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Correspondent

21 August 2024 at 3:50:16 pm

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has...

Static Warfare

Maharashtra’s politics has long resembled a murky theatrical production, but its latest act has descended into farce. A purported audio recording released by Maratha reservation activist Manoj Jarange-Patil, allegedly discussing a staggering Rs. 500-crore payment routed to him through Shiv Sena MP Shrikant Shinde, son of Deputy Chief Minister Eknath Shinde, has plunged the ruling Mahayuti into fresh turmoil. While the recording’s authenticity remains unverified, the political fallout has already exposed the fissures beneath the coalition’s carefully cultivated façade of unity. The first imperative is to establish the facts. Chief Minister Devendra Fadnavis has ordered a forensic examination of the recording, including the identities of the speakers and the circumstances in which it was made. The investigation must go beyond determining whether the audio has been manipulated. Its provenance, completeness, context and circulation must also be established. The allegations are extraordinary. Jarange claims that the purported conversation points to efforts to blunt his influence ahead of the 2024 Assembly elections, when his agitation for Maratha reservation had become a significant political force. The recording allegedly refers to Rs. 500 crore being delivered through Shrikant Shinde. Both Eknath Shinde and his son have rejected the allegations, with the latter responding sarcastically that the money never reached him. Jarange, for his part, has denied receiving the sum and demanded an investigation. The recording has surfaced nearly two years after the alleged conversation, reportedly dating to October 2024. Fadnavis has himself questioned why it has emerged now and who stands to benefit. The allegations have become a test of trust within the Mahayuti itself. The BJP and the Shinde-led Shiv Sena remain partners in government, but their relationship is hardly free of friction. Shinde’s transition from chief minister to deputy chief minister after the 2024 Assembly election underscored the BJP’s ascendancy within the alliance. The latest controversy has revived questions about whether competing ambitions and suspicions are undermining the partnership. The danger lies in the ease with which political intrigue can displace governance. An allegation involving Rs. 500 crore is not a routine exchange of partisan accusations. If substantiated, it would raise grave questions about the use of money to influence a social movement and electoral outcomes. The Maratha reservation agitation has had profound consequences for Maharashtra’s social equilibrium. To reduce such a movement to an instrument of electoral management, if that is what occurred, would be a serious indictment of the political establishment. There is a further question that Maharashtra’s political class must confront: why does every major public controversy so quickly become a contest over factional survival? The state’s politics has grown increasingly transactional, shaped by shifting loyalties and the compulsions of coalition management. The government must therefore ensure that the inquiry is independent in substance, not merely forensic in name.

Making Music to Remember

Mar 31, 2025
4 min read

Updated: Apr 1, 2025

From ballads to pop hits, the Delhi Indie Project completes a decade of making foot-tapping music. The Perfect Voice speaks to this young band about their 10 year-long journey.

Delhi Indie Project

December 12, 2024 was indeed a 'night to remember' for Byran Adam fans in Gurugram. And leading those fans was the Delhi Indie Project which performed the opening gig at the concert, a once-in-a-lifetime opportunity for musicians. As the popular Delhi-based band celebrates a decade of musical highs, Ashish Chauhan, vocalist and guitarist talks to The Perfect Voice about their journey and evolution.

You mark 10 years of the Delhi Indie Project. How are you celebrating?

We are launching an album with seven or eight new songs. And we are going to take off on a 10-city tour where we will perform all the original songs from our album. We will start in September this year and the tour will go on for a month.

Your band members come from varied musical backgrounds. How does that bring diversity in your musical offerings?

We are all from different backgrounds in music. We started out in 2015. I was a musician and I wanted to write my own songs, have my own band. I got to meet different musicians from different backgrounds and we got together to create music which has a fusion of various genres. I am trained in Western music while our female vocalist Srijita is trained in Indian classical; the violin player is in Indian classical. The keyboard player’s influences are rock n roll and jazz. All our members—on the keyboard, violin, guitar, drums—have different backgrounds. When we play together, we create music that’s unique and different. The fusion that we create is unique.

Do you see musical preferences changing?

The main change we see is that music is becoming shorter. If we talk about music on Instagram music and reels, it’s all becoming shorter. Earlier, songs were longer. If you remember, Pink Floyd’s Shine On You Crazy Diamond was 22 minutes long. Now, people don’t want to listen to long music pieces. Standard songs these days and 2.5 to three minutes long. We want to change that. So, our song Laksh which we are releasing in April is a 5.5 minutes-long song. We play to go to the old ways of having longer songs. Yes, we will make reels using the main hook of the song. But we want to try going back to longer songs.

How to make music that appeals to people from different parts of India?

We perform songs in different languages; we perform in Bengali, Punjabi, Hindi, English and Marathi. In fact, Ajay-Atul are one of our favourite artists, we like performing their songs. But when we perform, we make sure that the pronunciation is correct. We don’t just mug up a song. We recently performed in Faridkot in Punjab and when we sang there, we ensured that our pronunciation and accent were just right. We put a lot of focus on that. We always write the song in Hindi because that enables you to get the pronunciation right.

What does the name of your band signify?

We wanted a name that signifies our work. Delhi, because we are all from Delhi. But Indie Project because we play independent music and most importantly, our music is like a project because we experiment all the time. We don’t do repetitive stuff but experiment with new sounds all the time. We’ve used the flute, the sitar, the violin, and different sounds to create music. We want to do something unique. Hence, we call ourselves a project.

Is your music ever evolving?

The credit for that goes to our band members. For instance, Suhail Ali Khan who plays the violin—when he brings his music to the table, there’s a new sound. We use his classical skills with our Western music and create music that's unique and original. Every song we do is different. If Guzarish was a happy, pop song, Main Teri Yaad is a slow, love ballad. The next one coming up is a rock n roll song. We try not to repeat the genre of the songs. Even in the upcoming album, all songs are going to be different.

Are there new opportunities for musicians and independent bands today?

OTT platforms have given opportunities to independent bands and musicians who are producing new sounds. Earlier times, we had a fixed set of composers for Bollywood. Now OTT producers are taking music from different musicians and bands. One OTT film took music from a band called When Chai Met Toast. Similarly, lots of bands have given music to OTT series. Last year, we made the background score for four episodes and the theme song of the series I Should Have Stayed Home. We have given music to a film, Jalpari: A Desert Mermaid which was an interesting story. I got to meet the director Nila Madhab Panda. He had visited one of our shows, liked our music and he asked me to meet him. When I went to his office the next day, he asked me to compose a song for the film. Apart from our song, Shubha Mudgal and Piyush Mishra have also done songs for that film.

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