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Correspondent

21 August 2024 at 3:50:16 pm

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has...

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has already exposed the fissures beneath the coalition’s carefully cultivated façade of unity. The first imperative is to establish the facts. Chief Minister Devendra Fadnavis has ordered a forensic examination of the recording, including the identities of the speakers and the circumstances in which it was made. The investigation must go beyond determining whether the audio has been manipulated. Its provenance, completeness, context and circulation must also be established. The allegations are extraordinary. Jarange claims that the purported conversation points to efforts to blunt his influence ahead of the 2024 Assembly elections, when his agitation for Maratha reservation had become a significant political force. The recording allegedly refers to Rs. 500 crore being delivered through Shrikant Shinde. Both Eknath Shinde and his son have rejected the allegations, with the latter responding sarcastically that the money never reached him. Jarange, for his part, has denied receiving the sum and demanded an investigation. The recording has surfaced nearly two years after the alleged conversation, reportedly dating to October 2024. Fadnavis has himself questioned why it has emerged now and who stands to benefit. The allegations have become a test of trust within the Mahayuti itself. The BJP and the Shinde-led Shiv Sena remain partners in government, but their relationship is hardly free of friction. Shinde’s transition from chief minister to deputy chief minister after the 2024 Assembly election underscored the BJP’s ascendancy within the alliance. The latest controversy has revived questions about whether competing ambitions and suspicions are undermining the partnership. The danger lies in the ease with which political intrigue can displace governance. An allegation involving Rs. 500 crore is not a routine exchange of partisan accusations. If substantiated, it would raise grave questions about the use of money to influence a social movement and electoral outcomes. The Maratha reservation agitation has had profound consequences for Maharashtra’s social equilibrium. To reduce such a movement to an instrument of electoral management, if that is what occurred, would be a serious indictment of the political establishment. There is a further question that Maharashtra’s political class must confront: why does every major public controversy so quickly become a contest over factional survival? The state’s politics has grown increasingly transactional, shaped by shifting loyalties and the compulsions of coalition management. The government must therefore ensure that the inquiry is independent in substance, not merely forensic in name.

Violin to Vocals

Mar 16, 2025
5 min read

Updated: Mar 17, 2025


Ranjani and Gayatri
Ranjani and Gayatri

On the eve of Women's Day, sisters Ranjani and Gayatri brought their show Raga by Rasa to Tata Theatre, NCPA in Mumbai, which they describe as a “hallowed space”. The musical evening, organised by Pancham Nishad, saw a packed house of music lovers. The sisters delve into the journey from violinists to vocalists in an interview with ‘The Perfect Voice’. Excerpts…  


‘Rasa by Raga’ explores the emotional essence of ragas. How do you curate the selection of ragas and compositions to create an immersive experience for the audience?


Music without emotions is merely a sequence of sounds. Its true appeal lies in its ability to touch the listener, making emotional connection essential to a musician’s success.


Each Raga offers a vast canvas for musicians to imagine and explore. While Ragas are traditionally linked to certain emotions, some musicians believe that every Raga has the potential to evoke any emotion, depending on the artist’s interpretation and creativity.


Indian classical music provides boundless opportunities for exploring melody, emotions, and artistic expression. Rasa by RaGa delves into the emotional depth of Indian classical music, presenting timeless Ragas, concepts, and songs in an innovative format that blends tradition with modernity. The project, curated over several months, stems from over four decades of dedication to the art form. It celebrates a deep-rooted love and unwavering belief in classical music's ability to embrace diverse genres while remaining authentic, timeless, and relevant.


Your journey from being violinists to renowned vocalists has been remarkable. What inspired this transition, and how has it shaped your approach to Carnatic music?


After a decade of being established violinists, the odds weren’t great to be successful in vocal too. Even though the violin had always been our medium of musical expression, we played in a vocal style. However, our guru, Sri PS Narayanaswamy, upon hearing us sing, not only encouraged us but almost commanded us to share our voices on stage. The overwhelming love and encouragement from audiences far exceeded our expectations, inspiring us to explore this new path.


