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21 August 2024 at 3:50:16 pm

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has...

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has already exposed the fissures beneath the coalition’s carefully cultivated façade of unity. The first imperative is to establish the facts. Chief Minister Devendra Fadnavis has ordered a forensic examination of the recording, including the identities of the speakers and the circumstances in which it was made. The investigation must go beyond determining whether the audio has been manipulated. Its provenance, completeness, context and circulation must also be established. The allegations are extraordinary. Jarange claims that the purported conversation points to efforts to blunt his influence ahead of the 2024 Assembly elections, when his agitation for Maratha reservation had become a significant political force. The recording allegedly refers to Rs. 500 crore being delivered through Shrikant Shinde. Both Eknath Shinde and his son have rejected the allegations, with the latter responding sarcastically that the money never reached him. Jarange, for his part, has denied receiving the sum and demanded an investigation. The recording has surfaced nearly two years after the alleged conversation, reportedly dating to October 2024. Fadnavis has himself questioned why it has emerged now and who stands to benefit. The allegations have become a test of trust within the Mahayuti itself. The BJP and the Shinde-led Shiv Sena remain partners in government, but their relationship is hardly free of friction. Shinde’s transition from chief minister to deputy chief minister after the 2024 Assembly election underscored the BJP’s ascendancy within the alliance. The latest controversy has revived questions about whether competing ambitions and suspicions are undermining the partnership. The danger lies in the ease with which political intrigue can displace governance. An allegation involving Rs. 500 crore is not a routine exchange of partisan accusations. If substantiated, it would raise grave questions about the use of money to influence a social movement and electoral outcomes. The Maratha reservation agitation has had profound consequences for Maharashtra’s social equilibrium. To reduce such a movement to an instrument of electoral management, if that is what occurred, would be a serious indictment of the political establishment. There is a further question that Maharashtra’s political class must confront: why does every major public controversy so quickly become a contest over factional survival? The state’s politics has grown increasingly transactional, shaped by shifting loyalties and the compulsions of coalition management. The government must therefore ensure that the inquiry is independent in substance, not merely forensic in name.

Arvind Parikh at 99: A Life in Music

7 days ago
5 min read

Six decades of enriching India’s musical heritage

A distinguished sitar maestro, Padma Bhushan awardee, musicologist, businessman and cultural ambassador enters his 100th year


On the momentous occasion of his 99th birthday and entry into his 100th year, heartfelt greetings and warm felicitations to Pandit Arvind Parikh, an eminent sitar maestro whose extraordinary journey embodies the finest traditions of Indian classical music, intellectual curiosity, entrepreneurial vision and cultural leadership.


May this special birthday bring him abundant happiness, continued good health, peace and the affection of his family, friends, admirers and the entire musical fraternity. His remarkable life stands as an enduring source of inspiration for generations of musicians, scholars and professionals.


Century of Life

As Pandit Arvind Parikh enters his 100th year, Indian classical music celebrates not merely the longevity of an eminent musician, but also the remarkable journey of a man who has dedicated more than six decades to performance, scholarship, cultural dialogue and the preservation of India's rich musical heritage.


A recipient of the prestigious Padma Bhushan, one of India's highest civilian honours, Pandit Parikh has earned recognition as an accomplished sitarist and a significant contributor to the intellectual and institutional development of Hindustani classical music. His life represents a rare confluence of artistic excellence, professional achievement and an abiding commitment to India's cultural inheritance.


His contribution extends well beyond the concert stage. Through his association with eminent musicians, research into musical traditions, publications on ragas and compositions, and efforts to bring musicians together across traditions, he has helped strengthen the foundations on which Indian classical music continues to flourish.


Musical Journey

Pandit Parikh's musical development has been enriched by his association with several distinguished musicians, including B. R. Deodhar, Latafat Hussain Khan, Amir Khan, Niyaz Ahmad and Faiyaz Ahmad Khan, D. T. Joshi, and Radhika Mohan Maitra.


These interactions provided opportunities for musical exchange and research, deepening his understanding of the diverse approaches, traditions and aesthetic principles that characterise Hindustani classical music.


A defining influence on his artistic journey was his association with Ustad Vilayat Khan, one of the most influential sitar maestros of the twentieth century. His long musical apprenticeship under the maestro exemplifies the traditional guru-shishya parampara, in which knowledge is transmitted through sustained personal guidance, observation, listening and disciplined practice.


 This relationship provided Pandit Parikh with a profound grounding in the aesthetics and techniques associated with the Imdadkhani tradition, also known as the Etawah gharana.


Cultural Recognition

Pandit Parikh has performed extensively across India and internationally, appearing at music festivals in India and Europe and undertaking concert tours across West Asia, the Far East and Australia.


