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By:

Bharati Dubey

17 May 2026 at 7:08:10 am

Why Sunny Deol’s ‘Batwara 1947’ failed to impress

Mumbai: The failure of ‘Batwara 1947’ has emerged as one of those box-office mysteries that is difficult to explain purely through the usual parameters of filmmaking. The film brought back the celebrated combination of Sunny Deol and director Rajkumar Santoshi after nearly three decades, carried a powerful Partition backdrop and featured acclaimed performers. Yet, despite the pedigree, the film struggled to attract audiences to theatres. For trade analyst Taran Adarsh, the failure was...

Why Sunny Deol’s ‘Batwara 1947’ failed to impress

Mumbai: The failure of ‘Batwara 1947’ has emerged as one of those box-office mysteries that is difficult to explain purely through the usual parameters of filmmaking. The film brought back the celebrated combination of Sunny Deol and director Rajkumar Santoshi after nearly three decades, carried a powerful Partition backdrop and featured acclaimed performers. Yet, despite the pedigree, the film struggled to attract audiences to theatres. For trade analyst Taran Adarsh, the failure was particularly difficult to understand. He felt Batwara 1947 was a well-made film, praised Santoshi’s direction, appreciated the performances and singled out the emotional scenes between Shabana Azmi and Sunny Deol. “What has really surprised me is why this film has not worked. In my opinion, it was a well-made film,” Adarsh observed. He particularly praised the emotions captured between Azmi and Deol, calling the performances of a very high order and Santoshi’s direction top-notch. He also felt the finale was gripping. Yet the question remained: if the film worked on these creative levels, why did audiences stay away? One explanation that surfaced repeatedly in trade circles was Sunny Deol’s image. Sunny’s Image For more than two decades, Sunny Deol has become almost synonymous with a particular kind of India-Pakistan narrative. His most iconic performances have often placed him in situations involving patriotism, national identity, Pakistan, borders and confrontation. Gadar: Ek Prem Katha transformed that association into a phenomenon. More than two decades later, Gadar 2 revived the same persona and became a massive theatrical success. Even Jaat continued to reinforce the image of Sunny Deol as the larger-than-life action hero who speaks loudly, fights harder and takes on overwhelming odds. That image is undoubtedly one of Sunny’s biggest strengths. But with Batwara, it may also have become a liability. The problem was not necessarily Sunny’s performance. In fact, Adarsh specifically rejected the argument that Deol was completely mellow in the film. According to him, the actor was restrained only up to a point and did eventually deliver the kind of action audiences associate with him. “I don’t feel that Sunny was mellow over here,” Adarsh explained. “He was mellow only up to a point, and later, he did indulge in action.” His larger point was that the film itself deserved a better response. “I just fail to understand... Somewhere down the line, people had decided not to watch the film for reasons known best to them.” That observation may actually hold the key to the film’s failure. Audience’s Rejection A theatrical film is judged long before the audience reaches the climax. The poster, trailer, casting, subject, star image and promotional material collectively create an expectation. With Batwara, the audience saw Sunny Deol and a Partition-related story and may have immediately associated it with Gadar and Gadar 2. But Batwara was not simply another Sunny Deol action vehicle. That distinction may have been difficult to communicate. The Sunny Deol of Gadar is a fantasy figure—an ordinary man transformed into an unstoppable force by love, patriotism and rage. His physicality, dialogue delivery and explosive action are central to the experience. A Partition drama built around human suffering, relationships and emotional conflict demands a different response from the audience. Consequently, the film faced an unusual problem: the actor’s strongest established image may have overshadowed what the film was actually trying to say. Wrong Casting Exhibitor Sanjay Ghai offered an even more blunt assessment of the problem. According to him, the issue was not necessarily the quality of the film but the casting. “Everyone knew beforehand about Batwara that the casting has gone wrong,” he said, adding that a different hero was needed. That is an important distinction. Ghai was effectively arguing that Sunny Deol may not have been the ideal commercial casting choice for this particular story, regardless of how well he performed in it. From an exhibitor’s perspective, this matters enormously. A film can be well made and still fail if the casting does not generate sufficient curiosity. And Batwara faced another problem: the Partition subject itself was no longer fresh. Tired Audience There is an undeniable familiarity surrounding Hindi cinema’s treatment of Partition and India-Pakistan relations. For years, filmmakers have returned to the same historical wound from different perspectives. Some films have focused on families separated by the border, some on communal violence, some on patriotism and others on the continuing emotional relationship between India and Pakistan. Then came the enormous success of Gadar and Gadar 2, which further cemented Sunny Deol’s association with the subject. Sanjay Ghai’s comparison with Border is therefore significant. He pointed out that Border had worked despite dealing with a similar broad territory. The difference, from a trade perspective, is that Border offered a particular combination of scale, patriotism, ensemble casting, music, spectacle and war drama that created a clear theatrical identity. Batwara may not have had an equally irresistible proposition. The audience had already seen Partition stories. They had already seen Sunny Deol in India-Pakistan conflicts. They had already seen the actor deliver high-octane patriotic drama.

