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By:

Waleed Hussain

4 March 2025 at 2:34:30 pm

The Taming of the Teen Tornado

In the high-octane circus of the Indian Premier League, few phenomena have exploded onto the scene quite like Vaibhav Suryavanshi. The Bihar prodigy, still a teenager at 15, burst into global consciousness in IPL 2025 as the youngest debutant and centurion in T20 history. His 101 off 38 balls against Gujarat Titans wasn’t just a knock; it was a declaration of intent from a player who treats boundaries as birthrights and bowlers as mere target practice. With a career strike rate hovering...

The Taming of the Teen Tornado

In the high-octane circus of the Indian Premier League, few phenomena have exploded onto the scene quite like Vaibhav Suryavanshi. The Bihar prodigy, still a teenager at 15, burst into global consciousness in IPL 2025 as the youngest debutant and centurion in T20 history. His 101 off 38 balls against Gujarat Titans wasn’t just a knock; it was a declaration of intent from a player who treats boundaries as birthrights and bowlers as mere target practice. With a career strike rate hovering around 225 across 17 matches and a penchant for clearing ropes with frightening regularity—61 sixes already—Suryavanshi represented the ultimate nightmare for opposition captains. Yet, as IPL 2026 unfolds, a fascinating trend has emerged: teams appear to have devised blueprints to neutralize him before he enters that devastating “out of control” mode. This isn’t about diminishing his talent. Suryavanshi remains a generational prospect, capable of single-handedly tilting games. But cricket at the elite level is a game of adaptations, and the league’s collective brain trust has spent the off-season and early 2026 matches poring over footage, identifying triggers, and deploying targeted strategies. The result? More frequent low scores, golden ducks, and frustrated walks back to the pavilion, even as his overall numbers stay imposing. The primary weapon has been early aggression against his powerplay instincts. Suryavanshi is an opener who thrives on momentum, often launching into sixes from ball one. Captains have responded by setting aggressive fields and using pace variations immediately. Deepak Chahar’s masterclass in 2025, where he dismissed the youngster for a duck with a clever plan, highlighted the value of swing and seam movement early on. By denying width and tempting him with balls that move away or hold the line, bowlers force Suryavanshi to manufacture shots, disrupting his timing. In one notable 2026 outing against Lucknow Super Giants, he managed just 8 off 11, mistiming a length ball outside off after the top order collapsed. Mohsin Khan’s dismissal of him—inducing a toe-ender to cover—showcased how disciplined lines can exploit slight technical lapses when the youngster tries to force the pace. Spin has emerged as another potent tool. While Suryavanshi’s hand-eye coordination makes him dangerous against slower balls, teams are using mystery spinners and left-arm orthodox options to vary trajectories and exploit any impatience. His dot-ball percentage, though low, reveals moments where he hunts boundaries excessively. Bowlers who can land the ball in the “corridor of uncertainty” or use the carrom ball effectively have succeeded in building pressure, forcing errors. Praful Hinge’s golden duck dismissal in 2026 offered a “secret recipe” that others are emulating: tight channels combined with clever changes in pace. Data analytics and opposition scouting have played a silent but decisive role. Teams now track Suryavanshi’s triggers—his front-foot dominance against pace, preference for leg-side heaves when set, and occasional vulnerability to short balls if the seam position is right. By preparing specific match-ups (right-arm seamers angling across him, or spinners from over the wicket targeting leg stump), captains are minimizing the window for him to settle. This proactive approach contrasts with the reactive panic of 2025, when many teams simply fed him width and watched the ball sail into the stands. Critics might argue this “taming” reflects negatively on the bowler-friendly conditions or defensive captaincy. But that’s missing the point. IPL cricket evolves rapidly, and Suryavanshi’s emergence has accelerated that evolution. Young talents force the ecosystem to innovate. Remember how early Virat Kohli or AB de Villiers prompted fielding restrictions and bowling tweaks? Suryavanshi is in that league. His explosive starts demand perfection from the outset; one loose over, and the game can slip away. Teams that execute plans—short spells of high-intensity bowling, smart rotations, and mental warfare—have found success in curtailing him to 20-30 ball cameos rather than match-defining marathons. This cat-and-mouse dynamic benefits Indian cricket immensely. For Suryavanshi, these challenges are crucibles for growth. Already battle-hardened from U19 successes and Ranji exposure at an absurdly young age, he is learning to rotate strike, play percentage cricket when needed, and temper his aggression without losing intent. His emotional reactions to dismissals—tears on debut, visible frustration—reveal a fierce competitor who hates failure. That fire, channeled correctly, will make him unstoppable. Coaches like Rahul Dravid at Rajasthan Royals are undoubtedly working on mindset and technique to counter these plans. For franchises, the lesson is clear: superstar management requires homework. Blindly respecting reputations leads to carnage; targeted execution yields results. We’ve seen this with other phenoms—teams eventually found ways to quiet even the most destructive hitters through variations, intelligence, and execution. Suryavanshi’s case proves no one is immune, no matter how prodigious. Yet, one senses this is temporary. The teenager’s talent is raw and boundless. As he decodes these strategies, his game will expand—perhaps better leaving balls in the channel, improved footwork against spin, or devastating counters to short-pitched stuff. By IPL 2027 or beyond, he might laugh at these early “solutions.” In the end, the IPL’s beauty lies in this relentless arms race. Teams have indeed figured out ways to dismiss Vaibhav Suryavanshi before he runs amok—for now. It forces excellence from everyone: bowlers must be precise, captains astute, and the batter must evolve. Cricket wins. Fans win. And a 15-year-old superstar, tempered by these battles, will emerge even more formidable. The tornado hasn’t been stopped; it’s merely being studied so the next gust can be even more thrilling. (The writer is a senior journalist based in Mumbai. Views personal.)

