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By:

Bhalchandra Chorghade

11 August 2025 at 1:54:18 pm

Applause for Cricket, Silence for Badminton

Mumbai: When Lakshya Sen walked off the court after the final of the All England Badminton Championships, he carried with him the disappointment of another near miss. The Indian shuttler went down in straight games to Lin Chun-Yi, who created history by becoming the first player from Chinese Taipei to lift the prestigious title. But the story of Lakshya Sen’s defeat is not merely about badminton final. It is also about the contrasting way India celebrates its sporting heroes. Had the same...

Applause for Cricket, Silence for Badminton

Mumbai: When Lakshya Sen walked off the court after the final of the All England Badminton Championships, he carried with him the disappointment of another near miss. The Indian shuttler went down in straight games to Lin Chun-Yi, who created history by becoming the first player from Chinese Taipei to lift the prestigious title. But the story of Lakshya Sen’s defeat is not merely about badminton final. It is also about the contrasting way India celebrates its sporting heroes. Had the same narrative unfolded on a cricket field, the reaction would have been dramatically different. In cricket, even defeat often becomes a story of heroism. A hard-fought loss by the Indian team can dominate television debates, fill newspaper columns and trend across social media for days. A player who narrowly misses a milestone is still hailed for his fighting spirit. The nation rallies around its cricketers not only in victory but also in defeat. The narrative quickly shifts from the result to the effort -- the resilience shown, the fight put up, the promise of future triumph. This emotional investment is one of the reasons cricket enjoys unparalleled popularity in India. It has built a culture where players become household names and their performances, good or bad, become part of the national conversation. Badminton Fights Contrast that with what happens in sports like badminton. Reaching the final of the All England Championships is a monumental achievement. The tournament is widely considered badminton’s equivalent of Wimbledon in prestige and tradition. Only the very best players manage to reach its final stages, and doing it twice speaks volumes about Lakshya Sen’s ability and consistency. Yet the reaction in India remained largely subdued. There were congratulatory posts, some headlines acknowledging the effort and brief discussions among badminton enthusiasts. But the level of national engagement never quite matched the magnitude of the achievement. In a cricketing context, reaching such a stage would have triggered days of celebration and analysis. In badminton, it often becomes just another sports update. Long Wait India’s wait for an All England champion continues. The last Indian to win the title was Pullela Gopichand in 2001. Before him, Prakash Padukone had scripted history in 1980. These victories remain among the most significant milestones in Indian badminton. And yet, unlike cricketing triumphs that are frequently revisited and celebrated, such achievements rarely stay in the mainstream sporting conversation for long. Lakshya Sen’s journey to the final should ideally have been viewed as a continuation of that legacy, a reminder that India still possesses the talent to challenge the world’s best in badminton. Instead, it risks fading quickly from public memory. Visibility Gap The difference ultimately comes down to visibility and cultural investment. Cricket in India is not merely a sport; it is an ecosystem built over decades through media attention, sponsorship, and mass emotional attachment. Individual sports, on the other hand, often rely on momentary bursts of recognition, usually during Olympic years or when a medal is won. But consistent performers like Lakshya Sen rarely receive the sustained spotlight that their achievements deserve. This disparity can also influence the next generation. Young athletes are naturally drawn to sports where success brings recognition, financial stability and national fame. When one sport monopolises the spotlight, others struggle to build similar appeal. Beyond Result Lakshya Sen may have finished runner-up again, but his performance at the All England Championship is a reminder that India continues to produce world-class athletes in disciplines beyond cricket. The real issue is not that cricket receives immense attention -- it deserves the admiration it gets. The concern is that athletes from other sports often do not receive comparable appreciation for achievements that are equally significant in their own arenas. If India aspires to become a truly global sporting nation, its applause must grow broader. Sporting pride cannot remain confined to one field. Because somewhere on a badminton court, an athlete like Lakshya Sen is fighting just as hard for the country’s colours as any cricketer on a packed stadium pitch. The only difference is how loudly the nation chooses to cheer.

Turning Down the Volume

A quiet gesture along the world’s loudest border could signal more than a pause in propaganda.

The Korean Peninsula has long been a place where diplomacy is measured not just in treaties or summits, but in decibels. Now, after years of shrill exchanges, both North and South Korea are literally turning down the volume.


South Korea’s military says it has observed North Korean soldiers dismantling some of the loudspeakers used to beam propaganda across the demilitarised zone (DMZ). The move comes in apparent response to the overtures of South Korea’s newly elected president, Lee Jae Myung, who campaigned on repairing ties with the North. Seoul had already removed some of its own loudspeakers earlier in the week, having halted broadcasts shortly after Lee took office in June.


While the gesture may seem trivial, in the lexicon of inter-Korean relations, the loudspeaker is no mere piece of military hardware. For decades, it has been both a weapon and a symbol: a way of making the invisible border deafeningly present. South Korea’s broadcasts, which have in recent years mixed K-pop anthems with news bulletins, were designed to chip away at Pyongyang’s information blockade. North Korea’s retort was less tuneful, featuring animal howls, martial music and denunciations of the ‘puppet regime’ in Seoul.


The tactic has an old pedigree. Psychological warfare along the DMZ began in earnest in the late 1960s, after a series of cross-border skirmishes. Loudspeaker duels became a low-cost, high-impact way of signalling displeasure, used as readily in times of tension as in the run-up to talks. They were suspended in 2018, during the brief diplomatic thaw that culminated in summits between Kim Jong Un and then-President Moon Jae-in. But in June last year, after a six-year pause, Seoul resumed the broadcasts in retaliation for Pyongyang’s crude balloon campaign by sending sacks of rubbish and leaflets drifting southward.


Border residents have long borne the brunt of this sonic warfare, sometimes jolted awake in the small hours by music, slogans or animal noises wafting over the hills. The South Korean military claimed its speakers could carry messages 10km by day and up to 24km by night - enough to reach North Korean garrisons and villages alike.


Yet there is more at stake here than the comfort of borderland communities. The removal of loudspeakers is a bellwether for the political climate between the two Koreas. Under Lee’s predecessor, Yoon Suk Yeol, relations had reached their chilliest point in years. Yoon’s hawkish policies, combined with his short-lived imposition of martial law in December last year, ostensibly in response to “anti-state forces” and suspected North Korean sympathisers, alienated Pyongyang and unnerved much of the South Korean public. His impeachment opened the way for a political reset.


President Lee inherits a uniquely fraught situation. The North, under Kim Jong Un, formally abandoned its decades-old policy of eventual reunification earlier this year. This was a watershed moment: since its founding in 1948, the North had maintained the fiction—enshrined in propaganda and the constitution—that the South would one day be “liberated.” By renouncing this goal, Kim signalled not rapprochement but resignation, perhaps recognising that reunification, on any terms acceptable to Pyongyang, was unattainable.


The two Koreas remain technically at war; the 1950-53 Korean War ended not with a peace treaty but an armistice. In the decades since, the DMZ has become both a symbol of frozen conflict and a flashpoint for sudden, dangerous escalations. Its status is shaped not only by the will of Koreans but by the interests of larger powers. The United States, with 28,500 troops stationed in the South, remains the ultimate security guarantor for Seoul. China, the North’s main ally and trading partner, prefers a stable but divided peninsula, wary that a collapse in Pyongyang could send millions of refugees streaming across its border and eliminate a strategic buffer against American forces.


Against this geopolitical backdrop, the silencing of loudspeakers is not the harbinger of imminent peace, but it is a sign of tactical restraint. Still, in an environment where even small moves can reverberate, dismantling the loudspeakers is a calculated step toward lowering the temperature.

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