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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Jalgaon grandpa, 75, sets Karaoke singing world record

Jalgaon:  Age may be just a number, but for retired banker-cum-singer, Ramchandra D. Patil, his platinum jubilee year (75) has catapulted him into setting a world record.   The lifelong singing enthusiast from Jalgaon has officially entered the India Book of Records for the “Longest Live Singing on Karaoke Platform by a Septuagenarian,” performing continuously for 92 minutes in a program on September 25, 2025.   The achievement has thrilled the grandpa - who retired (2008) after 38 years’...

Jalgaon grandpa, 75, sets Karaoke singing world record

Jalgaon:  Age may be just a number, but for retired banker-cum-singer, Ramchandra D. Patil, his platinum jubilee year (75) has catapulted him into setting a world record.   The lifelong singing enthusiast from Jalgaon has officially entered the India Book of Records for the “Longest Live Singing on Karaoke Platform by a Septuagenarian,” performing continuously for 92 minutes in a program on September 25, 2025.   The achievement has thrilled the grandpa - who retired (2008) after 38 years’ service with the Peoples Cooperative Bank, Jalgaon - to set a target a higher and longer-lasting record.   “Music has been my passion since schooldays, specialising in songs of Mukesh as my voice closely resembles his. I have been singing for over six decades now… It's my life…” he smiled in a free-wheeling chat with  The Perfect Voice .   Despite lacking formal training in vocal music, Patil began performing at school annual gatherings and later joined local orchestras while studying at M.J. College in the 1960s.   Later, he nimbly balanced his main banking career and crooning, ensuring none suffered whether he worked in his staid office cabin or under the arc lights on the stage.   Patil became a coveted, popular and familiar name during Ganeshotsav, Navratri, weddings or special events, his fame took him all over Maharashtra and even Odisha, Madhya Pradesh to perform on live stage.   Over the years, the musical career bloomed, he earned a good side income plus a name in the entertainment world, though he admits that ‘creating a world record never crossed my mind’.   Meanwhile, in 1967, the first of the modest Karaoke machines was invented, it became sophisticated by 1971, and in the next couple of decades, became a global sensation.   In India, Karaoke (meaning, ‘empty orchestra’) started trending around 2015, proving both a boon and bane for live performers, vocal and instrumental, but Patil embraced it heartily.   “Karaoke allowed me to perform solo with the original background music. It afforded me the freedom to explore a wider range of songs and programs. Plus, practising and rehearsals became easier, especially for new numbers that I took up,” Patil explained.   At the same time, it has increased competition, with ordinary home-folk also belting out numbers backed by Karaoke, compelling singers like Patil to slash rates, but the market opportunities have vastly increased.   Unmatched joy While “the joy of performing live remains unmatched”, he said the brainwave of attempting a potential world record came almost by chance.   “In the past, I have sung continuously for over three hours many times, even at this age. We first checked out if anyone had attempted an official record in my age group, and found that there was none,” Patil recalled, of the Sep. 25 feat.   He humbly acknowledges that “the recognition is not merely a personal triumph, but a heartfelt tribute to all my musical idols”.   “Mukesh has always been my inspiration. But I also perform songs by Manna Dey and Mohammed Rafi, and lately, I’ve added a few Arijit Singh numbers too, which audiences love,” he said, hoping to expand his vocal horizon to more contemporary playback singers.   When asked about his favorite genre, Patil doesn’t hesitate: “The golden era of Bollywood music - the 1950s - will always be my favorite.”   Family backed the passionate singer Patil’s doting family, comprising his wife Nita, their son Girish, daughters Swati Patil, Jyoti Patil-Deshmukh and Geeta Patil-Bhaskar have stood firmly behind him and his singing passion.   “We’ve grown up listening to him. Our mother Nita supported him throughout. His passion for music runs in our family now,” they declared, as Girish reached out to India Book of Records and Guinness World Records for their stamp of approval.   While Guinness’ confirmation is awaited, the India Book of Records verified and awarded Patil’s feat, presenting him with a certificate, medal, and badge.   Even at 75, the senior singer’s enthusiasm shows no signs of fading and he is now planning for more performances and possibly another record attempt, to make himself immortal in the timeless world of music.

Measured Power

Congress leaders have revived a familiar trope once again with party president Mallikarjun Kharge’s shrill call to ban the Rashtriya Swayamsevak Sangh (RSS). Few institutions in India provoke as much loathing among their critics or as much loyalty among their adherents as the RSS. Born in 1925, the RSS has survived bans, vilification and decades of political hostility.


Yet, each attempt to outlaw it - by colonial authorities, by Nehru’s Congress government after Gandhi’s assassination, and by Indira Gandhi during the Emergency has only strengthened its reach.


Now, as Kharge and other Congress leaders raise the familiar cry, the Sangh’s response has been tellingly mild. In fact, the organisation’s quiet endurance and restraint speak volumes about its discipline.


At the end of a three-day meeting in Nagpur, RSS general secretary Dattatreya Hosabale responded to Kharge’s call not with outrage but with perspective. He recalled that efforts to ban the organisation had failed repeatedly in the past, discredited both by public opinion and the courts. Rather than indulging in political one-upmanship, Hosabale’s remarks underscored a quiet confidence born of history.


That such composure comes from an organisation often caricatured as domineering is telling. The Sangh’s critics routinely accuse it of ideological rigidity; yet when faced with provocation, it responds with stoicism rather than shrillness. The contrast with the Congress’s rhetoric could not be sharper. Kharge’s statement, echoed by others within the party in the past, betrays a reflexive impulse for censorship.


Several Opposition leaders including Congress leader Priyanka Gandhi Vadra, have derided the RSS as a purveyor of communalism. In Maharashtra, Prakash Ambedkar’s Vanchit Bahujan Aghadi (VBA) has made a habit of organising marches against the Sangh, most recently in Sambhajinagar. Yet, despite frequent vilification and occasional hostility on the ground, the RSS rarely responds in kind. It neither floods the streets with counter-protests nor seeks to muzzle dissent.


Unlike most political movements, the RSS does not measure its influence in television airtime or electoral arithmetic. Its strength lies in its dense social network. By keeping its composure, it allows its critics to expend their fury while it continues to expand quietly.


To the RSS’ detractors, this calmness is unsettling. The Sangh’s leadership refrains from personal invective, couching its language instead in appeals to unity, culture and national self-reliance.


Any renewed attempt to ban the RSS would be not only constitutionally dubious but politically self-defeating. Every previous proscription - from 1948 to 1975 - ended up strengthening the organisation’s legitimacy and deepening its roots. Kharge and his allies would do well to remember that pattern.


The RSS’s enduring appeal lies less in ideology than in discipline and in its ability to command loyalty without coercion. That same discipline also tempers its power. It could, if it wished, mobilise thousands in retaliation to those who vilify it, but it chooses restraint. In an age of performative outrage, that self-control is both its shield and its strength. 


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