoor. The procession travelled from Chembur towards Girgaon Chowpatty, passing through parts of central Mumbai along the way. As round-the-clock television news expanded, cameras increasingly followed the Kapoor family and the procession. “The procession would travel from Chembur towards Girgaon Chowpatty through areas such as Kurla and Sion. Once television news channels began covering it extensively, the RK Ganpati visarjan became a major media event,” says Thakur. The connection survived beyond the studio’s heyday. Thakur recalls that people associated with RK Studios continued the Ganpati tradition for some time even after regular studio activity had ceased. “Even after the studio stopped functioning as before, people who had worked there continued the tradition for some time. That tells you how emotionally connected the workers were to the RK Ganpati,” he says. Mumbai Galli Thakur’s most vivid memories, however, come from outside the studios. Ganesh Utsav once provided an unusual second life for films that neighbourhood audiences had missed during their theatrical runs. During the 1960s and 1970s, local Ganesh mandals organised outdoor screenings with 16mm projectors. A screen—or sometimes simply an available wall—could transform a narrow lane into a neighbourhood movie theatre for an evening. “We called it ‘Galli Cinema’. A 16mm projector would arrive, a screen would be put up, and the entire lane would become a cinema hall,” Thakur recalls. Growing up in Girgaon, he experienced this culture first-hand. Films featuring stars such as Shammi Kapoor and Dev Anand were among those he remembers watching during Ganesh festivities in the 1970s. “I watched many films like this in the 1970s. If you had missed a movie when it was released in theatres, Ganpati celebrations sometimes gave you another opportunity to see it,” he says. There was no streaming, satellite television or instant access to a vast film library. A neighbourhood screening could therefore become an event in itself, attracting families, children and film enthusiasts from surrounding buildings. “There was a different joy in watching a film with the entire neighbourhood. Ganpati brought everyone together, and cinema became part of that celebration,” Thakur says. It was entertainment, but it was also a form of community movie-going that belonged to a particular period in Mumbai’s cultural history. Stars Power As the film industry changed, so did the visibility of its Ganesh celebrations. Home Ganpatis hosted by stars increasingly attracted media attention. Madhuri Dixit, Shilpa Shetty, Salman Khan and Sonali Bendre are among the film personalities whose celebrations became familiar to audiences. Thakur also sees the growth of television as an important turning point. As Mumbai’s entertainment industry became broader and more diverse, Ganesh Utsav was embraced by artists from different backgrounds. “Earlier, you saw the tradition particularly among Maharashtrian artists and film workers. Later, as the industry expanded—and especially with the growth of television—artists from many different backgrounds began bringing Ganpati home,” he observes. Television brought cameras into celebrations that once remained largely private. Social media pushed that transformation further, making celebrity Ganpati arrivals, pujas and immersions instantly accessible to fans. Pull of Girgaon Some film personalities, however, have a relationship with the festival that predates stardom. Thakur points to veteran actor Jeetendra and his enduring association with Girgaon, where the actor spent his early years. “Jeetendra has never forgotten his Girgaon connection. On the first day of Ganesh Utsav, he has continued to visit the area and seek Bappa’s blessings. That relationship goes back to his early years,” says Thakur. For him, such connections are significant because they reveal how a festival can link a star back to the neighbourhood and community that existed before fame. “It is not always about publicity. For many artists, there is a personal memory attached to Ganpati—the building they lived in, the mandal they knew or the neighbourhood where people watched their films,” he says. Khetwadi’s Culture Filmmaker Manmohan Desai was similarly surrounded by the sights and sounds of Ganesh Utsav. His association with the Khetwadi-Bhatkar Street neighbourhood placed him close to an area renowned for elaborate public Ganpati celebrations. “Manmohan Desai lived in an area where Ganpati celebrations were everywhere around him. Khetwadi had that energy—the crowds, decorations and huge pandals. He was also a devotee who would visit Lalbaugcha Raja,” Thakur recalls. The scale, colour and crowds of Mumbai’s public celebrations were part of the cultural environment in which filmmakers lived and worked. It was only natural that some of that energy would eventually make its way onto the screen. Silver Screen Hindi cinema has repeatedly turned to Ganesh Utsav for music, drama and spectacle. “Deva Ho Deva Ganpati Deva” from Humse Badhkar Kaun became one of the songs closely identified with Ganesh celebrations, while “Deva Shree Ganesha” from Agneepath gave a later generation a powerful cinematic Ganpati anthem. “Cinema takes from society, and Ganesh Utsav is such a strong part of Mumbai that it naturally entered our films,” says Thakur. Much of the world he remembers has changed. The 16mm projectors no longer routinely turn Mumbai’s lanes into movie theatres. The old studio system has faded, some historic studios have disappeared, and celebrity celebrations now reach audiences instantly through phones. But the larger relationship between Mumbai, movies and Ganpati Bappa has endured. “From Rajkamal and RK Studios to the gallis of Girgaon, Ganpati and cinema have travelled together for generations,” Thakur says. “The way we watch films has changed and the way stars celebrate has changed, but Mumbai’s emotional connection with Ganpati Bappa has not.”