Our journey from violinists—rooted in our early years in Mumbai—to vocalists was entirely unplanned, a twist of fate that led us to an exciting journey of self-discovery. It was our guru’s unwavering belief in our singing potential that nudged us towards our debut vocal concert, even when we were known primarily for our violin performances. It took us a few years to truly embrace our own voices—that "Eureka" moment—but once we did, there was no turning back.


Singing has profoundly shaped our musical journey, deepening our connection to both music and our inner selves. It has challenged us to explore Ragas, interpret grand compositions, master diverse repertoires across languages, and absorb intricate musical nuances—transforming us into the musicians we are today.


What aspects of Carnatic music draw you to it, and how do you keep innovating while staying true to its rich tradition?

In the realm of Carnatic music, we are insiders. Much like the instinctive love for one's mother or the innate trust in one's father, our bond with Carnatic music is something we feel deeply rather than rationalize.


Our journey began with simply immersing ourselves in the art form, and its magnetic pull has held us ever since. It’s difficult to detach and view it objectively because the connection is so profound. This reflection arises because the question itself stems from an outsider's perspective.

At its core, classical music is a time-tested framework—like a highway that allows each musician to navigate their journey in their unique style. While it has defined rules, boundaries, and compliance, it offers immense freedom for individual expression.


One of the most remarkable features of Carnatic music is its equilibrium between structured compositions (kalpita sangita) and spontaneous creativity (manodharma sangita). Mastering this art demands years of rigorous sadhana, challenging musicians across every dimension—be it voice, instrument, intellect, expression, or imagination.


Beneath the vast layers of compositions, Ragas, Talas, and improvisational techniques like alapana, neraval, kalpanaswara, and thanam, lies the spiritual essence of music. The journey of learning and performing becomes a path of self-discovery, revealing life's deeper purpose. Once this realization dawns, innovation flows naturally without the need for forced efforts—rooted firmly in tradition while pushing the boundaries of creativity.


What have been the main challenges in your journey to becoming renowned vocalists, and do you think these challenges are more pronounced for women artistes? 


For those from non-connected backgrounds, the journey to acceptance and success may be longer, but it builds resilience, strength, and character. We are no exceptions. The effort and time it demands, makes the rewards even more fulfilling, leaving a lasting impact.


For women, especially those whose only credentials are their art and hard work, the journey comes with unique challenges. While gender biases may add hurdles, they also inspire us to strive harder, pushing us to be twice as good and more determined to carve our own space. As women balancing multiple roles—mothers, daughters, and nurturers—this path tests our limits, but it also empowers us to rise stronger, proving that passion and dedication can break barriers.

 

How do you think young audiences can be drawn to classical music, and what efforts are needed to make it more accessible?


Indian classical music, particularly Carnatic music, has everything in it to draw the younger audiences- energy, freshness, appeal, enchanting melody and peppy rhythms. This music’s communicative power has to be leveraged by musicians, to create an impactful concert experience for audiences. Also, taking classical music in little steps to schools, making this a part of the soundscape of children is key to inculcating love for good music in the very young. Governments and school managements have a very important role to play in this.

 

What steps can be taken to nurture the next generation of musicians?


Providing opportunities to talented musicians creates a nurturing environment for future generations to thrive. Along with imparting this rigorous art form, ensuring financial security is equally essential. There are no shortcuts—mastery in classical music demands a lifetime of learning, relentless sadhana, and navigating the social pressures of building and sustaining a career.


Musicians must balance their dedication to the art with the demands of social media, evolving digital platforms, shifting tastes, and modern realities.

Maintaining an unwavering focus on music’s essence while innovating and connecting with the world is a significant challenge. Students need comprehensive support—emotional, financial, and musical—at every step of their journey. When the classical music ecosystem provides such encouragement, it paves the way for deserving musicians to emerge, upholding the values of this timeless tradition.

 

 

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