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By:

Quaid Najmi

4 January 2025 at 3:26:24 pm

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and...

Thrills, roars and cheers under a giant marquee

Rambo Circus pitches a tent in MMR Mumbai : Mumbaikars are thronging to rediscover the joys of stunning, live entertainment as the familiar Rambo Circus has pitched a tent in Borivali West, before it shifts to Navi Mumbai from December 2.   This is billed as the first major full-scale season post-Covid-19 pandemic, which had led to a near washout of shows owing to social-distancing norms and public fears. The tent is now attracting a strong public response, said Rambo Circus Director and owner Sujit Dilip.   “We get good crowds on weekends and holidays, but weekdays are still a struggle. Our fixed expenses are around Rs. One Crore per month. Costs have gone up nearly ten times on all fronts in the last five years, and the 18% GST is killing. We manage around 1,500 shows annually, but barely break even, with wafer-thin margins,” said Dilip, 50.   The logistics alone are staggering. Rambo Circus travels across India with an 80-member troupe of acrobats, aerialists, sword balancers, jugglers, jokers, rigging crews, support staff, massive equipment, and a few mechanical animals.   “Many of my people have spent their entire lives under the tent. We live like a huge family. I try to support their children’s education, medical needs and help them build some financial stability. But without resources, it is becoming increasingly difficult,” said Dilip, his voice weary after decades of struggle for survival.   He reminisced of the golden era of Indian circus, around the second half of the last century, when there were many grand, full-scale circuses, but today barely half a dozen professional setups remain - Gemini, Golden, Ajanta, Asian, Great Bombay, and Rambo - along with a few smaller, local outfits.   “Unlike most countries where circuses come under the Cultural Ministry, India offers no institutional identity or support. I am invited as a jury member to several top annual international circus festivals. I feel sad as not a single Indian artist features on global stages. We just have no backing here,” Dilip told The Perfect Voice in a free-wheeling chat.   He said the decline accelerated after the ban on live animal performances nearly 20 years ago in India. In contrast, many foreign circuses still feature elephants, horses, bears, zebras, llamas, tigers, leopards, lions, and exotic birds - though most face heavy resistance from animal-rights groups.   “Moreover, ticket rates in India are among the lowest in the world, without tax concessions. In foreign circuses, even in smaller countries, tickets start at Rs 10,000 per head. We can’t dare match that…” he rued.   Yet, the thirst to lure audiences remains undiminished. Rambo Circus now leans on technology and innovation, featuring a mechanical elephant, a giraffe on stilts, stuffed zebras, deer, bears and horses, and has commissioned a Japanese company to design a robotic lion to perform tricks.   To make the shows more interactive, MoC – a tall senior joker – invites the young audience members into the ring to try small acts like skipping, jumping, or dancing with help from the midget clowns, and the kids’ shrieks of joy echo through the tent, as their parents furiously click videos and selfies.   Dilip recalled that during the pandemic lockdown, when survival seemed impossible, Rambo Circus pioneered online ticketed shows, selling nearly 50,000 virtual tickets - the highest among circuses worldwide at that time, and earned praise by international peers.   “We are swimming alone… For us, it’s not just entertainment. It is art, heritage, livelihood, identity, and passion - and we will fight for a dignified existence,” Dilip said quietly.   Rambo Circus’ emotional tug at PM’s heart Rambo Circus Director and owner Sujit Dilip appealed to Prime Minister Narendra Modi to help save this art form with a huge potential to generate jobs, discover talents, earn massive revenues and foreign exchange.   “We urge the PM and ICCR to give Indian circuses a formal status, affordable venues for our shows, extend bank loans, opportunities for skill-upgradation, foreign collaborations and inclusion under the Ministry of Corporate Affairs’ CSR list. Many corporates wish to help, but current rules prevent it,” Dilip told The Perfect Voice .   He recalled how, during Covid-19, Rambo Circus launched online shows and sold nearly 50,000 tickets, proving the potential of Indian circus talent and earning acclaim worldwide for his innovation. “Our dream is to make India’s circuses world-class, and we need government support to achieve this,” he said.   History of circuses – Roman Arenas to open maidans The name ‘circus’ had its origins in ancient Rome, where chariot races, gladiator clashes, displays/deadly fights between wild animals and condemned humans enraptured audiences in huge open arenas. Later, circuses began modestly in 1768 with horse tricks performed by Philip Astley, a London cavalryman. Then, came the modern version of live performances by horses/ponies in the US in 1793, and in the 1830s, wild animals were introduced.   Many Hollywood films featured circuses as the backdrop. The most memorable ones are: Charlie Chaplin’s “The Circus” (1928); Walt Disney’s “Dumbo’ (1941); Cecile B. DeMille’s 2 Oscar Award-winning “The Greatest Show on Earth” (1952); biopic on P.T. Barnum “The Greatest Showman” (2017), et al.   Bollywood’s own legendary ringside acts were in films like Raj Kapoor’s “Mera Naam Joker” (1970); “Chandralekha” (1948); “Appu Raja” (1989); “Circus Queen” (1959); “Shikari” (1991); “Dhoom 3” (2013); and the howlarious circus climax in Firoz A. Nadiadwala’s “Phir Hera Pheri” (2006), etc.