Imran Khan’s Fall from Grace

Kaswar Klasra

Aug 27, 2024

4 min read

Updated: Oct 21, 2024

Imran Khan, once hailed as Pakistan’s most charismatic and resilient leader now finds himself in a position unprecedented for a man of his stature.

The former Prime Minister of Pakistan, once known for his unyielding spirit and fierce determination, now shows signs of strain. Imprisoned and facing numerous charges, Khan appears to be a shadow of the leader who once inspired millions.

Khan’s recent meeting with journalists revealed a man who is a shell of his former self. Once confident and commanding, his body now shows a sense of unease and agitation. Those who met him describe a waning spirit, a stark change for a leader once known for his steadfastness in adversity.

The journalists described Khan as a man who is aware that his political party, Pakistan Tehreek-e-Insaf (PTI), is losing its once-iron grip on the nation’s imagination―a realisation that visibly shook him.

The PTI, once a magnet for massive crowds and inspired loyalty among its supporters, is now struggling. The much-hyped rally scheduled for August 22 in Islamabad, was embarrassingly cancelled due to a lack of public interest. Khan, in a bid to save face, claimed that the rally was called off to avoid potential violence. In a sign of growing desperation, Khan rescheduled the rally for September 8 and directed his party leaders to overcome any obstacles. This defiant stance is typical of Khan’s confrontational style, and his public directives highlight his insecurity about his party’s ability to mobilise support.

While Khan outwardly appears calm and composed, the multiple cases against him and his time in jail have left him isolated and struggling with loneliness. Even in this difficult situation, he remains in the headlines, thanks to his uncanny ability to stay in the public’s eye. Khan recently made headlines by applying for the University of Oxford Chancellorship, a move initially dismissed as a rumor but confirmed by his spokesman, Sayed Zulfikar Bukhari. As an Oxford alumnus, Khan would be the first Asian to take the role. Many see this bid as a strategic play to leverage his international profile against Pakistan’s establishment, a move that has kept him prominently in the media spotlight.

The political landscape in Pakistan is deeply divided. Prime Minister Shahbaz Sharif, in his second term, has failed to address critical issues including unemployment, soaring inflation, and deteriorating law and order. His administration’s inability to deliver on its promises has only deepened the public’s disillusionment, leading to growing nostalgia for Khan’s past leadership.

Shahbaz Sharif’s government is a source of frustration for the Pakistani people and a cause for concern for the country’s military. Historically, the military has shaped Pakistan’s political trajectory, stepping in when civilian governments falter. The military reportedly is growing uneasy about the government’s performance especially Sharif’s inability to stabilize the country and mend relationships with key neighbors, particularly India. Additionally, its deteriorating ties with Afghanistan and Iran have left Pakistan increasingly isolated. Even China, Pakistan’s longstanding ally, has expressed dissatisfaction with the government’s policies, a worrying sign given the importance of the China-Pakistan Economic Corridor (CPEC) to the country’s economic future.

It is within this context of political turmoil and international isolation that Imran Khan remains a potent force. Despite his legal troubles and the challenges facing his party, Khan’s popularity endures. For millions of Pakistanis, his tenure as Prime Minister is seen as a time of relative stability and hope, a stark contrast to the current administration’s ineptitude. This perception has kept Khan’s political base intact, even as his party faces an uphill battle in the coming months.

However, Khan’s ability to navigate the current political landscape is far from guaranteed. The PTI’s diminishing support, coupled with the increasing pressure from the establishment, raises questions about Khan’s long-term strategy. His recent moves, including the application for the Oxford Chancellorship, suggest a leader willing to explore unconventional avenues to maintain his relevance. But whether these tactics will translate into a successful political comeback remains to be seen.

Pakistan’s political future is more uncertain than ever. Imran Khan’s journey from cricketing legend to political maverick has been extraordinary. Still, as he faces the toughest challenge of his career, the question remains: Can he once again defy the odds and reclaim his place at the helm of Pakistani politics, or is this the beginning of the end for a once unstoppable leader?

Khan’s story is a testament to the complexities of power and the unpredictable nature of political life in Pakistan. His rise, driven by charisma, populism, and a genuine desire for change, now faces the realities of personal and political challenges, raising the possibility that his time may be running out.

Imran Khan is a beacon of hope for his supporters, and a polarizing figure for detractors, whose ambitions have often clouded his judgment. As the nation watches, the world is left to wonder: What will Imran Khan’s next move be? And more importantly, what does it mean for the future of Pakistan? The coming months will be critical not only for Imran Khan but for Pakistan as a whole. The decisions made during this period will shape the country’s trajectory for years. Whether Khan emerges victorious or is consigned to the annals of history as a fallen leader, one thing is certain: The story of Imran Khan is far from over.

(The writer is a senior jounalist based in Islamabad. Views personal)

Ganpati Bappa and the Movies

Imran Khan’s Fall from Grace

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