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By:

Bharati Dubey

17 May 2026 at 1:38:10 am

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a...

After Don-3 controversy, Ranveer’s next film goes on floors

Mumbai: After months of attention surrounding his reported exit from Don 3, Ranveer Singh has finally moved on to his next major cinematic venture. The actor’s ambitious survival spectacle Pralay has officially gone on floors in Mumbai today, marking the beginning of filming on one of the most ambitious and scale-driven projects in Indian cinema. Headlined by Ranveer Singh and directed by Jai Mehta, Pralay is an original end-of-the-world action thriller that promises to take audiences into a world on the brink of annihilation. Produced by Ananya Birla’s Birla Studios, Hansal Mehta and Sahil Saigal’s True Story Films, and Maa Kasam Films, the film combines large-scale spectacle with a deeply human story of survival, courage and the instinct to fight for what matters most. The film marks Ranveer’s next major motion picture following Dhurandhar and Dhurandhar – The Revenge, which emerged as the highest-grossing film of all time. With Pralay, the actor once again ventures into unexplored cinematic territory, taking on a disruptive new concept that demands both physical intensity and emotional conviction. Ranveer will also serve as a producer on the film. The project comes at an important point in the actor’s career. His reported exit from Don 3 had generated considerable buzz, particularly as he was expected to carry forward one of Indian cinema’s most iconic franchises. With Pralay, Ranveer now turns the page with an entirely original story rather than stepping into another established universe. Joining him is Lokah breakout actress Kalyani Priyadarshan, who plays a pivotal role in the film and brings together another exciting performer from the new generation of Indian talent. For Ananya Birla, Pralay represents Birla Studios’ ambition to push the boundaries of mainstream Indian cinema by collaborating with contemporary creative forces. For True Story Films’ Hansal Mehta and Sahil Saigal, the project reflects their commitment to disruptive storytelling and content-driven cinema. Behind the camera, Jai Mehta leads the ambitious project. His work on Scam 1992: The Harshad Mehta Story, which he co-directed with Hansal Mehta, and Lootere has earned widespread acclaim. With Pralay, he steps into a significantly larger canvas, bringing together an ensemble of creative and technical talent from India and around the world. Set against the unmistakable pulse and landscape of Mumbai, Pralay follows a relentless journey of survival against the terrifying possibility of an end-of-the-world catastrophe. The film aims to marry breathtaking spectacle with an emotional core, exploring what people are willing to do to survive when the world as they know it begins to collapse. The makers are shooting extensively at live locations in and around Mumbai, embracing the physicality and unpredictability of real-world environments. The approach is designed to add scale, texture and realism to the apocalyptic world while creating an immersive theatrical experience. The film had already undergone several months of highly technical and intensive pre-production before cameras began rolling. Its ambitious mounting and unusual premise have made Pralay one of the most talked-about upcoming projects in Indian cinema.

Sacred Spectacle

Updated: Mar 3, 2025

The recently concluded Maha Kumbh 2025 in Prayagraj was nothing short of a logistical marvel. Over 650 million devotees - twice the population of the United States - took the holy dip at the Triveni Sangam. Far more than a religious congregation, it was a demonstration of India’s organizational prowess, seamlessly blending tradition with modern management. The festival generated 1.2 million jobs and injected $36 billion into Uttar Pradesh’s economy. Yet, the event has faced relentless criticism from opposition parties and left-leaning intellectuals who, rather than acknowledging this extraordinary feat, have dismissed it as state-sponsored religious extravagance.


Instead of appreciating the deeply rooted faith of crores of Hindus, many prefer to paint the Kumbh Mela as an affront to secularism. But their argument rings hollow. If secularism entails equal treatment of all religions, why do only Hindu temples remain under state control? The government has, for decades, expropriated tens of billions from temple revenues while allowing institutions of other faiths to operate independently. To decry Yogi Adityanath’s decision to allocate funds for the Maha Kumbh without acknowledging the disproportionate financial burden placed on Hindu religious institutions is intellectual dishonesty at best.


Even the world’s top academics recognize Maha Kumbh’s logistical achievement. Harvard researchers have studied its temporary city, built with simple materials and incredible efficiency, as a model for urban planning. Few mass gatherings of this scale anywhere in the world manage to provide clean water, sanitation, crowd management and emergency services with such precision. Countries struggling with refugee crises and disaster management could well take notes from the organizers of Maha Kumbh 2025. Yet, while foreign scholars marvel at this achievement, India’s own intellectual elite refuse to acknowledge it.


However, the grandeur of the event should not obscure the lessons that must be learned. Despite meticulous planning, a tragic stampede on one of the most auspicious bathing days claimed at least 30 lives and injured 60 others. This is unacceptable. India has hosted these grand events for centuries, and yet crowd-control failures persist. With the next Kumbh Mela set to take place in 2027 at Nashik on the banks of the Godavari, authorities must ensure that such tragedies do not recur. The success of this year’s Maha Kumbh should not breed complacency but serve as a blueprint for further refinement. The Kumbh Mela, as it has evolved, is not merely a Hindu festival but an economic and cultural powerhouse, a demonstration of India’s ability to manage complexity on an unprecedented scale. It is time for critics to move beyond their ideological blinkers and recognize the event for what it is: a triumph of faith, governance and economic vitality. The Maha Kumbh does not need validation from the secular elite; its sanctity and success are already etched into India’s civilizational memory. What remains to be done is to ensure that its next chapter in Nashik is not only as grand but also safer for the millions who will gather in devotion once again.

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