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By:

Ruddhi Phadke

22 September 2024 at 10:17:54 am

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday...

Gudhi Padwa draws world to Girgaum

Mumbai: It was the 24 th  celebration of Gudhi Padwa in Girgaum on Thursday, and as usual, the festivities were grand, picturesque and saw humongous response not just from the local residents. This year, the celebration saw huge participation of enthusiasts from beyond the borders. While some coincidentally bumped into the event, some others actually typed ‘Gudhi Padwa 2026 schedule’ in their google search bar to ensure they did not miss this ‘must do’ event while planning their holiday travel in India. It is indeed a big moment for a Mumbaikar to know that an international traveler has Girgaon listed as one of the ‘must do’ destinations for an India trip in their diary; Gudhi Padwa being the cause is even more interesting. Tana, who lives in the Netherlands embarked on a long duration trip to India earlier this month, visited Mumbai specifically to enjoy the festivities. She told ‘The Perfect Voice’ , “I came here to celebrate Gudhi Padwa with you. I am here to experience everything that I see, all the beautiful outfits, beautiful people. I did a lot of research. I knew that today is the day New Year is celebrated in Maharashtra. I am a tourist. I am alone. I am indulging in everything here from food, festivals, dresses. I adore India. I actually typed Gudhi Padwa in the search bar to ensure I did not miss this must-do event during my trip to India.” Shivani Dopavkar, a Hula Hoop artist who is a regular and active participant had made an interesting statement when she had spoken to ‘The Perfect Voice’  during last year’s Shobha Yaatra. She had said, “I quit my IT profession to take up Hula Hoop as my full-time art. I wish to take Girgaum to a level where it is recognised globally. I have chosen Hula Hoop to accomplish this dream for which Gudhi Padwa Shobha Yatra is a perfect platform.” The dream doesn’t seem to be far from success as a lot of foreign participants dressed up in traditional Indian attire were seen enjoying the activities Annie, from Berlin who came to India as a tourist co-incidentally got introduced to the festivities. “It is really colourful. I have come from Berlin with my Indian friend. German culture is very different. Everything is colourful and vibrant here. The women on the bikes, the flowers, everything that we see around is very eventful,” said Annie. Early Preparations Girgaum woke up to busy preparations right from six am, as participants and volunteers geared up for the day ahead. The action began at around nine am, with people from different walks of life wounding their happiness around different themes from Hindu mythology to ancient Marathi traditions. From Children to elderly, to differently abled individuals, all enthusiastically navigated through densely crowded tiny lanes that whole-heartedly accommodated hundreds of visitors. Kamini Darji, a Gujarathi speaking Girgaum resident was present in the middle of the action with her differently abled son. Darji said, “I get my son every year to witness the festivities. The environment gives a very united and positive vibe. We never miss the event.” From Lejhim to Dhol Tasha Pathak, from bike borne Navvari saree clad women to Hula hoop artists; from live bhajan singing to Mardani Khel to children dressed up based on different themes from Chandrayaan to ‘Vithoba-Rakhmai’; the celebration gave a perfect introduction of India’s cultural wealth to all the international visitors. Jennifer from Germany who participated in Mardani Khel wearing a traditional nine-yard saree said, “We play Mardani khel every year for Gudhi Padwa. I have been to Maharashtra many times. This is the first time that I have come to Mumbai. I learnt this art at Shivaji Raje Mardani Akhada in Pune. I have been visiting India for nine years. Earlier I used to live in Bengaluru.” Vande Mataram Theme While it was a beautiful blend of all the aspects that define India, the cherry on the top was – the ‘Vandya Vande Mataram’ – theme. To commemorate 150 th  anniversary of India’s national song Vande Mataram, most of the Tableaus and art work revolved around patriotic sentiment. While Shobha yatra 2024 was all about Lord Shri Ram and 2025 about pride for Marathi language, the year 2026 was all about freedom struggle and love for India. The most interesting highlight was the 25-foot-tall paper statue of freedom fighter Swatantryaveer Savarkar that was carried past to the thunderous beats of drums filling the air with exuberance. A 31-year-old sculptor Gaurav Pawar made the statue along with his brother Gitesh and other volunteers. Gaurav said, “Last year we made a statue of Dnyaneshwar. This year we got an opportunity to make a statue of Savarkar Ji. We took 10 days to make the statue out of paper and bamboo material. It was completely eco-friendly. We got to learn a lot about Savarkar ji during the process and it was a very very sensitive experience.” The Statue was prepared in Bedekar Sadan which is one of the buildings located in Shantaram Chawl Complex which was the hotbed of freedom movement. The residents unknowingly carry forward the legacy of the enclosed structure, a place where prominent freedom fighters like Lokmanya Tilak, Annie Basant, Mahatma Gandhi, Mohammad Ali Jinnah and Lala Lajpat Rai used to gather to lead historic movements.

