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Correspondent

21 August 2024 at 3:50:16 pm

Truth Delayed

The Bombay High Court’s decision to hand the Disha Salian death case to the Central Bureau of Investigation (CBI) is a welcome, though long overdue move. For six years, the death of the 28-year-old celebrity manager has remained trapped between an official narrative and a cloud of unanswered questions. Salian fell from the 14th floor of a Mumbai building on June 8, 2020. Six days later, actor Sushant Singh Rajput, whom she had managed, was found dead. The coincidence has since fuelled...

Truth Delayed

The Bombay High Court’s decision to hand the Disha Salian death case to the Central Bureau of Investigation (CBI) is a welcome, though long overdue move. For six years, the death of the 28-year-old celebrity manager has remained trapped between an official narrative and a cloud of unanswered questions. Salian fell from the 14th floor of a Mumbai building on June 8, 2020. Six days later, actor Sushant Singh Rajput, whom she had managed, was found dead. The coincidence has since fuelled enormous public speculation. The disturbing question is why it took so long for the machinery of justice to seriously address the allegations made by Salian’s own father. Satish Salian has alleged that his daughter was sexually assaulted and murdered and has sought an FIR naming Shiv Sena (UBT) leader Aaditya Thackeray and others. The Mumbai Police and state authorities had maintained that there was no foul play. When a bereaved parent continues to raise serious questions about the circumstances of a child’s death, the answer cannot simply be bureaucratic closure. The High Court has now opened the case to an independent investigation. The CBI has been directed to register an FIR and investigate all aspects of the circumstances surrounding Salian’s death. The court has also made clear that nobody should be treated as an accused unless the investigation establishes a reasonable basis for doing so. There should be no political protection racket in the name of preserving reputations. If the allegations of murder and sexual assault are false, the investigation should establish that conclusively. If they are true, those responsible must face the law. And that includes the powerful and well-connected. Too many cases where involving influence, political connections or proximity to power have created a justified suspicion that ordinary rules do not apply to extraordinary people. It is time that corrosive public perception changed. The significance of the High Court’s order lies in restoring a credible search for answers – something that has not been in evidence in the last six years. When allegations of foul play are made by the family and an FIR is not registered, questions about the adequacy of the original investigation are inevitable. The court has now ensured that those questions are examined rather than allowed to gather dust. The CBI must now go beyond the competing narratives that have surrounded the case since 2020. Its job is to establish, through evidence, what happened that night, whether the circumstances of Salian’s death were properly investigated in the first place, and whether there is any basis for the serious allegations made by her father. After six years, the Salian family deserves more than competing versions of events. It deserves the truth. So does the public.

Warriors of Night

Updated: Oct 22, 2024

We name our daughters Durga, Lakshmi and Saraswati; we worship the divine feminine power in the temples but oppress, repress and even attack the feminine power amidst us. That is the irony in the way India sees its women.

After the safety of the daylight fades, women are seen as easy prey by the predators of the night.

We mark the nine nights of Navratri, the festival of the goddess, by celebrating the dedication and valour of nine real-life women who brave the challenges of the night to pursue their dreams.


Part - 4


Never felt unsafe

The singer says there has been a generational change over the last two decades

Never felt unsafe

Work has no timings for Aisha Sayed. Sometimes, she begins her studio recording at 12 AM and finishes by 5 AM; at other times, concerts and live shows start at 9 AM and she’s done by midnight. In her field of work as a performer and singer, Sayed is used to not getting a night’s sleep and often returning home when most of the city is set to wake up. “I have been travelling at night but I have never, ever, felt unsafe in Mumbai,” says the singer-performer who began her career at the age of 13 years. Her father spotted her talent for music and took her to meet a sound engineer who was their neighbour in Bandra. The family helped her get opportunities and from there, her career began.

Being among the top contenders in Indian Idol, season 3, in 2007 catapulted her to fame and it opened up a world of new performance opportunities across the country. “I was just 20 years then and I was travelling the world, performing at the most lavish weddings, staying at the most luxurious hotels and performing at big corporate gigs,” she says. Safety, while on work, is has never been an issue for her for the organizers arrange a security detail for the performers. “They escort us until we reach the room. And since we travel with our team in a big group, there is always safety in numbers,” says Sayed, who sings in 10 languages. Her peers have faced instances of audience members being rowdy. “Once in Delhi, a group of drunk men followed my colleague to her room and kept banging on her door late into the night. But I have been fortunate,” she says.

Work assignments have taken to varied places, from the most luxurious international destinations to far-off venues in the hinterland of India where she’s travelled through dark, dense forested areas. “I have driven through areas where the only light is that of your car’s headlights. Turn around and you see pitch darkness,” says Sayed. She’s always got a little prayer on her lips when travelling through these remote areas for miles together. She recalls a show in Chattisgarh where she had to travel for nine hours at a stretch through remote and forested areas. “No place in our country is as safe as Mumbai,” she stresses. She would know, considering her extensive travels. She advises women to travel in groups while in places that are unfamiliar or unknown and never to venture out at night alone. “Keep your family informed of your whereabouts,” she says.

While her agreements state that proper security at all times, Sayed says that she drives her own car if she’s out at night for parties or personal work but insists that the people of Mumbai are largely helpful and cooperative. A rickshaw driver who once drove to home in the wee hours of the night, after a recording, waited at her gate until the watchman let her in. Friends and colleagues have dropped her home several times.

Mumbai, she feels, has changed—and it’s for the better, in the past two decades. “Earlier, on buses and trains, men would use the crowd as an excuse to touch women inappropriately. That has gone down. There is a generational change that I see,” says Sayed. She used to take the BEST buses and trains to her training classes and for recordings in the early days of her career.

Her timings are inconsistent and her shows take her to various cities and towns. But the Mumbai-bred girl emphasizes that her city is very safe for women, despite the various incidents of violence. “Mumbai is the only place where a woman can wear what she wants, wear bright red lipstick, leave her hair open and look glamorous and still be safe.”

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