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By:

Rupali Sethi

6 January 2026 at 8:01:30 pm

A Quiet Mirror of Life

Literature need not depend on extraordinary events to uncover extraordinary truths. A fleeting encounter, a childhood memory, a family ritual or an apparently insignificant incident can expose the deeper tensions of human nature. Sundar Viswam’s Mortal Remains and Other Stories, a collection of eleven stories, takes this route. Love, friendship, family, ambition, migration, morality, betrayal, prejudice and destiny emerge not through grand dramas but through ordinary lives. Viswam’s...

A Quiet Mirror of Life

Literature need not depend on extraordinary events to uncover extraordinary truths. A fleeting encounter, a childhood memory, a family ritual or an apparently insignificant incident can expose the deeper tensions of human nature. Sundar Viswam’s Mortal Remains and Other Stories, a collection of eleven stories, takes this route. Love, friendship, family, ambition, migration, morality, betrayal, prejudice and destiny emerge not through grand dramas but through ordinary lives. Viswam’s particular talent is to find the consequential in the commonplace: a kite, a wedding invitation, a rumour or a sudden turn of fate becomes a way into larger questions about how people behave. The title story, “Mortal Remains”, sets the reflective tone of the collection by asking what survives an experience in memory, in creativity and in the emotional lives of others. The stories repeatedly return to that question. What people carry with them, and what they leave behind in others, often matters more than the event itself. Characterisation is perhaps the collection’s greatest strength. Viswam does not arrange his people conveniently into heroes and villains. They are contradictory, ambitious, vulnerable and morally uncertain. In “Mortal Remains”, a writer’s compulsive attachment to his art becomes an exploration of creative obsession, loneliness and the uneasy relationship between life and artistic expression. “The Red Kite” turns childhood friendship and rivalry into a painful memory, showing how an apparently innocent episode can acquire significance over a lifetime. “Manda oh my Manda!” inhabits the uncertain territory between affection and self-interest, while “The Invitation” uses an ordinary social ritual to expose family bitterness. “Falling Out” examines the slow deterioration of friendship when concealed perceptions come to the surface; “Brother in Need” places adolescence against a backdrop of corruption and insecurity. The psychological force of these stories comes less from explanation than from behaviour. Fear, guilt, longing, jealousy and regret surface in dialogue, hesitation and silence. Viswam trusts such details to do much of the work, allowing his characters to reveal themselves rather than having the author explain them. The collection also acquires a wider social and philosophical dimension. “The God of Chance” considers the role of coincidence and destiny in human relationships. “Regrettably, Yours” offers a perceptive account of the immigrant experience, where professional achievement does not necessarily settle questions of identity and belonging. “A Matter of Principle” explores the uneasy distance between conviction and practical reality, while “Just Token” examines how moral compromise can begin with choices that appear too small to matter. In “Pleasanton”, the rumour of an Indian lottery winner unsettles a community and brings prejudice, aspiration, insecurity and curiosity to the surface. The common thread is consequence. Small incidents can produce disproportionate emotional effects; private compromises can reveal larger moral questions. Society, in Viswam’s hands, is not merely a backdrop but a mechanism for exposing character. His interest lies in the point at which chance becomes consequence and an everyday decision acquires moral weight. Viswam writes with clarity and restraint, moving comfortably between tenderness, irony, humour, social observation and introspection. His vocabulary serves the story rather than calling attention to itself. Carefully chosen details establish atmosphere without burdening the narrative with description. There is an appealing economy to the writing. That restraint is particularly effective in moments that might otherwise invite melodrama. Readers are consequently free to make their own judgments rather than being directed towards them. The result is prose that is accessible without being thin, and psychologically attentive without becoming ponderous. Ultimately, Mortal Remains and Other Stories succeeds because it treats human beings as complicated creatures rather than moral specimens. Its characters love, fear, desire, compromise, remember and regret, often simultaneously. Viswam does not hurry to judge them; circumstances and choices are allowed to expose their contradictions. The title therefore assumes a wider significance. What remains after an experience is rarely the experience itself. It is the memory, the emotional imprint and the alteration it leaves behind. Viswam finds these residues in ordinary lives and turns them into occasions for reflection. His stories suggest that profound literature need not search for exceptional lives. It can begin with ordinary people, provided the writer observes them with sufficient patience, empathy and curiosity. That is what makes the collection linger. Its stories do not offer easy moral conclusions. Instead, they encourage readers to recognise familiar emotions in unfamiliar lives — and perhaps to see their own lives a little differently. (The writer is a literary critic, book reviewer and scholar of Hindi and English literature.)

Why Women Are Better Investors Than Men

Mar 9, 2025
2 min read

Updated: Mar 10, 2025


Women Are Better Investors

As the world celebrated International Women's Day, discussions centered around women's achievements in various fields—business, leadership, science, and beyond. But one area where women consistently outperform men, yet receive little recognition, is investing.


Despite money management often being seen as a male-dominated field, women have quietly and consistently proven to be better investors than men. With patience, discipline, and a long-term mindset, women naturally possess qualities that make them superior money managers.


A Perfect Blend of Knowledge and Wealth

In Hindu mythology, Goddess Saraswati symbolizes knowledge, while Goddess Lakshmi represents wealth—two essential pillars of investing. The ability to manage wealth wisely stems from a deep understanding of financial principles, and this is where women excel. They take the time to learn, analyze, and make informed investment decisions rather than rushing into trends or speculation.


Why Women Make Better Investors

Several traits make women stand out as investors:


Patience and Long-Term Vision: Unlike men, who may be more prone to impulsive trading and get-rich-quick schemes, women tend to have a longer term mindset. Their ability to stay calm, especially during market fluctuations, leads to better returns over time.


Disciplined and Goal-Based: Women prioritize consistent savings and goal-based investing. This disciplined approach helps them build wealth steadily. Women naturally excel at budgeting, planning, and structuring investments to align with future goals, whether it’s children’s education, home buying, or retirement security. Their emotional connection with goals is what makes them stick to discipline.


Risk-Aware, Not Risk-Averse: Contrary to the stereotype, women are not afraid of risks—they are just more calculated about them, through appropriate asset allocation. Eventually, this approach ensures maximum returns with minimal risks. 


Trust and Willingness to Learn: Women value education and expertise, making them more likely to seek guidance from a well-qualified financial advisor. Unlike men, who often overestimate their investing abilities, women approach financial decisions with a willingness to learn. Once they find a trusted expert, they follow sound advice instead of making emotional, short-term moves.


Women Leading the Financial World

These qualities are why many of the world’s leading financial institutions are now led by women. In India and abroad, we see prominent banks, asset management companies, and investment firms thriving under female leadership. Their ability to combine strategic thinking with emotional intelligence makes them exceptional at managing money—both at a personal and professional level.


Final Thoughts

With their trust in expert advice and a strong focus on financial education, more women should embrace their strengths and take control of their financial futures!

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