top of page

By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Maulana’s 'gullak' initiative touches 60K students

Read & Lead Foundation President Maulana Abdul Qayyum Mirza with daughter Mariyam Mirza. Mumbai/Chhatrapati Sambhajinagar: In the new age controlled by smart-gadgets and social media, an academic from Chhatrapati Sambhajinagar has sparked a small, head-turning and successful - ‘savings and reading’ revolution among middle-school children. Launched in 2006, by Maulana Abdul Qayyum Mirza, the humble initiative turns 20 this year and witnessed over 60,000 free savings boxes (gullaks)...

Maulana’s 'gullak' initiative touches 60K students

Read & Lead Foundation President Maulana Abdul Qayyum Mirza with daughter Mariyam Mirza. Mumbai/Chhatrapati Sambhajinagar: In the new age controlled by smart-gadgets and social media, an academic from Chhatrapati Sambhajinagar has sparked a small, head-turning and successful - ‘savings and reading’ revolution among middle-school children. Launched in 2006, by Maulana Abdul Qayyum Mirza, the humble initiative turns 20 this year and witnessed over 60,000 free savings boxes (gullaks) distributed to Class V-VIII students in 52 government and private schools. “The aim was to inculcate a love for ‘saving and reading’ among young children. We started by presenting small plastic ‘gullaks’ (savings boxes) at the Iqra Boys & Girls High School, and later to many other schools,” Mirza said with a tinge of satisfaction. Scoffed by sceptics, it soon caught the eyes of the schools and parents who loved the idea that kept the kids off mischief, but gave them the joy of quietly slipping Re. 1 or even Rs. 5 save from their daily pocket money into the ‘gullak’. “That tiny ‘gullak’ costing barely Rs 3-Rs 5, becomes almost like their personal tiny bank which they guard fiercely and nobody dares touch it. At the right time they spend the accumulated savings to buy books of their choice – with no questions asked. Isn’t it better than wasting it on toys or sweets or amusement,” chuckled Mirza. A childhood bookworm himself, Mirza, now 50, remembers how he dipped into his school’s ‘Book Box’ to avail books of his choice and read them along with the regular syllabus. “Reading became my passion, not shared by many then or even now… Sadly, in the current era, reading and saving are dying habits. I am trying to revive them for the good of the people and country,” Maulana Mirza told The Perfect Voice. After graduation, Mirza was jobless for sometime, and decided to make his passion as a profession – he took books in a barter deal from the renowned Nagpur philanthropist, Padma Bhushan Maulana Abdul Karim Parekh, lugged them on a bicycle to hawk outside mosques and dargahs. He not only sold the entire stock worth Rs 3000 quickly, but asked astonished Parekh for more – and that set the ball rolling in a big way, ultimately emboldening him to launch the NGO, ‘Read & Lead Foundation’ (2018). “However, despite severe resources and manpower crunch, we try to cater to the maximum number of students, even outside the district,” smiled Mirza. The RLF is also supported by his daughter Mariyam Mirza’s Covid-19 pandemic scheme, ‘Mohalla Library Movement’ that catapulted to global fame, and yesterday (Oct. 20), the BBC telecast a program featuring her. The father-daughter duo urged children to shun mobiles, video-games, television or social media and make ‘books as their best friends’, which would always help in life, as they aim to gift 1-lakh students with ‘gullaks’ in the next couple of years. At varied intervals Mirza organizes small school book fairs where the excited kids troop in, their pockets bulging with their own savings, and they proudly purchase books of their choice in Marathi, English, Hindi or Urdu to satiate their intellectual hunger. Fortunately, the teachers and parents support the kids’ ‘responsible spending’, for they no longer waste hours before screens but attentively flip pages of their favourite books, as Mirza and others solicit support for the cause from UNICEF, UNESCO, and global NGOs/Foundations. RLF’s real-life savers: Readers UNICEF’s Jharkhand District Coordinator and ex-TISS alumnus Abul Hasan Ali is full of gratitude for the ‘gullak’ habit he inculcated years ago, while Naregaon Municipal High School students Lakhan Devdas (Class 6) and Sania Youssef (Class 8) say they happily saved most of their pocket or festival money to splurge on their favourite books...! Zilla Parishad Girls Primary School (Aurangpura) teacher Jyoti Pawar said the RLF has proved to be a “simple, heartwarming yet effective way” to habituate kids to both reading and savings at a tender age, while a parent Krishna Shinde said it has “changed the whole attitude of children”. “We encourage books of general interest only, including inspiring stories of youth icons like Nobel laureate Malala Yousafzai (28) and environmentalist Greta Thunberg (23) which fascinates our students, and other popular children’s literature,” smiled Mirza. The Maulana’s RLF, which has opened three dozen libraries in 7 years, acknowledges that every coin dropped into the small savings boxes begins a new chapter – and turns into an investment in knowledge that keeps growing.

Violin to Vocals

Updated: Mar 17


Ranjani and Gayatri
Ranjani and Gayatri

On the eve of Women's Day, sisters Ranjani and Gayatri brought their show Raga by Rasa to Tata Theatre, NCPA in Mumbai, which they describe as a “hallowed space”. The musical evening, organised by Pancham Nishad, saw a packed house of music lovers. The sisters delve into the journey from violinists to vocalists in an interview with ‘The Perfect Voice’. Excerpts…  


‘Rasa by Raga’ explores the emotional essence of ragas. How do you curate the selection of ragas and compositions to create an immersive experience for the audience?


