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By:

Bharati Dubey

17 May 2026 at 1:38:10 am

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a...

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a world on the brink of annihilation. Produced by Ananya Birla’s Birla Studios, Hansal Mehta and Sahil Saigal’s True Story Films, and Maa Kasam Films, the film combines large-scale spectacle with a deeply human story of survival, courage and the instinct to fight for what matters most. The film marks Ranveer’s next major motion picture following Dhurandhar and Dhurandhar – The Revenge, which emerged as the highest-grossing film of all time. With Pralay, the actor once again ventures into unexplored cinematic territory, taking on a disruptive new concept that demands both physical intensity and emotional conviction. Ranveer will also serve as a producer on the film. The project comes at an important point in the actor’s career. His reported exit from Don 3 had generated considerable buzz, particularly as he was expected to carry forward one of Indian cinema’s most iconic franchises. With Pralay, Ranveer now turns the page with an entirely original story rather than stepping into another established universe. Joining him is Lokah breakout actress Kalyani Priyadarshan, who plays a pivotal role in the film and brings together another exciting performer from the new generation of Indian talent. For Ananya Birla, Pralay represents Birla Studios’ ambition to push the boundaries of mainstream Indian cinema by collaborating with contemporary creative forces. For True Story Films’ Hansal Mehta and Sahil Saigal, the project reflects their commitment to disruptive storytelling and content-driven cinema. Behind the camera, Jai Mehta leads the ambitious project. His work on Scam 1992: The Harshad Mehta Story, which he co-directed with Hansal Mehta, and Lootere has earned widespread acclaim. With Pralay, he steps into a significantly larger canvas, bringing together an ensemble of creative and technical talent from India and around the world. Set against the unmistakable pulse and landscape of Mumbai, Pralay follows a relentless journey of survival against the terrifying possibility of an end-of-the-world catastrophe. The film aims to marry breathtaking spectacle with an emotional core, exploring what people are willing to do to survive when the world as they know it begins to collapse. The makers are shooting extensively at live locations in and around Mumbai, embracing the physicality and unpredictability of real-world environments. The approach is designed to add scale, texture and realism to the apocalyptic world while creating an immersive theatrical experience. The film had already undergone several months of highly technical and intensive pre-production before cameras began rolling. Its ambitious mounting and unusual premise have made Pralay one of the most talked-about upcoming projects in Indian cinema.

Justice Without Borders

Updated: Feb 18, 2025

While an Argentinian court’s bold move revives universal jurisdiction, the question is whether will it lead to real accountability.

Argentinian

In an unexpected turn of international jurisprudence, a court in Buenos Aires recently issued arrest warrants against Myanmar’s top military officials for crimes against humanity committed against the Rohingya. The move is groundbreaking, as under the principle of universal jurisdiction, Argentina has positioned itself as an unlikely yet formidable player in the global fight against impunity. But for all this moral posturing, will the move have any tangible impact on the military regime entrenched in Naypyidaw?


Since 2017, Myanmar’s armed forces, known as the Tatmadaw, have waged a brutal campaign of ethnic cleansing, driving more than 700,000 Rohingya Muslims into Bangladesh. Villages were torched, thousands slaughtered and the accounts of sexual violence and torture remain chilling. The military’s top brass, including the now-notorious General Min Aung Hlaing, have largely evaded consequences, shielded by the paralysis of global diplomacy and the protection of powerful allies like China and Russia.


Argentina’s move challenges this inertia. The case stems from a complaint filed by the Burmese Rohingya Organisation UK (BROUK) in 2019, invoking universal jurisdiction, which is the legal doctrine that allows national courts to prosecute serious crimes regardless of where they occurred. This principle has been used before, most famously in the 1998 arrest of Chilean dictator Augusto Pinochet in London on Spanish charges.


The precedent set by Spain’s pursuit of Pinochet in the late 1990s gave rise to a brief golden age of international accountability, with courts in Belgium and France pursuing cases against war criminals from Rwanda, Chad, and the Balkans. Yet, in recent years, universal jurisdiction has faded from global attention, as realpolitik and diplomatic concerns have often taken precedence over justice. Yet, rarely has it been applied against a sitting regime as insulated as Myanmar’s military junta.


To be clear, the arrest warrants do not mean Min Aung Hlaing and his cronies will be frog-marched into an Argentine courtroom anytime soon. Myanmar does not recognize the jurisdiction, and its ruling generals are unlikely to set foot in a country that might enforce the warrant. Even so, the legal move complicates their international standing. Travel becomes riskier while diplomatic engagements are fraught with new uncertainties. The ruling also places additional pressure on institutions like the International Criminal Court (ICC) and the International Court of Justice (ICJ), both of which have cases against Myanmar but have moved at a glacial pace.


But beyond the symbolic and legal ramifications, Argentina’s intervention exposes the glaring contradictions in global justice.


The United Nations has issued damning reports on Myanmar’s military, and various governments have imposed sanctions. Yet, substantive action has been elusive. The ICC, which could theoretically prosecute Myanmar’s leaders, is constrained by jurisdictional loopholes. Myanmar is not a signatory, and the court can only act if a crime occurred in a member state, hence its focus on Bangladesh-based Rohingya refugees. Meanwhile, the ICJ, which is adjudicating a genocide case brought by The Gambia, is notoriously slow-moving, unlikely to deliver a final ruling for years.


Against this backdrop, Argentina’s bold step offers a rare instance of judicial momentum. Its court’s willingness to challenge a sovereign military regime underscores the potential of universal jurisdiction when traditional mechanisms falter.


The case also aligns with Argentina’s own history of confronting human rights abuses. The country has reckoned, albeit imperfectly, with its own past dictatorship (1976-1983), prosecuting former military officers for atrocities committed during the ‘Dirty War.’ This legacy informs its approach to international human rights cases, making Argentina an outlier in the Global South.


The junta in Myanmar will likely shrug off the warrants, but the reputational cost is real. With each legal challenge, Myanmar’s military finds itself further isolated. It reminds the world that impunity should never be the final verdict. And sometimes, justice, however distant, finds a way to push forward.

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