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21 August 2024 at 10:20:16 am

Creativity, imagination and journey into space

Mumbai: The AI Prompt Art 2026 Exhibition, organised by the Nehru Science Centre, Mumbai, in association with the National Centre for Science Communicators (NCSC) as part of National Space Week 2026, offers a fascinating and inspiring exploration of the intersection of science, technology, art and imagination. Held from August 16-23, the exhibition celebrates India’s remarkable journey in space science, exploration and discovery while presenting an innovative perspective on the growing role...

Creativity, imagination and journey into space

Mumbai: The AI Prompt Art 2026 Exhibition, organised by the Nehru Science Centre, Mumbai, in association with the National Centre for Science Communicators (NCSC) as part of National Space Week 2026, offers a fascinating and inspiring exploration of the intersection of science, technology, art and imagination. Held from August 16-23, the exhibition celebrates India’s remarkable journey in space science, exploration and discovery while presenting an innovative perspective on the growing role of Artificial Intelligence in visual creativity and scientific communication. At the heart of the exhibition is the concept of AI prompt art, in which an idea, question, scientific concept or imaginative thought is transformed into a visual creation through Artificial Intelligence. Unlike traditional art forms, AI prompt art allows people from diverse backgrounds to participate in visual storytelling without necessarily requiring conventional artistic skills. A thought can become an image, a scientific question can become a visual narrative, and an imaginative vision of the future brought to life. This creative process is one of the exhibition’s most significant strengths. It demonstrates how Artificial Intelligence can become a new medium for artistic expression while also opening fresh possibilities for scientific communication, education and storytelling. The exhibition shows that technology need not replace human creativity; instead, it can provide new tools through which human curiosity and imagination can find visual expression. The exhibition presents a curated collection of imaginative AI-generated artworks inspired by the wonders of the universe. Astronomy and celestial phenomena provide a vast canvas for creative interpretation. Planets, stars, galaxies, nebulae, spacecraft, lunar landscapes and distant worlds are represented through a variety of visual styles and perspectives. The artworks invite viewers to look at familiar scientific ideas in unfamiliar ways, transforming complex or distant concepts into engaging visual experiences. A particularly important aspect of the exhibition is its celebration of India’s achievements in space exploration. The country’s remarkable journey from the early stages of its space programme to ambitious planetary missions provides a powerful source of inspiration. The exhibition gives special attention to landmark missions such as Chandrayaan, reflecting India’s continuing quest to understand the Moon, our planetary neighbourhood and the wider universe. The Chandrayaan missions have become an important part of India’s scientific identity, representing technological capability, perseverance and the spirit of exploration.

Warriors of Night

Updated: Oct 22, 2024

We name our daughters Durga, Lakshmi and Saraswati; we worship the divine feminine power in the temples but oppress, repress and even attack the feminine power amidst us. That is the irony in the way India sees its women.

After the safety of the daylight fades, women are seen as easy prey by the predators of the night.

We mark the nine nights of Navratri, the festival of the goddess, by celebrating the dedication and valour of nine real-life women who brave the challenges of the night to pursue their dreams.


Part - 4


Never felt unsafe

The singer says there has been a generational change over the last two decades

Never felt unsafe

Work has no timings for Aisha Sayed. Sometimes, she begins her studio recording at 12 AM and finishes by 5 AM; at other times, concerts and live shows start at 9 AM and she’s done by midnight. In her field of work as a performer and singer, Sayed is used to not getting a night’s sleep and often returning home when most of the city is set to wake up. “I have been travelling at night but I have never, ever, felt unsafe in Mumbai,” says the singer-performer who began her career at the age of 13 years. Her father spotted her talent for music and took her to meet a sound engineer who was their neighbour in Bandra. The family helped her get opportunities and from there, her career began.

Being among the top contenders in Indian Idol, season 3, in 2007 catapulted her to fame and it opened up a world of new performance opportunities across the country. “I was just 20 years then and I was travelling the world, performing at the most lavish weddings, staying at the most luxurious hotels and performing at big corporate gigs,” she says. Safety, while on work, is has never been an issue for her for the organizers arrange a security detail for the performers. “They escort us until we reach the room. And since we travel with our team in a big group, there is always safety in numbers,” says Sayed, who sings in 10 languages. Her peers have faced instances of audience members being rowdy. “Once in Delhi, a group of drunk men followed my colleague to her room and kept banging on her door late into the night. But I have been fortunate,” she says.

Work assignments have taken to varied places, from the most luxurious international destinations to far-off venues in the hinterland of India where she’s travelled through dark, dense forested areas. “I have driven through areas where the only light is that of your car’s headlights. Turn around and you see pitch darkness,” says Sayed. She’s always got a little prayer on her lips when travelling through these remote areas for miles together. She recalls a show in Chattisgarh where she had to travel for nine hours at a stretch through remote and forested areas. “No place in our country is as safe as Mumbai,” she stresses. She would know, considering her extensive travels. She advises women to travel in groups while in places that are unfamiliar or unknown and never to venture out at night alone. “Keep your family informed of your whereabouts,” she says.

While her agreements state that proper security at all times, Sayed says that she drives her own car if she’s out at night for parties or personal work but insists that the people of Mumbai are largely helpful and cooperative. A rickshaw driver who once drove to home in the wee hours of the night, after a recording, waited at her gate until the watchman let her in. Friends and colleagues have dropped her home several times.

Mumbai, she feels, has changed—and it’s for the better, in the past two decades. “Earlier, on buses and trains, men would use the crowd as an excuse to touch women inappropriately. That has gone down. There is a generational change that I see,” says Sayed. She used to take the BEST buses and trains to her training classes and for recordings in the early days of her career.

Her timings are inconsistent and her shows take her to various cities and towns. But the Mumbai-bred girl emphasizes that her city is very safe for women, despite the various incidents of violence. “Mumbai is the only place where a woman can wear what she wants, wear bright red lipstick, leave her hair open and look glamorous and still be safe.”

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