India waits to lasso diamantaire Mehul Choksi

Mumbai: India rubbed its hands gleefully as the Belgium Police honoured its request to arrest the absconder diamantaire Mehul Chinubhai Choksi – more than seven years after he, along with his nephew Nirav Deepak Modi - allegedly duped the Punjab National Bank of nearly Rs. 13,800-crores.

 

The scam involving the ‘Mehul Mama-Nirav Bhanja’ erupted in Jan 2018, after the PNB lodged a complaint with the Central Bureau of Investigation (CBI).

 

By then the kin, along with many of their family members, winked and slipped out of the country, leaving a rattled India rubbing its palms in disappointment.

 

A political-cum-financial storm raged, embarrassing the Bharatiya Janata Party government of Prime Minister Narendra Modi a year before the Lok Sabha elections.

 

Multiple agencies launched a multi-pronged probe into what became the biggest banking scam in the past quarter century – and almost four times bigger than the stock market-cum-banking fraud the late Big Bull Harshad Mehta had inflicted on the Indian economy 33 years ago (in April 1992) – when it was just opening up.

 

In Belgium

According to official reports, Choksi was living with his Belgium citizen-wife Preeti in Antwerp, a global diamond hub, presumably for the past 18 months on a ‘residency permit’ acquired through questionable means, for medical reasons.

 

Earlier, he shot to the headers (June 2021) while being taken in a wheelchair to a court by the Dominican Republic's Police on charges of sneaking into the small country in the Caribbean Sea, North America.

 

Interestingly, as the Antigua & Barbuda government initiated the process to cancel his citizenship acquired through an investor visa, Choksi had suddenly gone ‘missing’ till he surfaced in the Dominican Republic.

 

The April 2025 action by Belgium followed a request by India’s CBI and the financial frauds specialist Enforcement Directorate (ED) to nab Choksi as the InterPol had revoked his Red Corner Notice in 2023.

 

Mama and Bhanja

‘Mama’ Choksi is the founder-owner of Gitanjali Group while ‘bhanja’ Nirav’s Firestar plus other companies – and the duo, with some PNB officials hand-in-glove – conspired to make a ‘mamu’ of not only PNB, but other banks, as it subsequently tumbled out.

 

After making a quiet exit, Choksi was detected living in the verdant Antigua & Barbuda Isles (West Indies), then attempted entry to the Dominican Republic, was sent back to Antigua & Barbuda and then went to Belgium where he was nabbed on Sunday.

 

Similarly, Modi was found sauntering on the streets of London and nabbed in March 2019. He remains in jail there since India's extradition is still pending.

 

However, India is keeping its fingers crossed that it may finally lay hands on Choksi, bring him to India and face trial in the PNB scam, though it may take time.