Music without emotions is merely a sequence of sounds. Its true appeal lies in its ability to touch the listener, making emotional connection essential to a musician’s success.


Each Raga offers a vast canvas for musicians to imagine and explore. While Ragas are traditionally linked to certain emotions, some musicians believe that every Raga has the potential to evoke any emotion, depending on the artist’s interpretation and creativity.


Indian classical music provides boundless opportunities for exploring melody, emotions, and artistic expression. Rasa by RaGa delves into the emotional depth of Indian classical music, presenting timeless Ragas, concepts, and songs in an innovative format that blends tradition with modernity. The project, curated over several months, stems from over four decades of dedication to the art form. It celebrates a deep-rooted love and unwavering belief in classical music's ability to embrace diverse genres while remaining authentic, timeless, and relevant.


Your journey from being violinists to renowned vocalists has been remarkable. What inspired this transition, and how has it shaped your approach to Carnatic music?


After a decade of being established violinists, the odds weren’t great to be successful in vocal too. Even though the violin had always been our medium of musical expression, we played in a vocal style. However, our guru, Sri PS Narayanaswamy, upon hearing us sing, not only encouraged us but almost commanded us to share our voices on stage. The overwhelming love and encouragement from audiences far exceeded our expectations, inspiring us to explore this new path.


Our journey from violinists—rooted in our early years in Mumbai—to vocalists was entirely unplanned, a twist of fate that led us to an exciting journey of self-discovery. It was our guru’s unwavering belief in our singing potential that nudged us towards our debut vocal concert, even when we were known primarily for our violin performances. It took us a few years to truly embrace our own voices—that "Eureka" moment—but once we did, there was no turning back.


Singing has profoundly shaped our musical journey, deepening our connection to both music and our inner selves. It has challenged us to explore Ragas, interpret grand compositions, master diverse repertoires across languages, and absorb intricate musical nuances—transforming us into the musicians we are today.


What aspects of Carnatic music draw you to it, and how do you keep innovating while staying true to its rich tradition?

In the realm of Carnatic music, we are insiders. Much like the instinctive love for one's mother or the innate trust in one's father, our bond with Carnatic music is something we feel deeply rather than rationalize.


Our journey began with simply immersing ourselves in the art form, and its magnetic pull has held us ever since. It’s difficult to detach and view it objectively because the connection is so profound. This reflection arises because the question itself stems from an outsider's perspective.

At its core, classical music is a time-tested framework—like a highway that allows each musician to navigate their journey in their unique style. While it has defined rules, boundaries, and compliance, it offers immense freedom for individual expression.


One of the most remarkable features of Carnatic music is its equilibrium between structured compositions (kalpita sangita) and spontaneous creativity (manodharma sangita). Mastering this art demands years of rigorous sadhana, challenging musicians across every dimension—be it voice, instrument, intellect, expression, or imagination.


Beneath the vast layers of compositions, Ragas, Talas, and improvisational techniques like alapananeravalkalpanaswara, and thanam, lies the spiritual essence of music. The journey of learning and performing becomes a path of self-discovery, revealing life's deeper purpose. Once this realization dawns, innovation flows naturally without the need for forced efforts—rooted firmly in tradition while pushing the boundaries of creativity.


What have been the main challenges in your journey to becoming renowned vocalists, and do you think these challenges are more pronounced for women artistes? 


For those from non-connected backgrounds, the journey to acceptance and success may be longer, but it builds resilience, strength, and character. We are no exceptions. The effort and time it demands, makes the rewards even more fulfilling, leaving a lasting impact.


For women, especially those whose only credentials are their art and hard work, the journey comes with unique challenges. While gender biases may add hurdles, they also inspire us to strive harder, pushing us to be twice as good and more determined to carve our own space. As women balancing multiple roles—mothers, daughters, and nurturers—this path tests our limits, but it also empowers us to rise stronger, proving that passion and dedication can break barriers.

 

How do you think young audiences can be drawn to classical music, and what efforts are needed to make it more accessible?


Indian classical music, particularly Carnatic music, has everything in it to draw the younger audiences- energy, freshness, appeal, enchanting melody and peppy rhythms. This music’s communicative power has to be leveraged by musicians, to create an impactful concert experience for audiences. Also, taking classical music in little steps to schools, making this a part of the soundscape of children is key to inculcating love for good music in the very young. Governments and school managements have a very important role to play in this.

 

What steps can be taken to nurture the next generation of musicians?


Providing opportunities to talented musicians creates a nurturing environment for future generations to thrive. Along with imparting this rigorous art form, ensuring financial security is equally essential. There are no shortcuts—mastery in classical music demands a lifetime of learning, relentless sadhana, and navigating the social pressures of building and sustaining a career.


Musicians must balance their dedication to the art with the demands of social media, evolving digital platforms, shifting tastes, and modern realities.

Maintaining an unwavering focus on music’s essence while innovating and connecting with the world is a significant challenge. Students need comprehensive support—emotional, financial, and musical—at every step of their journey. When the classical music ecosystem provides such encouragement, it paves the way for deserving musicians to emerge, upholding the values of this timeless tradition.

 

 

Comments


bottom of page