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By:

Shoma A. Chatterji

21 August 2024 at 10:49:40 am

The Pallbearer’s Tragedy

Three decades after its premiere, Rangakarmee’s Mayyat remains a searing theatrical indictment of caste. Rangakarmee is perhaps the only theatre group that has been producing and performing plays in Hindi in Kolkata for 50 years this year. Founded and headed by the late Usha Ganguly, it is still as active and dynamic in presenting Hindi plays mainly new and sometimes recreating for the new audience, old plays that are timeless in their content and their appeal. The amazing feature of Mayyat...

The Pallbearer’s Tragedy

Three decades after its premiere, Rangakarmee’s Mayyat remains a searing theatrical indictment of caste. Rangakarmee is perhaps the only theatre group that has been producing and performing plays in Hindi in Kolkata for 50 years this year. Founded and headed by the late Usha Ganguly, it is still as active and dynamic in presenting Hindi plays mainly new and sometimes recreating for the new audience, old plays that are timeless in their content and their appeal. The amazing feature of Mayyat is that it was first performed by Usha Ganguly and her troupe way back in 1997 and has already performed around 500 shows spanning 30 years and signifies the cross-generational reach and popularity of the play. We saw a group of absolutely new actors dedicated to Rangakarmee. Their performance defined the strict discipline, the constant workouts and rehearsals to keep mobile and flexible because the very big cast needed to be perfect in body, mind and spirit during each 45-minute performance. What does the word Maiyyat mean? It is said to have its roots in Arabic and literally, it translates as ‘dead body’ or ‘corpse.’ The play is rooted in the deep internalization among the low castes of their exploitation and torture by the Brahmins of their village. The Brahmins are proud in their gait, their body language and even in their pure form of dress with the holy thread of Brahminism proudly on display. The custom of the proud, arrogant and rude Brahmins is to choose at least one among the four untouchables to become the pall-bearer when someone of the upper-caste dies. Instead of feeling sad or insulted, the chosen untouchable feels blessed and proud for being allowed by this strange custom of becoming a fake “Brahmin” if even for one day. Lakku is one such untouchable who lives somewhere near Aurangabad and leads a miserable life of poverty with the burden of a mentally deranged, motherless son he takes care of. The pall is decorated heavily with flowers and instead of looking like a bourse, it is decorated with lots of flowers like a palanquin. Someone obviously among the Brahmins is dead and the other Brahmins draw lots to find out which untouchable will be chosen to offer his shoulder to the bourse. `When Lakku’s name comes up in the shuffling of the paper chips, he is thrilled that at least for one day, he will enjoy the ‘blessing’ of becoming a “Brahmin.” But forced to run through the village on an empty stomach and with a weak body, Lakku collapses and dies before the bourse can reach the crematorium. Now, the question is – who will carry his body and carry it to the cremation ground? The entire performance, with 23 theatre actors, originally scripted, designed and directed by Usha Ganguly, is now performed by a new young cast under the guidance, training and supervision of Amal Saha, Deepesh Rajak, and Anirudh Sarkar. It has been conceived and designed like a musical opera with every Brahmin member of the cast, including the young women, dressed traditionally in pristine white with lots of marigold garlands and a sandalwood tikka adorning their foreheads. Though there are dialogues in the performance, these are either among the leading and decisive members among the Brahmins or scoldings and threats from the Brahmins to the four members from the untouchable tribe, each one representing a different low caste. These four men, alongwith Lakku and his mentally retarded son, keep waiting eagerly in one corner of the proscenium for the results of the lots to be drawn. They hug each other for joy when their names are announced and Lakku specially is thrilled with the responsibility of being pallbearer and becoming a Brahmin for just one night. Whose corpse is being carried in the bourse is not important. What is important is who are the pall bearers? At least, the Brahmins are not. What one carries home after watching a performance-play like Mayyat is the marvellous synchronization of the entire female cast wandering right around the proscenium space singing songs in complete harmony with not a note of error and the Brahmin men discussing, arguing and quarrelling over not how the corpse will be cremated but which low-caste man will become the pallbearer for one night. The bottom-line is caste is a continuous, historical evil. But should it remain so? (The writer is a noted film scholar. Views personal.)

Sacred Sweets and Sacred Rage: The Politics of Religious Offence

Updated: Oct 21, 2024

Sacred Sweets

The controversy surrounding the Tirupati Laddu, one of Hinduism’s most cherished offerings, underscores a stark truth about the nature of religious tolerance in India. Despite the discovery of sub-standard ghee and traces of animal fat in the famed prasadam, there has been no violence and no rioting from the devout millions who revere the Tirumala Venkateswara Temple – arguably India’s most visited religious site. No doubt the political fallout has been fierce, and the hurt to religious sentiment palpable, but the response from Hindu devotees has been largely peaceful.