 

Born in Mumbai (1959) and educated in Gujarat, Choksi, 66, and wife Preeti have three children.

 

The Rs. 13,800-crore PNB scam

In the modus operandi revealed after India’s second-largest PSU bank PNB admitted it was scammed, Choksi and Modi used fraudulent Letters of Undertaking (LoU) to get overseas credits or loans from Indian banks.

 

The PNB first informed the Reserve Bank of India (RBI) of the fraud and then lodged a criminal complaint with the CBI in Jan. 2018, plus another CBI complaint in Feb, that led to a FIR against Modi and Choksi and their companies.

 

The ED entered the scene to probe the allegations of money-laundering through the LoUs – which they allegedly misused to avail short-term business finances from foreign branches of Indian banks.

 

The probe said that the duo were availing the LoUs from the PNB’s Brady House Branch from March 2011, and over the next six-seven years, managed to get a whopping 1,200-plus LoUs like a breeze with the help of some friendly bankers within.

 

Post-scam, the gold-diamond companies Gitanjali Group and Firestone Group with multiple operations in India and abroad have largely wound up, while some personal assets of the mama-bhanja have been auctioned to recover a part of the dues.

 

ED's plea to declare Choksi fugitive stuck for seven years

Even as absconding diamantaire Mehul Choksi, a key accused in the Punjab National Bank loan fraud case, has been arrested in Belgium, the ED's plea to declare him a fugitive economic offender has been pending before a court in Mumbai for nearly seven years.


Choksi, 65, and his nephew diamantaire Nirav Modi are the prime accused in the Rs 13,000 crore PNB bank loan fraud case. Choksi was arrested in Belgium following an extradition request by Indian probe agencies, official sources said on Monday.


The Enforcement Directorate had filed the application in July 2018, seeking to declare Choksi an FEO and confiscate his assets under provisions of the Fugitive Economic Offenders Act.


However, the matter has witnessed repeated delays owing to a barrage of applications filed by the accused in the PMLA court and the Bombay High Court alleging procedural lapses in the Enforcement Directorate's plea.


"The court is kept busy with frivolous applications, and hearing on our application to declare him (Choksi) an FEO has been adjourned for the past seven years,” an ED officer had said after the hearing was once again deferred this February.


"The court should have continued the hearing and taken a decision on the future course of action once the application was moved," the officer had said.

He had urged the court to take note of the repeated filing of similar applications and to not entertain them.


Choksi's lawyer had informed the court that the accused was undergoing treatment for suspected cancer in Belgium and intended to file an application in connection with his health.


Under the FEO Act, an individual can be declared a Fugitive Economic Offender if a warrant has been issued against him for an offence involving Rs 100 crore or more and he has left India while refusing to return. Once declared an FEO, the person's property can be confiscated by the investigating agency.


Choksi had challenged the ED's application in the Bombay High Court, alleging that the agency "had not followed proper procedure before filing the application and, hence, it stands vitiated".


However, in September 2023, the High Court dismissed his plea, ruling that the ED had adhered to the prescribed format under the FEO Act. It also vacated a stay on the special court's proceedings.


Despite this, the hearing on declaring Choksi FEO could not commence, with Choksi continuing to file applications before the special court through his lawyers.


While most of these pleas have been dismissed, a few remain pending. His latest attempt to stall proceedings through a plea to recall the notice issued on the ED's FEO application was rejected in December 2023.


According to ED officials, Choksi left India under suspicious circumstances in early January 2018.


Shifting stance

Choksi's counsel has argued that the ED kept shifting its stance on the material grounds for declaring him an FEO and that the suspension of his Indian passport made it impossible for him to return for investigation.

The court, however, rejected this argument, stating that the notice was issued based on accurate information and not based on "wrong facts or mistaken assumptions".


ED claimed the accused left the country under suspicious circumstances in the first week of January 2018.


Nirav Modi has already been declared as an FEO by the special court. He has been lodged in jail in London since 2019.

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