Warriors of Night

Updated: Oct 22, 2024

We name our daughters Durga, Lakshmi and Saraswati; we worship the divine feminine power in the temples but oppress, repress and even attack the feminine power amidst us. That is the irony in the way India sees its women.

After the safety of the daylight fades, women are seen as easy prey by the predators of the night.

We mark the nine nights of Navratri, the festival of the goddess, by celebrating the dedication and valour of nine real-life women who brave the challenges of the night to pursue their dreams.


Part - 4


Never felt unsafe

The singer says there has been a generational change over the last two decades

Never felt unsafe

Work has no timings for Aisha Sayed. Sometimes, she begins her studio recording at 12 AM and finishes by 5 AM; at other times, concerts and live shows start at 9 AM and she’s done by midnight. In her field of work as a performer and singer, Sayed is used to not getting a night’s sleep and often returning home when most of the city is set to wake up. “I have been travelling at night but I have never, ever, felt unsafe in Mumbai,” says the singer-performer who began her career at the age of 13 years. Her father spotted her talent for music and took her to meet a sound engineer who was their neighbour in Bandra. The family helped her get opportunities and from there, her career began.

Being among the top contenders in Indian Idol, season 3, in 2007 catapulted her to fame and it opened up a world of new performance opportunities across the country. “I was just 20 years then and I was travelling the world, performing at the most lavish weddings, staying at the most luxurious hotels and performing at big corporate gigs,” she says. Safety, while on work, is has never been an issue for her for the organizers arrange a security detail for the performers. “They escort us until we reach the room. And since we travel with our team in a big group, there is always safety in numbers,” says Sayed, who sings in 10 languages. Her peers have faced instances of audience members being rowdy. “Once in Delhi, a group of drunk men followed my colleague to her room and kept banging on her door late into the night. But I have been fortunate,” she says.

Work assignments have taken to varied places, from the most luxurious international destinations to far-off venues in the hinterland of India where she’s travelled through dark, dense forested areas. “I have driven through areas where the only light is that of your car’s headlights. Turn around and you see pitch darkness,” says Sayed. She’s always got a little prayer on her lips when travelling through these remote areas for miles together. She recalls a show in Chattisgarh where she had to travel for nine hours at a stretch through remote and forested areas. “No place in our country is as safe as Mumbai,” she stresses. She would know, considering her extensive travels. She advises women to travel in groups while in places that are unfamiliar or unknown and never to venture out at night alone. “Keep your family informed of your whereabouts,” she says.

While her agreements state that proper security at all times, Sayed says that she drives her own car if she’s out at night for parties or personal work but insists that the people of Mumbai are largely helpful and cooperative. A rickshaw driver who once drove to home in the wee hours of the night, after a recording, waited at her gate until the watchman let her in. Friends and colleagues have dropped her home several times.

Mumbai, she feels, has changed—and it’s for the better, in the past two decades. “Earlier, on buses and trains, men would use the crowd as an excuse to touch women inappropriately. That has gone down. There is a generational change that I see,” says Sayed. She used to take the BEST buses and trains to her training classes and for recordings in the early days of her career.

Her timings are inconsistent and her shows take her to various cities and towns. But the Mumbai-bred girl emphasizes that her city is very safe for women, despite the various incidents of violence. “Mumbai is the only place where a woman can wear what she wants, wear bright red lipstick, leave her hair open and look glamorous and still be safe.”

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