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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Cricket’s Quiet Crusader

Former kca Selection Chief who helped nurture a generation of women cricketers when the sport struggled for recognition Niketha Ramankutty A prominent figure in Indian women’s cricket, Niketha Ramankutty — former Chairperson of the Kerala Cricket Association (KCA) Women’s Selection Committee and Manager of the Kerala State women’s teams — has long championed the game, especially when women’s cricket had little platform in her home state. Her dedication helped nurture girls taking to cricket...

Cricket’s Quiet Crusader

Former kca Selection Chief who helped nurture a generation of women cricketers when the sport struggled for recognition Niketha Ramankutty A prominent figure in Indian women’s cricket, Niketha Ramankutty — former Chairperson of the Kerala Cricket Association (KCA) Women’s Selection Committee and Manager of the Kerala State women’s teams — has long championed the game, especially when women’s cricket had little platform in her home state. Her dedication helped nurture girls taking to cricket in Kerala. During her tenure, which ended recently, five players from the state went on to represent India, while three now feature in the Women’s Premier League (WPL). Niketha’s journey began in 1995 on modest grounds and rough pitches in the blazing sun of her native Thrissur. At the time, girls aspiring to play cricket often drew curious stares or disapproving glances. This was despite Kerala producing some of India’s finest female athletes, including P.T. Usha, Shiny Wilson, Anju Bobby George, K.M. Beenamol and Tintu Luka. “Those were the days when women’s cricket did not attract packed stadiums, prime-time television coverage, lucrative contracts or celebrity status. Thankfully, the BCCI has taken progressive steps, including equal pay for the senior women’s team and launching the WPL. These have brought greater visibility, professional avenues and financial security for women cricketers,” Niketha said during a chat with  The Perfect Voice  in Pune. With better infrastructure, stronger domestic competitions and greater junior-level exposure, she believes the future of women’s cricket in India is bright and encourages more girls to pursue the sport seriously. Humble Beginnings Niketha began playing informal matches in neighbourhood kalisthalams (playgrounds) and school competitions before realising cricket was her true calling. Coaches who noticed her composure encouraged her to pursue the game seriously. More than flamboyance, she brought reliability and quiet determination to the turf — qualities every captain values when a match hangs in the balance. These traits helped her rise through the ranks and become a key figure in Kerala’s women’s cricket structure. “She was like a gentle messiah for the players. During demanding moments, they could rely on her – whether to stabilise an innings or lift team spirit,” recalled a former colleague. Guiding Youngsters Her involvement came when women’s cricket in many states struggled even for basic facilities. Matches were rarely covered by the media, and limited travel or training arrangements often tested players’ patience. “As a mother of two daughters—Namradha, 18, and Nivedya, 14—I could understand the emotions of the young girls in the teams. Guiding players through difficult phases and helping them overcome failures gave me the greatest satisfaction,” she said. Niketha — an English Literature graduate with a master’s in Tourism Management — believes success in sport demands not only skill but also sacrifice. Strong parental support and encouragement from her husband, Vinoth Kumar, an engineer, helped her overcome many challenges. Never one to seek the spotlight, she let her performances speak for themselves, earning respect on the national circuit. Quiet Legacy Today, the landscape has changed dramatically. Young girls are more ambitious, parents more supportive, and cricket is seen as a viable career with opportunities in coaching, umpiring, team management, sports analysis and allied fields. Players like Niketha have quietly strengthened the sport. Their journeys show that some victories are not won under stadium floodlights, but by determined women who simply refused to stop playing.

Melody man

Updated: Mar 3, 2025

Sarod maestro Anupam Shobhakar talks to 'The Perfect Voice' about his instrument KaliMa and how music transcends all barriers and boundaries

Anupam Shobhakar

In a rich gathering of music and art, the Kala Ghoda Arts Festival saw music maestro Anupam Shobhakar perform, treating audiences to his beautiful blend of Indian and Western music. The Brooklyn-based composer, record producer and sarodist will mark Holi with a new album, Liquid Reality that combines the Hindustani classical tradition with global sounds.


He’s invented the KaliMa, an instrument that combines the guitar with the sarod. In a conversation with The Perfect Voice, Shobhakar talks about music transcending barriers of language and region.


Can the sarod play western music?

It’s totally incumbent on the musician behind the instrument. No instrument plays Indian or western music on its own. I would encourage a deep listen to an album called, Still Point: Turning World. This was a collaboration between me and guitarist Joel Harrison. The meeting of eastern and western ideas goes quite deep in it. We tried to stay away from the shallow, exotic ways these things are done sometimes by musicians from all styles. I follow that mantra myself — learn and respect all music equally.


How does music transcend barriers and boundaries?

Music is one of the only mediums that does so. It’s the very reflection of human existence. You can have two people of totally opposite cultures in terms of language or food or appearance but if they have instruments, they will communicate musically and a bridge will be born. This is a profound thing. Even animals respond to music. It’s truly a transcendent medium of communication.


What's the concept of Liquid Reality?

Liquid Reality is my new album coming out on AGS recordings and I’m very excited for it. As a global musician and composer, it really highlights the ethos of international unity for me as I live in the most diverse part of the world culturally which is New York City. It features very diverse music from a modern adaptation of ghazal to a reshaped shakti classic to fiery duos for guitar and kanjira to deep episodic Brazilian inspired music. It has some of the greatest players and improvisers alive today.


When you collaborate with artistes who excel in different forms of music, how do you manage to put diverse styles and sounds together?

It all comes down to the writing and the integrity of your ideas and aesthetic evolution. I don’t like to think of music as any different from how one puts food together. If you have good taste - your food will taste good. Music and art in general are very similar.


What exactly is the KaliMa and how does it help you express your music?

KaliMa is my new fretted and fretless double-neck guitar. Being a child of both worlds, of western and eastern musically, it was very important for me to have an instrument that covers both universes. Now from my sarod repertoire to my western rock and jazz influences - the KaliMa helps me cover it all. As for the name - my family have been Kali worshippers for generations. I wanted to honour their legacy by naming the instrument KaliMa. This instrument was commissioned in 2023 and made by a wonderful luthier from Istanbul, Turkiye by the name of Ave Guitars. He’s a one-man Stradivarius when it comes to guitar building and given how young he is, his skill is unparalleled globally according to me.


How does it create sounds that are similar to Indian and western music?

The sounds any instrument creates are up to the instrumentalist. If I want to play a two-hour rendition of say Raga Marwa on it KaliMa allows me to do just that. If I want to explore deep western harmony or just go all out playing rock and metal, the KaliMa allows and blesses that side too.


What kind of music have you created on the KaliMa?

My new Album Liquid Reality is entirely composed on the KaliMa. I have been playing Indian classical concerts all over the world on it and my trio called the Kalki trio as well with Swami selva Ganesh on kanjira and Amit Mishra on tabla. The music tends to flow more naturally for me through this instrument I call KaliMa.


What inspires your music?

I don’t think I have any external inspiration because music is pretty awe inspiring to begin with. If my mind is at ease - the music flows naturally for me. The challenge and craft come into capturing the ideas and then setting them free!

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