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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Cricket’s Quiet Crusader

Former kca Selection Chief who helped nurture a generation of women cricketers when the sport struggled for recognition Niketha Ramankutty A prominent figure in Indian women’s cricket, Niketha Ramankutty — former Chairperson of the Kerala Cricket Association (KCA) Women’s Selection Committee and Manager of the Kerala State women’s teams — has long championed the game, especially when women’s cricket had little platform in her home state. Her dedication helped nurture girls taking to cricket...

Cricket’s Quiet Crusader

Former kca Selection Chief who helped nurture a generation of women cricketers when the sport struggled for recognition Niketha Ramankutty A prominent figure in Indian women’s cricket, Niketha Ramankutty — former Chairperson of the Kerala Cricket Association (KCA) Women’s Selection Committee and Manager of the Kerala State women’s teams — has long championed the game, especially when women’s cricket had little platform in her home state. Her dedication helped nurture girls taking to cricket in Kerala. During her tenure, which ended recently, five players from the state went on to represent India, while three now feature in the Women’s Premier League (WPL). Niketha’s journey began in 1995 on modest grounds and rough pitches in the blazing sun of her native Thrissur. At the time, girls aspiring to play cricket often drew curious stares or disapproving glances. This was despite Kerala producing some of India’s finest female athletes, including P.T. Usha, Shiny Wilson, Anju Bobby George, K.M. Beenamol and Tintu Luka. “Those were the days when women’s cricket did not attract packed stadiums, prime-time television coverage, lucrative contracts or celebrity status. Thankfully, the BCCI has taken progressive steps, including equal pay for the senior women’s team and launching the WPL. These have brought greater visibility, professional avenues and financial security for women cricketers,” Niketha said during a chat with  The Perfect Voice  in Pune. With better infrastructure, stronger domestic competitions and greater junior-level exposure, she believes the future of women’s cricket in India is bright and encourages more girls to pursue the sport seriously. Humble Beginnings Niketha began playing informal matches in neighbourhood kalisthalams (playgrounds) and school competitions before realising cricket was her true calling. Coaches who noticed her composure encouraged her to pursue the game seriously. More than flamboyance, she brought reliability and quiet determination to the turf — qualities every captain values when a match hangs in the balance. These traits helped her rise through the ranks and become a key figure in Kerala’s women’s cricket structure. “She was like a gentle messiah for the players. During demanding moments, they could rely on her – whether to stabilise an innings or lift team spirit,” recalled a former colleague. Guiding Youngsters Her involvement came when women’s cricket in many states struggled even for basic facilities. Matches were rarely covered by the media, and limited travel or training arrangements often tested players’ patience. “As a mother of two daughters—Namradha, 18, and Nivedya, 14—I could understand the emotions of the young girls in the teams. Guiding players through difficult phases and helping them overcome failures gave me the greatest satisfaction,” she said. Niketha — an English Literature graduate with a master’s in Tourism Management — believes success in sport demands not only skill but also sacrifice. Strong parental support and encouragement from her husband, Vinoth Kumar, an engineer, helped her overcome many challenges. Never one to seek the spotlight, she let her performances speak for themselves, earning respect on the national circuit. Quiet Legacy Today, the landscape has changed dramatically. Young girls are more ambitious, parents more supportive, and cricket is seen as a viable career with opportunities in coaching, umpiring, team management, sports analysis and allied fields. Players like Niketha have quietly strengthened the sport. Their journeys show that some victories are not won under stadium floodlights, but by determined women who simply refused to stop playing.

Who Tells India’s Story? And Who Stops to Ask If It’s True?

Journalism isn’t about serving subscribers, but about serving the truth even when it rattles those in power.

The first lesson I learned as a subeditor at National Mail (the now-defunct English paper of Dainik Bhaskar) had nothing to do with grammar or page layout. It was a question posed by my editor after I spent hours scrolling through reels of reportage: “Will your piece get people to think?”