When Meritocracy Starts to Feel Like Favoritism

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At The Workshop, nobody said it aloud. But everyone felt it. It wasn’t a policy. It wasn’t a memo. It was a pattern. The founder, Rohit, had a rhythm … a gravitational pull toward certain people. The ones he brainstormed with, called into client meetings, turned to for “quick feedback”.


It didn’t look like favoritism. But it didn’t feel like meritocracy either. And that’s where the distortion begins … not in what leaders intend, but in what teams observe. Two months after the grand town hall, the strategy wasn't what people were trying to decode anymore.


They were decoding proximity:

Who does Rohit trust? Who gets access without asking? Whose mistakes are overlooked? Whose ideas make it to execution?


There were no formal rules for this. But everyone was learning them. And Rohit? He had no idea. Because in his mind, he was just moving with speed while leaning on the people who “got it” fastest. But what the team saw was something else: A quiet hierarchy of influence. One built not on titles, but on closeness.


That moment

It happened during a Friday sprint retro. Aman proposed a workflow change. Bold, unconventional … the kind of idea Rohit usually encouraged. But instead of responding, Rohit turned to Meera: “Let’s hold that thought. Meera, what do you think?”


Meera had worked with him the longest. Her judgment was sharp. Trusted. But to everyone else in the room: Aman felt dismissed. The interns updated their playbook: “Run bold ideas through Meera.” The ops lead made a mental note: “Pitch safely, not directly.”


Rohit hadn’t intended to promote a gatekeeper. But in that moment, the team had just created one.


Favoritism before leaders

Because leaders operate from intention. Teams live with impact. Rohit didn’t like Meera more. He simply trusted her process. She could take his half-sentence and turn it into action without much translation. He wasn’t rewarding loyalty. He was rewarding ease. But that distinction doesn’t matter when the team sees the same voices dominate every meeting. Familiarity starts looking like favoritism. And culture quietly reshapes around that perception.


Echo chamber

Most founders don’t wake up wanting to build echo chambers. They just gravitate … toward the people who mirror their speed, their style, their language.


Here’s what happens:

The founder starts ideating more with “trusted” voices. Those voices gain unofficial influence. Everyone else speaks less – not from fear, but from futility. Decision quality drops. Alignment fractures. Initiative dies.


Before you know it, you’re not building a meritocracy. You’re building a familiarity loop.


And in fast-growth companies, loops are sticky.


Real case

In a national sales team we worked with, the VP insisted decisions were data-driven. Until we ran a blind assessment. A top performer was barely visible. A mid-level player got promoted … not because of results, but because she was always in the VP’s orbit. A high-potential new joiner was overlooked because he didn’t “sound confident”.


When we showed the gap, the VP was stunned. What he thought was merit… was actually compatibility.


In a factory setup, a supervisor promoted the wrong person for three cycles in a row.


Not due to bias. Due to comfort. He chose: The one who never challenged him. The one who echoed his thinking. The one who felt “safe.”


Meanwhile, the real performers watched quietly. One line worker summed it up best: “Performance is for the reports. Promotions are for the familiar.”


Team effect

The damage isn’t instant. It’s cumulative. First, people stop pitching bold ideas.


Then, they stop asking questions. Eventually, they stop trying to compete at all.


Because the game feels rigged… even if it’s not.


And that’s the real cost of the Power Paradox. The leader thinks they’re being objective. The team experiences a hierarchy of trust.


Real paradox

Founders say, “We’re a meritocracy.” The team replies, “Then why does the same inner circle always win?” They’re not wrong. Neither is the founder. Because power isn’t about what you say.


It’s about how often you say it to the same people.


And when that circle goes unexamined, it quietly shapes a culture where: Familiarity outruns contribution, access outranks talent, and initiative dies before it begins.


Meritocracy is not just what you believe. It’s what your team can see.


(Rahul Kulkarni is Co-founder at PPS Consulting. He writes about the human mechanics of growth where systems evolve, and emotions learn to keep up. Views personal. Write to rahul@ppsconsulting.biz)

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