His performances have introduced audiences from diverse cultural backgrounds to the expressive possibilities of Hindustani instrumental music. His regular association with All India Radio has also contributed to the dissemination of classical music beyond the concert hall.


Pandit Parikh's sustained presence as a performer reflects the adaptability of classical music in a changing world.


Musical Heritage

Among Pandit Parikh's significant contributions is his work as a researcher, compiler and documentarian of Hindustani classical music.


His publications, particularly Sitar Guru and Bandish Parampara, published by Navras Records in the United Kingdom, reflect his commitment to preserving and communicating musical knowledge.


A raga is much more than a musical scale. It is a melodic framework governed by characteristic note patterns, movements, emphases and conventions that collectively shape its musical identity. A bandish is a composed piece that provides a structured foundation for improvisation and interpretation.


The preservation of traditional compositions is particularly important because they carry historical and stylistic information. They can reveal how different musical lineages approach a raga, organise melodic phrases and balance compositional structure with improvisation.


By compiling and documenting compositions and ragas, Pandit Parikh has helped make valuable musical material available to students, researchers and future generations of musicians.


His work demonstrates how scholarship can complement performance. Documentation does not replace the oral tradition; rather, it can support the transmission of knowledge and provide important reference material for the study of India's classical musical heritage.


Cultural Ambassador

Pandit Parikh's contribution extends into cultural diplomacy and institutional leadership.


He served as Vice-President of the International Music Council, associated with UNESCO, from 1994 to 1997. He has also served as president of the Indian Musicological Society and as chairman of the Western India chapter of the ITC Sangeet Research Academy.


These responsibilities reflect his commitment to strengthening the institutions through which classical music is studied, practised and promoted.


Recognising that the long-term vitality of Indian classical music depends on more than individual artistic excellence, Pandit Parikh has encouraged dialogue among performers, scholars, organisers, broadcasters and other stakeholders.


He conceived and supported music forums in Mumbai, Chennai, Kolkata and Delhi, providing platforms for members of the musical community to exchange ideas and discuss matters affecting the future of classical music.


His efforts also extended to the All India Musicians' Group (AIMG), an initiative bringing together distinguished exponents of Hindustani and Carnatic music, including celebrated instrumentalists and vocalists. The initiative sought to create a stronger collective voice for classical musicians and encourage greater support from government, industry and the media.


This work addresses a fundamental issue in the performing arts: the survival of a musical tradition depends not only on accomplished artists but also on opportunities for performance, access to education, institutional support and the economic well-being of musicians.


By encouraging collaboration across musical traditions and professional boundaries, Pandit Parikh has contributed to a broader understanding of the responsibilities involved in preserving India's classical heritage.


Artistic Vision

Another remarkable dimension of Pandit Parikh's life is his professional achievement in business.


His career demonstrates that artistic dedication and entrepreneurial enterprise need not be mutually exclusive. He has successfully combined the demands of a professional business career with the rigours of a lifelong commitment to music.


Both fields demand discipline, perseverance, long-term planning and the ability to make informed decisions. His experience in business has complemented his cultural initiatives, bringing an organisational perspective to the promotion and preservation of classical music.


His journey is a compelling example of a professional who has pursued commerce without relinquishing his artistic calling, demonstrating that the worlds of business and culture can enrich one another.


Distinguished Journey

Pandit Parikh's contribution to Indian classical music has received recognition from India's cultural institutions.


His major distinctions include - Padma Bhushan, one of India's highest civilian honours.


Sangeet Natak Akademi Award, recognising his contribution to instrumental music, particularly the sitar.


Sangeet Natak Akademi Fellowship, an important distinction acknowledging outstanding contributions to the performing arts.


Gaurav Puraskar, recognising his contribution to the arts.


Kumar Gandharva Rashtriya Samman, honouring his achievements in Indian classical music.


These honours acknowledge different dimensions of his achievement, from artistic excellence to his wider contribution to India's musical and cultural life.


Yet the significance of a long artistic career cannot be measured by awards alone. It is equally reflected in the knowledge preserved, the students guided, the institutions strengthened and the opportunities created for others to pursue their art.


Next Generation

The transmission of knowledge to younger generations remains central to the continuity of Indian classical music.


Pandit Parikh's work as a teacher and mentor, together with his publications and musical research, has helped extend his influence beyond his own performances.


His daughter, Purvi Parikh, is also a Hindustani classical vocalist, representing another link between family life and India's musical heritage.


The guru-shishya parampara places great emphasis on personal guidance, close listening and sustained practice. At the same time, written resources, recordings and documented discussions can complement this traditional framework, allowing musical knowledge to reach a wider community.


Pandit Parikh's efforts to combine traditional learning with systematic documentation are particularly relevant in an era when preserving intangible cultural heritage requires both continuity and thoughtful adaptation. 


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