Contrast this with the reaction to perceived blasphemy in Islam. Across the world, even minor offences against the Prophet Muhammad or the religion’s tenets have triggered violent reprisals. In 2015, when the French satirical magazine Charlie Hebdo published cartoons of the Prophet, the result was a brutal terrorist attack on its offices that left 12 people dead. The violence was not confined to France. Demonstrations and riots erupted in Muslim-majority countries from Pakistan to Yemen, with protesters demanding retribution. Similarly, the 2005 publication of caricatures in the Danish newspaper Jyllands-Posten led to a global wave of riots, embassy burnings and multiple deaths.

In June 2022, Umesh Kolhe, a chemist in Amravati district, was gruesomely murdered for forwarding a WhatsApp message supporting then-BJP spokesperson Nupur Sharma, who had made controversial remarks about the Prophet Muhammad. Around the same time, in Udaipur, Rajasthan, tailor Kanhaiyya Lal Teli was similarly killed for the same reason, with one assailant recording the act on a mobile phone.

The point here is that Hinduism, in contrast, offers a model of remarkable tolerance and resilience in the face of insult or perceived sacrilege – notwithstanding the disparaging from the so-called ‘liberal’ champions of secularism.

This is not to suggest that Hindus are immune to provocation. India has seen its fair share of communal violence, often political in nature. But when it comes to religious offence, especially in cases involving sacred rituals or deities, the general pattern is one of legal redress rather than an immediate turn to violence seen in other parts of the world.

In the Tirupati laddu controversy, while Chief Minister N. Chandrababu Naidu’s Telugu Desam Party (TDP) is rattling sabres with Y.S. Jagan Mohan Reddy’s Yuvajana Sramika Rythu Congress Party (YSRCP), the broader Hindu population has remained calm. Rather than calls for violence, there were demands for accountability, investigation and ultimately justice.

The response to religious affront in Islam, by comparison, tends to escalate more quickly into violence. The theological underpinnings of this difference are complex. In Islam, any depiction or criticism of the Prophet is viewed as an act of blasphemy, punishable by death in several countries. This is rooted in sharia law, which prescribes severe penalties for apostasy and blasphemy. Even in countries where such laws do not exist, Muslim communities often react with intensity to perceived slights against their religion.

Hinduism, by contrast, is more decentralised and diverse in its interpretation of the sacred. With thousands of deities, multiple schools of thought, and no single religious authority, there is a degree of pluralism inherent in the faith which often extends to matters of religious offence.

The Laddu controversy, while deeply wounding to Hindu sensibilities, has been addressed within the boundaries of state authority. Investigations are underway, and while political rivalries continue to play out, the broader Hindu response has been one of tolerance, or at least restraint. This restraint is not a modern phenomenon. It is deeply rooted in India’s historical tradition of religious tolerance, exemplified by emperors such as Harsha and Samudragupta, whose rule, based on the tenets of ‘Dharmashastras,’ stood in stark contrast to the bloodlust and rapacity of marauding Islamic conquerors from Afghanistan and Central Asia who swept through India in the 11th century.

Though Harsha himself was a devout Buddhist, his kingdom embraced a pluralistic approach, with support extended to Buddhist, Hindu and Jain institutions alike. His administration was marked by tolerance and accommodation of multiple faiths. His diplomatic outreach to China and sponsorship of religious councils reflects a ruler more interested in intellectual exchange than religious dominance.

Similarly, Samudragupta, called the ‘Napoleon of India’ by Vincent Arthur Smith for his military conquests in the 4th century CE, also presided over a period of religious pluralism. Whatever Smith thought, I regard Samudragupta as being far greater to Napoleon, whose conquests brought misery to Europe for two decades and overshadowed his reforms.

This tolerance contrasts sharply with the rule of Islamic conquerors like Mahmud of Ghazni, whose infamous sacking of the Somnath Temple in 1026 CE was not merely a political act of conquest but one deeply imbued with religious motives. The looting and destruction of Hindu temples became a pattern among many subsequent Islamic rulers, from Muhammad of Ghor to the Mughal Emperor Aurangzeb. This contrast is certainly not a commentary nor meant to disrespect Indian Muslims, many of whose remarkable contributions have greatly enriched Indian social life at every stage post-Independence.

The point is that the legacy of pluralism inherited from rulers like Harsha and Samudragupta has left a deep imprint on the Hindu psyche. Hinduism, with its multitude of deities, philosophies, and practices is inherently more accommodating of diversity and dissent.

The Tirupati Laddu affair highlights Hinduism’s capacity for measured responses to even the most delicate of religious insults - a lesson in tolerance that many other faiths, grappling with their own theological rigidity, would do well to learn.

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