Warriors of Night

Updated: Oct 22, 2024

We name our daughters Durga, Lakshmi and Saraswati; we worship the divine feminine power in the temples but oppress, repress and even attack the feminine power amidst us. That is the irony in the way India sees its women.

After the safety of the daylight fades, women are seen as easy prey by the predators of the night.

We mark the nine nights of Navratri, the festival of the goddess, by celebrating the dedication and valour of nine real-life women who brave the challenges of the night to pursue their dreams.


Part - 4


Never felt unsafe

The singer says there has been a generational change over the last two decades

Never felt unsafe

Work has no timings for Aisha Sayed. Sometimes, she begins her studio recording at 12 AM and finishes by 5 AM; at other times, concerts and live shows start at 9 AM and she’s done by midnight. In her field of work as a performer and singer, Sayed is used to not getting a night’s sleep and often returning home when most of the city is set to wake up. “I have been travelling at night but I have never, ever, felt unsafe in Mumbai,” says the singer-performer who began her career at the age of 13 years. Her father spotted her talent for music and took her to meet a sound engineer who was their neighbour in Bandra. The family helped her get opportunities and from there, her career began.

Being among the top contenders in Indian Idol, season 3, in 2007 catapulted her to fame and it opened up a world of new performance opportunities across the country. “I was just 20 years then and I was travelling the world, performing at the most lavish weddings, staying at the most luxurious hotels and performing at big corporate gigs,” she says. Safety, while on work, is has never been an issue for her for the organizers arrange a security detail for the performers. “They escort us until we reach the room. And since we travel with our team in a big group, there is always safety in numbers,” says Sayed, who sings in 10 languages. Her peers have faced instances of audience members being rowdy. “Once in Delhi, a group of drunk men followed my colleague to her room and kept banging on her door late into the night. But I have been fortunate,” she says.

Work assignments have taken to varied places, from the most luxurious international destinations to far-off venues in the hinterland of India where she’s travelled through dark, dense forested areas. “I have driven through areas where the only light is that of your car’s headlights. Turn around and you see pitch darkness,” says Sayed. She’s always got a little prayer on her lips when travelling through these remote areas for miles together. She recalls a show in Chattisgarh where she had to travel for nine hours at a stretch through remote and forested areas. “No place in our country is as safe as Mumbai,” she stresses. She would know, considering her extensive travels. She advises women to travel in groups while in places that are unfamiliar or unknown and never to venture out at night alone. “Keep your family informed of your whereabouts,” she says.

While her agreements state that proper security at all times, Sayed says that she drives her own car if she’s out at night for parties or personal work but insists that the people of Mumbai are largely helpful and cooperative. A rickshaw driver who once drove to home in the wee hours of the night, after a recording, waited at her gate until the watchman let her in. Friends and colleagues have dropped her home several times.

Mumbai, she feels, has changed—and it’s for the better, in the past two decades. “Earlier, on buses and trains, men would use the crowd as an excuse to touch women inappropriately. That has gone down. There is a generational change that I see,” says Sayed. She used to take the BEST buses and trains to her training classes and for recordings in the early days of her career.

Her timings are inconsistent and her shows take her to various cities and towns. But the Mumbai-bred girl emphasizes that her city is very safe for women, despite the various incidents of violence. “Mumbai is the only place where a woman can wear what she wants, wear bright red lipstick, leave her hair open and look glamorous and still be safe.”

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