Back then, I was tasked with the invisible but critical job of distilling chaos into clarity by identifying what was newsworthy, editing for tone and truth, and giving it a headline that hit hard but didn’t stray from the facts. That question about making people think has stayed with me over the years.


I also remember the sheer rigour with which my stories were treated. The writings of reporters, especially investigative pieces, were read through with scrutiny that felt like getting past Z plus security at Raisina Hill. Every word weighed, every phrase tested for balance, implication and clarity. The editorial desk was akin to a firewall. I knew my story would not be printed unless it could withstand layered questioning. I wonder if the same standard holds today, at a time when speed often Trumps (pun intended) scrutiny, and a viral byte is mistaken for verified news.


I cannot help but recall a scene from a political drama I once watched, where two journalists discuss the difference between a person and a corporation. One of them makes a sharp observation: when a person holds a door open for you, they don’t ask for money first. That simple act of unprompted generosity is what separates human intent from corporate interest. It struck me then that if a news agency, meant to serve the public good, demands payment before sharing facts, hasn’t it already crossed that line?


It is also the difference between journalism and something that only pretends to be. When a news agency demands payment before sharing facts, it undermines journalism’s core purpose which is access to truth. The ANI controversy reveals a deeper issue: political bias and a lack of competition. No serious challenger has emerged, exposing a troubling void in India’s media independence and journalistic sustainability.


In a world where anyone with a phone becomes a journalist, raw inexperience often brings unfiltered honesty. But while individuals may earn our trust through their flaws, can the same leniency apply to a powerful news agency? Accountability, not innocence, must be the standard when scale meets influence.


India’s news agencies, the backbone of daily journalism, have always sat in that uneasy space between reportage and relay. Long before the internet, Twitter and debates on prime time turned into political theatre, we had news agencies - the silent news suppliers to hundreds of publications. If journalism was a conversation with the public, they were the first to whisper.


But who whispers first, and what they choose to say, matters. I came into the industry at a time when the Press Trust of India (PTI) still carried the dignity of a national institution. United News of India (UNI) was still competing. Asian News International (ANI) was growing but still finding its place.


Today, ANI dominates the screen space. Its video clips, byte feeds and ‘source-based’ updates shape the day’s discourse before most journalists log in. But that dominance comes at a cost that many are now questioning.


The ANI controversy is essentially one between power and public interest. Many allege that ANI has blurred the lines between journalism and public relations. The accusations are not just about editorial slant but about access, agenda and the slow erosion of scepticism. While PTI has drawn the government’s ire for publishing reports that question official narratives, ANI is often considered the government’s preferred conduit. In a world where access is currency and algorithms reward repetition over rigour, what happens to the craft I was taught? Of sitting with a reel, observing and choosing what will make people think?


To understand where we are, we need to rewind. Colonial India depended on the British-run Associated Press of India, a subsidiary of Reuters. Indian newspapers, even nationalist ones, got their news through that lens. Independence brought with it a demand for self-representation—leading to the creation of PTI in 1947 and UNI in 1959. These weren’t just agencies; they were ideals.


That ideal cracked during the Emergency when the government forcibly merged PTI, UNI and others into one state-controlled agency: Samachar. It was a short-lived but chilling reminder of how easily truth can be nationalized.


The irony is that we no longer need censorship to shape narratives. All it takes is dominance. A single agency - widely subscribed, politically aligned and visually omnipresent - can tilt the balance of perception. It can decide which byte gets cut, which quote gets amplified, and which silence becomes the story.


News agencies may not carry bylines, but they have consequences. They define the day’s agenda for editors, anchors and audiences. They frame the first draft of every breaking story. When these institutions lean too far in one direction - whether toward state power, corporate interest or ideological zeal - they stop being news agencies, becoming instruments instead. I may have left National Mail years ago, but that lesson in editorial judgment of choosing what matters, not what sells feels more urgent than ever. Journalism is not about holding the door open only for those who pay. It is about opening the door for truth, even when inconvenient. As India’s media shifts under pressure, the question isn’t who tells our story but who stopped asking if it was true.


(The writer is learning and development professional. views personal)

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